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Williamson, Dan - An American Foucault
Williamson, Dan - An American Foucault
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access to History of Philosophy Quarterly
AN AMERICAN FOUCAULT
Dan C. Williamson
Introduction
Many of Michel
Foucault's Foucault's
genealogies of power readers in offer
and knowledge America have found that
radical and
transformative possibilities to individuals otherwise marginalized by
society. With the publication of his later works on the epimelia heautou,
the care of the self, his project changed to a consideration of how the
self constitutes, recognizes, and works on itself, rather than how power
and knowledge impose their normative gaze on subjects. This shift in
projects, instead of diverging from his earlier genealogies, intensified
those transformative possibilities by offering an ethics of self-fashioning
that challenges traditional normative structures of the self. These pos
sibilities overlap and reflect a sense of transformation of self that has
been developing in American letters for as long as this country has been
in existence. A large part of Foucault's legacy amplifies and illuminates
a radical, even revolutionary, sense of being and becoming American,
whose trajectory is to become who one is not yet. This legacy is discussed
and argued for here.
Several years ago, Richard Rorty presented a challenging account of
Foucault that echoed a sentiment made by Vincent Descombes. Rorty
writes,
But, as Descombes says, the American Foucault is Foucault with
most of the Nietzscheanism drained away. The French Foucault is
the fully Nietzschean one. For this Foucault, Descombes says, the
project of autonomy requires us to have "inhuman thoughts," to have
no "worries about sharing our beliefs with our fellow citizens." Insofar
as the French Foucault has any politics, they are anarchist rather
than liberal.1
189
1. Transformational Genealogies
A brief consideration of the ideas from the earlier genealogies of power
will be useful here as a way to introduce Foucault's later projects in
ethics. The panoptical apparatus (dispositif)2 of Discipline and Punish3
was quickly taken up by several groups who saw in the gaze of panopti
cal power the gaze of entrenched white male privilege. The body of the
woman is a site, a register, and a biography, where patriarchal power
inscribes simultaneously its lust and its power in the meticulous gray
detail of everyday existence. The History of Sexuality: An Introduction
continued and elaborated this critique of power and knowledge.4 Power
and knowledge conspire together but not solely in the figure of the law
or the police, the barracks or the schoolroom. Rather, discourses are
disseminated in a complex weave of practices and knowledge that are
regulated by power relations, which also produce normative assignments.
Knowledge comes from everywhere in institutional practices that are
formed more from the bottom up than from the top down. The pleasure
of confessing one's sexuality, of talking about it, becomes part of the
widespread examination of sexuality that did not find sexuality in the
human being but rather produced it there, just as the biography of the
prisoner, the schoolchild, and the military man are similarly constructed,
not found. The meticulous recording of the practices of pleasure lead to a
savoir (knowledge overall) of sex that possessed explanatory power over
who, what, and how one is. Its effect is to impose normative assignments
based on supposed factual and objective "natures" about individuals,
their sexual likes and dislikes. Some become normal, whereas some do
not: e.g., homosexuals and the proliferation of deviant categorization
itself produced by what Foucault calls the discourses of sex, Scientia
Sexualis. Sex was simultaneously pathologized and normalized.
In the first volume of The History of Sexuality, Foucault offers very
little to fight these apparatuses of power/knowledge. He speaks of lo
calized resistances and, in an almost Epicurean moment, he calls for a
return to "bodies and pleasures."5 He also sees most sexual liberation
movements as part of the apparatuses of sexuality. The appeal to essen
tialized or even constructed sexual categories places such movements
within the orbit of the discourses on sexuality. In effect, it makes them
co-conspirators with the normative and oppressive apparatus o? Scientia
Sexualis. Some found a lack of grounding for liberation and, thus, rights
as disturbing and a reason to reject Foucault's ideas. Nevertheless, a
great many others found a revolutionary and transformative voice in
the very fact that by revealing the production of norms about sexual
ity, Foucault really shows how no one identity can claim to be "natural"
and, hence, the basis for an objective status of what is right or true;
heterosexuality cannot morally trump homosexuality.
It follows that, for example, a gay man does not have to bow to the
convention that he is a deviant, a pervert, or an abnormal human being
since all of those terms and the essence they presuppose are historically
relative fictions, not truths written in fleshly stone by those who see it
emerging from physical and psychological roots, i.e., essentialism. For
the American audience, David Halperin says it best when he writes that
"the capacity to 'realize oneself by becoming other than what one is" is
at the center of the force of Foucault's trenchant genealogies of power/
knowledge.6 The effect of Foucault's analysis is to urge people to become
who they are not yet, to become who they might be.
However, Rorty's American Foucault does not recognize this. Rather,
Rorty's American Foucault has distilled away the "inhuman thoughts."
As Halperin's comment suggests, the reception of Foucault, including
the reception in America, resonates not with Deweyian liberalism alone.
He also resonates with the more Nietzschean or, if one will, Dionysian,
anarchic moment of self-creation. Its expression in LGBT7 culture
has been legion: in camp, cross-dressing, metrosexuality, and multiple
other expressive forms of identity that disrupt the settled tableaux of,
for example, the "dagger dike" or the furtive gay man in a trench coat,
hanging out near latrines. And it is this moment of self-invention that
is quintessentially American.
Consider as one example here the narrative of Audre Lorde. Lorde
is a feminist, a poor woman, an African-American, and a lesbian; and
she has children by a previous marriage. Some women's conferences are
disturbed when she brings a male child to the conference. It becomes an
issue. Feminist conferences invite her constantly and do not understand
when she does not appear. She does not have the money?she is poor
and also a feminist, a radical, a black person, and a lesbian. Her subject
position while visible as a woman is completely invisible as a poor person.
Lorde is marginalized from all sides. And in the midst of it, she asks what
if any of the master's tools she can use to build the house that is her self.
Lorde suggests a radical reformation, transformation that is summed
up in her taking on a new name, Zami.8 One must reinvent and, in the
process, ask if what was available before, from the discourses of power/
knowledge, can be used again without building a structure that will fail.
It can be said that Lorde is invoking a sense of self that is Dionysian in
2. Epimelia Heautou
Foucault's idea can be seen clearly in Stoic thinkers such as Epictetus.
It follows Epictetus's remark that you have no control over the opinion
of others or what the world may think of you or how it may construct
you (as a product of power/knowledge) anymore than Marcus Aurelius
could one day absolutely shed his role as emperor of the Roman Empire.
Put aside what the world of power and knowledge tells you to see in
yourself, the normative gaze. Those are the opinions of others. Instead,
see what and who you are by examining your own opinions about all
those other things. This you do have control over.13
This is well-known advice to anyone who has studied classical phi
losophy. One cannot control the opinions others have about oneself any
more than one can control automatic bodily functions. What one can
control is the nature of one's own opinions about other things and how
one shall react to those events, people, or knowledge. In doing this, one
also constructs the appropriate way to respond to any outside forces.
For example, in recognizing that one is gay or straight and a male, one
should be able to sort out the important aspects that are to be worked
over. How will one be in any given culture? Will one, for instance, reveal
one's gay sexuality and, if so, in what circumstances and what not? And
one may do this even with a sense of irony and humor. This is where
camp begins, in a willful parody of what otherwise is stereotyped as
"gay." The idea is that, in following advice like that of Epictetus about
caring for oneself, one can willingly give up certain aspects of oneself
while attaining to others that better reflect who one is. This kind of self
knowledge also allows one to judge when certain actions or reactions
are appropriate and when not. Like any virtue ethics, this is a manual
for practical action in the sphere of the political and social. In following
the advice, one sets the self on the road to transformation by balancing
the needs of the self with those of the "other."
3. Exercises
Foucault through the sheer weight of his study encourages the reader
to understand this other way of seeing the self. He does so in a broad
variety of ways in The Hermeneutics of the Subject going beyond the
limits of this paper. The following examples illustrate this kind of knowl
edge of the self in more detail. Considered are what Foucault calls the
"spiritual" ask?sis as well as the activity and cultivation of parrh?sia.
These examples clearly link Foucault to a tradition of revolutionary
self-transformation that has been in America for some time. This kind
of transformation, as is argued here, is to become what one is not yet, to
think those "inhuman" thoughts. And, as with the old Orphic mysteries, it
is to become the god, here meaning the person who is to be re-membered
and re-born, re-invented, trans-formed, literally.
Foucault continues,
[T]he knowledge of nature is liberating inasmuch as it allows us, not
to turn away from ourselves, not to turn our gaze away from what
we are, but rather to focus it better and continuously take a certain
view of ourselves, to ensure a contemplation sui in which the object
of contemplation is ourselves in the world, ourselves inasmuch as
our existence is linked to a set of determinations and necessities
whose rationality we understand. You see then that "not losing sight
of oneself" and "exploring the whole of the world" are two absolutely
inseparable activities, on condition that there has been this stepping
back, this spiritual movement of the subject establishing the maxi
mum distance from himself so that subject becomes, at the summit of
the world, consortium Dei, closest to god, participating in the activity
of divine rationality. It seems to me that all of this is perfectly sum
marized in Seneca's letter 66 to Lucilius. . ..24
One sees a stand of trees in the wild, they arrest the attention, they
call, and if one is aware, one must free the mind of all incidentals to
receive what calls one thither. And in the process that unfolds, a certain
elemental sense of self, of what really matters, emerges not in the thing
viewed (which is still going on), but in the viewer in her- or himself. "So
the first effect of this knowledge of nature is to establish the maximum
tension between the self as reason and the self as point."25 You realize
in the relation with that stand of trees, that something is being said to
you as a person, a self, as much as an intellect. If one were to consider
just briefly this in relation to what Foucault addresses in his genealogies,
one can see that, in acquiring this concept of self, one is moving away
from the concretized normative apparatuses of power/knowledge of the
subject to an awareness of self through and with the world.
One does not have to go so far to find American authors of similar
intent who truly have that "virtuous soul" that is "in contact with the
whole universe and careful to explore all is secrets," as Foucault quotes
Seneca as saying.26 Poets such as Gary Snyder come to mind. But one
American poet immediately stands out, the poet of democracy, Walt
Whitman. Where else might one find the soaring soul who sings the
body electric? Whitman's soul joyously records the diversity of America,
root and branch. The following comes from "Salut Au Monde!":
O take my hand Walt Whitman!
Such gliding wonders! such sights and sounds!
Such join'd unended links, each hook'd to the next,
Each answering all, each sharing the earth with all.27
As with many poems in the earlier editions ofLeaves of Grass, the poet as
self and soul soars above the world but only to look down into it, finding
One could easily see in these ideas the linkage of Whitman and
Thoreau along with Ralph Waldo Emerson. Arnold Davidson writes as
much in the following:
When Cavell portrays Emersonian self-reliance as "the mode of the
self's Relation to itself" ... he is working toward a conceptualization
of ethics that shares with Foucault and Hadot the idea that what is
at issue is not only a code of good conduct, but also a way of being
that involves every aspect of one's soul.. . . [H]e is pursing the ancient
conception of the sage or daimon in us, that self-reliance both within
and beyond one's self.30
3.2. Parrh?sia
The ask?sis is one among many self-disciplines that a mentor and master
may use to get the neophyte to recognize him- or herself with the aim of
controlling the self, not as a sort of internalized panopticon but rather
as way of opening up the soul to the world and the self. The beginner is
taught to emulate virtues that Benjamin Franklin also found important,
such as silence and the ability to listen. The goal of ask?sis, what Fou
cault later reluctantly calls ascetics,31 is to instill in the neophyte what
the master already has. The master has the ability to tell the truth: he/
she possesses parrh?sia.
Foucault in talking of the relation between the "auditor"?neophyte
here?and the master defines parrh?sia:
Parrh?sia (libertas, speaking freely), then, is this form that is essential
to the guide's speech.. . . [PJarrh?sia is free speech, released from the
rules, freed from rhetorical procedures, in that it must.. . adapt itself
to the auditor. But above all and fundamentally, on the side of the
person who utters it, it is speech that is equivalent to commitment,
to a bond, and which establishes a certain pact between the subject
of enunciation and the subject of conduct.32
And a little later,
I tell the truth, I tell you the truth. What authenticates the fact that
I tell you the truth is that as a subject of my conduct I really am, ab
solutely, integrally, and totally identical to the subject of enunciation
I am when I tell you what I tell you.33
4. An American Foucault
One cannot escape the idea that, in all this, there is the kernel of a highly
prized American ideal of the first order: in any occupation and way of life,
an American chooses his or her life freely and?just as important?he/
she will do it in a way that is honorable and honest, with something like
a care of the self that involves knowing the truth of oneself, parrh?sia.
There may be those who see in this an exclusively Puritan or Protestant
influence. But that is a mistake. Foucault through his studies reminds
us of its classical Greek and Hellenist roots.
And here immediately the founding fathers come to mind. Nearly
all of them, Thomas Jefferson and Benjamin Franklin certainly, were
versed in the classics, including Socrates, Plato and the Stoics. Jeffer
son is not hard to place here as a revolutionary. But one could hardly
find someone who took radical transformation of the self as a series of
exercises as seriously as did Benjamin Franklin. Franklin might seem
to be an odd choice now that he has been canonized. But who can deny
the revolutionary impact this polymath had on American culture and
the whole idea of becoming American? His own transformation becomes
a portrait of someone who is not yet, that is, not British or exclusively
continental, but rather uniquely American. These sentiments and more
are found in The Autobiography of Benjamin Franklin.^
Franklin addresses his work to his illegitimate son. But it is not
an autobiography, a new word invented after Franklin had died. It is
really a memoir. As a memoir, it is similar to Augustine's or Rousseau's
Confessions .41 Franklin's work is an ethical tract devoted to telling his
son where he, the father, succeeded and where he did not. It is really a
memoir entirely devoted to how to become a free man and what lies in
store for someone who does. He admits, for example, that friendships
were often difficult for him; he was taken advantage of as a youth,
and yet, through it all, he managed to secure his own sense of a self
that was totally his own. He flees his abusive brother first for New
York and then ultimately Philadelphia, where he eventually becomes
a printer and then a man of great political influence, a life that leads
to the Declaration of Independence and his being our first ambassador
to France and the court of Louis XVI and Marie Antoinette. To say
that Franklin is a part of American as well as of French history is an
understatement.
The Autobiography breaks earlier in Franklin's life and is resumed
at Passy in France while he is ambassador in the 1780s. He undertakes
his narrative at the behest of Benjamin Vaughn who urges Franklin to
write about himself and his "art of virtue,"42 such that other Americans
can emulate his growth and changes, his transformation and the ethi
cal components of same. Franklin thus continues the memoir beginning
with an account of his attempt to become a better ethical person by the
use of a table of thirteen virtues that he exercises each day with the
use of an ivory tablet where he can monitor his own progress. He soon
becomes disillusioned with the demands of the project and quips that
"a speckled axe" is better rather than one turned to a brilliant shine by
the smith; perhaps a slightly flawed person?who knows his character,
nonetheless (parrh?sia)?is better than a perfect person.43
The table of virtues is not really of deep philosophical significance
perhaps, but some elements of it are distinctively in the tradition of a
care for the self. Franklin sets about to purify himself ethically. The
ethical principles are ones such as "moderation," "temperance," "silence"
(meaning listening, holding one's tongue), "sincerity," and "justice." Fou
cault's account of care of the self, o? parrh?sia, and of the four aspects of
a genealogy of ethics is reflected here. For example, the idea of "silence"
is reflective of what Foucault later in the Hermeneutics identifies as
one of the exercises an "auditor" must cultivate to develop a care of the
self and its culmination in parrh?sia.44 One may go further to say that
Franklin's entire memoir embodies the whole sense of Foucault's four
ethical aspects for a genealogy of the self, an ask?sis.
Many commentators see in Franklin's list of virtues a Puritan streak,
especially with virtues like "industry" and "humility." But one can also
arguably see a definitive influence with classical roots. Franklin, like
Jefferson and many others of the founding generation, including Abigail
Adams, was no stranger to classical thought. Moderation, temperance,
and humility are all virtues discussed within the context o? epimelia
heautou. Franklin was himself a student of care of the self without
being one in name, if one takes as evidence not only the list of virtues
but all the anecdotes, stories, and epiphanies that Franklin has as
part of a memoir that is supposed to have, like confessions before it,
an ethical impact.
What this amounts to is the idea that at the heart and soul of a pre
eminent American is a sense of continuation of the classical tradition
Foucault discusses. Franklin, like others discussed here, is willing to
embark on a voyage whose compass directs change and whose heading is
toward becoming an individual with sense of moral self-awareness. But
there is no specific heading. It is revolutionary in that the American it
addresses is not yet, but only becoming so. If Franklin were a liberal, he
would have been a loyalist. As it is, history beckons to us with a different
example, one more of a transformative American whom the Nietzschean
reading of Foucault would immediately recognize.
Conclusion
One may get the impression that those who pursue an ethical and aes
thetic transformation of the self are intensely self-interested people, if
not selfish. This may send the wrong message. The example of Franklin,
however, reflects another side to the care of the self, especially among
the Stoics, that might otherwise be lost. Franklin, like the Stoics, was
a devoted person whose ethical substance included a telos that almost
always aimed at the social good. Even when Franklin was making
money through his franchising of printing presses and his own incessant
workaholic schedule, he was organizing street sweepings, employing
more efficient street lighting based on an English design, designing a
stove that he refused to patent because he wanted all to use it, continu
ing his scientific experiments, and pursuing his activities instrumental
in establishing a free press in America, the first public university, and
the model for the first public libraries. These are not the activities of
a selfish man anymore than are Thoreau's naturalist and poetic mus
ings, Whitman's poems, or Audre Lorde's writings to all the sisters and
brothers, gay, lesbian, and bisexual, waiting to be born into a new life
through a transformative ethics and aesthetics.
To conclude, these American individuals are strongly reflected in
what Foucault shows in his many later works and especially the The
Hermeneutics of the Subject. They illuminate the possibilities that these
ancient exercises have for a contemporary world. P^oucault's Americans
are radical, transformative, and revolutionary as they are individuals in
search of a new self that has ethical and aesthetic content. An American
Foucault is not just a Deweyian liberal. She or he is a person searching
for what is not yet, the direct embodiment of the American Dream.
NOTES
1. Richard Rorty, "Moral Identity and Private Autonomy: The Case of Fou
cault," in Essays on Heidegger and Others: Philosophical Papers, vol. 2 (New
York: Cambridge University Press, 1991), 193.
2. On this, see Gilles Deleuze, "What is a dispositif?" in Michel Foucault:
Philosopher, trans. Timothy J. Armstrong (New York: Routledge, 1992), 159-68.
3. Michel Foucault, Discipline and Punish: The Birth of the Prison, trans.
Alan Sheridan (New York: Vintage Books, 1979).
Foucault mentions others striving for something like a care of the self,
"Schelling, Schopenhauer, Nietzsche, the Husserl of Krisis, and Heidegger as
well.. ." (ibid, 28).
22. Ibid., 279.
23. Ibid., 279.
24. Ibid., 279-80.
25. Ibid., 279.
26. Ibid., 280.
27. Walt Whitman, Leaves of Grass (New York: Bantam Books, 1983),
109-10.
28. Pierre Hadot, "There Are Nowadays Professors of Philosophy, But Not
Philosophers," trans. Aaron Simmons and with Notes by Mason Marshall,
Journal of Speculative Philosophy 19, no. 3 (2005): 229-37.
29. Ibid., 232.
30. Arnold I. Davidson, "Ethics as Ascetics: Foucault, Ethics, and the His
tory of Ancient Thought," in The Cambridge Companion to Foucault, 2d ed., ed.
Gary Gutting (New York: Cambridge University Press, 2005), 139.
31. Foucault, Hermeneutics, 416. He does not wish to call it that only be
cause of its negative connotations with the Christian absorption of the epimelia
heautou, and the ". . . attitude of renunciation."
32. Ibid., 406.
33. Ibid., 407.
34. See the classic of this idea by Jean-Paul Sartre, Existentialism and
Human Emotions, trans. Hazel E. Barnes, The Wisdom Library (New York,
Philosophical Library, 1957).