From: “The Theory of Relativity”

Apples & Oranges

by

NEIL BARTRAM

Published Under License From

Alfred Publishing Co., Inc.

© 2015 NEIL BARTRAM MUSIC

All Rights Administered by WS MUSIC CORP.
All Rights Reserved Used by Permission

Authorized for use by Kate Gould

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 APPLES & ORANGES
Music and Lyrics by
Moderately q = 156 NEIL BARTRAM
B b(add2) B bsus24 B b(add2) B bsus24
b · · · î
G b 44 Î « j
OLIVER:

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b
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B b(add2) B bsus24 B b(add2)
b j
5

G b Ïj Ï « j j Ï Ï Ï
Ï Ï Ï Ï Ï Ï Î Î Ï Ï J Ï
nev - er real - ly liked ap - ples, though heav-en knows I
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Gb Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
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B bsus24 B b(add2) D7/F #

b Ï Ï Ï Ï
8 F/A Gm Gm/F
« j Ï Ï.
Gb Ï Î Î Ï Ïj Ï J J Î Ï Ï

ÏÏj ÏÏ
tried. ’Cause it’s just weird to hate ap - ples, so for
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B b(add2)/F
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11

« j j Ï
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G Ï Ï Ï Ï Ï Ï Î Î Ï Ï Ï Ï
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years and years I lied. I nev - er real - ly liked

b
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Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
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J J
© 2015 NEIL BARTRAM MUSIC
All Rights Administered by WB MUSIC CORP.
All Rights Reserved Used by Permission

Ǻ Musicnotes.com Authorized for use by: Kate Gould

 2
B b(add2)/D Cm7( b5)
b « bÏj
14

« Ï Ï
F7sus

Gb Ï Ï Î Î j j Î Î
Ï Ï Ï J Ï Ï
ap - ples. It’s not a choice, per se. I

b
G b Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ÏÏ Ï Ï
}{ . ÏÏ ...
b ÏÏ
Ï
F bb ÏÏÏ .. ÏÏÏ ÏÏÏ ÏÏÏ
Ï
ÏÏ ÏÏ ÏÏ
Ï Ï Ï ú. Ï
J J
C/E Cdim/E b B b(add2)/D C7sus C7 F9sus
b j Ï Ï Ï. j
17

G b nÏ Ï Ï Ï « Ï Ï Ï Ï Ï Ï Ï Ï
J J J J
don’t know why, I guess that I was sim - ply born this

b j
G b ÏÏ .. bÏÏ úú
}{ Ï. bÏ ú
úúú
ú úúÏÏ nn ÏÏ www
w
F bb n Ï . bÏ Ï Ï ú ú w
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B b(add2) B bsus24 B b(add2)

b
20

Gb w · ·
way.

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G b ÏÏ Ï ÏÏ Ï ÏÏ Ï ÏÏ Ï
}{ mf
. Ïj Ï
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F bb Ïw Ï Ïw Ï Ïw Ï

B bsus24 B b(add2) B bsus24

b j
23

Gb î Î « j j Ï Ï Ï Ï Ï Ï Ï Î Î
Ï Ï Ï Ï
I nev - er real - ly liked ap - ples, though I

b
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F bb Ïw Ï Ïw Ï Ïw Ï

Ǻ Musicnotes.com Authorized for use by: Kate Gould

 3
B b(add2) Bb Bb D7/F #
b Ï Ï Ï Ï
26 sus24 F7/A

G b Ïj Ï Ï Ï « j
J Ï Ï Î Î Ï Ïj Ï J

ÏÏj ÏÏ Ï ÏÏ
grew up in Spo - kane, where all they’ve done is grow

b j
G b ÏÏ Ï ÏÏ Ï ÏÏ Ï ÏÏ Ï ÏÏ ÏÏÏ
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F bb Ïw Ï Ïw Ï Ï. Ï Ï #Ï
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b
29 Gm Gm/F C/E F(add4)

G b ÏJ Ï . Î Ï Ï Ï Ï Ï Ï Ï Ï Ï Î Î
Ï Ï
b j
ap - ples since the day the world be - gan. So I

j
G b ÏÏÏ ÏÏÏ j Ï
Ï ÏÏ ÏÏ .. ÏÏ ÏÏ Ï Ï
}{ Ï Ï. Ï Ï
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Ï Ï bÏ Ï n Ï Ï
F bb Ï Ï nÏ Ï nw Ï. Ïj Ï Ï
ú nú nw ú. Ï

B b(add2)/F B b(add2)/D
b j j
32 F7sus

G b Ïj Ï j Ï j Ï Ï
Ï Ï Ï Ï Ï Î Î
Ï Ï Ï Ï J Ï Ï
hid my feel - ings for ap - ples. It’s a skill I learned to hone.

b
G b ÏÏ Ï ÏÏ Ï ÏÏ Ï ÏÏ Ï
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Ï ÏÏÏ. Ï ÏÏ ÏÏ ÏÏÏ Ï ÏÏÏ Ï
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F bb Ï . Ï Ï Ï Ï. Ï Ï Ï Ï. Ï Ï Ï
w w w
Cm7( b5) Cdim/E b B b(add2)/D
b « bÏj n Ïj Ï j Ï Ï.
35 C/E C7sus C7

Gb Î Î Ï Ï « Ï Ï Ï Ï
Ï J J J J
And as I grew, I guess I knew I’d

b j
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}{ b ÏÏ
mp
Ï. bÏ Ï Ï Ï
úúú
ú ú
F bb ú bú nÏ . bÏj Ï Ï ú ú
ú nÏ. bÏ Ï ú ú

Ǻ Musicnotes.com Authorized for use by: Kate Gould

 4
B b(add2) B bsus24 F/B b Bb
b
F9sus

G b Ïj Ï Ï Ï3 Ï
38

Ï Ï Ï Ï ú î Î Ï Ï
J
al - ways be a - lone. But I’ve al - ways liked

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G b ww Î
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w J

bb EÏb. j E b/B b
j
Bb
41

Ï Ï Ï
3
Ï ú Î Ï Ï Ï.
3

G Ï ú
or - ang - es from my ear - li - est mem - o - ries.

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G b ÏÏ .. ÏÏ ÏÏ Ï
3 3

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}{ Ï.
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F bb Ï Ï Ï Ï Ï Ï j Ï
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44

Gb Î Ï ú
3 3 Cm7(add4) F(add4) F9sus

Ï Ï Ï Ï Ï Ï. J Î
E - ven though there’s no or - ange trees in Wash-ing - ton State.

b
G b « j ÏÏ î
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bb B b B b9sus
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Eb
j
47

G Ï Î î Î Ï Ï. Ï ú
But still I liked or - ang - es.

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3

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j
ú
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Ǻ Musicnotes.com Authorized for use by: Kate Gould

 5
D/F #
b ú ú « Ï Ï
50

Ï Ï Ï Ï
D G9sus G7

Gb Î Ï Ï #Ï
J
It’s an urge I was shy to ad - mit. To me,
.

b j j
G b ÏÏ .. Ï ÏÏÏ ÏÏ # ÏÏ ... Ï ÏÏÏ ÏÏ Ï Ï
n ÏÏÏ Ï Ï Ï n ÏÏÏ Î
}{ Ï.
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F bb Ï Ï ú #ú úú ÏÏ Î
Ï. Ï ú #ú ú Ï>

B b/D B b(add2)
bÏ « Ïj Ï Ï Ï Ï
Gb J Ï
53

Ï Ï î
Cm C/E F(add4) F9sus

Ï Î Ï Ï Î
J
ap - ples were ap - ples, but or - ang - es were it.

b ÏÏ ... ÏÏj ÏÏ
Gb ÏÏ . ÏÏ ÏÏ ÏÏj « î
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F bb Ï . Ï Ï nÏ Ï' « î Ïw. Ï
Ï. Ï Ï nÏ Ï_ J

B bsus24 B b(add2) B bsus24

b
56

Gb · · î Î « j
Ï
Well,

b
G b ÏÏ Ï ÏÏ Ï ÏÏ Ï ÏÏ Ï
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F bb Ïw Ï Ïw Ï Ïw Ï

B b(add2) B bsus24 B b(add2)

b j
59

G b Ïj Ï Ï « Ï j
Ï Ï
Ï Î Î
Ï Ï
j
Ï Ï
Ï Ï
J Ï Ï
I left home, and the ap - ples. I had pas-sions to pur - sue.

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G b ÏÏ Ï ÏÏ Ï ÏÏ Ï ÏÏ Ï
}{ mf
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ÏÏ Ï ÏÏ Ï ÏÏ Ï ÏÏ Ï
. Ïj Ï
F bb Ïw Ï Ïw Ï Ïw Ï

Ǻ Musicnotes.com Authorized for use by: Kate Gould

 6
B bsus24 Bb D7/F #
b Ï Ï Ï
62 F7/A Gm Gm/F

Gb Î Î « j j Ï Ï Ï Ï Î Ï Ï
Ï Ï Ï J J J
ÏÏj ÏÏ
I start - ed my own ad - ven - ture, and en -

b
G b ÏÏ Ï ÏÏ Ï ÏÏ Ï ÏÏ Ï j
ÏÏ ÏÏÏ ÏÏ ÏÏj ÏÏ j Ï
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}{ Ïj Ï Ïú Ï
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F bb Ïw. Ï ú #Ï Ï Ï nÏ Ï
Ï #Ï ú nú

B b(add2)/F
bb C/E Ï j j
65
F(add4)

G Ï Ï Ï Ï Ï Ï Î Î Ï Ï Ï Ï Ï Ï
Ï Ï
rolled at N Y U. I was shy and mind - ed my

b î
G b ÏÏ Î
}{ Ï' Ï Ï
Ï
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F bb n Ï Î î Ï. Ïj Ï Ï Ï. Ïj Ï Ï
n Ï' ú. Ï w

B b/D Cm7( b5)

bF7sus « bÏj
68

b
G Ï Ï Î « j j Ï Ï Î Î
Ï Ï Ï J Ï Ï
busi - ness. Then I met Mike
úú one day. He

b ú
G b ÏÏÏ
ÐÐÐÐÐ

ÏÏÏ Ï bÏ
}{ .
Ï ÏÏÏ Ï ÏÏÏ Ï ÏÏÏ Ï úúú
j mp
bÏ
Ï
F bb Ï Ï Ï Ï w w
w w

b B b(add2)/D
bb C/E Ï Cdim/E Ï Ï Ï « Ïj Ï Ï Ï Ï
71

Ï Ï Ï Ï Ï
C7sus C7 F9sus

G nÏ Î Ï
seemed so nice, so I broke the ice and found the nerve to say:

b j
Gb ÏÏ .. bÏÏ úú
}{ Ï. bÏ ú
úúú
ú úúÏÏ nn ÏÏ www
w
F bb n Ï . bÏ ú ú ú w
J

Ǻ Musicnotes.com Authorized for use by: Kate Gould

 7
B b(add2) B bsus24 F/B b Bb Eb
b « Ïj Ï Ï Ï j
74

Gb w Ï. Ï ú
3

Î
“I’ve al - ways liked or - ang - es.”

b î ÏÏ .. j
G b ÏÏ Ï ÏÏ ÏÏ Ï ÏÏ ÏÏ Î ÏÏ úú
}{ ÏÏ'
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mf
Ï. Ï ú
F bb ÏÏÏ ... ÏÏ ÏÏ
Ï Ï
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Ï Ï Î î Ï
j Ï Ï
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E b/B b Bb E b/B b Bb
b j
77 MIKE:

Gb x Ï Ï Ï Ï Ï Ï.
3 3

Ï ú Î Ï Ï Ï Ï Ï
Crap! What a strange con - ver - sa - tion start. He said, “Dude, here’s the

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G b ÏÏ ÏÏ ..
3
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F bb Î î j Ï j
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Bb B bsus24 F/B b
b j j
80 Cm7 F9sus

G b Ï. Ï ú Ï Ï Ï Ï Ï Ï Ï Î î
J
strang - est part: I like or - ang - es too.”

b î j
Gb ú úú Î
}{ úú úú ÏÏÏ
Ï' ÏÏ ...
Ï
cresc.
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Ï Ï ÏÏÏ
F bb Ï ú Ï ÏÏ Î î Ï Ï Ï Ï Ï Ï
w Ï' ú. Ï
Bb Eb

bb Ï j
83 BOTH:
Ï ÏÏ .. Ï
3

G Î Ï Ï Ï Ï ÏÏ ÏÏ úú Ï Ï
3 3
Î Ï Ï

ÐÐÐ ÏÏ ÏÏ ÏÏ
We’re two guys who like
ÏÏ ..
or - ang - es,
ÏÏ úú ÏÏ
who were sent a clear

b Ð ÏÏ ÏÏ
Gb Î ÐÐÐ Ï Ï Ï Ï. Ï ú Ï ÏÏ
}{ ÏÏ
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f
J
Ï Ï Ï
F bb Ï Ï Ï Ï
3
j Ï Ï j Ï Ï
Ï Ï Ï Ï Ï Ï J Ï Ï Ï J Ï

Ǻ Musicnotes.com Authorized for use by: Kate Gould

 8

D/F #
bb D ú ú « Ï Ï Ï Ï B bÏ/D
86

Ï Ï Ï.
G9sus G7 Cm C/E

G #Ï J J
mes - sage by fate: we don’t have to like ap - ples.
.

b
G b # ÏÏÏÏ ÏÏÏ Ï ÏÏÏ ÏÏ Ï ÏÏ ... ÏÏj ÏÏ
ÏÏÏ ÏÏ Ï Ï Ï n ÏÏÏ Î ÏÏ . ÏÏ
}{ >
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j
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Ï
F bb j Ïú Ï ÏÏ Î Ï. Ï Ï nÏ
Ï. Ï #ú ú Ï> Ï. Ï Ï nÏ

B bsus24 Bb
b
89 F9sus

Gb î Ï Ï Ï Ï Ï î î « Ï
OLIVER:
Î Î J
Or - ang - es are great. That

b î
G b ÏÏ ÏÏ Ï Ï Ï Ï Ï Ï
}{ ÏÏ_ Ï'
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mp
Ï. Ïj Ï Ï
>
Ï>
F bb Ï î w Ï Î î
Ï_ Ï'
E bsus2 B b/D B bm6/D b
b
92

« Ï Ï Ï Ï Ï Ï Ï
3 3

Gb Ï Ï Ï Ï Ï Ï Ï ú
3 3 3

Î J
mo - ment left quite an im - pres - sion. That mo - ment a light - bulb went

b
G b úú úú úú ú úú úú
}{ ú
mp
ú ú úú ú ú
F bb ú . Ï ú Ï bú . Ï

B b/D Eb B b/D C7
b
95

Ï Ï Ï
3 3

Gb Ï Ï Ï Ï Ï Ï Ï Ï Ï
3
Î Î Ï
off. I re - mem - bered the years of re - pres - sion and my

b ÏÏ
G b úú ú úú úú ÏÏ n ÏÏ ÏÏ
}{ ú úú ú ú
ú
F bb ú . Ï ú ú ú ú

Ǻ Musicnotes.com Authorized for use by: Kate Gould

 9
Ab E b/G F9sus E bsus2
b Ï Ï3 Ï Ï Ï3 Ï
98

Ï Î Ï Ï
3 3
b Ï Ï Ï Ï Ï Ï
3
G Î
wor - ries that peo - ple would scoff. All those times that I’d tried lik - ing

b ú ÏÏÏ Ï Ï
G b búúú úúúú
3
ÏÏ ÏÏ ÏÏ ÏÏ
}{ Ï úúú Ï Ï Ï Ï
F bb bú ú ú ú ú. Ï
bú ú ú

B b/D D7 Gm Gm/F
b Ï Ï
101

Gb Ï Î Ï Ï Ï Ï Î Î ÏÏ
3

ú #Ï Ï
3 3 3

Ï Î
ap - ples seemed at once like a mean - ing - less waste. And I

b úú
G b ÏÏ Ï ÏÏ Ï # ÏÏ ÏÏ ÏÏ
}{ Ï ÏÏ Ï ÏÏ Ï Ï ú Ï Ï Ï Ï
F bb ú . Ï ú #ú ú ú

CoIla voce
Eb B/D D7/F # Gm C7
b / Ï Ï /
104

Ï
3 3 3

Gb Ï Ï Ï Ï Ï Ï Ï Ï Ï
3

Ï Ï Î Ï Ï Ï Ï
3

Î
3

learned there with Mike, that you like what you like, and there’s just no ac - count - ing for

b ÏÏ / Î úú ÏÏ / Î
3

G b úúú n úú ÏÏ ÏÏ ÏÏ
}{ ú Ï' ú Ï'
F bb ú Ï' / Î #ú Ï' / ú
w
Ï Ï
Î

F #9sus
bb F9sus
107

G w · ·
taste.

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G b úúúú # Ï n Ï
}{ Ï Ï
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Ï Ï
cresc.
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Ï Ï
Ï Ï n n # ÏÏÏ
#Ï Ï Ï
Ï Ï
F bb Ï Ï Ï Ï Ï Ï Ï Ï #Ï Ï Ï Ï
w w #ú ú

Ǻ Musicnotes.com Authorized for use by: Kate Gould

 10

#### Ï . j
E
b # Ï
110 BOTH:
# Ï ÏÏ ÏÏ Ï
3 3

Gb n Ï Ï Ï
3
# Ï # Ï. ÏÏ úú ÏÏ ÏÏ
3
Î #Ï #Ï Î Ï
>
Nowwe’re proud to like or - ang - es, and we walk with our
# ÏÏ ## ÏÏ ÏÏ # ÏÏ .. ÏÏ ÏÏ3 Ï
bb #n #nnÏÏÏÏÏ ÏÏ úú ÏÏ ÏÏ
3
# Ï Ï ÏÏ
Î # Ï # Ï Ï # ## Ï .
3

G Ï ú Î Ï Ï
{} f>
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J
F bb ## ÏÏ î #### j Ï Ï Ï Ï j Ï Ï
#Ï # Ï J Ï Ï J Ï
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C #m7
#
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E/B B OLIVER:
j j
113

G # .
ÏÏ . ÏÏ úú Î Ï Ï
3

Ï Ï Ï
3
Ï Ï.
Ï. J Ï
heads held high. Be - cause I found an - oth - er guy who
#### ÏÏ .. ÏÏ úú ÏÏ j
G # Ï. Î ÏÏÏÏ úúúú
}{ Ï
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j
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mf
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F #### j Ï Ï Ï ú Ï
# Ï
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Ï>
Î
Ï w
F #9sus B A/B B7 E

#### ú ÏÏ ÏÏ3 ÏÏ ÏÏ .. Ï ú
MIKE: BOTH:
Ï
116

G #Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ú
J
loves the things that I love. And so did I. We both love or - ang - es.

#### j
G # ÏÏ .. ÏÏj ÏÏÏ Ï ÏÏÏÏ
ÏÏ n úúúúÏÏÏ Ï Ï ÏÏ ..
3

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}{ ÏÏ .. ÏÏ Ï Ï
ÏÏ
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f
Ï
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F #### Ï Ï Ï Ï Ï Ï ú Ï Ï Ï Ï Ï Ïj Ï ÏJ Ï Ï
# Ï. Ï Ï Ï
J ú Ï Ï
D# D #/F Ü G #9sus G #7 OLIVER:
#### OLIVER: Ï Ï Ï MIKE:
« Ïj Ü Ï ú Ï Î « Ï Ï
120

G #Î Ï Ï î î
J
>
He’s so hand-some. And he’s awf - ’lly cute. If you’re

#### ÏÏ Ï ÏÏ « ÏÏj ÏÏ ÏÏ # úúú

Ï
G # úú ÏÏ Ü ÏÏ Ï ÏÏ ÏÏÏ Ï Î
}{ # ÏÏ ÏÏ ÏÏ ÏÏ
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ú Ï Ï Ï ú
F #### j Ï Ï Ï Ï ú Üú # Ïú . Ï Ï ÏÏ úú Î
#Ï J ú Üú ú. Ï ú Ï
Ï>

Ǻ Musicnotes.com Authorized for use by: Kate Gould

 11
C #m B/D # E #dim B/F # F #/E D #m7( b5)
#### Ï Ï Ï Ï Ï Ï Ï 3Ï Ï Ï Ï3 Ï
124

Ï Ï Ï « Ï Ï Ï
MIKE:

G #J J J
J J
ÏÏj ÏÏ
look - ing for mor - als, we’ll give it a shot: there are those who like ap - ples and

#### ÏÏ ... ÏÏ ÏÏÏ Ï Ï n ÏÏÏ ...

G # ÏÏ . ÏÏ ÏÏ # ÏÏÏÏ ÏÏ Ï Ï Ï. j ÏÏ Ï
}{ mf
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