Professional Documents
Culture Documents
Debates on Nationalism
It is now well known that after his initial involvement in the Swadeśî movement
centering round the partition of Bengal in 1905, Rabindranath gradually
moved away from the mainstream of nationalist politics around 1907.
However, the fallacious notion that disillusionment with the contemporary
political situation led the poet to seek escape and retreat at Santiniketan from
1907 onwards falls in the face of facts. Never before had the poet written so
much on public issues — issues concerning the violent passion of patriotism, the
illegitimacy of nationalism, disengagement of the political from the social and
the moral, and the celebration of truth and ātmaśakti (literally meaning, 'the
power within oneself) — as he did in this period.
This period includes the incisive lectures the poet delivered in Japan and
America in 1916-17 on the cult of nationalism, later collected in a book
called Nationalism (1917), in which he questioned all forms of western
nationalism; for nationalism and nation-states seemed to him a great menace,
a 'geographical monster' (1917:97). He did not want his country to be caught
in a situation where the idea of nation-state would supersede that of Indian society
and civilization. He said: "Our real problem in India is not political. It is social.
This is a condition not only prevailing in India, but among all nations. I do not
believe in an exclusive political interest" (Nationalism in India, 1916).
The genesis of these ideas go back to 1901 when Tagore wrote two
consecutive articles (both published in Bangadarśan) on the idea of nation:
'Nation ki' (Rabîndra-Rachanabalr (3:515_19), or 'What is nationalism'?',
drawing largely on the French thinker, Ernest Renan (1823-1892), and the
second on the Indian Society, `BharatbarsTya Sainai'. Tagore concludes in
the former that language, material interests, religious unity or geographical
boundary — none of these have been an essential condition for the making of
the western nation. For Tagore, nation is a mental construct. In the other, he
differentiates between the idea of nation in the West and the idea of society in
Indian history. To quote him: "What we have to understand is that society or
community reigns supreme in India. In other countries, nations have protected
themselves from various revolutions for survival. In our country society has
survived countless
convulsions from time immemorial" (Tr; Rabindra-Rachanabali 3:522).
Three years later Tagore developed these ideas more fully in a seminal paper
called Swadeśî Samāj (1904), or the `Self-sufficient Society'. Here, we begin to
recognize that Tagore raises very important issues - at once social, political and
moral. Tagore says that in the history of the western civilization, life of the
people has always been controlled by the state power, as in ancient Greece and
Rome and also in the modern European societies. But in the Orient, in China
and India, for example, society and not state, has been the determining agency.
Secondly, Tagore emphatically asserts that the locus of Indian civilization must
be sought in her villages. The village in ancient India was not merely a place
where people lived. It was also, the centre of the basic values of Indian culture.
It achieved almost a total self-reliance in all its basic needs - health, food,
education, recreation and creativity. The village in India could thus function
independently, without any help from the state. This is the village we have lost.
Thirdly, Tagore argues that the genius of the Indian civilization embedded in
the community life of the village lies in "its ability to harmonize the disparate".
He explained it in great detail in a 1912 article Bhārabarse ltihāser Dhārā ', or
'The Course of History in India' (Prabāsî, 1319 B.S., Baiśākh: 423-451), and in
other essays, where he insisted that Indian history, had achieved an ideal
synthesis of diverse elements at all levels of human experience ("it is a
perpetual process of reconciliation of contradictions", he said). Thus, his idea
of nation-building must be understood in terms of inclusion, and not in terms
of exclusion.
Implicit in these issues is Tagore's firm belief that the village is the centre of
Indian culture - which we have lost in the course of time, and which needs to
be retrieved and resurrected. And that alone could bring us independence.
Following the idea of Mahatma Gandhi (1869- 1948), he says this should be
done through an absolute commitment to the cultivation of love and
neighbourliness, restraint and sacrifice, self-help and hard labour - that is
through the full organization of ātmaśakti. However, even though Tagore does
not endorse the role of modern technology in reconstructing the village, he
does accept the logic of liberal-democratic organization as is evident from a
detailed constitution he drafted for Swadeśî Samāj and from his appeal to the
people to elect a leader for the proposed organization.
It is worth noting at this Point that Tagore's " Swadeśî Samāj” (1904), in some
of its basic postulates, anticipates Gandhi's ‘Swarāj’ conceived in Hind Swarāj
written in 1909. In his emphasis on the values of poverty, suffering, restraint
and sacrifice and his idealization of the rural life, Tagore at this period, comes
quite close to Mahatma's idea of nation-building. For both of them, ‘Swarāj’ in
the final analysis ceases to be a political programme.
It was an alternative way of living. But we should also note a difference.
Tagore did not believe in 'enlightened anarchy' as Gandhi did (The Penguin
Gandhi Reader, New Delhi, 1993:79). That is why Tagore does not reject the
concept of that state in ‘Swadeśî Samāj’; he only refuses to recognize it as the
determining agency in the life of community. To put it differently. For Tagore,
the state and the community are not competing categories: they are. in the best
of times, complementary.
This divergence between the views of the Poet and the Mahatma widens in the
decades alter the First World War. Tagore's first clear note of dissent From
Gandhi's concept of ‘Swarāj’ was struck in a long rejoinder from the Poet to
the Mahatma. At one stage. Tagore says:
What, finally, then is Tagore's idea of Swarāj? In the post-war decades, the
poet was increasingly moving towards a concept of internationalism as the
basis of a true nation. He said in a letter to C.F. Andrews (1871-1940) in May,
1921: "I feel that the true India is an idea and not a mere geographical fact...
the idea of India is against the intense consciousness of the separateness of
ones's own people from others, and which inevitably leads to ceaseless
conflicts. Therefore my one prayer is: let India stand for the co-operation of all
peoples of the world. The spirit of rejection finds its support in the
consciousness of separateness, the spirit of acceptance in the consciousness of
unity".
(Raghaban lyer, ed., The Moral and Political Writings of Mahatma Gandhi,
New Delhi, 1986: vol. 1: 286).