2 THE BASICS OF JAZZ STYLE Review from Essential Elements for Jaxx Ensemble (Book 1) Jazz Articulation Review the ertated 100 yytabirs for seth. “Doo”, Bah", "Det ane “Dot” caer bee iene no vermin rs baaeatlyh ha rural Hamre, these ie ost nasi ere il articulate he nhl Katee Attacks ond Releases In raciional emai eu at aT setieulation begin a nie fe taper themate a ther wad Accenting “2 ond 4” te ‘Voor recat tractor rt. he Menger Kear W844 te wet z aad 1b jas hve the a tly aa te jae inf corer ve “Ce atch okt ape eat to Dein a nat. en wa oreo tert rene with he ann. hit emper Rap" piven te rane a PeptordcHeing lend Eenghuming "Fann 4 gre the mata fats Bae = Oe ‘Quarter Notes levitra syle crates RO ae eu aed enaced. Lurk they may be played wrth earn al arene vt ae chee played kal eae Swing 8th Notes Sound Different Than They Lock inning he Deel ch soe of macho elu lave i Wee OF Tg, es ighap serene. 8h resin ate vtpleare xu pny legato, Gtha in Latin and Rocke (Straight &th Music) (Noes ain Rack re played toasty atthe eetcidatam a cer ‘ete rer tha ening ste Jazz Ornamentation and Expression These dnt rury ernie and witulitions mich se dscelahet at are ncraiey ts achieve a charactor as tewbg Shee ae the matt cammere a ral Sam the net on pach, = (AD The df the sce bt thee ‘et uomerrhy ch fal ft Fall aye Charomarnts erga pach ‘seeoved wth the cbr ce Hegereor a comtonatent Aesop: st beth Fate din be sha ang he ao he te hare bio ves FAM. ‘Stooge can be emcee (Gasthe coach a Rope Sie the ite arch the (ra combiner of both fret ol the nave. rp siaands: Tada orion een de hate the en omen By ey con a ft. Pog an btn reg feneoste th the eerste thee feegets ro combination of tat, fp See cated 6 oes toe i ems by xacdy plait are sere the asp Scoala Bele eaBASIC \¢ JAZZ THEORY AND IMPROVISATION ‘Chord and Scale Review The Dominant Seventh Chord is a "jazzy chord (Becmee offs Faminerd seometh ate. cae a “bun rome) eurEomeningen Servet Creel has a wer aury” er eng” sour The Blues Progression [Reterrony simerson cates cere renin ‘Ther event curreren coord gxegrerizos jut fee hve, eesily th 6 di Teehet hae tepeued parte unig ire Deeruineet Seventh Chard Th voer hones nec fe Wed cheese Sanam ier aie ere a Rene (enya ther Bheet. Estee paseo en Coors ew Dercinl Chartres nos ogre a Twe Common Blues Scales (Minor and Major} Minor ond Mojer Blues Seales in € Cate Bia See Cpa ah Sere Minor and Major Bluer Sealer in G 1 eeeyer S Det Mah Ges Woh Goo ih Gon ish Don ah Dee Bt Gee mt Dos : 3 ee 2, BASIC SCALE AND STYLE WORKOUT #2 ~ Major Scale be teDoo-teet Bender he een Dot eet Revit et Geen pit an 22. MILODY AND EXPRESSION WORKOUT #1 NEW CONCEPT: GHOSTED NOTES fais ‘Dives skaghe nob EE ine are piped very vefly ane evthrout accent. Theat note canbe motated wath atx lermesd-of 4 pomimbede. Lines ooith ghetbed Eth sone: are wally ped begets.‘ INTONATION WARM-UPS FOR BALANCE BLEND AND AB cwercies ane phere i 6 Leroi trl 26. BALANCE AND BLEND WORKOUT [Concert B Major} Ae cc BALANCT AND BLIND WORKOUT (Concert Bt Mixolydien) a : —— —— 29, BALANCE AND BLEND WORKOUT (Concert F Mixolydian) A, —_F, «4 —— 20, BALANCE AND BLIND WORKOUT (Concert E+ Mixclydian} _——" , —— a —_ 4 37. BALANCE AND BLIND WORKOUT [Concert € Mixolydian) Lj ——_ AA = cra MANGE AND REND WORKONT (Concer 6 jan) = + ———— a t34 REJOR BCALE BY THE NUMBERS 1, rupmryanynemanes p § cron? (CMajer Seven Chand a a a a ee 35. MAJOR SCALE BY THE NUMBERS #2 pases peeat tesesana t faaeaeat ys lee (36, MAJOR SCALE BY THE NUMBERS #3 iw 37, MAJOR SCALE BY THE MUMBERS #4 eter 3. MAJOR SCALE BY THE NUMBERS #5 Triaa.e 8 eee eee Pe aera 29, MAJOR SCALE BY THE NUMBERS #6 easehena t rayresaa 9 rayvaeeer0 MIXOLYDIAN MODE BY NUMBERS 49, MIXOLYDIAN WORKOUT ‘ sia dE SSS SSS 41. MIXOLYDIAN BY THE NUMBERS 81) Moyen semortet CDerenaet Seon Chant Caton ace aos te ew ee Se a a Rae 42. MEXOLYDIAM BY THE NUMBERS #2 iat seat ofe)eee32 1 vaasan ae 4 pees baba anen Fd 43, MIXOLYDIAN BY THE NUMBERS #3 ‘peeasewe owe ae Tete eee £8 et 44, MIXOLYDIAN BY THE NUMBERS #4 téhtaee a eee eee ek ee ae ek oe 45. MIXOLYDIAN BY THE NUMBERS a5. vOeavraes 4808 8 ewe Ff 46. MIXOLYDIAN BY THE NUMBERS #6 Gunn a Vetenera 4 creeTries ee sow 6 ot tesere ee Pama 51, DORIAN BY THE NUMBERS #4 toot TEe tae 6b eed eee ee 52, DORIAN BY THE NUMBERS #5 rer ere ee ae | 53. DORIAN BY THI NUMBERS #6 yesebaua + ‘esoesaa o tosseeen2 SCALE WORKOUTS ~ PENTATONIC AND BLUES 34. SCALE WORKOUT #1 - Minor Pentateni: SCALES IN CONCERT B. > ¥ 3 saat waad ft (aasmere oat 58. SCALE WORKOUT #2 - Minor Pentotenic anneSCALE WORKOUTS - PENTATONIC AND BLUES SCALES IN CONCERT F i 60, SCALE WORKOUT #1 - Minor Pentaronic ane 2 > ag Red gy > Tote wean 9 Tees gees at rors veal what G1. SCALE WORKOUT #2 - Minor Pentatanic Gin,5 ADVANCED WORKOUTS - PENTATONIC AND BLUES SCALES IN CONCERT F 72. ADVANCED WORKOUT #1 - Minor Pentatonic aie 32 ¢ ed itis 3 23: ia 11% LESSON #11 Reinventing Melody "bmpeevination Comma = erent crag oh ctr fia emi ever 20 Crise AP entering mt ng yi,EB, ENCLOSING TONES sats sere core onal tow te recy Uy a er Dat ep ater ce eee Dol a 4 91, ORMAMENTING SAINTS sete te isis a Mating” wt ornaments 7 rite et fg Foes‘rw Crtears, gerouity cogs athe bith of es, mt # mar Sears airy Sten at he bp athe 1h ct. Th vey ear arses smo tbs ice a PS ae ee Farcan rutcians oem ew Onaga cae: Me Bech Baden ‘Seingy Bechet Fan Bonin a weinnd Lunwt Arson ‘topo Banat ‘Referer barge Doses feby Post Monin nary Cera out Pere Tarynee Mandar Pe Ben cnn ‘nye Comcie ~“Seveed Line Mepis Fee. yin deanery tat engi Mew Osh eens netere serelageurin ht kl eight ra reir lr inti ag Be tn, 92. STRAIGHT, SWING AND SECOND LINE 8TH NOTES. ram omre : : * wien ’ > epthende Concape = Toeuile Mth ic tives sot sytem chic ery coeeaa Mee Cifear mse era perl ook Rt 93. WORKOUT FOR RHYTHMIC FEEL AND GROOVE aa> 90. PRACTICE TRACK FOR “THE SAINTS ARE SWINGIN’ LOW" ~ mm. 26-82 [3 choruses)» LESSON #3 Bives rifts improvisation Concaps — Als ory shu aekodiey (rust ae cormrenn aT ates iter moran whe bem cctey Fete a: Nar ae ian errno censo # enercees are ploy in reg tpl 9, BLUES RIFF AT sient pipat 1 temencver a teeter ter We, ‘4 aLESSON #4 calf and Response ‘reste Cemenph- Ga there nde wr ot paying hk ce aarti Eh ‘Aso #4 cece re ployed Sing, OS. CALL AND RESPONSE #1 3 es 0. che - 7 per aan ho anctel ademas VOR, CALL AND RESPORESE #4 Moye -tie py memory charg 4 oy oe, a et 5 t » changes rasthen 109, CALL AND RESPONSE #5. Piny 8 Tomes tices pe, thew cw 68, oeFy PERFORMANCE SPOTLIGHT Vine Street Ruckus no 19301 Kaman iy et Bert me he ett ra. Ba el Cot Ea ry coa rea uty aye of raaic thas dw ly on the be ranfion ofCal ard Paper” Marcas City Meaz- ht Parker ‘hadde haes ck Cayton or Lip Pape pebanen Sanyo Gleanings Laster Youn ie eee ete den wWebarer gal tree pa en fev Acten 110, MELODY WORKOUT #1 - Main RIM on on ote Dom Dee Sat ew ah Soe ee (em De tink a 112, “VINE STREET RUCKUS" - Full Bond Arrangement+ —F OTE ames ‘i Cae Ee «pe Ter 113, DEMONSTRATION SOLO FOR “VINE STREET RUCKUS”LESSON #5. Mixolydian Vamp and Chromatic Passing Tones ‘Theory Conciot any as ing re rte ng the Mion kc. Pring eres conte mn Sng CS a of eer A Wipe eed ese per AR Lesson #f eneeries ore piayect wen Sera ant 115, MIXOLYDIAN WORKOUT #1 hn ete he ey any moto ca Heras SSS SSS ‘Chet beat on ach roe tC Bahn Me aarp HoH aa aS srurastentian Cengt - Crowe Mating Fone cam be acted io rnd Deter 1B, ABDENG CHROMATIC NOTES sere we sor: of the mae on comtests feta sting etre seer) eat ecty woundLESSON #6 ‘Composite Blues Scale "Theory Cancap ~Tat Cpitr os breyten Be Sh nl ts i Ss The Compasine Bees Scshe Matt 9 diterent mien, ——— . Cohayo Bara Sate ' CCompenee mrs Kc (Ae cro a eeecnes we plop wh Sty anh. V22, THEORY WORKOUT Composite Mine Myon and Componte Burs Siales.rT PERFORMANCE SPOTLIGHT Beale Street Barbeque On ecemiee 1, 1077, Beale Street nm of te res” by an wt of the AS. Compre, bal fi Maren, TAC win coicinty clave the ie (Mirapuri ireprtaret ui canter throghiout the Zin ceritary ak ior mari mv inchvsing jane or tad goigel aad Pach Rak, Farnos muiclans nist with Memahis irk Bia tresey Memctin hare WA Bray Hoan’ Wel Moke. Jones uvite Franken haa Hayes Seabe Lite Aaa4 LESSON #7 triplets in Swing and Dorian Vamp Re a et retest cece nea Sor eqn rah AB Lense esercet or pipe na Sg spe = > ee ee 133. TRIPLET WORKOUT #3 Set Ataf eto Dest Diet ew ah Daten ih ri oefet eins Avie - Th if Sale Ras Bret mt Sch eb w eee at f ce| hin oul wept naes anf oethanone ap ede cers tr Pee 134, SEVEN MODES OF THE MAPOR SCALE (Concert B) [Ply eo boa the aes erful Earesary to ee reloter Pee Cd ciion soce At? 0 bein sade Eni? Pippen aa Fast rinmauees ‘Theory Gace < asa ha Goria Met nl toe) ‘ovens wan cb ner akg reso accor acannon tr ee 135, DORIAN WORKOUT oy te mieten ct ony scee the chee, (Chom at wate the eri Ate era aire136. DORIAN WADAP ines te tse en py any nero me chon on theater 139, DORLAN/MINCM PENTATONIC Dorian Mode amas t@et Oe eee taa4 sere beex» PERFORMANCE SPOTLIGHT windy City \Chicage inthe 15003 ane beciere eee cwnter Saaz uc ne PEIN ‘Municisr From new Crue such an Joe Yong” Olive and isis Armaboony bro! espera infuses for the local mesicians. The “Wiruty Cty” racy erase ant iota (day. Serna irrgrtane paired tate Chiao ince PusBotterfd lat ngiCole ack Belabewene fur ing oe an fess hina anes rei (heal Freeman Darah eattingson terbie Harcock Gen COseage Te aro] Leenks Lermie Tasca my MuParunet Lian Ramey rit vente My Cary148, PRACTICE TRACK FOR “WINDY CITY” - mm, 26-33 [4 choruses}aR LESSON #9 Bebop Scale and Double-Time Playing ‘Theory Review As state by ent are of he ban ent prs Bete cel Ti en ere (uncer e Al Lesion ft emerses ore ployech wath Svoight ths ‘Thwory Conteps ~ The "Bebey Lick” ue wr Rh ter ndteer sitchen. Ce of rites peated 189. BEBOP LICK WORKOUT #1 | Beate Tire pth ped we Fibres Comcnp Tome ented we 86 ober. These lteter hae158. ADDING CHROMATIC NOTES ote sis ententonsuuntet cata aie eer eee?= ee ee en on oe a ‘Beet (Rake Bah Et rs Eo 1 ee Deo Der iene ee a ee ‘Dewi Cem Dm CeeDien Gee Dt ahh On at a DectetDetht ak, Bette Baw Bho Oey (Besa natah nD ak Ba ot esa aroy LESSON #111 91h chords and Chord Tone Soloing = The eee: aceasta norway Divery” nae ‘Theeey Concept: Ta Dect 718 Chord te psp 1 th mot comanon chin as ura A evoe serene pel Seg pe, 164. DOMINANT 7TH AND 9TH CHORDS: (bank Dowrieart Pah Chant Cy aeytons “NRE BO Chet oe ‘Yeroroviuatian Cantege - Charu! Tata Taking: bur asics tt ied Ves Wane obi 166. CHORD TOME WORKOUT et a PL * os 3 Athenic Cacapt er tpthes covet at fle ant rt smc,LESSON #12 Chromatic and Passing Tones i Imerecteation Comenpt = Adeingctnerat: ermmaeiaion in rp exept ee the chi Ae mee inten ee ty ateeon #1 erie re played ng Sonny ue. 171, CHROMATIC TONE BELOW THE ROOT Se See @ Chroneti Onemensrnon 72 IRSONATIC TONE Skuse Tle. pe " et 5 Cheoeneti: Gemarartation 173. STARTING OM Hit UPREAT AND ADONGG A TRIPLIT 74. SATE TeNaL ENE THR DSH pay p= 4 Cheese dhnameruton ng po og sn berate i Aen bt ie tone ee 176. ADDING 2 BETWEEN 1 AND 3 e aeI PERFORMANCE SPOTLIGHT Literty Boll Shuffie The Drcterunen of cepaemeencn wa ratfhed in Pap ely 4776, Dpto jer mesic ram Peep ich sean tatrane Beetle Por idarena rere ith ty Soe Soren Mchel Brcins Randy Bachan Cilla! Brown Stam Gat Jiewey Mitel une Mergn——MCioyTyoar Sankey Carb Rarer Baton Beaty Teemerd Redimiony = mp arian SormpFomune = Hank Mthey Archls Shepp Raed102, PRACTICE TRACK FOR “LIBERTY BELL SHUFFLE* - num. 34-21 (@ choruses)« LESSON #13 ii-v- in Major and Minor Theory Corti - Ehaed Pamctien bn ar en ios chore Bab on wt a ‘he chon oer ie ty Ram Memes fer od i ce. Ai ses vent are ployed ith Sight 183. CHORDS OF MAJOR AMD RELATIVE MINOR KEYS: Te a ee Oe, AN LATTE NON art an ser alters ‘Camgar sor Pai tinge oC Mes aadee CAT Dat Eat Raa? 67 Ant oat Cat mete cmut Oni? ETM Pa? hou? a os mw ww moe “Thntey Canvep— hac dorergr hae progres ce On Air and Ma, bv Mg he Ronda Gt the chase Franttitea melierhetannds Wa te Vesela (Other rhe yor versio decce envenend bvIA, 184, ARPEGOIOS OF ii-V-I-1V IN MAJOR AND ii-V- IN THE RELATIVE MINOR Lien i te nt an pay he Sp ites Pn? ef et Fai? a wi o Make the an V chara Mle Rs see ven he a2 rt eh nthe hon Rene deat? limprevinithon Cencept- Foals Bracketing - the progestin fey bse heytbe wile ofthoe Seer ren can arp ech et it a ema 1b, MAJOR SCALE OVER THE ENTIRE ii-W-HIV IN MaoRLESSON #14 Scale Bracketing Theery Concept - Scale Bracketing with the Borien State ‘Dorie. (oe ete orb Mek wate ceicbedl en ee AD Leis OM emencnen ane pe with eee Babs, improvmation Concept - Sait Bracketing i Mimiy: The Minor icois wets wndloue ¢ aru chord bur Alarm Mingy routs better seth cho fr Rav Hb ech. 188. MINOR SCALE AND HARMONIC MINOR SCALE OVER ji-V-1 Theory Conmiapa = Asting thi 70h nore of aur Minor beste pruetcet ihe Hiern honor acc 189, IMPROVISATION WORKOUT teenies ors lin dinar‘PERFORMANCE SPOTLIGHT |ponems Dreomin’ hic elated eh a bec Irae hitachi poems te oa SS Dae er Stan ‘very eoplar nisl in Bg 19Du anal 1PED_ Aton Carin Jobiee's "Gil POPS TE et seg in hla. Metab Ara ef 83 a a rere card of se” ane cw Froiche ustcued cae Ba fewe reals Cas Son sr eta ingot iron Poa tintate reat eta mene 192. MELODY WORKOUT Genrer eeint aro « CCD ToT 194. DEMONSTRATION SOLO FOR “IPANEMA DREAMIN’ 195, PRACTICE TRACK FOR “IPANEMA DREAMIN’ = mm. 41-56 (4 chorunas)4 PERFORMANCE SPOTLIGHT skating In The Park nine vue a in Skating in Cora Party Paste eee ere emt ac ey Pas re tae a og ond 16 Nw To Cy, the ee Car Pa. i Noe iy near ae ra pata mee ot jer rin the lk Naot he DON ay, aay athe ret ps enncan Ny awe ommend at Mew ae fermen arcs: The Wage Vasgnear, "The Blt Hote Savy Maser the Vilage Gate. te Five Set and iin ‘Try Cnet ~ Jaze pepe in renga bn I tierra hr atety of arora, 19. RHYTHM. WORICOUT et hint pe Gee Con Meh Dee Dee Mah Gee ia fet = Ceo Meh Miah | Coden. Conman = Onn ek Cae A A AA aA A a A A ee noe = Cael Way fail Hin Coca Fru? ert Feu?202, PRACTICE TRACK FOR “SKATING IN THE PARK ~ mm. 41-48 (6 choruses]a PERFORMANCE SPOTLIGHT Five's A Crowd ‘Wott Coast Jase (often: wiped yo mi “Cool iars"l i w sty of} that develepedin the 19501, West Coant lank wea ree ‘Sine he bey ta bop ne tpn fergie wee Bee's Tee Ot wich eet wit virions free nigeatures. The regi Famsont sing fom Fares Chat mut Tale Foe” By ‘saeaphoniss Prul Cherrmane. which weed the, ‘ieee 03/8 Der ma rbd npr ary a. rerio mc soca WA os HE Terclade es leas ery nutigan Dave beck Chet faker Une Rents Geerye Shesing hon Ropes eeby Manne ud Shan Ae Haren 203,_ RHYTHM WORKOUT Gar a A aa 4 A 4 if 4 a Aa ry A A a Palas ——a 308, SEIVI'S & CROWD* ~ Full Band Arrangement 208. DEMONSTRATION SOLO FOR “FIVE’S A CROWD” ow ,