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  • Evgeny Grinko Valse

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    Serhat Sezgin
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    The document is a musical score for a valse by Evgeny Grinko. It contains musical notation across 5 pages, including time signatures, key signatures, dynamics, expression markings, and other musical instructions. The piece is in a triple meter and progresses through changing sections marked by Italian terms like crescendo and fine.

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    The document is a musical score for a valse by Evgeny Grinko. It contains musical notation across 5 pages, including time signatures, key signatures, dynamics, expression markings, and other musical instructions. The piece is in a triple meter and progresses through changing sections marked by Italian terms like crescendo and fine.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    55 views2 pages

    Evgeny Grinko Valse

    Uploaded by

    Serhat Sezgin
    The document is a musical score for a valse by Evgeny Grinko. It contains musical notation across 5 pages, including time signatures, key signatures, dynamics, expression markings, and other musical instructions. The piece is in a triple meter and progresses through changing sections marked by Italian terms like crescendo and fine.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    Valse

    Evgeny Grinko

                 
    Es
      
    = 80

      
    Gm

     
                                  
     
    cresc.

           
                 
    10 Cm D

           
     
      
     
                                

             

      
         
    20 Cm D

     
    1. 2.

                            
                      

                 
        
     Gm
       
    30 Cm D

     
                                         
     rit...
    cresc. 

                                 
           
    40 Es Cm

      
                                

      
    2.


                  1.      
    Gm

             
    49 D
    1. Fine

                       
     
       
                   


    
    rit...


             Es        Cm 
          
                
    2

      
    58

               
                  
    

           

                
          
              
    68 D 1.

                   
                                      

           D 
          
             
    Cm


    76


    2.

                          


                    

       
          
       
    To Coda

       
    Cm D
    85 To Coda

               
              
                   
    cresc. 

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