Jenifer tells Michael that her daughter Emma threw up twice last week and expresses anxiety about being in a bikini. Michael tries to get her to open up about what's troubling her. Jenifer reveals that she started stuttering during performances and shares an experience where she couldn't say the line "Flores para los muertos" while playing a blind flower vendor. She admits to hating acting and feeling only self-loathing from it. Michael comforts her and says her previous director just wanted her to say the line right. Their conversation then shifts as Jenifer considers leaving her partner Jonathan and questions what she wants Michael to say in response.
Jenifer tells Michael that her daughter Emma threw up twice last week and expresses anxiety about being in a bikini. Michael tries to get her to open up about what's troubling her. Jenifer reveals that she started stuttering during performances and shares an experience where she couldn't say the line "Flores para los muertos" while playing a blind flower vendor. She admits to hating acting and feeling only self-loathing from it. Michael comforts her and says her previous director just wanted her to say the line right. Their conversation then shifts as Jenifer considers leaving her partner Jonathan and questions what she wants Michael to say in response.
Jenifer tells Michael that her daughter Emma threw up twice last week and expresses anxiety about being in a bikini. Michael tries to get her to open up about what's troubling her. Jenifer reveals that she started stuttering during performances and shares an experience where she couldn't say the line "Flores para los muertos" while playing a blind flower vendor. She admits to hating acting and feeling only self-loathing from it. Michael comforts her and says her previous director just wanted her to say the line right. Their conversation then shifts as Jenifer considers leaving her partner Jonathan and questions what she wants Michael to say in response.
MICHAEL. Are you crying? JENIFER. No. MICHAEL. Jen?
Are you all right? JENIFER. Yes. MICHAEL. What's wrong? JENIFER. Emma threw up twice last week. MICHAEL. I know. JENIFER. And I'm sitting out here in a fucking bikini. Oh, shit. MICHAEL. I don't want to sound perceptive, I'm sorry, but it seems to me that you've got some major anxiety going on here. JENIFER. Okay, let's change the subject. I want to change the subject. MICHAEL. Kids throw up. JENIFER. I don't understand why people don't listen to me. I said I want to change the subject. MICHAEL. I'm listening to you, I just - JENIFER. I mean, if I want to be an actress you should just Tie ir that, MICHAEL. You seem like you're in pain, so I'm trying to help. JENIFER. God, I hate when you play doctor. MICHAEL. Look, if you want to be an actress, fine, go be an actress. | JENIFER. I don't want to be an actress. I hate acting. I've always hated acting. It fills me with nothing but self-loathing. There, I said it. And you know, you do your affirmations, you know, your prayers that you'll be like, you know, so lilled with self-love, that all that won't matter. What am I saying? The whole thing's a joke. You know why I don't want to act? And don't tell Jonathan this. I've never told anybody this. I started to stutter. On stage. Can you believe that? Honestly. I would get to a word in the script, and when I came to it, I wouldn't be able to say it. I would freeze. Every time I would get to it. I couldn't get it out. MICHAEL. You started to stutter? JENIFER. I get fixated on a word. Last time, I was playing the blind Mexican flower vendor in Streetcar Named Desire. Don't ask me why. And all I had to do was say, "Flores para los muertos.” There, I said it now. "Flores para los muertos. "I had nothing else to say, just that. I sat around waiting all night. "Flores para los muertos. * "Flores para los muertos. " I couldn't say it. Now I can say JENIFER. it. It's pathetic. MICHAEL. What couldn't you say? Muertos. I couldn't say, Muertos. It wouldn't come out. I ended up saying, "Hores para los dead people.' Blanche DuBois accused me of sabotaging her performance. us MICHAEL. Well, fuck her. You adapted under difficult circum stances. What did she want you to do? Not say anything? JENIFER. She wanted me to say the line right. That's what I was not getting paid to do. And Jonathan made me feel so ... You know, why don't I just leave him? I really should just leave him. (Beat.) Michael? MICHAEL. What do you want me to say? You should have just married ine. That's your problem. I would have taken much better care of you. JENIFER. You didn't want me. MICHAEL. I wanted you. I was just young and stupid. And gay. JENIFER. You're so sweet, you know that? Gary's going to remember that, and come running home. MICHAEL. Mm, mm. JENIFER, I guarantee in five weeks they won't even be talking. The guy's a jerk. He's a cipher. What's his name again? MICHAEL. Gary. JENIFER. I know Gary, stupid head. I'm talking about the other guy. MICHAEL. His name's Gary. I told you this. JENIFER. His name's Gary? MICHAEL. Yes. JENIFER. His name's Gary, loo? Well, that's ridiculous. It won't last five minutes. MICHAEL. He's everything Gary ever wanted. From all accounts Gary, his Gary, hereinafter referred to as Gary two, is not very smart, and apparently looks like Italian furniture. And the great thing is he's totally discreet. Nobody has to really be gay. It's perfect. . . . - - - - A PUHA www.TAMMEOUT NEWTWAS CALL P -- WILLY - R