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  • Quieto Enquanto o Sol Nasce

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    Paulo Ricardo Machado
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    The document is a musical score containing musical notation written in Cyrillic. It contains staffs with notes, time signatures, key signatures, and other musical symbols. Various sections are attributed to different composers such as G. Fetisov and C. Romberg. The document appears to be exploring different jazz guitar techniques and progressions.

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    The document is a musical score containing musical notation written in Cyrillic. It contains staffs with notes, time signatures, key signatures, and other musical symbols. Various sections are attributed to different composers such as G. Fetisov and C. Romberg. The document appears to be exploring different jazz guitar techniques and progressions.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    5 views2 pages

    Quieto Enquanto o Sol Nasce

    Uploaded by

    Paulo Ricardo Machado
    The document is a musical score containing musical notation written in Cyrillic. It contains staffs with notes, time signatures, key signatures, and other musical symbols. Various sections are attributed to different composers such as G. Fetisov and C. Romberg. The document appears to be exploring different jazz guitar techniques and progressions.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    Тихо,как при восходе солнца.

     = 60   =   
    BV

    3
    С.Ромберг.
           
     
                 
       
    Г.Фетисов.


    Jazz Guitar

     
       

    BVII

       
      
                  
        
            
       
     
      
    FL12
     
            
          
           
         
        
           
    FL12

                    
        
       
      
     
          
    FL12 7


                
      
         
     
      
      

    BV BX

             
              
    
         
          
     

    Г. Фетисов. Хрестоматия гитариста.


    Page 1
     
     
    
    i m

          


                
          
     

    BII

        
    BII

          
       
        
           
        
      
     
       
           
     
       
    FL12 FL12

             
      
     
       FL12 
     
      
    FL12

           
    FL12 7


                    
         
      
        
     
    1/2

       

     
       FL12   
            
         
    7

         
         
      
     
    FL12

      
    FL12 5 5

    FL12

                  
      
           
      FL12     
      
      FL12

     
        
    FL5 7 12

             
      
            
     

     
      

    Page 2

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