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  • Barrio Calderón

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    rafael monteiro
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    The document contains musical notation for a chamamé performance by Nico Cardozo. It consists of staff notation with notes, rhythms, and markings spanning 30 lines. The performance is an online class in the genre of chamamé taught from the Barrio Calderón neighborhood.

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    The document contains musical notation for a chamamé performance by Nico Cardozo. It consists of staff notation with notes, rhythms, and markings spanning 30 lines. The performance is an online class in the genre of chamamé taught from the Barrio Calderón neighborhood.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    1 views3 pages

    Barrio Calderón

    Uploaded by

    rafael monteiro
    The document contains musical notation for a chamamé performance by Nico Cardozo. It consists of staff notation with notes, rhythms, and markings spanning 30 lines. The performance is an online class in the genre of chamamé taught from the Barrio Calderón neighborhood.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 3

    Clases

    de Acordeón Barrio Calderón


    Online "Nico Cardozo" (Chamamé)

      = 135

                      
    Transcripción: Nico Cardozo

      

    Cambá Castillo


      
     
       
                
    M 7

       
        
          
    Sol

       
    5 Re7

        
           
       
    M 7

       
     
                  
    Sol

        
    Re7

    
    9
    1. 2.

     
                   
         
    M 7

     

     
          
    Sol

          
    Re7

       
    13

    
      
               
     
    M

     
    Sol
      
            
        
    1. 2.

     
     7  
    16

         
           
       
    M

       

       
    Sol

                            
    Re7

    
    20 D.C.

         
            
         
    7 M

       

      
    Sol

       
    Re7

      
     

           
    24

     
         
            
     
    7

       

      

    Re7

           
     M        
    27

            
         
     
    7

     
    Sol
    Re7
    2
     1.
             
         
          
    30
    1. 2.

            
       
       
    M 7 M

       
    Sol Sol
    Re7

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