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he received his first bandoneon, a type of 1960s even Argentinas military government
button accordion ha t is the principal vorce criticized Piazzolla br being too avant-garde.
of tango, and began playing music from the Piazzolla left behind a huge body of
classical repertoire. Soon after his family mu: ic -more t han 750 work s -and c las s ic
returned to Argentina in 1937, Piazzolla recordings such as Adiris Nonino and Tango:
joined the popular tango orchestra of Anibal Zero Hour, as well as collaborations with
Tioilo and-while sti1l a teenager-estab- artists as diverse as poet/author Jorge Luis
lishedhimselfasa talented andoneon layer Borges (El Tango), azz vlbraphonist Gary
and arranger. Burton (The New Tango), and the Kronos
In Argentina, Piazzolla continued to Quartet (Five Tango Sensations). n 1986,
study classicalmusic, oo, wlth the composer Piazzolla's music was featured in the
Alberto Ginastera and others. In 1954, Broadway hit Tango Argentino. In 2001
Piazzolla'scomposition "Buenos Aires" won AmadeusPresspublished AstorPiazzolla:A
him a scholarship ro study in Paris with Memoir,the remarkable life story (as told to
Nadia Boulanger,who encouragedhi m to journalist Natalio Gorin) of one of the 20th
find his own voice by tapping into his century's rue musical iconoclasts.
passion for tango. Back in Argentina in the
late 1950s, Piazzolrla id just that, laying the
groundwork for what become known as
tangonuelo-r.ew tango.
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