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Sample Response (Magic and Dreaming)
Sample Response (Magic and Dreaming)
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‘A Midsummer Night’s Dream’ uses the motifs of magic and dreaming to highlight how limited we are as
humans to comprehend our own emotions and experiences. After their magical experiences in the forest,
Hermia, Helena, Demetrius and Lysander wake up the next morning feeling unable to discern reality from
dreams, and Hermia dazedly comments, ‘Methinks I see these things with parted eye, when everything
seems double.’ Hermia, still coming to terms with the pain and confusion of the night before, feels as though
her perspective is distorted, as if metaphorically seeing things through ‘parted eye’. The unpredictable and
almost magical nature of dreams is the way Hermia articulates emotions and experiences that are difficult to
express. Bottom encounters a similar dilemma, and in a jumbled Biblical misappropriation, he states, ‘The
eye of man hath not heard, the ear of man hath not seen, man's hand is not able to taste, his tongue to
conceive, nor his heart to report what my dream was.' The five senses are symbolic of our ability to
understand and discern the world around us, but Bottom emphasises the limitations of each and how easily
our senses can be fooled. Bottom’s nonsensical ramblings emphasise how much of our own existence is
beyond our own comprehension. This is a point reinforced at the end of the play when Puck challenges the
audience’s own understanding of reality in his provocative statement, ‘If we shadows have offended, think
but this and all is mended, that you have but slumber’d here, while these visions did appear.’ His use of the
words ‘shadows’ and ‘visions’, with their connotations of trickery, falsity and deception, challenge the
audience to question their own ability to discern reality from fiction. In doing so, he emphasises the ‘magic’
of emotion and perception which challenges our concrete reality. Throughout the play, Shakespeare uses the
motifs of magic and dreaming to highlight our limited ability to comprehend our emotions and experiences.