Cello The Lion King

No. 1

The Circle of Life

Orchestrated by David Metzger
Re-Orchestrated for 17 piece orchestra 4/2000 by DM

 
    
 

   
   
    

  
    
 

  
   

 
   
 

   
   


         


                 

   

       
                 
   

       
                
   


  


The Lion King “The Circle of Life” - Cello - page 2



     
  

   

   
   

   

  
     


    

 
      
   

      
   
   

  
 
   

   


  


The Lion King “The Circle of Life” - Cello - page 3

     
             
                    
   
   

               
     
                     
  

            
            
   
 

        
         
 
            
                  

  
   

         

                           

               

 
  
  
         
                 

         
 

                               
    
   

        
              

    
Cello The Lion King
No. 2

Mouse Music/Scar U.S.

Orchestrated by Robert Elhai
Re-Orchestrated for 17 piece orchestra 4/2000 by DM

  
Moderato Repeat Ad Lib-Cut On Cue
 
      

 
  
Slow and languid  
     
          

 
   


    
       

   
Cello The Lion King
No. 3

Pridelands
CUE: ZAZU: "Whenever he gets dirty you can take him out and beat Orchestrated by David Metzger
him. Ha ha ha ha ... " Re-Orchestrated for 17 piece orchestra 4/2000 by DM


       

   

   

  
    Poco Rit.
Cello The Lion King
No. 3a

Rafiki Paints Simba

CUE: RAFIKI: "... Do you understand? " (Turns upstage) Orchestrated by David Metzger
Re-Orchestrated for 17 piece orchestra 4/2000 by DM

   
   
Slow

   
   ATTACCA
Cello The Lion King
No. 4

Grasslands
CUE: RAFIKI: " ... Simba!" Orchestrated by Robert Elhai
Re-Orchestrated for 17 piece orchestra 4/2000 by DM


     

  



    

 





    




 
   




 
  




 


 

   
  
Cello The Lion King
No. 4a

Circle Underscore
CUE: MUFASA: "Look, Simba … " (in clear) Orchestrated by David Metzger
Re-Orchestrated for 17 piece orchestra 4/2000 by DM

 
Slowly

 

  

   

        
 
   

       
    


        

   

 

 
    


    



   
      
   

 
   

        



 
   



 
Freely


The Lion King “Circle Underscore” - Cello - page 2

 
   
      


  

   

In 4 
    

   


       
   

    
   

       
  
 

   



  
Cello The Lion King
No. 5

The Morning Report

CUE: MUFASA: "Fire away!" Orchestrated by Robert Elhai
Re-Orchestrated for 17 piece orchestra 4/2000 by DM

 
Recitative

 
    
   
  

    
    


   


Presto

  

        
 
  
   

  
                

Allegro a la Gilbert & Sullivan
   
  
    

       
     
                  
    
   

      
       
                   
 
   

 

          
       
  

The Lion King “The Morning Report” - Cello - page 2

          


         
         
      
  

    
     
         
        

   

         
        
  
  

  
   
    


       

    

      
          


   

   
Accel. Faster

 

The Lion King “The Morning Report” - Cello - page 3

   
       
   
    

                   
  
   

               
                            
 
   

         
          
          
   

  
  
                       

           
        
                   
 
 
  

  
         
                 
          
   
  
Cello The Lion King
No. 5A

SCAR’S CAVE
CUE: ZAZU: " ... Then you can chase those slobbering, mangy, Orchestrated by Robert Elhai
stupid poachers from dawn until dusk." Re-Orchestrated for 17 piece orchestra 4/2000 by DM

   
      
 
          

   

  
 
    
      
   
Cello The Lion King
No. 6

Lioness Chant
CUE: SCAR: "... And remember: it's our little secret." Orchestrated by Robert Elhai
Re-Orchestrated for 17 piece orchestra 4/2000 by DM


 
   
Tempo
  

  


3x
    
  



  



  
"The Kill"


Cello The Lion King
No. 6a

Busa Underscore
Orchestrated by Robert Elhai
Re-Orchestrated for 17 piece orchestra 4/2000 by DM
Joyfully

 

      
       

    

  
Cut on cue
      
      

   

    
                  
   
   

      
                
  

                     
     
   
Cello The Lion King
No. 7

' Wait To Be King

I Just Cant
CUE: SIMBA: "Not the way I see it." Orchestrated by David Metzger
Re-Orchestrated for 17 piece orchestra 4/2000 by DM
 

  
 





   
   


    
   
   
  
    
  
   

  
     

             
     
  
 
 


  



 
      
             
 
     


     


    
 
 

     
     
 

  
The Lion King “I Just Can’t Wait To Be King” - Cello - page 2



 




 
     

   


 
       
      

  
         
             
   


  

 
 
                   
   
     

  
      
        

             
    
 
   

        

            
     


   

    
   
        
  
 
         
         
   
   
     
 
          
                     
    
   

 
  


             


    
 
    
The Lion King “I Just Can’t Wait To Be King” - Cello - page 3


  





             
 

    
 
   

             



      
 
   
       
 
     
 
 

 


 
         


 
 
   

 
 
 

 



 
   
 
 
  
 
 
          
   

      



  

   
 

    

     
 
  



 
    

    
 

    

  
The Lion King “I Just Can’t Wait To Be King” - Cello - page 4

  
       
 


    

  

     
  
   

      
      


  

      
   
    



  

      
      
 
  
  
    
 

 
 

     
         
 
   
  

   
 

  
      
  

 
Cello The Lion King
No. 8

Elephant Graveyard
CUE: NALA: "Pinned ya again." Orchestrated by Robert Elhai
Re-Orchestrated for 17 piece orchestra 4/2000 by DM
5

5
 
 

   


     
 

  

        

Slowly

          
 
    
 
                  
Safety
      
                 
  
 


 




  
   
Cello The Lion King
No. 9

Chow Down
CUE: SHENZI: "Hey! Who you callin' 'oopid-stay?'" Orchestrated by Robert Elhai
Re-Orchestrated for 17 piece orchestra 4/2000 by DM
Freely - Dictated

    
5 5 5 5

 
  
    

   

 

5    

5 5
   
  
 

    
5 5 5 5

   
   
       

Safety
   

 
Ritard
   
Accel.


    
The Lion King “Chow Down” - Cello - page 2


     
Accel. Rock and Roll Tempo
           
                 
     

                  

   


               
   
       

 
  

 
 
           
 
     
   

           


        
                  
      
   

        
     


                   
    

   

             
         

      
    
  
Straight Rock & Roll

             
       
  
    
The Lion King “Chow Down” - Cello - page 3

          
                 
       

  


      
                  
  

               
 
                  
     

  

        
                          

          

 
   


      

    
         



    
 
The Lion King “Chow Down” - Cello - page 4

          
           
Allegro Diabolico

        
       
  
  
 
  

 

             
             
 
 

 
 

      

           

        
  
 
 

       
          
                       
         
  

        
  
             
     
    

                               
                   
 
     

    
     

 
  
                         
 
     
 

         
 
 
     
  

           
 
  
  

 
Freely - Dictated 
 
    



  
Cello The Lion King
No. 9A

Before They Live In You

Orchestrated by Robert Elhai
Freely Re-Orchestrated for 17 piece orchestra 4/2000 by DM


     
  

     
  

  
Slow March

    

   

    
 
  

     
          
 

  
   

    
Rall.

  

   
A Tempo
 
 

   

  
Poco Rit.  

 

 
Cello The Lion King

They Live In You

Orchestrated by Robert Elhai
Re-Orchestrated for 17 piece orchestra 4/2000 by DM

   

Spiritually 



  



  




     
 
   

     
   

      
    
The Lion King “They Live In You” - Cello - page 2

 
   
   

 
 
 
   

      
 
   

  
  

   

  
   
   

 
  
 
  


 
 



     
 
 
The Lion King “They Live In You” - Cello - page 3

 
    

    


    


   

      
   

   
 

  





  



  



     
 
Fade On Cue


Cello The Lion King
No. 10a

Back To Graveyard
Segue Orchestrated by Robert Elhai
Re-Orchestrated for 17 piece orchestra 4/2000 by DM

 
Safety On Cue:
 

(Out on either bar)

         
Slowly

  
    
     
cello The Lion King
10b

Shut Up, Ed
Re-Orchestrated for 17 piece orchestra 4/2000 by DM

TACET


Cue: “Shut up, Ed”
 

   

 

Cello The Lion King
No. 11

Be Prepared
Orchestrated by Robert Elhai
Re-Orchestrated for 17 piece orchestra 4/2000 by DM

 


    
 

 
  

    
  

   

   
      
In Tempo

  
 


                         
         
   

     
            
 
   

     
            
 
   

The Lion King “Be Prepared” -Cello - page 2


      
 


    

  
      
      
 
  
  

                    
                  
  
   



        
   
                      
   

  
 
   
   

            

    
 
    




   

 


 


The Lion King “Be Prepared” -Cello - page 3



    
   
   






   

       
   

            
           
      
       
   
   

           
           
      
        
    

    
               
 
                   
   

              
Accel.

       
            
   
     
DANCE

     

Più mosso






The Lion King “Be Prepared” -Cello - page 4

 
     
       
        
     
    

 

 
   

 
  
 
    
  


 
               


    
    
      
      

   

  

    
      
   
     
    

  
       
                     
  


    
                                
 

                
           
   
  

             
  
               
    
   
The Lion King “Be Prepared” -Cello - page 5

   


   

           
                
                    
    
    
   

               
                
   

    
           
         

   
   

         
 
 


   
  
  

       
Rall.
   
         
  
  
Cello The Lion King
No. 11a

Scar and Simba

(Giraffic Park)
CUE: ZAZU: "Oh, Sire, I remember a certain cub -- a certain headstrong cub ... " Orchestrated by Robert Elhai
Re-Orchestrated for 17 piece orchestra 4/2000 by DM
Tempo Andante Con Moto

   


     
 

   

     
 
   
      
 
   
A
   
  

 

B

  



C
  

    



D
  


   

  

 
Cello The Lion King
No. 12

STAMPEDE ParT 1
Orchestrated by Robert Elhai and David Metzger
Re-Orchestrated for 17 piece orchestra 4/2000 by DM

 


 

 
  

  

 

     
      
   
 
  
 
   
 
     


             

 

 


         
    

 
 
 

    

 
  
  
      
        
    

   


 
 

     
    

                           


       
   

                  
            
   
   
      
   
  

 

 

   
    
 
 

    


 
The Lion King “Stampede Part 1” - Cello - page 2

         

         

      


 
 

     
    
 
 


 

 


 

                         
  

    
   

    
 

       

  

     
                      
               
 


            
  
  

        
       

     

 

            
      
  
 

          


 

         
   
        


      


   

                     
  
  

 
 


The Lion King “Stampede Part 1” - Cello - page 3

             

        
      
   

 

      
        


     
  


 

 
  


     
   

     
     

     

   
    

             
 
 

 
    

        
     


   
   

  

     
 

   
   
  
  

    
 

 
    


   
  


  
     
Cello The Lion King
No. 13

Stampede Part 2
Orchestrated by David Metzger

  
Re-Orchestrated for 17 piece orchestra 4/2000 by DM


 




 

 
     
  
   

 
   

          
Rit. Slower

 
   

 
   
A Tempo

 
   
  

        
         
  




  
 


    

        
    

   

  Molto Rit 
   
       
 

  


    
Emergency Safety
 
Slow

     
   
   

   


  





  

  
   

Cello The Lion King
No. 14

Eulogy
Orchestrated by David Metzger
Re-Orchestrated for 17 piece orchestra 4/2000 by DM


5

  
    
 





 
Quasi Recit.



    
  
 

   
  


    
     
     
  
    

    
Deliberately


   

  A Piacere
  
    
   
 
   
   

cello The Lion King
No. 14a

Rafiki Mourns
Re-Orchestrated for 17 piece orchestra 4/2000 by DM

Tacet
Cello The Lion King
No. 15

Bowling For Buzzards

Orchestrated by Robert Elhai
Re-Orchestrated for 17 piece orchestra 4/2000 by DM

Bowling for Buzzards 001.eps



 
    
  
Cello The Lion King
No. 16

hakuna Matata
Orchestrated by David Metzger
Re-Orchestrated for 17 piece orchestra 4/2000 by DM


  
In 4
 
  







     
        
  
 



   
      


   

       

        
 
 
  Safety

        
   
Repeat Ad Lib.
        
Cut on cue

    

The Lion King “Hakuna Matata” -Cello - page 2

   
   



      


Slower - A Piacere
  
   
    Rall. 

   

 
In Tempo (Quickly)
     
    
  
 

 

  
  

  
Rall.

    
Poco ad lib


   


Rit.

  
A Tempo



   

 
  

In Tempo
 
Accel.

   
The Lion King “Hakuna Matata” -Cello - page 3

   
 

   

    
  
 

   

    
 
   
    
   

  

       
     
  

   
  

   


  


   
Cut on cue






 

 
 
   
The Lion King “Hakuna Matata” -Cello - page 4

 


   

 
 

  

     
  
   

 
 
      
 
   

  
  
    
       
  
 
 

       
     
  
   

  
     
     

   

     
  
   
   

  

      
      
 

   


     
     
On Cue


    


CELLO The Lion King
No. 17

One By One
Re-Orchestrated for 17 piece orchestra 4/2000 by DM

TACET
Cello The Lion King
No. 17a

Bleak Clusters
Orchestrated by Robert Elhai
Re-Orchestrated for 17 piece orchestra 4/2000 by DM



  
                 


    


New Tempo

        
       
    


       

  
 



        

  
 

Safety  
  
                
 Trem on cue, then Cut on cue


   
Cello The Lion King
No. 18

The Madness Of King Scar

(With cut)
Orchestrated by Robert Elhai
Re-Orchestrated for 17 piece orchestra 4/2000 by DM
Freely

5 5 5
   
5
 
    
  
 
 

 
5 5

        
  
In 4 A Tempo – Moderately Slow
 
      
    
Freely
Poco Accel.
Moderato Buffo 
  
    
        
      

Still in Tempo
      
    

   

    

 

  

 
A Tempo

        
 
       
    




 
               
Più Mosso (in 2)

      
 

   Rall.    
The Lion King “The Madness of King Scar” With Cut - Cello - page 2

    


 
      
    
   

   
 
        
   

 
         


      
    
     
  
      
     

 

   

  
 
   
  
Double X Vaudeville Feel (in 4)

                  

      
   


      

                    
           
              
   

                
Senza misura
     
Dictated
       
     
   

         
In 1



                    

 


 

  

     
         
    
   
   
     
“The Madness of King Scar” With Cut - Cello - page 3


The Lion King

    
   

 

 
  

   
Repeat ad lib

  
       
Dictated
 
Accel. Molto

  Breakdown on cue   


    

Slowly, Quasi Recitative Rubato




   

       
A Tempo

 
A Tempo, with determination

 
  Rit.   

  
 
Più Mosso (in 4)

     
   
 
  Rall. 


 
 
              
Bright Tango

     
 
  



 
     

 

   
The Lion King “The Madness of King Scar” With Cut - Cello - page 4


     
     
Suddenly Intense
 
       


 
  

         
    
        


 
 
 


   

 




   
  
Rall.


5
   
Much Slower 5
        
 

  
 

                    

A Tempo (in 4), Più Allegro

        

      

  

                   


          
   

  

    
       
    

 

Cello The Lion King
No. 19

Shadowland
Orchestrated by David Metzger
Re-Orchestrated for 17 piece orchestra 4/2000 by DM


 
 


 


 




 



 


    
 


     
      
       

 
 
 



  



The Lion King “Shadowland” -Cello - page 2

            
   

   

           
   

   

 
    
   

    
 
  

 
           
 

 
  
 
  
                
     
   

                
  
   

 

          
  
 

   

               

 
  

   
The Lion King “Shadowland” -Cello - page 3

     
         
     


   

                
           

   
  
    


      
       


  


        
    

  

    

 

 


  
 
 
CELLO The Lion King
No. 19a

Weem-a-Wep
Re-Orchestrated for 17 piece orchestra 4/2000 by DM

Tacet
Cello The Lion King
No. 20

Waterfall
Orchestrated by Robert Elhai
Re-Orchestrated for 17 piece orchestra 4/2000 by DM

             
      
 

   

               
Safety
   
 
 
  
 

  
Safety
 
 

  
Play 3X
   
   


  
Safety  

  
 

The Lion King “Waterfall” - Cello - page 2


5

  
 
 
 
 

  
    
  
 
 
 

        
Safety Safety
  
  
     

 
           

             
         
  
 

  
   


   
  


    
    

  
      
Safety


   

   

Safety
   
  
    

Cello The Lion King
No. 21

Under The Stars

Orchestrated by David Metzger
Re-Orchestrated for 17 piece orchestra 4/2000 by DM
Calmly


        
 

   

            
    

 
  
Quiet & Sparkly

 
Cello  The Lion King
No. 22

Endless Night
CUE: TIMON: "Aw, you're killin' me! Was it something I said?" Orchestrated by David Metzger
Re-Orchestrated for 17 piece orchestra 4/2000 by DM

 
Freely
    
 
 
  

 

   
   
 
Freely - Colla Voce


  





 



 
   
 

The Lion King “Endless Night” D - Cello - page 2

     
A Tempo

     

   

 
    
     
  

 
A Tempo
      
      
   

  
        

  

         
      
  

    

     
  
   



  

The Lion King “Endless Night” D - Cello - page 3

    
Build Throughout

      

  

      
   
  


     
   
Build

  



    
 
  

  
Vamp til Sharp Cutoff 
     
 
  


  

     

   

  
Cello  The Lion King
No. 22

Endless Night
CUE: TIMON: "Aw, you're killin' me! Was it something I said?" Orchestrated by David Metzger
Re-Orchestrated for 17 piece orchestra 4/2000 by DM

   
Freely
      



   

   
   
 
Freely - Colla Voce


 
 





 




 
 
  
 

The Lion King “Endless Night” Db - Cello - page 2

     
A Tempo

     


   

 
    
     

  

 
A Tempo
      
      

   

  
        
 
  

         
      
  

    

     
  

   



 
 

The Lion King “Endless Night” Db - Cello - page 3

    
Build Throughout

      


   

      
   

  


     
   
Build


  



    
 
  

  
Vamp til Sharp Cutoff 
     
 
      

  

     

   
  
CELLO The Lion King
No. 22A

ENDLESS NIGHT TAG

Re-Orchestrated for 17 piece orchestra 4/2000 by DM

TACET
CELLO The Lion King
No. 23

Nala Chases Pumbaa

CUE: PUMBAA: "She's gonna eat me!!!!"
Re-Orchestrated for 17 piece orchestra 4/2000 by DM

Tacet
Cello The Lion King
No. 23a

Nala/Simba Reunion
Orchestrated by Robert Elhai
Re-Orchestrated for 17 piece orchestra 4/2000 by DM
Joyfully

 

      
       

    

     
Vamp - Cut on cue

   
       

   
Cello The Lion King
No. 24

CAN YOU FEEL THE LOVE Tonight

Orchestrated by David Metzger and Robert Elhai
Re-Orchestratedfor 17 piece orchestra 4/2000 by DM

  
Freely
   
          
   
    


 
    
Rall.

       
   


   


              
A Tempo - Moderately slow

                   
   
  
  

   




 

The Lion King “Can You Feel The Love” - Cello - page 2

   
    
    

 
       
    
    


       

   

            

  
   

           

     


   

          
     
   Poco Rit.

    

Più Mosso


 


   
 



 
 
The Lion King “Can You Feel The Love” - Cello - page 3


     
     
 
    

     




  
  Rall.


A Tempo - Poco Mosso
          
   
  

    


  
  
  
 
  

The Lion King “Can You Feel The Love” - Cello - page 4

 
    
 
 
    

    
Poco Rall.

    
  
  
A Tempo


   
   

   

       

       

  
   
   
   
          
  

   
   
     
Rall.

           

  
Più Mosso
 

     
    


   

       
           
      
 
   

          
          
 
    
  


  
             
  
        

 
The Lion King “Can You Feel The Love” - Cello - page 5

       
 
         
   


   

        
      


 
  


    
       


   

 
 
Slowly

         
 


  Molto Rall.  
Cello The Lion King
No. 24a

Pool Reveal
Orchestrated by David Metzger
Tacet Re-Orchestrated for 17 piece orchestra 4/2000 by DM

Ad Lib. - Rafiki points towards the pool


 

Cello The Lion King
No. 25

HE LIVES IN YOU
Orchestrated by Robert Elhai
Re-Orchestrated for 17 piece orchestra 4/2000 by DM

   



  




  



The Lion King “He Lives In You” -Cello - page 2

     

   
 
    

  
    
 
   

     
  
     

  

     


   

   
  
   

        

   

   
 
Safety
      

  
 
The Lion King “He Lives In You” -Cello - page 3

         



  
 


    
 

    

     
 

   

   
  
   

 
 
 




     

 
 
  

   



 

The Lion King “He Lives In You” -Cello - page 4
Safety

     
 

 


 


       
       

 
     
 
  
    

    
   

   
   

   
   
     
    

  
   

  
 


   

     
       


   

       
   

   

   
         
   
   

     
                
 
       
 
   
Cello The Lion King
No. 25a

He Lives In You - Playoff

Tacet Re-Orchestrated for 17 piece orchestra 4/2000 by DM

    
Vamp - Cut On Cue

   
 
Cello The Lion King
No. 26

Transition To Final Scene

CUE: NALA: "Simba's gone back to challenge his uncle to take his place as king." Orchestrated by Robert Elhai
TIMON & PUMBAA: "Ohh-hhh..." Re-Orchestrated for 17 piece orchestra 4/2000 by DM



 


       

          
   
  

         
Safety
      
   
 


          

 



            
 

  
Safety

          
 
  

   

        
 
 
   



    
     
  
   

Cello The Lion King
No. 27

Finale Part 1
Orchestrated by Robert Elhai and David Metzger
Re-Orchestrated for 17 piece Orchestra 4/2000 by DM
Andante

          
   
  

   

      


   

 
        

  
  
  
 

 
       

  
 


    
       

  
 

 
   
Bright Vaudeville Tempo


 


    



The Lion King “Finale Part 1” - Cello - page 2


      


  
Safety

   




 

 Adagio
 
       

 
    


5


   
    

 
5 5
  

 

    
Very Slow
  

 

    

Moderato

              
Accel. if necessary
 

     
   

      

  

        
Poco Rall.

         
   
 
      
 
 


        
Safety

  

    

             
  

     

     
         

The Lion King “Finale Part 1” - Cello - page 3




   

 
  

   



 
      
  
 
  


   
  

   


  
  
    

   
    
   

                
 Rall  
as necessary
         

  
  
 

    
Slow Deliberate
 
 


    


 
    


    
   

  
  

   
    
 


  
   
     
The Lion King “Finale Part 1” - Cello - page 4

     
        

   

5
  
3 x's

 
5
   




 


   
   

 

                   
 
  

       
     
  


      
  
   
 



  
 

                
   


 

 


      

   

   
         
   

    
                
     
   

       
         
        

   

The Lion King “Finale Part 1” - Cello - page 5

            
  
              
   


     
          
 
 
 
   


     

     
 
     
          
              
  

    
       
 
 


 
   
 

   

   
   

      

 
    
 
         
  
    
 
   

         



      
    


   

            

     
     
  
   

    
   
    
The Lion King “Finale Part 1” - Cello - page 6

  
  
           
      

   

                          
                   


  


         
            
 

   
       
         
   


 


The Lion King “Finale Part 1” - Cello - page 7

          
           




       
              
       


   


         

          
                
      

       


      
  
 

 


        
   

 


Molto Rall.
 



     
        
 
 

            
Not too Fast

  

 
     
   



     
  

       


  
      
  


5
   
5 5 

 

Ad lib.


    

    
       
                        
Dictated

                     
   
   


The Lion King “Finale Part 1” - Cello - page 8


 
Slowly




    
   

 
 





          
 
 
   

          
Allargando

  
Slow

      
   
   


   
  
      
  
 
 
 
Segue As One to "Finale Part 2"
Cello The Lion King
No. 27a

FINALE - PART 2
Orchestrated by David Metzger
Re-Orchestrated for 17 piece orchestra 4/2000 by DM

  
(Headphones needed for Click at Bar 29)

     

    

  
       
   

      
 
    

   
   

   

   
     
    

    
         
     


     
   

   
    
       
   
 
  

The Lion King “Finale Part 2” - Cello - page 2

         
Majestic

        
 


      
   

     
       



 
     


     
 
Lively
 
            
                 
     
     
    


     
       
       
   
    

      
          
   
   
   
  


    
  
  
        

                
 

   

      
       

     
 
    
      
   
   
   


 
       

     

      


     
  

   
The Lion King “Finale Part 2” - Cello - page 3

                    
   

  

             

   


 



                
  
  

   
                                     


   

     
                                  
 
   

        
  
    

   


 
          
 

   

     
 
 
 
Cello The Lion King
No. 28

Bows
Orchestrated by David Metzger

      
Joyfully
     
Re-Orchestrated for 17 piece orchestra 4/2000 by DM

                   
   
  


   
       
                
   
 


 
 
 



                             
   
 
   

         
           

     
  

                                
        
      

   

                           
           
 
   



   

 


 The Lion King “Bows” - Cello - page 2

       
  
        
         
    
  




   

   
    
   
           
    
  


    
  

 
   

                     
  

   

     
                     
     

 
   

                                  

    
    

    
  

                 
 
 
  

         


  
    
   

        
                              
  
 
 
    