Got

To Be Real
Cheryl Linn

4 
 4    
       

Alto Sax

 4     

 4        

 
Violin

     
  44                   
E♭ Dm Gm F
Piano

  4            
Electric Bass  4                   

  
Alto 
       

    
Vln. 

    

E♭ Dm  Gm F E♭ Dm  Gm F
Piano

                       
             

El. B.

© Sheila Permatasaka 2017

    
           

Alto


Vln. 
      

       
E♭ Dm Gm F E♭ Dm Gm F E♭ Dm
Piano

                               
              

El. B.

         

D.S. al Coda without repeat

 
Alto


Vln.     

     

          
Gm F Cm C Dm  E♭ Cm D
Piano

            
El. B.          

2
           



 
Alto

       
Vln.    

           
Cm C Dm  E♭ Cm D
Piano

                   
El. B. 

   
           
Alto     

   
Vln.  
   
 
F  Em Am G  F  Em
Piano

                  
El. B.
         

3
        
        
Alto 

Vln.    

   
Am G F  Em Am G
Piano

                 
  
El. B.
    

  
                            
    
Vamp On Cue

Alto

 

           
Vln.

 

           
F  Em Am G
Piano

            
El. B.
              

4
        
 
 
Alto

  
   
 
Vln.

    
Piano    

       
El. B. 

5
Alto Sax
Got To Be Real
3       3   
Cheryl Linn

 4            

 4           




 
 12 9 
               
   


D.S. al Coda without repeat

  
                   
  
         
Vamp On Cue

        
           

© Sheila Permatasaka 2017

 Violin
Got To Be Real
 7 4   
Cheryl Linn

 4        


 4    




4    5 7

    
               
 
D.S. al Coda without repeat Vamp On Cue

 
     


© Sheila Permatasaka 2017