Attempting To Force Naturally Occurring Pattern Into Functional Designs

Attempting to Force Naturally Occurring
Patterns into Functional Designs
Felipe Ladrón de Guevara

ULB cod: 000578281 1
BA3 - Architecture and design 2023- 1
Felipe Ladrón de Guevara
ULB cod: 000578281
BA3 - Architecture and design 2023- 1
Professor: David Erkan
2
Digital Fabrication Studio_Q1_2023
Table of Content
Stucture of Investigation/ MInd Map 4-5
Abstract 6
Key concepts 7
State of the Art 8-14

• Kengo Kuma - Architecture
• Irirs Van Harpen - Fashion Design
• Neri Oxman - biomorphic Design
• Bmw - Product Design
• Case Studies
• Tools Used For the Study
15-16
Iteration Process
• Key concepts
Stadium Facades 17-25

• Random Populating Plane
• Borisov Arena Replication
• Facade exploration
Voronoi Tessellation 26-33
• Pattern deconstruction
• Examples of the pattern found In nature
• Itterations using the pattern
• The Voronoi Brick
• Voronoi Pavillion
• Star Pavillion
Final Design 34-43

• Voronoi Building
References 44-45
3
Mind Map
Structure of Research
Implementing biomorphic design Tools Rhino 3D Parametrization Grasshopper Scri
Building as one with nature leaving

behind the disconnection between
Architecture and Context
Organic
architecture
Practical
Asthetically pleasing
Functionality Meets needs of users
Confortable
Efficient
Organic shapes
Understanding Biomorphic/Organic Architecture Principles Integration with natural enviroment Biomimicry
Minimize impact on nature
Lower emissions in construction
Sustainability
Enviromentally friendly Materials
Low cost of production
Renewable energy sources
4
Institutional buildings Water Cube Cloud 9
Stadiums Facades
Structural Birds Nest Herzog & de Meuron
ips
Case studies
Non Structural Media-ICT Cloud 9
mobiliare Furniture Mathias Bengtsson
Product design BMW
Hexagonal
Biomorphic patterns
Randomness
types Of patters found in Nature that could Potentially be

Replicated In Architecture Fractals
Sense of connection and harmony between object and

environment
Vegetation
n Wood
Voronoi
Stone
Adapted to Context Natural Materials
bamboo
Rammed earth
Cross section
Modularity
Limestone
solar pannels Dimonds
Eolic Power
Diagrids
Hydro Energy
Tidal Energy
Geothermal Energy
5
Abstract This investigation will explore the concepts of biomorphic

organic and biomimetic architecture and how it can be
used in the design process of building facades, structures
or products. Specifically, the paper will examine the be-
nefits of using this approaches into my design taking into
account an improvement in sustainability and increase
of the visual appeal. Additionally, the paper will explore
the links between biomorphic architecture and other re-
lated fields of work, such as product and fashion design.
By examining these links, the paper will highlight the impor-
tance of biomorphic architecture in the broader context
of sustainable and environmentally conscious design.
Overall, this investigation will provide an in-depth unders-

tanding of biomorphic architecture and its potential im-
pact on the design process. By exploring the benefits of
this design approach and its links to related fields, the
paper will contribute to a better understanding of how
biomorphic architecture can help architects create buil-
dings that are both functional and visually striking, while
also promoting sustainability and a stronger connection
to the natural world. Also as I begin to have a broader
understanding of the topic i´ll start to iterate via different
modeling tools such as rhino3d and Grasshopper on diffe-
rent objects, buldings and pavillions inspired by natural
patterns such as fractals, voronoi, diagrids, spirals and
more, aiming to understand the appeal and importance
of a parametric approach to design biomorphic products.
6
Key Concepts
Biomorphic Architecture. It is a modern architectu-

ral style that adopts the idea of embracing natural
Biomorphic Architecture shapes and patterns into the architecture. Biomor-
phism aims at turning naturally organic shapes into
functional structures.
Definition by Rethinking The Future
https://www.re-thinkingthefuture.com/architectural-styles/a3096-10-examples-of-bio-
morphic-architecture-around-the-world/#:~:text=One%20of%20the%20contemporary%20
Biomimetic architecture is a multi-disciplinary scien-

tific approach to sustainable design that goes
Biomimetic Architecture beyond using nature as inspiration for aesthetics
but rather deeply studying and applying construc-
tion principles that are found in natural environ-
ments and species.
Definition by Arch daily
https://www.archdaily.com/954004/what-is-biomimetic-architecture
The term organic architecture was coined by the

American architect Frank Lloyd Wright. Organic
designs do not try to infringe on nature but instead
Organic Architecture coexist alongside it, creating a composition that
celebrates and is in conversation with the natural
world. An organic architecture refers to its rela-
tionship with nature and unified use of styles and
natural materials that create a cohesive whole.
Definition by Frank Ghery in his Materclass
https://www.masterclass.com/articles/organic-architecture-guide
7
State Of the
Art
8
Architecture - Kengo Kuma

Kengo Kuma is a Japanese architect who is known for his innovative and sustainable designs
that incorporate elements of nature and the environment. He often uses biomimicry principles to
create structures that are in harmony with their surroundings and that mimic the natural world in
their form, function, and materials.
The China Academy of Art’s Folk Art Museum, designed by Kengo Kuma, demonstrates a strong
connection to nature through its design, drawing inspiration from the natural world in several
ways.
Firstly, the museum’s architectural form and spatial organization take inspiration from natural
landscapes. Kuma’s design often features fluid and organic shapes that mimic the contours of
hills, valleys, or flowing water. The building’s roofs may be undulating or sloping, reminiscent of the
gentle curves found in nature. This approach creates a harmonious integration of the museum
with its surroundings, blurring the boundaries between the built environment and the natural wor-
ld.
Additionally, Kuma’s attention to natural light and ventilation further emphasizes the connection
to nature. The museum incorporates large windows and skylights to maximize the influx of natural
light, creating a serene and immersive atmosphere within the exhibition spaces. By allowing sun-
light to filter through the building, Kuma creates an ever-changing interplay of light and shadows,
reminiscent of the dappled light found in a forest or the play of light on water.
Moreover, the interior spaces of the Folk Art Museum often feature a balance of open and en-
closed areas, creating a seamless transition between indoor and outdoor spaces. This design
strategy enhances the visitor’s experience, blurring the boundaries between interior and exterior
environments, and inviting a connection to the surrounding natural landscape.
Through these design elements, the China Academy of Art’s Folk Art Museum by Kengo Kuma
establishes a strong relationship with nature. By incorporating natural materials, organic forms,
natural light, and a seamless indoor-outdoor integration, the museum creates an immersive and
serene environment that celebrates the beauty and tranquility of the natural world.
The China Academy of Art’s Folk

9
Fashion Design - Iris van Harpen

Iris van Herpen is a Dutch fashion designer who is known for her avant-garde and innovative de-
signs. She is often inspired by the intersection of technology and nature, and she uses biomorphic
design principles to create unique and otherworldly garments.
One way that Iris van Herpen uses biomorphic design in her fashion creations is by exploring the
textures, shapes, and movements of natural organisms. For example, in her Voltage collection,
she created garments that mimicked the electric charges and currents found in the natural wor-
ld, such as lightning bolts and electric eels.
Another way that she incorporates biomorphic design is through the use of 3D printing technolo-
gy. She has collaborated with architects, scientists, and engineers to create intricate and com-
plex designs that are impossible to produce using traditional sewing and tailoring techniques.
Her designs often feature a mix of organic and geometric shapes, with patterns and textures that
resemble those found in the natural world.
In her Magnetic Motion collection, van Herpen used magnetic fields to manipulate the move-
ment of iron filings within the fabric of her garments, creating a dynamic and ever-changing
surface. The collection was inspired by the magnetic fields generated by celestial bodies and
other natural phenomena.
Overall, Iris van Herpen uses biomorphic design principles to push the boundaries of fashion and
create garments that blur the line between art, science, and technology. Her designs are not
only beautiful and innovative, but they also highlight the beauty and complexity of the natural
world.
10
Magnetic Motion collection Voltage collection
Design - Neri Oxman
Neri Oxman is an architect, designer, and professor at the Massachusetts Insti-

tute of Technology (MIT) who is known for her work in the field of biomimicry. She
applies principles of biology, engineering, and design to create innovative and
sustainable solutions for various industries, including architecture, product design,
and fashion.
Oxman’s approach to biomimicry involves studying the forms, structures, and

functions of natural systems and using them as inspiration for design. Her work of-
ten involves 3D printing and other digital fabrication techniques, allowing her to
create intricate and complex designs that are difficult to produce using traditional
methods.
One example is the Agalma project, which explores the use of biological prin-
ciples to create modular building blocks that can be assembled to form complex
structures. The project was inspired by the way coral reefs and other natural sys-
tems are able to create complex structures using simple building blocks.
In General her work resonates with what i´m interested in developing as she draws
inspiration from the natural world into her preojects achieving visually striking and
innovative pieces
11
Bjork Mask Vesper Series I Agua oja
Product Design - BMW
Biomorphic design, also known as biomimicry or biophilic design, is an approach

to design that takes inspiration from nature and its forms, processes, and systems.
BMW has incorporated biomorphic design elements in its car designs in various
ways.
For example, the BMW i3 electric car features a streamlined, aerodynamic shape
that was inspired by the body of a fish, particularly the streamlined and efficient
shape of a pufferfish. Additionally, the interior of the BMW i3 features a dashboard
and door panels that are made from a renewable natural material called kenaf,
which is similar to bamboo and is used to create a sense of connection with na-
ture.
Another example is the BMW Vision Next 100 concept car, which features a body
design that was inspired by a snake. The car’s body is covered in interlocking
triangular scales that adjust to optimize aerodynamics and enhance the car’s
performance.
In summary, BMW has incorporated biomorphic design in various ways in their car
designs, from exterior shapes to interior materials, to create a more sustainable
and connected driving experience.
12 Vision Next 100 Concept Car

Case studies
Biomorphic architecture can be seen as a subset of organic architecture, which is a broader design ap-
proach that seeks to create buildings that are in harmony with their natural surroundings. However, bio-
morphic architecture places a particular emphasis on the use of organic shapes and forms, and often
incorporates biomimicry (the practice of imitating natural forms and processes) in its design principles.
Here are some examples of biomorphic buildings:
1. Beijing National Stadium, China - Also known as the «Bird’s Nest», the Beijing National Stadium was de-
signed by Herzog & de Meuron and features a complex, interwoven lattice structure that resembles a
bird’s nest.
2. Heydar Aliyev Center, Azerbaijan - Designed by Zaha Hadid, the Heydar Aliyev Center features a series
of undulating curves and flowing lines that create a sense of movement and fluidity.
3. Eden Project, UK - Designed by Nicholas Grimshaw, the Eden Project features a series of interconnec-
ted geodesic domes that create a distinctive biomorphic form.
4. Louis Vuitton Foundation, France - Designed by Frank Gehry, the Louis Vuitton Foundation features a
complex, sculptural form made up of flowing, organic shapes, using the voronoi tesselation for internal
spaces and curved deiagrids for the Facades.
5. The Al Bahar Towers, Abu Dhabi - Designed by Aedas, the Al Bahar Towers feature a dynamic façade
system that opens and closes in response to the movement of the sun. The system is inspired by the
traditional Islamic moucharaby design, which uses a latticework of wood or metal to filter light and air.
6. The Media-TIC building, Barcelona - Designed by Cloud 9 Architects, the Media-TIC building features
a façade made up of hundreds of polycarbonate cushions that resemble the scales of a fish. The
cushions open and close to regulate temperature and provide natural ventilation.
7. The Grand Lisboa Hotel, Macau - Designed by Dennis Lau and Ng Chun Man Architects & Engineers,
the Grand Lisboa Hotel features a façade made up of undulating, curvaceous forms that resemble
petals or waves.
8. The Bosco Verticale, Milan - Designed by Stefano Boeri, the Bosco Verticale (or «Vertical Forest») fea-
tures a façade made up of over 700 trees and thousands of plants. The building’s organic, vegetated
façade not only provides a striking visual element but also helps to improve air quality and provide a
habitat for wildlife.
9. Toronto Media and Innovation District - designed by Kalbod Studio. Inspired by the local maple trees
cross sections, these floating on water buildings are designed to meet the rising sea levels expected by
climate change and natural disasters like floods in Toronto shorelines.
1. 2. 3.
4. 5. 6.
7. 8. 9.
13
Tools to explore biomorphical architecture
Overall, Rhino and grasshopper can facilitate the design process of biomorphic architecture by
enabling complex shape creation, precision modeling, visualization and rendering, collabora-
tion, and fabrication-ready outputs.
• Grasshopper is a visual programming language and computational design software that can
be a valuable tool in the design process of biomorphic architecture. Here are some ways in
which Grasshopper can assist in this process:
1. Parametric design: Grasshopper enables the creation of parametric models that can be
modified in real-time, allowing architects to explore various design options and experiment
with different forms and shapes. This flexibility is particularly useful in biomorphic architecture,
where organic shapes and curves are often used.
2. Generative design: With Grasshopper, architects can use algorithms and mathematical func-
tions to generate complex and organic shapes that are difficult or impossible to achieve
using traditional methods. This allows for the creation of highly intricate and biomorphic de-
signs that are tailored to specific needs and functions.
3. Simulation and analysis: Grasshopper allows architects to simulate and analyze various en-
vironmental factors such as daylight, shading, wind, and acoustics, which are crucial in the
design of biomorphic structures that respond to natural conditions.
4. Integration with other software: Grasshopper can be integrated with other design and analy-
sis software, such as Rhino and Revit, which allows for seamless collaboration and information
exchange between different design disciplines.
5. Fabrication: Grasshopper enables architects to generate 3D models that can be easily trans-
lated into fabrication-ready files, such laser cutting or 3D printing. This is especially useful in the
fabrication of biomorphic structures, which often require intricate and complex geometries.
In summary, Grasshopper can facilitate the design process of biomorphic architecture by ena-
bling parametric and generative design, simulation and analysis, integration with other software,
and fabrication-ready outputs.
14
Iterations
15
Iteration Process
After researching the state of the art and finding several methods of applying patterns found
in nature into the design processes, I started to apply them developing grasshopper scripts and
made several iterations of objects, facades and structures to demonstrate the potential of this
field and how nature should be a source of inspiration for the conception of projects of all kind.
At the end of iterating mostly on stadiums and pavillions, I decided to focus my final product
on the Voronoi pattern as there are many alternatives for its use and it´s an innovative way of
designing. Organic architecture is not a concept of my own as it has been a topic of discussion
for several decades influencing many projects through out the time showcasing mind bending
works of art. Frank Lloyd Wright spoke of an architecture that had a direct relationship to the
natural environment and to those who would inhabit his work. For him, organic architecture was
the interpretation of the principles of nature manifested in the conception of his projects. Wright
maintained the ideology that a building should be a product of its place, its time and its era - ne-
ver the result of an imposed style.
• I’d like to have a free architecture. I’d like to have architecture that belonged where you see
it standing, and was a grace to the landscape instead of a disgrace.
—Frank Lloyd Wright
Key concepts for the iteration Process
Biomorphic design
Pavilions
Organic Architecture
Bionic architecture
Living Building
Modular construction
Voronoi pattern
Tessellation
Diagrids
Hexagonal Panels
16
Nature inspired process
Stadium Facades
Parametrization and drawing inspiration from nature play crucial roles in the de-
sign process of stadium facades, offering significant benefits and enhancing the
overall outcome. Here are the key reasons for their importance:
Customization and Flexibility: Parametrization allows designers to create customizable and flexible
designs by defining and adjusting parameters. Stadium facades often need to adapt to various
factors such as site conditions, climate, and architectural concept. Parametrization enables de-
signers to generate multiple design iterations, explore different possibilities, and optimize the fa-
cade’s performance based on specific requirements.
Efficient Design Exploration: Parametric modeling and computational design tools facilitate
efficient exploration of design variations. By adjusting parameters and analyzing their effects,
designers can quickly evaluate different design options and assess their impact on factors like
structural integrity, visual appeal, and energy efficiency. This iterative process saves time and
resources while enabling better-informed design decisions.
Biomimicry and Nature-inspired Design: Drawing inspiration from nature in stadium facade de-
sign can result in visually captivating and functional outcomes. Nature offers a vast array of
patterns, forms, and systems that have evolved over millions of years for efficiency, beauty, and
sustainability. Applying biomimetic principles to the design process can lead to solutions that
blend seamlessly with the environment, enhance user experience, and promote sustainability.
Environmental Responsiveness: Nature-inspired design can help create stadium facades that
respond to environmental conditions. By studying natural systems, such as the behavior of light,
wind, or rainwater management, designers can integrate responsive elements into the facade.
This approach can optimize energy performance, enhance natural ventilation, minimize glare, or
even collect and utilize rainwater, aligning the stadium with sustainable practices.
Emotional Connection and Symbolism: Incorporating nature-inspired elements in stadium fa-

cades can create an emotional connection with users and spectators. Nature often evokes
positive feelings of calmness, harmony, and awe. By integrating natural patterns, textures, or
materials, designers can evoke these emotional responses and enhance the overall experience
of visitors and athletes.
Identity and Branding: Stadium facades are often iconic structures that represent the identity
and branding of the venue. By incorporating parametric design and nature-inspired elements,
designers can create distinct and memorable facades that reflect the purpose, values, and spirit
of the stadium, reinforcing its identity as a significant architectural landmark.
17
Populating Plane with Random Lines
Random lines can mimic the complexity and irregularity found in nature. In the case of
the Bird’s Nest Stadium, presented before, the organic lines were inspired by the intricate
nesting patterns of birds. By incorporating these random lines, the design pays homage
to nature and creates a visually compelling structure that evokes curiosity and awe.
While random lines may initially appear chaotic, they can be carefully orchestrated and
controlled within the design process. Through thoughtful planning, analysis, and optimi-
zation, designers where able ensure that the random lines serve both aesthetic and func-
tional purposes, resulting in a successful and meaningful architectural outcome.
Diagram and image retrieved from:

https://parametrichouse.com/the-birds-nest-stadium/
18
Formal Operations
Result
19
Iteration from an existing stadium

Arena Borisov - OFIS Arhitekti 2014
The design brought my attention as it draws inspiration from shapes found in the
environment such as dried ground, stones, bubbles and microbes replicating the
Voronoi tessellation. Understanding the design process and its algorithmic proce-
dure was part of my development on the matter and made me more curious on
this specific geometry, making me realize the potential of this specific pattern.
To furthermore understand parametric modeling focused on stadium design I re-

plicated the BorisovArena with a Grasshopper scripy, mainly based on the voronoi
pattern and modified the parameters to create my own twist to the design.
(Text description provided by the architects).
The concept takes into account the natural advantages of the location and the existing
interventions within the terrain, while maintaining as many of the existing trees on site as
possible. Besides 13.000 seats there is additional 3.000 m2 of public space and are clas-
sified 4 stars according to UEFA categorization. Traffic and parking is organised between
the forest.
Image Retrieved from - https://www.archdaily.com/562054/football-stadium-arena-borisov-ofis-architects
20
Fromal Operations
General axonometric view with modifications in parameters
21
Formal Operation
Geometry Variations
To get different results and to be able to have multiple designs starting from the same script, I
changed the parameters in the basic geometry of the modules (images after the initial script)
and then experimented with combining the different patterns to get much more organic re-
sults.
22
Skeleton and
first Iteration
Second and
third Iteration
fourth and fifth

Iteration
23
Sixth and seven-
th Iteration
Eight Iteration
Interior perspective
24
25
Final Exploration
26
Voronoi tessellation Exploration
Overall, the Voronoi pattern is useful in the design process due to its aesthetic appeal, natural
inspiration, structural efficiency, customizability, and compatibility with computational design
techniques. It provides designers with a versatile tool to create visually compelling and efficient
designs across various disciplines.
Aesthetic Appeal: The Voronoi pattern is visually captivating, featuring irregular and organic
shapes that can create visually striking and unique designs. It adds complexity and intricacy to
the design, making it visually interesting and engaging.
Natural Inspiration: The Voronoi pattern is found abundantly in nature, such as in the shapes of
cells, leaves, crystals, and coastlines. By incorporating the Voronoi pattern into design, archi-
tects and designers can evoke a sense of nature and organic beauty, establishing a connec-
tion between their built environment and the natural world.
Structural Efficiency: The Voronoi pattern is known for its structural efficiency. It maximizes stren-
gth and minimizes material usage by distributing stresses evenly. This makes it useful in various
applications, such as architectural facades, structural systems, and even product design. By
leveraging the Voronoi pattern, designers can create lightweight, yet robust structures.
Customizability and Flexibility: The Voronoi pattern allows for a high degree of customization
and adaptability. Designers can control the density and scale of the pattern to suit their speci-
fic needs. The pattern can be adjusted and manipulated to fit various design constraints and
aesthetic preferences, making it a versatile tool in the design process.
Computational Design: The Voronoi pattern lends itself well to computational design methods.
With the help of algorithms and parametric modeling, designers can generate complex Voro-
noi patterns quickly and precisely. This allows for efficient exploration of design variations and
iterative processes, empowering designers to find optimal solutions and push the boundaries of
creativity.
27
Examples of Voronoi Tessellation found in Nature
Dry lands
Stuffed Mushrooms
Light Reflection at Sea
Leaves
Bubles
Dragon fly Wings
Giraffes
28
Ways of application
Formal Operations
The Voronoi Lamp
Modular Facade
29
The Voronoi brick

In this iteration wich then resulted into my final product I explored the idea of a
pavilion in order to combine the pattern with a living space. For this pavilion I de-
cided to go with the voronoi block as a base and work around this script.
Formal Operations
Axonometry
30
Pavillion attemp #1
The Wave pavillion

After having my initial form ready I perforated it with a
curved surface taking inspiration from waves to gene-
rate the central space where it is supposed to be cir-
culated. After, I created the stairedcase to elevate the
general form and the glass panels on the outside.
Drawing inspiration from the underwater world this

pavilion aimed to replicate visuals and feel like the
sea bed. These ripples created by the passing of
light to the bottom of the ocean also replicate the
voronoi pattern.
31
Formal Operations
32
Pavillion attemp #2
The Star pavillion

After playing around with the initial geometry I chose to modify the initial block to a star shape to
give the pavilion a more organic oriented shape and this way combine the voronoi pattern with
the initial geometry in harmony. Also I did an experiment with Karamba, an additional plug/in
which allowed me to simulate the forces on the structure and see which was the ideal curvature
of each module.
Formal Operations
Process
33
The Voronoi Building
During the whole iteration process I kept encountering problems when I started to visua-
lize the actual viability of what I was designing and finally with the Final one it became
clearer - modularity. The modularity of this design enabled me to solve an intricate buil-
ding with modular pieces. This then became the whole identity of the building as the
irregular spaces gave each space a different feeling, meaning there could be different
uses for the same spaces, defined by the user not by the space.
Modular building offers several advantages over traditional on-site construction me-
thods. It significantly reduces construction time compared to traditional methods as the
building components are fabricated off-site concurrently with site preparation, allowing
for a faster construction process. Since modular units are manufactured in controlled
factory environments, construction can proceed simultaneously at the site, minimizing
delays due to weather conditions and other on-site challenges.
Also Prefabricated modules are constructed in factory settings with strict quality control
measures in place. The controlled environment enables precision and consistency in
the fabrication process. Skilled workers and advanced machinery ensure high-quality
construction, adhering to predetermined specifications and industry standards. This re-
sults in improved overall quality compared to on-site construction, where variables and
weather conditions can impact workmanship.
As well Modularity allows design flexibility and adaptability which can be easily custo-
mized and modified to suit specific project requirements, whether it’s a single building or
a larger complex. Modules can be easily added, removed, or reconfigured, allowing for
future expansion or adaptation to changing needs. This flexibility makes modular buildings
an attractive option for evolving projects in the future where climate change and rising
sea levels will threaten our traditional construction processes forcing them to evolve. The
only way we prevail as a race against adversity in the future is if we start to adapt and
evolve taking inspiration from nature, as we come and live from it.
34
Traditional Voronoi Tesselation
Semi - Ortogonal Voronoi Tesselation
3-D Voronoi Tesselation
35
Aim
This proposal aims to develop and organize a structure creating spaces that have
a free-form nature, relying exclusively on the principles of Voronoi tessellation. The
main goal is not to begin the design process based on the intended function of a
space, but rather to comprehend the intricate mathematical function and suc-
cessfully apply it to architectural endeavors.
Through a series of steps in the parametric modeling tool, Grasshopper, the objec-
tive is to create a free-form building that breaks away from conventional construc-
tion methods. Also the project aims to combine the sense of identity of the traditio-
nal village sites and the efficiency of a high rise housing,and thus be able to adapt
the pattern discussed to metropolitan contexts.
Traditional Village Highrise Housing Vertical Village
Maximum ocupancy Saves space but low diversity Saves space and allows diver-
sity of individual living space
A traditional village allows This type of housing allows a Combining the good attri-
poeple to built in their own quick response to the increase butes of the traditional village
terreain with a unique iden- in population and facilitates and the highrise village the
tity, but generally the land is a repetition and stacking of Vertical Village aims to utilise
wrongly distributed floors but it eliminates the in- the voronoi pattern to sub-
habitant diverse ways of oc- dive the space in a dense and
cupying the space diversified collective living
space.
36
Formal Operations
Step By Step
37
Modular Assembly
38
39
40
Multifunctional Spaces
Taking into account the irregular spatialities that the pattern generates, it gives the
possibility of spaces with multiple functions depending on the user who inhabits it.
In these modern times where space is more limited than ever we have to pay close
attention to the flexibility and versatility of the spaces we design and what better
inspiration than nature.
41
42
43
BIBLIOGRAPHIE
General Investigation
• https://www.grasshopper3d.com/forum/topics/organic-series-of-catenary-struc-
tures?commentId=2985220%3AComment%3A1249926
• https://architecturetokyo.wordpress.com/2017/06/19/2003-prada-aoyama-he-
rzog-de-meuron/
• https://www.academia.edu/67249820/Contextualizing_generative_design
• https://parametric-architecture.com/everything-you-need-to-know-about-bionic-ar-
chitecture/
• http://amirshahrokhi.christopherconnock.com/2011/09/16/diagrid-mesh-deforma-
tions-2/
• https://flyingneongoats.wordpress.com/2014/03/14/voronoi-diagramming/
• https://studiotomassaraceno.org/galaxies-forming-along-filaments-like-droplets-
along-the-strands-of-a-spiders-web/
• https://studiotomassaraceno.org/2-dimensional_webs_archivemaps_and_traces/
• https://mathworld.wolfram.com/DelaunayTriangulation.html#:~:text=The%20Delau-
nay%20triangulation%20is%20a,94).
• https://www.edfenergy.com/energywise/renewable-energy-sources
• https://mathworld.wolfram.com/DelaunayTriangulation.html#:~:text=The%20Delau-
nay%20triangulation%20is%20a,94).
• Andia, A. & Spiegelhalter, T., Post-Parametric Automation in Design and Construc-
tion, Artech House, pp118, 2015. ISBN 978-1-60807-693-2.[8]
• Arup, STAG Stadium Generator, available online athttp://www.arupassociates.com/
en/exploration/stag-stadium-generator/.
• Shepherd, P. & Hudson, R., Parametric Definition of Lansdowne Road Stadium, IASS
Symposium2007 - Structural Architecture, Venice, Italy, 200
• Sneed, A., Moore’s Law Keeps Going, Defying Expectations, Scientific American,
19/05/2015,available online at http://www.scientificamerican.com/article/moore-s-
law-keeps-going-defying-expectations/.
• https://www.re-thinkingthefuture.com/architectural-styles/a3096-10-examples-of-bio-
morphic-architecture-around-the-world/#:~:text=One%20of%20the%20contempora-
ry%20approaches,organic%20shapes%20into%20functional%20structures.
• https://cris.tuni.fi/ws/portalfiles/portal/13911329/Digital_Design_Booklet_DIGITAL_VER-
SION_.pdf
• https://www.nrdc.org/bio/maria-mccain/bringing-outdoors-benefits-biophi-
lia#:~:text=Biophilia%20is%20defined%20as%20the,nature%20and%20other%20li-
ving%20beings.
• https://www.cardesignnews.com/college-exhibitions/college-exhibition-politecni-
co-di-milano-scuola-del-design-masters-2016/24377.article
• https://www.archdaily.com/562054/football-stadium-arena-borisov-ofis-architects
• https://www.archdaily.com/109772/vertical-village-a-sustainable-way-of-village-
style-living-yushang-zhang-rajiv-sewtahal-riemer-postma-qianqian-cai
• DALL-E https://labs.openai.com _ Cover pages Design (Promt based images)
44
Voronoi Experimentations
• http://explodebreps.wordpress.com/grasshopper-definitions/3d-warped-voronoi/
• http://dimitrie.wordpress.com/2009/04/15/delaunay-triangulation-in-grasshopper/
• http://dimitrie.wordpress.com/2009/05/01/3d-voronoi-in-grasshopper/
• http://object-e.net/uncategorized/algorithmicbody
• http://www.grasshopper3d.com/forum/topics/skeletal-mesh?commen-
tId=2985220%3AComment%3A567188
• http://dimitrie.wordpress.com/2009/04/30/qhullghlove/
• http://www.grasshopper3d.com/forum/topics/skeletal-mesh?commen-
tId=2985220%3AComment%3A567188
• https://www.youtube.com/watch?v=jrsz1LVsRPM
• https://www.sciencedirect.com/science/article/pii/S1751616121000527
• https://www.youtube.com/watch?v=wiNt1iJ0oi4
• https://www.youtube.com/watch?v=_LjnbP7ghbc&t=119s
Stadium Investigation
• -National Stadium, Beijing, China (Bird’s Nest):Architect: Herzog & de Meuron

Reference: Herzog & de Meuron. (2008). National Stadium. Retrieved from https://www.
herzogdemeuron.com/index/projects/complete-works/201-225/218-national-stadium.
html
• - Wembley Stadium, London, England:Architect: Foster + Partners

Reference: Foster + Partners. (n.d.). Wembley Stadium. Retrieved from https://www.fos-
terandpartners.com/projects/wembley-stadium/
• - Singapore National Stadium:Architect: Arup Associates

Reference: Arup Associates. (2014). Singapore National Stadium. Retrieved from https://
www.arup.com/projects/singapore-national-stadium
• - Mercedes-Benz Stadium, Atlanta, USA:Architect: HOK

Reference: HOK. (n.d.). Mercedes-Benz Stadium. Retrieved from https://www.hok.com/
design/type/sports/mercedes-benz-stadium/
• - Soccer City Stadium, Johannesburg, South Africa:Architect: Boogertman + Partners,

Populous
Reference: Populous. (2010). Soccer City Stadium. Retrieved from https://populous.
com/project/soccer-city-stadium
45

Attempting To Force Naturally Occurring Pattern Into Functional Designs

Uploaded by

Document Information

Original Title

Copyright

Available Formats

Share this document

Share or Embed Document

Sharing Options

Did you find this document useful?

Is this content inappropriate?

Copyright:

Available Formats

Attempting To Force Naturally Occurring Pattern Into Functional Designs

Uploaded by

Copyright:

Available Formats

Attempting to Force Naturally Occurring

Patterns into Functional Designs

Felipe Ladrón de Guevara

State of the Art 8-14

Stadium Facades 17-25

Voronoi Tessellation 26-33

Final Design 34-43

Implementing biomorphic design Tools Rhino 3D Parametrization Grasshopper Scri

Building as one with nature leaving

Understanding Biomorphic/Organic Architecture Principles Integration with natural enviroment Biomimicry

Minimize impact on nature

Lower emissions in construction

Low cost of production

Renewable energy sources

Structural Birds Nest Herzog & de Meuron

mobiliare Furniture Mathias Bengtsson

Product design BMW

types Of patters found in Nature that could Potentially be

Sense of connection and harmony between object and

solar pannels Dimonds

Abstract This investigation will explore the concepts of biomorphic

Overall, this investigation will provide an in-depth unders-

Biomorphic Architecture. It is a modern architectu-

Biomimetic architecture is a multi-disciplinary scien-

The term organic architecture was coined by the

Architecture - Kengo Kuma

The China Academy of Art’s Folk

Fashion Design - Iris van Harpen

Design - Neri Oxman

Neri Oxman is an architect, designer, and professor at the Massachusetts Insti-

Oxman’s approach to biomimicry involves studying the forms, structures, and

Product Design - BMW

Biomorphic design, also known as biomimicry or biophilic design, is an approach

12 Vision Next 100 Concept Car

Tools to explore biomorphical architecture

Key concepts for the iteration Process

Emotional Connection and Symbolism: Incorporating nature-inspired elements in stadium fa-

Populating Plane with Random Lines

Diagram and image retrieved from:

Iteration from an existing stadium

To furthermore understand parametric modeling focused on stadium design I re-

(Text description provided by the architects).

Image Retrieved from - https://www.archdaily.com/562054/football-stadium-arena-borisov-ofis-architects

General axonometric view with modifications in parameters

fourth and fifth

Voronoi tessellation Exploration

Examples of Voronoi Tessellation found in Nature

Light Reflection at Sea

Dragon fly Wings

The Voronoi Lamp

The Voronoi brick

The Wave pavillion

Drawing inspiration from the underwater world this

The Star pavillion

The Voronoi Building

Traditional Voronoi Tesselation

Semi - Ortogonal Voronoi Tesselation

3-D Voronoi Tesselation

Traditional Village Highrise Housing Vertical Village

• -National Stadium, Beijing, China (Bird’s Nest):Architect: Herzog & de Meuron

• - Wembley Stadium, London, England:Architect: Foster + Partners

• - Singapore National Stadium:Architect: Arup Associates

• - Mercedes-Benz Stadium, Atlanta, USA:Architect: HOK