Triad Pairs w/added chromatic approach notes D.Valdez, approach note added a half-step above first note of each Major triad (PHG#) (F/G) o ‘ se 2 mm ft Fitte, Pe, tebe 4 Ha wHete i OPE f s 1 saad tet tet e = approach note added half-step above second note of each spread triad cr (FHIGH) te F Mai? 3 be © abe he eben # e © Pie Si tebe Fy thes + = et 4° ; = —* ‘ cr (FH/GH) Chromatic approach notes added hall-step above and below first note ofeach triad ’ tele rte stots etebe , te cles. 22 ete ete re te — So a aS FMaj7 1 t ete r witb f * f a tate 2 G# f- ieee $ cr 2 Pipl ote ESE = ate ty raat approach notes added above and below third note of each triad te oti. ooo Ft, G# Fay te e « $B frees ties fa ageltl es etl ie Ft Gt Fe bi tea ta tte stele ff i]