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18 Types of Photography Lighting Equipment You Need To Know
18 Types of Photography Lighting Equipment You Need To Know
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Table of Contents
Types of Photography Lighting
18 Types of Photography Lighting Equipment: Studio Lights
understand how each one works before purchasing. This guide will teach you
everything you need about photography lighting equipment. So you can make an
informed decision and start taking amazing photos!
Buying all the necessary equipment can be overwhelming when you’re just
starting in photography. But don’t worry! This guide will help you figure out what
you need to get started.
Buy from Amazon.com
Luckily, there are cheaper photography lighting brands like Godox. They put out
some decent equipment for an affordable price. If you understand how
photography light works, you don’t need top-of-the-line gear to get the best
results.
You can invest in more expensive photo lights as you develop your career and get
higher-paying clients. Here is a rundown of the most common studio lighting
equipment.
1. Strobe Lighting
Strobe lights are a flash type that dominates the world of studio lighting. We often
think about strobe lights when we talk about studio lights.
A strobe light can be a mono head, such as the Neewer Vision 4 300W. It houses
the battery and light in one compact unit. Or it can be a light that needs to be
hooked to a high-powered battery.
With both of these types of strobes, the strength of the flash output can be
controlled. Their power can be measured in watt-seconds. And certain studio
lighting situations require more flash output than others.
For example, food photography or product photography might need one light with
400 or 500-watt power. This is because the scene is usually small. An example
strobe to use would be the Godox SK400II.
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A much larger scene, like a group portrait, might need to have double that or extra
lights.
When buying or renting strobe lighting equipment, you want to make sure you can
plug it into the studio wall without tripping the lighting. But some strobes do not
need to be plugged in. There are battery-operated ones that can be used outdoors
as well.
These days, you can buy a powerful strobe at a low price. It’s not the power that
makes one strobe more expensive than another. It’s often the lash’s build quality,
durability, and quality and consistency of the flash output.
With strobe lights, you need a syncing device to help you sync your strobe to your
camera.
2. Continuous Lighting
Also known as “hot lights,” continuous lights for photography don’t “flash.” Rather,
they are a steady light source. They let you see exactly how the light falls on your
subject before you press the shutter.
This is a great advantage for product shots or other types of still life photography.
But continuous lighting has not been as popular as flash units.
These have less power. And matching the light to other ambient light sources that
can influence the scene is a challenge.
Another disadvantage is that they can get very hot. Hence the nickname “hot
lights.”
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Like these VILTROX 2 lights, LED lights have changed the face of continuous
lighting. They don’t heat up as other continuous lighting does and provide a high
quality of constant light.
The best LED lighting equipment costs thousands of dollars. They rival the price of
the best strobes.
They are a relatively weak power source compared to strobe lighting. They emit
about 1/4 of the power that the average strobe can output.
They also produce a narrow beam of light due to their small size. This can result in
harder shadows and a more obviously artificial look.
That being said, they are relatively inexpensive. Several speedlights used together
can produce great studio lighting. They also offer a light, portable option with a lot
of versatility.
Speeedlights like the Neewer TT560 are compatible with many DSLR camera
brands. You can also buy more expensive, camera-specific ones. An example would
be the Nikon SB-700 speedlight.
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And the modifier you choose will depend on your goal for the image. For example,
if you shoot food photography, 99% of the time, you want soft, diffused light.
Like in the beverage image below, hard and direct light has its moments. But it can
make food look cold, distant, greasy, and unappetizing. A soft light will give you
soft shadows and bring out the best qualities in your subject.
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Softboxes are probably the most popular studio modifier. This is because of the
soft, diffused light they provide.
This flattering quality of light works so well for most genres of photography. You
can use it for everything from portraits to food.
5. Stripbox
A strip box is a rectangular and very narrow softbox. It is ideal for photography
where a long, narrow beam of continuous lighting is required, such as in liquor
photography. A popular option is the Godox strip box.
It can also effectively produce rim lighting when placed behind a portrait subject.
The beam of light is more narrow. And because of this, you can have more control
over where the light falls when using a strip box.
6. Umbrella
An umbrella is another common modifier. It doesn’t always produce the best
studio lighting results compared to other modifiers. They come in silver or white.
The light is shot into the umbrella to reflect it into the scene. This helps you create
a larger and, thus, softer light source.
The problem with umbrella lighting is that the light tends to spill. So umbrellas can
be harder to work with.
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Some of these function almost like a softbox, like this translucent Neewer
umbrella. This is a preferred modifier used by famed portrait photographers like
Annie Leibovitz. They use it for the incredibly soft light it provides.
In the case of creative portrait photography, this can be very flattering. But the
lighting might be too flat with other photos, such as food or products.
8. Beauty Dish
A beauty dish is a great modifier for portrait, beauty, and fashion photography. A
beauty dish will help you sculpt facial features and create beautiful catchlights.
And it illuminates light from all angles due to its unique shape.
For easier storage, you can buy a collapsible beauty dish, such as the Fovitec
collapsible beauty dish. With a beauty dish, the light wraps around the subject. It
creates both beautiful shadows and highlights.
They are useful for a wide variety of genres in photography. They create very hard,
directional light. Typically, they are used with a variety of grids.
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10. Grids
Grids come in several sizes and forms. They are an attachment you can use with
other modifiers to create lighting with a larger degree of contrast.
Some of these grids are made of a hard material and can be attached to a dish
reflector or beauty dish. Or they can be soft and attach to the front of a softbox or
stripbox.
In the case of a hard grid, they often come in a honeycomb pattern like the Godox
and different sizes. The purpose of a grid is to add contrast and control the quality
of light and the area of coverage.
11. Snoot
A snoot is a very specific modifier. It allows you to create a very focused beam of
light.
It is most useful for tabletop photography when you want to shine a focused light
on a very specific area. Examples would be background light or highlighting the
filling of a burger.
You need several accessories to get the best out of your lighting. These are the
basic ones.
12. C-stands
C-stands (Century stands) are a must in every studio. They are used to set up your
modifiers, hold reflectors and diffusers, or even rig your camera over your set. The
Neewer Pro C-stand is popular.
Every pro photographer has several C-stands in their studio. For big jobs, they
rent even more.
A light meter lets you see if enough light falls on your scene. This way, you can
make adjustments to your flash output or aperture.
14. Reflectors
Silver and gold reflectors in a variety of shapes and sizes. Their purpose is to affect
the shadows in a scene.
The gold will add a bit of warmth to your scene. The silver will create a brighter
scene than can be created with a white bounce card.
You can place the reflector opposite the light to bounce some fill light onto your
subject. It can also be placed in the lap of a portrait subject to soften shadows
under the eyes and chin.
A Lastolite reflector is a top brand choice. But you can also buy a reflector from
brands like Neewer.
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In addition to using the correct modifier, you may also further need to diffuse your
light source. When purchasing a reflector kit, a diffuser will usually be included.
You can also create a DIY diffuser from a translucent shower curtain or otherwise
translucent material.
For example, you may need to cut down some of the light hitting a burger bun,
creating a patch of glare. This is known as a “hotspot.”
You can buy a set of flags or a gobos kit. But they can be a bit on the pricey side.
You can instead make your own by cutting out shapes from a piece of black
cardboard or foam core.
You can attach a wooden skewer to create a handle. And then you can hold it
where you need it to affect the light.
17. Gels
Gels are a very inexpensive and handy way to correct for color when shooting in a
lighting situation that’s less than desirable.
For example, you may be using lights that vary in color temperature. You can
match them by placing the appropriate gel color on your modifier.
You can also use gels creatively. They can put a bit of a given tint to your images
without making them look like a filter has been added.
18. Color Checker
A color checker is a device that will help you get accurate color in your images. The
Datacolor SpyderCHEKR is a relatively inexpensive option.
It is particularly helpful if you mix your lighting. It will also help you get the right
white balance in your images.
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To use a color checker, take a shot with it placed in your scene. It should be where
the light is not too bright but not in the shadows.
And when you do your color correction in post-processing, you can match your
images. Just select the appropriate color in the image featuring the color checker.
Turn the lights off when photographing in a room. When using mixed lighting,
balance out light temperatures when retouching.
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The three-point lighting system is versatile and comprises a key light, fill light, and
backlight.
As you can see, many types of photography lighting equipment are available. And
what and how you use them will be up to you.
Studio lighting can be a bit overwhelming when you are just venturing out. But we
hope this guide helps you learn the basics. And we encourage you to get started on
your photography studio equipment journey!
Buy from Amazon.com
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They’re always there when you need them… on your phone or in your camera
bag… and they’ve been expertly designed so that you can understand everything
at a glance.
Darina Kopcok
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