TWENTIETH- HA R M O N VY CENTURY Creative Aspects and Practice BY VINCENT PERSICHETTI 8 WOW NORTON S COMPANY Ni Bark Feconmcin @ 196) 2¥ yore rnncuern Uk Ging Ca rd No 8 1S 0 32 IS 6 wav wos haar #000 + INTERVALS SCALE MATERIALS CHORDS BY THIRDS Contents B at 6610 CHORDS BY FOURTHS ADDED-NOTE CHORDS ‘CHORDS BY SECONDS POLYCHORDS COMPOUND AND MIRROR HARMONY HARMONIC DIRECTION ‘TIMING AND DYNAMICS as to 6 ” a % 198 a 3 109 m 133 163 182 a2 CONTENTS n 2 LB KEY CENTERS HARMONIC SYNTHESIS eect ome % © EMBELLISHMENT AND TRANSFORMATION ae as a me By oa Bt i co ao an a5 230 248 mForeword Ta acenc ofthe Sr al ofthe rweoieth oetury hae prodaced su hmmonie pnictos tit con be dine. Daring these saty year, antic ideas have been in eonsan five eompostrs have erated ew ict devies and cchaigues. This bad pete of materials has fundamental signcance Fer the prec sey fr anlam= fon of the various aoand ermuatiene and recess preci, Composers have werkt insinceicly, with the err #8 ther ga ana have atived at souvahinyy of 2 coetnoa wsige of tee lethls Genternperury minieal reuse include a wile rnge of imvern of the pst and presen and ebe cvs tchnignee yl thule expresove creas. “Works of Tigh cilber are pleatful the rrenieth century: ‘The rok miture of materiale and voy is made up uf aay io groin: shytbmie energy, vivid acmenic: fabri, lod coor, Se feeds near writing There are bold sitomerte and dalions fnbalshinenrs, memseres of fancy, nd esetepmental teres tot tefuse cu be bond by a severe feral pln, There ate daringly ex permrenal and srorgly tnficional fosess while bing diverge finer ogetinea FOREWORD “Tie vations hens devices dno in theme secvun Foe scive weing: Only when tery ad telicue are sersbiaed ‘rh inate and tlert da wrk of importance rik. Never thes a prec Rooted of tvenaececry haemo = seueres Hin ogee for eb peformer ued tompons. ‘The Terforce is affect apace Inferno, sd the compan, wore Sle tei Tracaleth Covers Harmony i ae x specubive eae oot Sos peng oped teed of organs Redes to ‘eat of spose humenic metals commonly ted 97 cen. Tietneeviy cemporen. Althargh Imowielge oF mteralt and Cechagge dactnt i asl centages she, precision in Ne Se of er andueruniing of Imani devices are de Sie in prfosing a mss of expeion and io eseng ae ache and serie “Ths est sso fine this harmonic adr ad make era able she ode and your campeser, A deol sy of the fecntal herman echnmis ofthe ewenek cena i presence cording tn be pstive of contonprmry compan. The Bek for tnd sow exer. ae presents ses! peibis C9 sis lee ceatie sania choy spesie mua are cles fer, ba botnets say ad dhol be mde depending spon ix Sromantlan wa vacate eel ix she cinch oo to the tomo, Moc creer orghlly cancers melody and fnsmneny ia.a sytem cna duos, ae glen ae radars conaerionn The splicuonsde non shemnel supplant siting, Sot veel se mgeatons fr the i ‘enon of further examples. Pavagre frm the Irestare re mae ‘produced our of comrt:exa% pig Ieatios ae Lsed ender {Be Reng narce Mtl” Nene of she ann epson ‘ar at of enrol sia oieiencsny dey fo oer ope Srrviee ceconnticcmenryhereenic mathe Tas ext ray bowel ia avenceé hasweny Conse and 352 eine of depute in erative of mie cures In llega ‘Shratoiy e i ay foma the uttonks ba of 9 fe yer Snpeiton coven fol nth competion sn noncomyadinn mje Te deen of ruse vc me spate spe tnclady, concer, Harmony, fiend fons ade FOREWORD a sol ths nerdpndenes of then fore w funl nthe ec {het in niaivnined Relrene i ico to cote Loch sd freheorl dees, For herons sn emapenee movement ‘Mfc ty s wo’ form and eu, The vay var chara ferocues sr bul, she cus they sound a hey dy che ote neston of he chor and cbt sabi for Along cee ‘Sinscncy of esting nd the conan of ontraing ener me be unterstood. Tllowing «prolizemined gach of rice ems aye for tron cay depends spon the selon of chord to chord int pico sina coal ory propre any ater chr tnd eemingy oppoang teeiquer may Be sonbinee acer co thn formu and dunese undistorted! deltas he crops spliced pon crenive Hes and compostinal iv ‘Compare have inthe mise, nnn he van ia roetiets of dhe ily jae of the conuty. Sim fewee cet roving setiely in tng sala rs given imperon o urbl Ing oreet-coniry tsi ve given i pulse sad emstve Heath The embryo comporcr bata tected henge Like cen Sand in is Way he pases crete les.oe | Intervals ‘Awe nome can aneced any other tne, sy tome can soand si taneously with any other tere ce ois and any soup Uf Ce can be followed hy amy ether group of ron just arany deg of fealen or mance cin occer in any eyeder onder sty Kind of ‘ues oF davuion, Succesful projection wil depen pon the fencexmal and ermal cealsiony ciae prowl ant pon the sil thi eke too ofthe compces An ancereanding of ie harmonic proses: may bogin wth an xkanding of dhe melodie at harmonic incr’ af soma ‘CONSTHUGHION An terval, lke anyother woscal soul, may have diferent twemings for 'lilleret compos. While as jsyska props te constane, Hs nage changes wih she werking concut to which Irhalorgs, For centuries cheorbs tare, chongh the scenes of aovasies¥) 1 INTERVALS ner dees of at ens nt Fo this ae ae vue scence of he tive cmcmnotdbsor ul of lens ‘Alhngh dis cemonanedasomne scape Fete by conn fren within any pons yl sl eny vary conde fon coe age fo smote the roves an nite ered whet ‘undbd Saeutuaeaily or steessnehy—do have a bse que This quay fe decrnined by she era owe parla phy roptses of aad waves ad eres En elted tn, when sous, pata a sna of overt ‘hic form irri char rbet each eer ty thal Fae Gove, i the conerel sak coon intel ae ‘Sroidred to be doe fore foe the howe me of he me Conc ote ue Ex 12) che npr overones predic Score Inter In yr, ee tenet rahi: ve Ben ‘hal by tae te of the chromate empeted sere ftom ae Linded sue of vas co cweve eral which rain the domcterce of thir scumsrpars i the overtone ser Tht tena charterer a fells eft Bilt a actase—open comnacy thujoe aad ar cise wad sds sft soroonancee Inincr seconde and maja sevethe—sthep dicenonees Aaj Seconds ad minor seventh isterinces patfes fourh—eensmane or dissarant fsione (angmented Fost ce dialed Gdh)—anbiguans, cu De ier neuter etl Baht CONSTRUCTION us Te is diioak eo elanify the treme and che pesfect Fourth ont fof uusizal eoneze. The tiene ellis the octave a shally Point aucl i ute least stele of he incrvals, Tt sues primnily ‘etzal in chroma paages aid seen in dintonic pages Bs 12 ‘The perfect fourth s7anés coniontnt in disonane stron aud disonans i caneoranesoeonnogs, Be 13 Iuervak evn flew cach ather i any andar and ony be a ranged © form any pattem of tenon inerpby. For ecampe, =| forts of faesa aay begin wih an laterval of Lie tenon and tel wih an interval of great toni. The qualy of the pecfec four and towe will deemed solely by conte.1" 1 DVTERVALS: This is how sels tension aromgeracn might sound in praiee. Bens eat [Nxt the tension paste ssvtids cere of great onin rove to thw of iarce rope. The sabiguet titone at the fet now aso el ae. Bs fae Iogevilis tension may be wed 0 sit any design or feeson. sie ie The core in pr of ere ry teed co suport or eppne, for sari expres purses. tint ores eveh a momtentl aks, Arie, and tempo Shep dionenes sun conse in double rods cleyne ln Hwove: he some terval asigne he ene of ented St eve an etelyfesene fc The Fev of one ens Sine the olun inucopectve-ave gs the mpsion a ree TaN sonia dgreseon wih ore compost ones. ad fobs the inpessen of recent. INVERSION AND SPACING wn Ba 1 Geer) ogre AAs compuvess areudes an practices change, the eoncept of conununes and dsemoce way change, Vass depen af te son my be necepred oe conssnunss: Cosronant intraly ty sound isoneee 13» prucge domi ly dinonare inerals an in Iunuony compsed oF strongly sistonan sneer these ddsiorunces ofien became che “contenant” norm of the mvsea! opinziton, When itera ae iovre, chr comsnenc vont ii chong bees the Hct al rapier hove bese ered. TIS fret of lunge nuts wi he dali eta wen ee rfc i aes ks Ie Gein, shi ll as ecg fn unable puter four When shacy dnonarest ite iver Imnred chuiges © wieny over “The cite rior sco Spas ingy a Widesprenting Mor seer. and ther Toes ere oF i sing. lverig sie came canes 4 pronounce shi In tegiser even chang choage in nerlGe tsanee ay eho pace eral ate spiced more than ao cctave apa, the safe cor onanees (this snd sists) bocce cher: gpen comnances (octives and fhe) and eve consonant pstest Fourth bane strengeeverses serps Sj Se Discnance (esuade and scene) becom ls biting, Yet more ‘ian Be ES “The eitone, neat in cheumiake progresiam, becomes more smbiguous aad soled, cco i ditonie prograsiony, ie Boones Shea ke edlioed to reolcion, Br r30 ies, INTERVALS IN CHORDS wo “wo or more meray eecurting simikeceousy feria hat i waully ice to be a choad, Chords ony be bull: wt equelisane incre Be tat ae ak ik ie with diferent Binds (rajory mine, eee) of dhe sane fers saber, Bee ———— — | i —$ = 2 Se Cae Re nd with mise mora Be its oe ae wt Before 2 Gum & sec in nuvaic erion the: corsopanedi- ootoe qolcy uf cache incre contained in ibe ccd saad be2) + OVTRRYALS: tot sly ty ming we of ences nels SEIS Sie dimes ne wr emt can SOSHIMEL aor ti nt a ecto mae Sid Sr cin cn este ck ron om oa oer Sel peo Ly. Rane vo Siete preterm meena ove Beale send pig of car sso to aes sei Pree chur be vee intra, cburve the posse vats in coneorant-disonane combintons, Ex id Se a {A Jeucmote chord contin se iaterlie factors and 4 five sae coed, te Raids 2 apn oie a ta he qty of consent td te by ye sey ee aig ta cake ay Gkisic nie oo as are tai nol nen ge ane a i cmeecoer chm Ba ON mally hie me of bon eng “pe ON Serer Sk ne sy Sue sn et Fra er tnvames bck enagey ny lla ecg ees ema iad ee oe aoe INTERVALS HN CHORDS er Bs. £16 = Chords certining a ertene tend ro have a rele quay, while thse wrneer ertenes fare sablity even when entneiely ie ‘The prosace of a perfec foareh ina chon Kens siubiputy because af this inervaiailey eo Fureron ether conconsrce freisaranee aver nerve the chord aut deter chee cet the herd hein clase enly in is vce Several enncext, ‘The consonanedssonant quality of wns consi + pefect enrth defined fy che irra Formed bythe Iss nte tnd the rote net invelved with dhe Ioutth, Whe thie nce aad Sharp disnines, she pertect fourth sounte Uke an open sem fonahesy when Jia sult cowienmnse the perfect fours sounds sly disse Es hay iin ieee opens Any ind of chord fay under “aera” conions, ke own saturl dephing, such othe doubling of rts in major tr Te ie pombe bowtver, co wrke a eed in numerous olher Ways, Acuuliy, tay actey be doubled, tipled, or anite fr spe textural porpaees Dathling ay be und co siti spl chord, ts point up charscteviek part-wrhing, ar tx range cxein| uso chord aed joe third adds color ada doled isomer tone incieaes the Wie: Excswive enapting all oles Alene) prechcer poreuive sons hurts Chord mmibem tay be ro aranged chacepecie Kinds of it teraerompolize the ws! yes“The chosen ateval may fore sepuace Imervalic sands cha: snore enntray acto. Ee, 119 Sean Rae ee ee Shem e ees sh Se een eer co deen ease a OVERTONE. INSI.UENCE a Bx, 1-20 Cor Bue tarmony that ib douded may ransin so and be effective, eth cloudy aod ceor cowl mateses ate eset ingredients Anca compesicion, The everone series © useful Bt enuring Me anal dilfernce Any tone geressts a roves af ovecronet oe partials tc reach pare indefriely, tng not Bs. 1-28 vec sie bon te 2 ‘A tone has both wertial ard hosiontl inplcaions is over ones my be ased siultatecuy in chow stastanes room Ircliely in riod Lees. Some Sonning hoes rade higher fyoriooes shan edhe. A one produced on an itstramene eayele Of eneracny high ovceuaestecogrzabke Ly the ear ca have 9 (quilty Wit m renane ond rltsralydisonaat because of the (rowding of che upper prin. The sine nats payed on a wedi >»a 1 INTERVALS Iaring evertoces that stop surly with the lower or siete porrae wal wound rebuivly consent, but ick esaanee. Sach Are sane ofthe diferences chat belp ge isieuments thie ide tal one quay Baae hnemosic maces muy be ered 10 the overtone ser, ter only gene fact cencering chor reture and Fesonance ane isdcsred by the parca. A sid is Forred by parts (oct fh, and chisu), a seventh chord by 12-247, 2 nh ebord by 136557. 9y the whske-tone choot by 7 tH sherds Ly fours by 68-9, and the suginented Fourth chord by 6-6-1 oxecer, detucran concerning harmonie ieplewions of parta’s beyond the rh fe not wll practical tesamse the wmpeted eae dos See conde in icc wih the Toby 11¢h, th aad. Heh paral Teds gute poule e cic mude-nces chard by hid ro th eres but hp cwerome produce Lined resonanee. The moe tad (qavtals 1-1) seclevrly on ane. But ehe seventh pti i gly Ub that ¢ minor tnd Gua dae sich, and esesidred 28 the sevath. (at chonds by: thirds) sideterprete the motes! phe femcaon, Onr sperad mail ainleng ean inlade tones up £0 fhe sath paral tir beyond thee pais the aul percepcion sorely ratinyal. The actusdcie’s alservaions are usul 0 the ‘iapiser only f blended wih attic non, “The fish (pata 2) ie Tower poral than tho thied (pare 8) snd conraqecely te mace power Ul ths isan inperean Facer 9 rndersanng reltlershine of tores, chords, ad tole. Rew bean, atireny fy me Frac by secking higher and higher se fone but by using wvertones of overtones Far caedgly i & CEG chord the sveneh (E) » te Hlth above te hid CF) In ths ene beth C and E are accempanied ty Hise fifhs sn Aerefore have steng relationships with dase eciee tones. we Wl wo aGd an alviioal ronan tng we should ade nor Ligher, weiker overune of © Guch a6 Ff] bar a lower und sronger mveniane of aa overtone (wach o& GE which Is perl No} of Be 2 qs spn ww Corda ersraes are sont raenae when dh ditonees be ie he enon wnsoratw tonenh crer tees (vide spasng I he Lower sage and cose spe the ‘fpr sagner The neta sere es an fr las Tar imino Leone, che fowsr ones of the luge be acc nid ly tsi sn erence "The KUIUME propemes of xy inriment oe of jer soe toning che perience sree atRond sonar tot eg the sound. ‘The prise of sopping csoanve Uy lower so, harry W oceaionlly pled chow) arweuren “TRO cole Ave sed pemaiy fen she sompacr wena wih cords Ine er eran er ud eh Ie Inger heave of aie Ny We age of a Pein Ma: ie pong at ih rs lve the bor sons of eh hand beast hs zg hd soo ierel ad he nt liek bel thei Bases Pcp de Hh en bw te aa bas ow ee ete shes oer he heaton, Bs, 1-23 ssn rey tt ter ae Phe medort co whi eel ide ie given ha a dest joan ‘pon husimonie waiting. a8 do innervate revere, acing, ard Ayounies ‘The Fallewing pusiyes ae tnt upon the same cho >2 INTERVALS progession Int att concsived in enmplerely dierent sedia vd hs wsnlGig completly cserent lnds f Farocic seiogs. ot en, sy and dyn hve caged eed Be 4 ve ppetn 3 Avratenes of take cer 0 gent harmonic cae. Quliy af ces done by olin play fen role barman Stuverent Muse writen For (penn fs effective on Ce pene. inn te wren for erchoera gee an hiproper yresion hes ple! on te pom. Hume weg ou Le cence for titeediun eaplayd oy empl acer clr my nen sm ex diconsnce af icon shor eral of 8s conn. 9 er hovil Urction The hgh rps of heybeard san ot the hens of saga brliane eo pale eon Cera bining incon ry be lane bythe of core oe MEDILL ar 0 sound a chint in sepurte orcharal etvirs, Bolyeerds are tual transparent when Sich iil of ant within te compere sMeveture i sounded! by a separa orchewal secon, Buiean feringe dens unceran pasing tents ie weervind oles, and & fhupptay unveline oaokee rhymin ging ange, Source Maveriat (wa lal ie py 00 ns gatereed> Two por writing i a worsice work ROE SS Tae Soyo Skene ess Bad Hint a cme ae eh - Ape tte Te alrite Vi and Vote Comey) CE ests Goes Hear can eaters, HES VSN TRI “Twe-par writing ina woe of more than two voices fe Se a er es bee res pa os ota fal 8 ee te nn sal aarti i oe im cae Fe eres saat ee iene te Ree ee ea), Pee tee, i,” 1 INTERVALS (Pempart enaped aire Bi Ba Mon, UL 2 iy) Dict ava, Pena Sua ep (es Ee ea“ Spee Ave # Ue Foe fuels thats Ou pt 31 (6. lune for SAA) Cobate Bat sao te eed p. 1 corey Egg wossbarg Bora Sonate Rc hp (Nace) Saat, Le Read ad, pe Chane) Passages farang specie ircervals: ae Cant fot Otc 36-35 oe [ila ag Si Greece tance Op. Gedo CUaiveral ‘Nite Honey Thea Benn ont, 28 Haber) Rite Bite Reyne Cusp Cook) fens Bonin po Gf aoe Bifendachalet ee Ma ee acy Aebie Hege acl ose ues Niger Sasions Siac 0 Sti Beck Risen pu ad) seat Ser th Grp Rens seal ee Se pea este sramie Se Ee, SE eaten (eee Onmeternie seeng: ren Cpa, Sop for Vi {Qolzag! Hasna tjeamper for Orenaep. (Saad) ine Hints Dose Cancens Gu). p. Clue) foal areasuasomin Synouy Mex orSeg p. (Sn) Pat Miata Spruteng Als er Mil ne ley Sor Sawing Sophy ed Ral poy) Eile Torchic bie Gonore Neel ache), p28 Biers) nd Pisa p35 (ose Buanps of evrtona tom Rep, i Sans 6 (Fake) Bearer a Ps iat, Bia biter, oude for Seng Orchestre. 20 (FIhan-Vopd) Poe inc ees pkey ao eae ane is Siar Staaan anf yap (Ouran) MEDIUM co fess simian oss rnc on ty sumo elaoseay Seat Ss imacy Mima Ale Zeomerrine, Keetgucrionen, p. 4 (Scot) Applications [Writes pre forte tnnesthie soins eral isman: pnfece fevedn: Poll his pha wits one Mat comin seve Cofeannt ete foarte 2. Wet fat and eampeneus panage for we oes ann Asp ean oer I. Wet of yee page consi g cy of dwn neo Seo two el adie 4: tend the follwing ahs and Bagh her apeing 4. Wri fo tna ello a pelade ta neta hth» eres And ciunuende oF tesa teasen. Do not bw the Ayame est lida wish neva condo exe, 46, Adds secu! met fate che olewingmampes os, mpl bigs evn of ira ondon: pecans caey >»Peon « declamntory peur for toe Nene ing eboede by apalcaet intone, 1 Wit apmangs fr ehoe curing ory chard wt ane eo sonar, oe ld ssenant, so ene sharp sens Hea Empl ‘valegy of spacings Write» pase or sag quartet sing ony chord of mike i ome 10, Write 9 percesne yasoge for sting ocean wag exeesive doubg nal seeping. 1, Wie sara prone for pa ving slr Sera a Leth tn, ving ny mean eve tice uxoons quick shrugh dey spaced contoat mye | Scale Materials MonEs AA carat rome co sic other cones ace relied can esa Aornlty, aud the mecer in which the oltet teks are aco Atonnd the central tere produces modatay. A. guest neribec Seale pterns eve heen wied by rwentarh-cenrery composers bee oven stnd spare frou che eens became ef thie wilh cep Dye. Rach hae is apecil character ad sy cane may Be wie tHe toni ering pon Be, 22 ae tt Semrae EES ¢» 2 SCALE MATERIALS yan sp ei (8) Hot of thw ewenietccny moses ber the nae seen sae fag the Mle ges ur rublanceene feo Mise Se sige ts he od jr sale wo clin ‘Boule lean Geter at) wit be OMY lnwtehel ove et OPte for onanitg mod, ovis jr tone anova he aoe dean Lyn Seda of Te mor HAI nk the Toe see ep ed edie Ue ser nai te ding tat were Be tkcnsnnd ator tis each ep rea IBD hcl nunot wine ad sel ae lower Thedeiee er of te i a morale Teale perenne leh a seri Reece ion Flor toae heey whe bec Sr DECODO 2 Sater nape sais Perma pak Bibione ahh perce o eda tale te tone GE (aed faut se) ear che fit Hav wl be 1 ST Jay bo found wis the ese vs of cch spl'Aemjrsnt ones ie en itcSeen pnw so stony cla atria. Te pony thors ar teenie plus ews rua equvainie These double Rare ear ar mime sal thar ade the cat MODES 3 ceria scale sep hich produces the principal favor of he ses: brcues rode ders loth « Sninishel ea hs va dial ford beorte ia dininshed ith rand: to aeggee the donsant seventh of te major ley wth de ene arabe ot shape ox Hace 25 the move in question. I de Ivdint souk: wih ies anteretisie fount step desjor seals wth the mise fourth) the pranay conde ate yaa tad the seconlery ae Ill, Vy and Vi. The dimiisned andi LV. With rhe dian m1, for exrnpl,shis wens ant fll Dilydiat telusaceerisic favor 4h sep Bs 22 ez Li dy ey In the miolyalan wre with ity chastise seventh step (oaior sale withthe foected seven) the primary churds ref, Vy and VIL nul te seemuary eboeds ate MTV, aad VI, The irvine iad TL 1D molly (claraerisic favors 74h cep) Bx. 23 el = ti Two vow vt dy i Inthe darian ete, We is eeraceritie th sep (earl nuinr stale with the aed sist), che primary chords He I, nd TV ad the secorday chords ate MM, ¥, and VIL The iniashed iid ie BL D dove (ohurateiie davar: ch atep:us 2 SCALE MATERIALS Bet ee LY din Ince phrgion aie wich i tance ood mp (one cece ehh Woslecerod cod) te peaeay chose Land Utd the evn ave, IW atl WL The dined ny. D pinyin (crits aes: 20d wep Mots! choke by sheds, other than as, need speci attention Ieease the enone prec in rusry seventh ard ninth cher np the Going seventh a ensjor seal; the hurd way ee telly Jove ie core feling and ip hao 4 major sexi, Uefa (reetth and pth chore inte owes Ceseeping nian) att thos invatvng note Paryigian sete chard Enid sun tx uw v ww Phuyyinn oils chords Bs 27 ones: re “Tend seventh. and ats progres ety frm one to ser widelodesine tide Ba 28 ee eninge Chard snecosion of aay ld ir nee jot a atie of separate root pois hue a haemarie recs 31 which chore moze fered. ‘The seecion aud Uburbution of primary’ and sconcacy chore Within a given segment of romie and the ways in which che farmonie hychen ib orgaized help give the enact lodidual ‘on Asingle mode is no: necesuily wc thraughout an ence sec tion. AS working amet for compesiion the meds may. be sega ely sean wa onto rnin Tae retest aver uf fa: eae came applied to 4 ined els om 2 Jotul cone wil procace the "darkest mas the lean. Sab (tasting fats God then addi sharps) in laonie Sgmamace onder Will predce an arargement of mcs (rom ite” “night 6" The deni node isthe middle poi andere che nom, Bx 29”) 2 SCATE MATERIALS Win this related onder a Aleit st of mndes is a the com poser’ éisposa, and tte coateal of these sale formacions with (einen hues b pase ‘Alfough shiag mieder age ffetve on emtionary bey center mutch inlaie reference mont be auade 10 the toni one tershes nv sing win che made; other the coxaiy’ wl stl, {eo mjor under the tonic power of che wione. Melodie circling tn chanclike epetition of rhe tonic ea aad Loene eidenzes USll help mama exe cents, The flowing is» ededy with a feresceade a ropiser cham, sym, etc) mal mesa; the rons eenrr A ought Be, 2.40 (ep Cato ie ‘Chromatic seerations, blk elec and Nermonic, ae devices rural modal ing, "i Acinic rad 2 Fequene subjecx for chromate ler: tion, Ths chord hae + seton rendauey leeuse of 9 tee and Is aherad ro give the stone perfect Fh subliy and sooranes, the race i lower or the eiminshed Lith rated, This some texeared cimiasiec all is fnnd on a eiferntscle ssp in each sande: Tn phrygian it ecuuss on dhe Mk se sep, até when lief, form on seticconl desasane eqpvaeat ive itl}, Bs. 2 In Josie, the diminished ried occas onthe toms, bei this iminshed tone jp altered chrnicaly in ooder to wv tone Jnvelvement wrth che Fey cereerehocd, the Ini Alvar es fed. Theefoce the woke uf chs mode's aren sonnet eth no fifth oe wit aa added nove, The un of Last version slalacs che vn ode oi of the id x biter Wh fo a wt useray) 2 SCALE MATERIALS Fre Ie amy be obarwed that xnce the lncian tenis trad eomeniog the uncle icone, mde use ay Le made of the onde oo te fee and iu sate steps and che reene elcesip corsdered athena charset, Ee 24 zy ps Pree! iF ‘A pure modal pussies one in white x wndal aedy i fas- seuniaed ett dnc frm the sons meds aad on the sae wa =e Be 245 rs) Polyneaalityinelees te oc ce diffrent meson the rae tor dierent renal cancer, The madi strds may he mbalc or Tease When the sume ode oscars siultancomly om diferent tonal feexers the pase fe pelytoal and modale bue nee plyenedal Bs 27 dee When dierent moce seve ox iffren:toral enters athe ne de the passage hath pigs wnt plya) 2 SCALE MATERIALS Pr zi8 gts sere) eum ‘Aneledy may mose frem one mode wo another wit a eiferene tonal cancer. Ha melody. Quetases through several mde he Ip ay Cll wis dhe some ot ich w difrent act of ‘eoee When the ume mode i moved fom ane foral centet > sorher a mica] mudtlsten exit, By 219 br when the modes charge wile the ton contr cola, modal imerttanges esa arm Jn ewenciciicesuny mai, Key signees ce seldoen weed beconse coral eintets and rtalilty shi rapidly: aad beste semlity i often precue The enhasnonie chive of splay B Aetecmined Uy thease of renal E Source Materiat Dosian writing gen Bech cngan Gra Na op | cht (Gre Bebe, Paton ce Mcinede ed Ne Duna) Shatter ete ay eee Cerro Grins fon Siig Sep We Le PF Gtasen laygi wring: Fe Bch Visions e Trophic i, p10 (CSc) Gr Elves a an pT Oe aeEar Gide pas Serial pS ans a ats Suc Pe eta ae Din Stato Syrntny Ne fy. ¥ ute 2% io*) 2» SCALE MATERIALS Lien writing ten Bn Se ne! Mr». ey) eoftitses Hiipora kaye Swsbatt yp 49 Chery sentinel Sytihony Kot pod Gretbept) Misolydan wing ‘tl Basi, Pino Corte Nv (ep tone Fes hes cnr Op, ot Baer age nchoa, Vas Tor Ph. fe ae) etklationd oe Emp rat) pe 30 Das} Eo e,Cycoyete Ry Seva Boy BS Motels for Se Orewa. 2 (Gu Acotian wating In Fas, Pan Sonate No 27-9 Bae) (el Gr, Cir ramp Si) ease ec oy 8 ioe) wrsjonn The Heute him HC Sevres i tn ne ane nat eed) go (Re) Wllan Walun ojala p81 cOntet) Locrian weit: ee Nhe YL 8 Bane Ca en Re a en Sa lind pay, Sane ex tne, Vit ap. eo Hla beer Sine Sno nee Ae En Teak (Seer Sarreio evra wag (Li, pm (ion) Fin Stetin Sprigteny NoAcp. ieee Motel Sneerchange: Alda Cosy 11 Teo In 2 (Cis) us cgmuch, Bn inuncien (PI) pe Bt le) ‘ain Kev. Sata le Sa Cale. (Caneray iret Rare Newent pe Iemrd Rapes Cnctere em (lag Chentin ‘Gila Vee) ne AS SYNTHETIC sca FORMATIONS a el Koren, A Gtraonat Cra pp. 1-5 Plan-age) igar Siasinly, Ud ds Subs, yp. $9.0 (Pathurosnia) Pelyinodaliys EES RAR Be ae suis ewe Hct re hs ig? ise ee Bee tent ePsn Seda eeoetelementll Aee eb inch oreen Roan eee SoA Sah eee od SENHIMGIIE SCALE, HORMATIONS Abou a single song though i oeroue sei gE osc obtnly he ms elt frmaten hur toad The joes only neo any sos srtined tbe lnc cwelve some chtonare sale hat ifn in she epper region ofthe were tone waren ree place of scale steps lb in eral tele fermen beyend the per of ota mines mae How nigh sales se coast Wy pacing ny near of ‘nyo auiane ane argnented ston itn ee Che per tion poses ae Saggerng andthe mathenaticl races bas fcle‘ceave contest wilh compesiva, les a0rsile hat seal be sllssor to form ara soul of the fnpea of mae ot faraoute pers eve aati) genceted by Shera es my thea bs gatered up an paced iat sake frmation ‘Some “orghl” ow spite ster ac wed more offen than tiers Thee bauer aoe se fi cen wl fl sees tne we somtimes rane i lllowe“ 12 SCALE MATERIALS e201 Sue ov Neputon Wires __Nevafon ine oo one Heese oii SYNTHETIC SCALE FORMATIONS wo Re, 2.28 atc SSS = esd = Sz Taped 0 er el by anion ei The synthe seentone, ane-acaive veal Hl sujet ot ron made of spt of fourate eowpe (eter) tat feyen fe tone a he og sep. he tcrahors ay be Si, a isnot and Double ston seas, lesen 2 in thine mizr and Fhogara Major sakes ‘Toe mca cstacen pense tha podveed the tren basic tore (lan, porygin, ero) ey be apliol ay Sede creuing mule vardvas ile se tre teen af any Sea bit uae nl soon on We aperonu Hat ey ss ‘The hurwoniewilunes of ew sles Skeerned by ve” n chit indigenon choral sss Lach syniece sale SO tins a's of chunk valin is own inenalie makeup, The tary ther ire the role pla she oro tas dm rade ehe ede sup ar ej conuing the mest deerme carers Sows che seals in questo Ifa major sel tecastords eset thecal or ape tho osde Ue eer Bu ie see fein no maj eur the pony chores er te {he onic are tose ads that ae enkornns ple of «major Sr win ia {f elunoemealy speed mor or igor ake Alomoe t,he eharacetnd one 07 cons oe ound Ie HOt forsing agmevted or Seinted intrest teenie Te see sianing te re the xeonry frsatias ne fenson wae the pesiton of the prenary ced” 2 SCALE MATERIALS SENTHPTIC SCALE FOR\UATIONS in Br 225 ‘A Iamocie prem ert Ty he (et chat mest eyothede seals prodase one ar aire trade wth diminished or agree ‘hinds aod often these unde ore priracee They se stall cre- tunielly converted ino one ofthe fone hie wks anor wiboc, sugmente or cininiied, Alerig th: hurponictxeuresbould a0 {Esrab che scby sak toaca fo ie ead working beome che bhurkn of maintsniog the fewoe of ehe prvelig sale i placed {pou cle mandy. The sooser the meee vole (elutes a che tors ofthe scl, he grener the chance of pojecing the synthetic sesle wa oni Be, 228 Ferther uronic pessibites may be esed by eonsiecing the vnitrored vere af the scale, Scoiing imevalic points between the onginl and snitored versie reveals hilew potcauiies of the sce, Pre sats och a dental peter Yossing ees, til eer vice overeat x maggesed and brougit inn focus by reecion. Son sles ars reletdy len, imenon produc ‘exact duplicacion uf the original scale in rerragrade. " Re 226 Asie pail diwali wetng de wad ed hr rary of pm inavng sytes sels may tay om he fcc to en hep nen tee je cet Te flung pagel hk of eircom ‘the same tonal cerger; ete * : kaon CHa He4 12 SCALE MATERIALS SYNTHETIC SCALE FORMATIONS w ik of ieee sae on ier: tonal ‘ween ype of eeecarane sale bul by combining ewe Ta et og bk of er ae any Bs, 228 Ex 20 aw dei Benin Ne cousin g tae bee aif Dime e __, we fete Stig |e = — Tre So a eae ceo New sevss my hea Hale ith site or ouave, Wha the ore eave conde a pected atthe fee oxtae, Wh {insu sil hy tecaconds ste €ondved, » Swe-votve sale or uieerave see nny evlve, Be 229 — Tones 9 ehrayth 1S af 2 rarsootve sea are moe mee daphcioss of topes 2 thnugh &. This reuendene spun of Se valle color mates shifing of nodal serous inpesereete. The prinipl chords ofthe ew cerave zeae on! tbe be, sual Ftrucrurs which clealy define Wis tmestove.compaie. “The ‘fem anal sevenevent of ened By vee from the ewan Seale are nor aceosesdy dapkcndons ofthe eccr and rh These Ewo-octne uc serve a unifying canes sie of empl shore Formations, ms ee By, 251 ‘To ur more tial Inele af intioae two-actare forraiors appesnige a the same tune (pelyrnadal 9 polyronal) ave dle To proest an are bese cara in mask for 1 ei of wide olor palsies0) 2 SCALE MATERIALS Source Material Pasage based en syahetie scl a Se fg Po inn een 8. eng) Su pg Bea aa Pon rap in inion: sma te Sew Gadd at fy) ate Fier, enn uns 98 ee Wi (Chote cates ‘The Mage Die ot kbla ter Sat le wl ey 9 ‘ate otter pis herion) ‘Gis Mttien, Wage agate iwc) o8 Gace Gacy Ros go, al 9 Rita aul 9 Pare, Worse Innate, pt (Unico, Aye) Need aces Le Te Ci Hag Several Shatiews g 7 (on om Sin, Seapone No, pa Ceebogh Sgr Save, Hoe Bue fai 7 There are raion nde of base five tone ve pontatonis orl, Some ofthe beter nna Fx 252 ‘The medal eomeruction eechnighe due praises the seven aconie mans prolucer Give meer of wach sype of pearreiie Seale. The fire med] ferme af the diatonic emsroric: ae a follows tonreaye ane are ci i ee = = — Dione sce of ve roe ar hamrially leited in 2 becuse ofthe ek of setmes wh al ve cons of pone fone sexk te soul tether they form somewhc ee shor. fe therfore stcnely cite easier tnd meld dessin ns pre pons a "When ebay atl harvny repent hag heme resins af the petironie of mang from cae yeaa toe ee vil lp preven uunoonyeRB) 2 SCALE MATERIALS kx, 234 Om sues) Het PENTAYONIC AND HEXATONIC seatEs os Br 236 Pe pmo co tt = 1vish we of crtametl ree pal points, nd Frere ned inrarctarges of nedaionS t other peatitonis wall ap kelp prcwoat humans momceony; but pure pentatonic mie” (O07 Polpmodi, ete) ie ost eerie whon weed for dort pone of Ene Peweunie materiie furesion well meladiealy or bar rranicaly, fe tldon herd, Pemstonle melodies ate ten at tuned wi foreign eras Br 255 One «ype of penmoniesuae combines well with soocber ype om the aims oe difecot Iey cee, Thote ate varios Hinds of buse sizson er besatone cele Some of ebe heier knows are: ka. 237 vies “The mele vein ee aue thas produces the sere dei inedet an the Sve sede ofthe poner, produces ax woes of Sch hype of heen ele expe hula soe Tce ‘menotnyissnewhat more ceay sei in pe hectic alee Ahan 8 im perstonie ek Osun a the adr tere Nido vente Torn tow seles nsly Inge ih lund From ater als or ehh chord acon aor sloth” 1 SCALE MATERIALS ‘The hoacoic ene (encepting the whole) i gimaily ile en We me er oie eumplte and ful vadepeadex Une evan. Ae tines he ba toon dnt the ol orb he alo, at for che mse Jar dh huemcny iaen-hextuse a mas dependent of ay Ipierine ofthe mel. The consonant tenon cused by the wo spare frees erat i 08" Mica Coa Sin hays In hae proage Se owe song foes, men Sn hatory te fen inp eons Bs. 238 ca ‘Eaten The wholesore fastens se offers + Bniied bas for ox tended tical aprvarion, When the scale fs mitral there na shange eveer in rapier” A second whoke-tore sale Bes a halt seep above afi Inn any amcermp co poduce mare Wi rests aby in raspasfon buc iat dupFicon af she rare of the fist (or cn, Mal versions of eer of the two sees eae in sm PENTATONIC ANI HEKATONIC SCALES os xan iespesiion of te origins! forms Ts euitane Serle sakeap deprives the sels of whe fondatent! Smerab, che pertece Fourth apd fly and of the Iading tone, A vel feeling of lity, therefore, mut be ceased by hmenyeutide the ‘whnietone estegery. The chery fumsted oy she wholeone hexstonie sake are reeages hacntorie muted. The se tials of he ale ate all sugnerred aul four nf them aren eFet, ft inversions of the first eve. ‘There ie only ene type of seventh, ane cype of sth ‘eben, nd ene eespory of ches by Sesares, Bs 239 ug Nevertheless, wileaone rnsis have pessbiics when cer ca devices ate enployel co prolong dhe hamonie inert, These conerary moxion, Bx, 240 slkernating the rw scl,2 SCALE MATERIALS, | souiog 2 sic ones agediorharwocically, Er 242 os wot Syn changing the Jasity and spacing, . fee 248 Fagengteon Pads Be. 248 PENTATONIC AND WLNATONIC SCALES o ‘The cme tale of the wholetone Scale fs Am the commas prosides then itis wed in eoninarion wink exlor Sees ad fechaiqaer When amilganuted rich other nails a he cenively simula seine a wluleone melody harmonized with chonds ache ehan woke Bx 245 Fx, 2-469 2 SCALE MATERIALS swholetore chords change to aided-acee elitds when minuc seca ae arched, bs aT vam whole-uone pages altanated with non wehele-one puss Be 4h PENTATONIC AND HEXATONIC SCALES i tn the whoke-tone sie combined wth anocher Kin of scale Ex, 2.49 des Souree Maeral enstecie weiting: le erly Mian Vo My 922 ay) Sinem ree voz ier cflstacle Sigs ewe o smarn p37 Pata Neti avd Trp for Wo, Sin and Baa 2 dC) ‘BES Row, Dawes Gs and pac pa ae) Ke (eo ad ia) Penuatenie aud en pewaonic eon biavionss I tnt Sg es N92 omy) i tineSernoen a Teak ice iif Ge ACTA 0 Sen ible ra 46 im tea ee Dicer eas a ESS ea sae, Whelton weking an er Feapli Dome hi raat Se ets dah“ 2 SCALE MATERIALS hole 1ote and wonavtolesone combinations: 2D acai Fea hae Seo 1 Eero tae ab pee tnorce ier FOG (hh gp 1 sed) iGriaanag ts dos os Ben ne! “The chromate sakes de af the octave divided imo ccs dnd pe er wa a cunancataon of «Loni ely or am iniejendem sede Godhauple) sith reoe aqelly import sop, TRE chrome site nay ngs tone eli cen fed rMuny eanrscraniy ave Uist. Meal seers Jt equidhrre chrome tele ae no more pole co comsruca unio the equidistant whole teow sal Ticarese hemi af eqpicenr real or ay cena of sisal inti may’ Ue bul [rm the scale. Wey ay le cone ‘Seal pon ony all cnt toe amy Hf aed broug ‘thn che graven of 9 cone comer through caubliienant af ry ple of chndleclatlip. Cvesonts Ena foyer fan mibcetarenes ioeralic hulding mir Thi Cones toeaony Torn 3 compoonl ype da iv Uacwisd in ree Spr ‘There ee vavous tnd of chromate wigs cheoontie Agurstion of monveizemnacs haaeny, THE CROWATIC SCALE at crate harmony wit tonic medic weting, Bx 2st oP Pry Jon) Bs 2252a) 2 SCALE MATERIALS nice chonll rucrares formed hy the cheats mation of pas Be 205 sun chicmai hanwooy generted hy chromatic melodic ering Ex FI dons When characte geoupe of melodie meter are wed vertically, ae abows chordsare formed by eres feom the hrzontal mot CCormpestion with ewelve nutes can genera tis rd of cron: Source Materiai (ChremacieFguasion of now-chromade herrany: siya gy Ste reg, SPS eek Gs ‘gor Secures, Spaiphoay of Bsshms [red}, p. 2 (Bouncy) Cranave emony wh dae eed Saul Dae, are Sorta 2 (0. Sa Hey Hdl ae W6 e |The chromatic seat ta | pie tae Foo Ontowtitn Op 4 94 Cre ih Ae even Ber itary 2 Goce en ncn mee np ody {Gi Rage en ad Monn pis (Now Ae) icone Staple, We Sms No, peasy ig Ssee Pas Camera Gea 8 Applications 1. Wis shor pan piece he sla mite, with ina of ican seston, ” 2. lund these opening srg qarce messes wing he eho oe, Br 258 3. Watea pase ferecgan employing mvt chin, 4 Wetea pasage For any Sstning mad icerhangs. 5. Wee w shor recleine for ois sig Cuca noes Write gay and gulelly aving vocal for prio besed upon Ae dnbec naan = i 2-Wriensbm al nc; wifi arene eb one ‘brett martes. Tee . Genstruer a ela darine Eee isthe lian mode suppl by“ 2 SCALE MATERIALS plays sing unmet aren. Set You the melody al enya fucteral cen Bs > Mave «woodwind pcs reply though «sce of mma olan cae W.lk 11. Eacend che lining pabunoi and palyeonal pomge Be, 256 rune loerin Engl hoc eidy ie estan vi eabo yo dh sn cor 12, Whe unghal miloies for vasons irae wing rig sale 1s Wile a OU oice fntay fr nga peal lens sing evra yathte or signal ral, TH. Cayce a cain for nce caus in which eack preforane plies diferon peers ene on» Aeron 19 15, Cowie at eign] ewovostie sede Reronierearre asthe: sia for pienso hands 1 Wie pel petatnie soon af « ser far woecsind wine, 19, AMlow en clnw osing 1 slow pisstoieLne overs mon-penstnle nant string tackroanc 1 Move the octestaqaley enough» id paste tan stig pene sal 19, Camamer neo mes on wcke-one se one aul for cen of ays mevemane and tfc fe de ee a hers spo 1 Henin 9 senting whaler sae in ee tha Wich amr anid nor tals tke Carpet, hon and zoo. ‘THE CHROMATIC SCALE wr 2(,Tarnnrizeanasezcu nr sel Wis eases eof whele- tome nao: Uae any sein 22, Be igh Dries (aig ene texas) apts tow bcs losing the Sar what snk se) 2) Witenchcnaclnonn lly wde tue yu hic harmony. " , “ 24 Kstonl the falling evenly smut pane roa Be aaiede Th 25. armoniva matting rama cele he sep sophoae, wit wnjor eal cscs ty aa ewe ner sa phoneesass | Chords by Thizds ans anew by compar of du wer cennny in was aiid ia the sige and ometoehcemtaes Ont Gi tie coer period evowe anvat the nel pilre—eni Genin, ard Sobdbmieuneanl geareaion fi ena by the Sirispatte of bani ava. The dersinee and saosin ee hc ens on ater tide tere of the Eh, a het fehonshps (Wl sea (WL) donate all des, Tae relay horde ae seepadaty and Fumeh tidy ance te primary olor fhe been sled The orsos v4 irom te sary tate Bees hey ts Aenney and the mae xe nance Sew ts Kenianesobcaninn harmony wi for ew ttl oye uqnetnably eis a eng Hover by Fk ccauonsip ea eve of its ‘reans o Eat Tends aerial within a souls may be vex incon by rhe Sonehipe edie dan thee of the Eft Tn dais aie composes fave diam rit, a iis posible te hace» eye af ithe so it posille io mevein 1 cycle of faints or eras, Thee mlanorships faa be coosincing co Ue car when cae eye in fore sconce by prong vee cadens) chordal movervats ta thi watinship estle of chines) che medina salad ag balanced su. TOIT Che tome frou hie pesipans 2 Wid bee a! below the {aie The primary chords hen are Il ane Cand hore romaia- ing wesc, the eloships TH aad WIC done al Fe 32 cake soe 15 x second relatiombip (eycle of secon) che supertonic and leading tous ers hap eb the anc eones Gren ce pos tone 1 second fo ache diesion, Prnary cons ae ly My ord VI and the remiring chords secondary. The eebtiosbips ILL tnd VIE dominte che cers, Bes oo Wren determining the siceesion of ehone i 2 ehind or mecad {etitonship one may procoul in thie eqavalent of the eraltonat fifth horsbip of mor, The se nau rom progressions of the ssconl and hed edstionshipe parle the vusl eave propea J) qtIORDS BY THIRDS sons in se based upon ce cycle of li, Here ae corespon fap coms of al cucgoricy their roral fonctions (euler, smedlacorys end 29) being prea le offen % Vv =I =v 0 corresponding hanonie yrogsssion: Gyele of fe CITI VET Cpe of Se CAC ME VIET Gyele of tec VICI WL In exe follewing exangle the root pression is eeated by Ascending in event ervals cf Be tye reitonsp in fosee re the pssges are efersue cay in at they are governed by Siferen eyes fil, ehieds and reser Bx 34 3S SSE ‘Tetans he ‘These epee eeeranthipe my te sooeteoced ia ay sels etic ur etherwi n't major Ky the porary chor a fh elacnd pate major, sean Wey s8¢ aoe ad aay ‘poultice acy se ene In mad ad thd clair, fin the fiche olor priary shord re doernineé by he Incereie wikesp of teste ene srl will ay consider "A thre rearontip i a majo keypress the Dwg ba sean colors unis chord: Heaton, Luda, a V1 on ‘Thane x enfor avd an itor med chor das cle renting meh clr tesa in second cal function ft conceit aC aajor H-Geik dome” sf ereting a8 seconvary GBD. Ex bs Tn rede, che primary chords of paroule eye stole ray noi suicide wth the sural ual primary chord explained in Chipeer 2 or example, a vesond rearioedup in the ply happeos w indade dhe aura privary chur of tbe metic I, an VII). The doriee equivalsney It and VI, contin the shies Sewtinis phygim seca) scale step. A third noaionsip. is Dlryian prodites the primery enode 1 1 and VI bot these Cchorls foot include ke yhuygin Gaver eane. Kye rhaugh ehe Dhtyin sour dic eepaore weer hove remus, it fecpte poster sasblh hited clatinship Oy ensp upon the sesiviry clavls of the epele whieh cn eeerain the pheygion color. Ex 3-6 fae rawr man 7‘0 5 CHORDS BY THIRDS The harmonic mon tos ftom pity chonde may change tmamoncn ented! by siting fom oe eyelet ath ne dunge ft tres tarsi (coo, it and 0) eds copia con nn in a es Boy Sallgroecvgronionpoctlebecert marae of the ssend, Ahn snd thar eel to hee of he seve, sith, Ear een, Ant ste ene Berean nag ‘yar at ae eno pcone, a sagan spending pon ‘Blveieis oe); ehe obo cocievone compen of eerie ome rngrason sontericlly vale “To rel ormamenrl rn, any chord of the kamen progres: sien ny be cooklial aon” of any sie, sete ce eee sand rumen tones may be ees Fm che infeed ede, Be. 32 (ENap A, Gen MM, Fete Gk ame re, Syueric scales often contain trade tha have angmenred 0° Adiminiled hinds. Thee are awhward becuse they und Lie arch or secon and vovlly roa in wiping s chord, Bx 38 omen orm 61), - ‘TREADS on Such cliode are often altered t9 cn of the four basis wide, fnajor, miner, diminished, or eugnented, in wih only ac ol ainer Uueds are pres Chon say move 8s part of 9 cyeke within a sale, or inde onde of role rlvinship ia triads bo apuanay cove In masic Bhar leds x efrite alee erodaley ny trind muy be followed Dy any other tried ae any sequence of Pe cewers may be wae ‘The soon avenue of porte Heh fat a senng tendency vo wba a definite mdaley and wcaaiy, acd heroes Sedo lcd ina chromasically Fre triadic eontot. Ret movemess af Iaajr and minor seco yoda and eninor thine veear more ‘oft Decne they artes key ta define ay ne seal she roe ‘of one ind wveving up or dawn to dhe set of avother iad move fit in interes of seconde and hinds then in fit the tas Bort tris involved may be af sry type but ate vowel rior fx 3-3 Whon tends progres chromatically a som mevement of the augiented Fourch produce: «chordal edationp she sds veep ‘tte base secmiltinétlatsnshi, Be, 349 The wide sleeron of ads make eeliMle by. charade Irgreson often creates baitonc and dad revlesesy Bee tach vace es purpeee nad dep ny weal cacy pings fre ‘Mu wh harnne meaning. Whoo eromacc tags oer Sak2 4 CHORDS ny THHEDs monically ae mee vague phease-stepes 2 dtonie madly amy Inq Ue chtomudian ito char focus. x ht At aay poine cnlil mate ray be chosen hy. covsdetog a yrominent nos ina stranger vier a the cooky ind oF Fejoe de unr (his often, crated ar migment’d) cd Aay tote has Fee afr and thee nor ec sites 6 ma se Byon an anadorned scale Tne procs posal und vary bs, Bt ba mnsie of ach chrome Sifting, a onderlyng sie a wade iesemeriner#realt feta but never aoremning ane. Altbomgh tho center of ee fllowang example te ntspnerly By the pe ib TRINDS om Is mut geveroed by a prevailing made of a proscmseived col feared, Be Bia on “Weinds are froquenly used in fundamental poston hile she conciuing eke rect and fds (ually she rie. boctom ies) move in parallel Hfehe This type of mavens io lective if auendon is divert feom the Mths by extanive cowry notion. Periods iverson of the aie will love Uh Binge penn, Br 39 Jn the Fst cher of che cbuve czampl, che mio sities fume Hens an Sucomplne major urd wid adled seth {Ip nie), The selon chord wath ine charaererrie ixerval of a forth Js often heard in the company of sinple chore ly foarte The” 5 CHORDS Hy THIRDS mild ens of the seonnd inversion and the puncestan of 26 Suriay cadences lp delioe the forral are” of longer eradic yet In thee correo ngs muda cadences of seed apd ted aon iad ce nora bb, Source Material “Teinds moving by third zeionsip: ants nh go i ee ee Re oa aaan ‘api Tancon A Sarr Bae so ban (red 7 £6, Schirmer) ‘Triad: moving by second edaionbip Ain png Ae ug ra at et ne sa REAeIctromy ae didi! Shania a SYS nd 2: commen SarHeetokes, Chiat Sonay pw term) ETE Scie ged) gs “Triads moving by ckone dations: angela. Te ine Cd, 2% oe Seateng Rate idler, See eh rind) SE EIA ENN Nie, 9 a Se) EET, oso 3-4 out vaten is eae a ‘he seventh aud aiath embers of chords se naionlly di senant tones Due they ave been f¥eed of some of their fone ik SEVENTH AND NINTH CHORDS a rscistiors. ‘These clot have become stable enti thence {wih thee disimane tones nor necemerly peepanal ov renlsed Sevsu and ning chal ke ads, nay prgress within of out Side any sede fursation, engl or trvlciaul, Cade esa cel conditions the sevah and seth are trated no disone tones needing rain bat ae independent seveich and ith clucds hey Seve the facley of trans Bs 546 Be po Iie pone to build seven diferane seventh chore with war anf tino thin eonernennr, Seventh chores qth angeeatd| and diese ils are aspen of other chords, aa se6 HT DTH aM Great vaviey sn tverth chord restore cane fi heongh outing (aay ance nay be doubiel) and faverin, Sevenchs my be inverted and epuced in any warner withoee desoring thie Iaioaunie aplantas ‘The fie fovea, posed an Blk par tiewily mtn Hecase ts neque snd enable co 30 3 ay camer chued,” J estonns Be TDs sever AND NTH exons n Ee. FAP Ea. 3.2 sii, ‘em le en +e a fs eae, seen Ts a eet jim | Co we ae ea ey AV ypet anemone prgresion posite wil) wh are poss side el scrrt a in cons Sere 2nd aa con te 3S efoolan ler faecton val Sra selced, ipa Hehe dtd a cee The ager [our ee Tate privcs Fret gcutoy fr chee (9 een, perce ty ohare lat are domune svn Bx 513 [A feeling of “progression” may he created ty moving voices hrongh vanes forms of diferent seventh and tii forrtans fon sane tot Mohcauatesily, € should be posite ro bull with major ane uninor dirt iste difeone mitrh cond cra ome ety bus bee fiuse of elarrierie Saplntion of certain nore oly les ae possble. For sexing purposes the ron ind lyre as cconsving of uve cad, the rop Wa talured to the uppenuest oe of the boom ak Ths al beng Tae paca insplinione. Bx 328 ods BE) ee A worlabie onder af tbe selve ninth conde fem dirkes e9 brights! seeral for ¢ composes craft (the choudseannected by ares may be inenchonged. fis, 3-22w 2 HIORDS BY THIRDS ‘When elo gedatias of dhe si ormorions arena pave of ube comporer ara epperan, coor ete of e Waots Sine heeds wl he posible. Niner used ih rece Feiy Ni estes eka peeps. Be 323 One of the tinge that ensoe op niu chordl ny be Cha stely $) smaller thin rior tied. The barmeni squeeze eased ty che diyinished ded, o7 i Soyeion the aaguacned shy clete 4 oced. ar erate reskin. Ba 528 Tn winch shows mmers axe cnvieed felons: ffth—for Seleuso, bird oe seventy for Tse enlee. Chard mers are Aexbied a follows: tece 0” fifdh—for salting: turd oe sever — Se density of nn, nit —forineresed tension. “We the ninth of the chr i below the rove de eliord is Lae wile; vent pact wreing help che progeasio SEVENTH AND NINTH CIIORDS i Ba, 225 (eta, 5 a e pe The Fourth version Cainnh in the bass) is» hard texture an ‘efferve ns renhewn pasage, Onuiag the Bith beze produces re suppleness, Bx, 3.26 “The minor dominant nts inthe fourth iowcesion ir ofe fod ‘with ie eevench emiued in pelel hornoay. fa Foust invenion ‘he interval ofthe mingevitl ie somesnws spelled cinched fctate To facige reading. = Be 307» 2 CHORDS RY THIRDS Extensive eiteride ace omide avillible by niet foretin: Since any aots tay be sonedeel the ro, ed, Ai, seven, FF nth of rele diferent ninth sherds a single tne may be lee framized wih sey ciersoe wigs, Wi ¥oe nove Tin the top Soke, re miro enh chords might be wecens Fe 328 Successors of ints of vaya nerve vexcucs ave effete in sequerea pues Ex 3-29 SEVENTH AND NINTH CHORDS on The inreaned harmonic weighe of sins often presents the problem of inasobiy- This may he slved by suceely touching fhe mich witha oice muvirg fra til we weveruh hued Bs 2-31 (ee ee When nined chovds are aied wich cords hy forthe or other onetid cuegures the meter of te nth ate spc so cheat less one ef the irsteas of eis chord seems che bul i terval of te nom trian hammcy. Par example, if inh cheeks se followed by chorts bul of fouls, dae merbere cf he nich ave arrnged 20 that an Sveral of the Four is Tore by re ol the Yokes. This Furth b given empfesi in che phe ta prepare the ences forthe eerance of ts carl ly Touran Pretest tha evnbine ehardl texuree wre however a maior [or aad under Harmonie Sree se Chapter 13 Source Marerih ‘Varios kus of eve al ninth dias Ai Be. He ep Uo Bad Croeig Syagteny os pet (6228s) Ins Ege oy’ Na te) Cina Fs Te Jus Bg eed) Tp ths (Fite) Cancale Sls tes, a em ne eee ie Feenat, Ngee Ge), p16 Wort) Mize Ray abe Nother Sona Dead) PIS Sle Ree ee) Ch Metal hugh os Comoe, po 8 (Hero)2) 2 CHIORDS ay HMDS ELEVENTHS AN THMCIEESNTHS Sarge tertian chords, ap estes bow nainy tieds hove ben axkiod form only 9 atl portion of she harmonie paler, The fois toe of clewoneh an eiteersh chord al deasty bur luce sapploness ls sand sever-aote [ourcions ave cum Trae ix baemonic pregresioas but wseful in che gooeil fae ais where ‘A eleven chord emily ened by conser th Lorma- ca Seance RSet oslo carteee hon fray A tinct heal way be Hew by considering she fone raltipoous ccenbinstinn of three tia wih tones 9 femanon seen pie Br 3.33, 2 = “The thireenth ch non-inverebie any ane a inversion will produce ane clvend oc durtesth Be 3-34 ate (63) ene Inline OO) en SP TN teana 6 lorem and dncenth svar ave fee erst by pedal tenes ce mjlatiearasncyatein of re vdsevee chars. hese RLEVENTHS AND THIRTEENTHS 12 sancer theharmonictacligrowtd i et one of lovencho thincsath {herds hur aster chor with the adeion of emtcentl tone, Tn analysis Che appacen eleventh ue thimeench is bran down (0 the chord with the fewest nates aod thin considered che base ‘chord ottewise ursamenl fone: are mitkvely eoouikned part af the ciond. Br. 5-35 eo moe p Tf oome member of the ceveogh aad theweath chords are ome iris possible a susin cer Fredo of barmarie more ‘ent. Elevonth aif trrweonth chars cenlly contain two sharp Asonane Imesh. Omicing one of the tones tut foram a sharp Aone intron! Lease che diswnunt cwseat and sale ila tively supple harmonis mowemsnr posible, Ta ue Colining Hie tesrthastord ccomple, CB and El ane momere of the sharp ut ‘eral contained in eh ehor. EB, er Fare choice nots of oie ion G, dhe root, were eaniacd an eleven chord sen zeal Be, 336 (Chord esr oe a arranged in secant fotervlic atic shipyard rhe arrangement produces two operate rindi unt »” 2 QHORDS BY THIUDS pulycond sends, aod if frac pedominane the chal snd Mex levomby oY dhirathe bt 8 eheedsBy fenrths. Be. 337 Th papd choy te ‘The imeralic mo up cf eleventh aud thie chocds often coineleo with vain en formation, 338 Seer Lesion gee Oren EGG Haig om Ex 339 FIFTEENTIS AND SOVENTEENTHS os Source Maserit leven nd dient eon: Ate Rag, War (dp 3 oer) Dagamin Benen Peet Gee (eh pe Chey) cfc Jeane desir ge Saar ‘Bena Mt Lr tees Omir ed oy Mea) Gidea Mice arated ng qrefe cacnrss8 ic ee (Arrow bis oe, Vrs NI Serer. 3b) ARES hone Sune Ror pe bent Fl Sopra, sen “er Ha. Pour Bins p¥ (Abel) Igor Seana Ouse amy) ‘As th tora yt ceded ito one dn ecommated more sha sve deoonsloed tony thnks were aloe tte Cir teenth ch 02 Bech andr sveneenh ion dopa cher meuibers: ¢ fix, 3406 3) CHORDS RY THNRDS Bx 34 For porns psn, the ce of the ge neds sate Eanes by ong tro or tee ince roe Soper one chs eared lew pojoherl secre e- Ha Br 32 ua on tobe soto tate Es ii Corpo cert us seventeen chords are serve a paral amen er 9 harmenie pusesuaians ‘TWELYE-NOTE crtoRDs “ Fx 3-53 Nag, Source Maverat Fife ed severreenh ehucels ed hanes oonenenncy ot serene ome as eee ieewe serine eibicet Mth Mey Kile, Meats Musics or Orchestm pe 1 Cute) ee SS eee fb “NOTE choRDs Mised stink may: be supeiinposel unl al cwebe tes ace prseme The unary tenns “oiactsenihy” “enemy oF Fruentythit chord ave sede nied. Tirtveonu chords can taining twelve diferent member tones are se epee apd hick that special ater mus be gten fo whe rege sal stom. tation The thick tomreligheeus wh dhe Cron is pace in eae upper mgiter ar when cearomantpottuaw ofthe cod sr pi ly sparse orchestra chs, ne5) ctIORDS BY THIRDS “hie ican every fired spies of Jurrony, which eperaes ins confined aren A Haan hanetons ace (ew, Twelre-oote flocs are rol for puuectarion, Bs 345 for gulee an sustaved tension, Bx 3-46 4g and for short progestins hac anioner uno or teonyart ring. TWELYENOTE CHORDS ws Es 347 = Tyeveore chords by chinks spa = wide coger and thee inetaters us nornlly spiel in dude Bill wrens of all ocr provides taser “sypplenss” hut when contrary srorion Ii'sin yones rsee the carers becween some of ule voles tdhinge Ths reals ia the owelveuete chords by turds moving fo one formed Uy eure oe reconds orto 4 peyton, herr feist: compound chord, or mre chord™) 3 HLORDS BY TEMRDS Sorarce Macerad “Tyelveanxe chor cee. geopne se Dag at ete th 56 Bae ierstiemma detec nit 5 hy Sey Bent pe FS aoe, Se er ee a ath SES geet iia lind fel « Bal ser ae Nene fF (Sekai) Ce hag ain, 2 en Ms) Se eae Ce en Ontarsp | ana ETT sone Cm 2 Coli) See er iE EP Ea vt Hee ess re hfe cd Applications 1. Ween rtm pasngeferplane vic aheLarmany isin by ihe cpele of 2. Se: for mizal enon oi from one of the Pas Le ie ms se govemed may Uy ti ete Cas ‘TWELVENOTE crionps oe 1. Wikee a miriam pang fa wn ewes id cw aoe a wih le tan governed bythe eyes of seconds 4. Comer «phrve om the flowin Alvin HIEWEVITA 5. Hanonize a desendiag major sek with major ts excel. series of hare rots: 6 Hsmenian the ssrending Eine sale with jo se miner tras 21 Hanrnnize the felling mex with chore tis 2 Extend de Flowing pusige Far nwo rnc and to baer Bx 350 claw) 8, Using Cm toa center (hue previ se), create a gait tnond atthe ating ercteta wb nl progr elrerte Fsbo thipvol de secind nein. Ed on asiree ene auaent 10, Waite a stecsioa of stacea chocds the bases. Hc evel iene eo meron2 3 CHORDS ky THERES I. Cinoeuet a seguence of aor sera chocde and Dulin eatin pong on the nue e 12. Then he Fling ly foe ing pares ing om rmneseaneschexelaseege, Mart courary and umn sno een aver dors shuld Uo ved Bx. 361 13, Woite sis of semnencts ict seveh mt sath ced 1, fetes sever Heda ocean th chord in a ong reece 15. ad ection for pins dine by nit nid, we oad saa eougn fou versus 14. Fp this avo asp of eleven and hint chon pre seg the gener den pags I Tusttyg ac of satan oe iy thirds acd ever eee nth setter shor 11. Wie «shore we pines for ame pov, Four han, ic sl cee feraiens eerapt he od, 19. Wie ale For ek crmpet with qe dvs ering lasl= a of tlre choc 2. Contes ttn fr aa ar cetera sole diem paige roux | Chords by Fourths ‘Teeennert-covcery composise ase quaral harmony (ends lyy Tauri) ar wel ae she eran arony liane by thin) of Classic ant Romantic practice Qoaral queers sem Ioan ena ‘ena of dhe wiad (a) and fem the echaigue uf medieval polypheay (0). Bx #1” 4 - CHORDS BY FOURTH ‘Gods by foarte ae ll by siperinposing aera of the sean Baer gens no ef tae cord sabe eet ak seth pre Serva gree the dace gee Md, aterie the quar rote ay wound Bie vee, ilies oe adden chor “Vee four aa sete chords by perfoe fonts have pence lene. The fete frm comtns al eRe tes of Ee tie penetonie sale Es Chords by porFeotfaanb arsamabigao i Hat ike all chorus bolle by cqutione inner (iinsbed s2renrh curds 1 aug need rics) any sneer can function as de avo, The ine Teence of chit reas hanacry 10 coma pless ae borden oF Sey veticata upon the see th the move active medic Ue ‘THREE-NOTE CHORDS By POURTHS a ‘hse Kinde of intervlle aeangerene of ehre-aore chard by furs ae posible: perfect perfect, perfeceaugraenel, aul aay tmewel-pelect, The sugneated-aygracited atrangeano Re proctenble hecwuse the fine and third nous are calarotonialy (lead. Be #5 Ia al ypes of ice nore chords by fon eo ingen ae pombe Rung chet hving prt Furth ae prevent Retarmosie mening of onto irra Finer inert an be wel ara tindanenta scucure trcae of the preset tong peet fi Ifthe rena ered of the perce ih P Ulbseh tm devine the tenn the team cred by the dnserd seve often tone like 4 aoe aed to 2 ample Chl Forman, Pein estar he pric fh re qua harmony vatiecy of color. = oe En th io, . me ee ee ‘The varery presented by open spaing increas burmpals ex presen:Eat emg ‘Any note iv a perfect grea ened may be doubted a wells sey other note, Dub of che ower pres entices harnie ior an dovliing of inner pute svenghons ory moving voce, Bs #8 #9955 war coer -A-sacceson of dior ty pete fonts docs woe fall within ne ancrvaic se-ap if any one sea, Hohe choad ne to be Jad Be sels pen, mellorae fours aor be use ‘Chords by posfest fone therefore re conmtialy more fle then cloves with perfect and angrieneed Courts. The seals Fynes uscd a badlg tos for perfec-faurth cords willbe dup Heated a deren aud level nding plyconl potential 2) Fe 49 Trion conchae ‘imprest wil deo yet The porfost perfot chord is seldom used a6 dssoramt src wee The cee of 1 sharp interval, rhe equality of sh pose Teun and tbe miss of the or seven create cecane that SiGnouse bra quart coneast. Any saenber of this chords ce wo ep, ‘THREE NOTE CHORDS BY FOURTHS a Ba 410 ae Sg Jn drs comaning an augmented fours (peter angnented er seg pecs the ope ef he tone she wy sc ie of he pring ae ot ae ro site etn i ken ee Br ear he cexutt is a langer (loar- or fixe-notc) yeusion ‘ane4 CHORDS BY ‘QURTHS —, ay ye offset hee by fut so pore dn eee ity cx by «sip to any ctor ent hy Hae Fe eer wih tog dee PrP Gow ee vt oO Cgy § cic, co ackove wih eho by foie in Woe regieers they tent flow ware cal in upper eiees—s0od Sikts ce wearers valoes A pods! pou ser any sion 1 read fer raion {en flexiduiee 5 ade 0 eheeoce chords by fours sioner Ienunnie Seedom iz pomble epee? THREENOTE CHORDS 8¥ FOURTHS. 1 Chori iy foores may be appeoached or loc by tide when the apperant hove prepared, Betis dm po, when suspeesions ae nor resolved Bean tnd when she eth or ier is elded to a endenil sean cn. By, 428, see is When bort tren and qusral chords appear in a progresion, leis advisable wy engloy desies in de tect harrony chit bring fur the Misono dhe ponfee fourth, Chords by fates may De fppeeachel we Efe by nth chords whan the Fave leven of Aceh elev fase wit ee the tap ene ihe prominent103 4 CHORES BY ROURTHS scree, spanning vn Foust, sex wa binder For the neo chordal scuasutlenhy be pis er om, > om ae by severdh clnds when the shined and ith of paral seventh cheee i replace ly the Fourth; be 430 =e aR weetos and iy thinerth chords when they are arrange so that fowths predbminare fe 42 wr sei pea ty J quartal cidences the Gin chord is sore powestul ia i in ened form, Bx #2 FOURNOTE CHORDS BY FOURTHS coe Querol choed seater: move so freely that in cadences made folly of chords by foarte the nero elm Fourth chose may have any base nore. Be. 4.28 Ghord by firth eto used ae “domain eacenees of aay farmonie idiom. Any eniewre of cherts my be veal in asta sculeness i he terval of We four yredominene in the bar mony FOUR-NOTE CHORDS DY FOUREHS ‘A qual ccructure more cesonan: than 3 duse-net chord by fount is made hy adding azeher fonth tothe chow. The 160 tone foams consénaneinteral (eet) eh the hae te and alls ‘aloe and variety to quam hirmony: Havtsote chords by foarte sce eatzerely wef in Deir thee faverted Forms because of the poy of incrvas shy conta, Bx 4204ii, 1) 4 CHORDS BY FOLRTHS Musing Ugh inversions of de ume cher will prodce re Iameie marement nthe a moot change E42! cggy BADE = Foursnoxe chor solve eaily chor by whins when owe bios mnve cnn ole the ther etn eeationery. Thee rove quar chord arith = doubling are wef in he content Bs. 426 When the cugmented four ie prion: ia a feusaote chocd bby foarte the uitone onaver asly Hf placed at che cop of che hed Bs 427 3 Compound constrution (isch and Cours) briggs Gee eakor re epmta hamiony. A hid may be adel alive ne he 9 three oct chore by fens, the ald Ui sor the chor sural famsanant, if he ei ino che ebord sous les conse FOUR-NOTE CHORDS IY FOURTHS (03 Beane =a I ee Jr C) = ‘he canponad tee qo coed wide mje di sedi ies Monel wt cea one. Wh ol sing chords buh pes (once Ev By eo Siu tr save eh ah uae Bale hic sinancoiy 2 tecoete Sar aes ee PP Bcd ant fencing prea wil m popes onc tertaa or polychoidal seuctaree * Be aay The eromatc ined af a eo By foe Aken se only ceed Torsten ON MO ® Bx, £30 tee ——16 4 CHORDS ay FOURTHS (Chords by forthe may be attanged in hs as easly as earls by thins are anatged in sists. Ses ‘When fife deninnts« qual chord the foarte bezome ret lo Teds advisable co renfen the fete a tied of 1 componed ‘ra chant before retuening to the pure chord by Fours be ot MULTENOTE CHORDS BY FOURTHS Crs bu uf superanpor perfect fourths ae eersoraat to saad Insode ete Bre nore Gaon The Sarnot® chord pele a Siregoned change in tnden becnr of the samp dieomane i feral There sit (ar med nore chords belong the issenane (rnp of thee, four and five-nace coeds conticcg ww auy= teal foul, fy yond re caplet es eclataulp ofa dissonant (gronp wich 4 sorwonane grey. a ————— ‘Thincenth chords and siukisnowe gone chord afte enntain the amue notte The smilarny ir heer, ace sara. Tf thal fueron a ses orseven-nee chor he eer ene 4 aureenth fr foncn, I ses oF setex-rere chord Boverun by fet x chon by foursts saunas. MULTLNOTE CHORDS ay FOURTH cs Bx 435 (mena Bh domly a 1 the ausber of ids ant (outs qe the chord ny be sted 3 phot arco an regard ws begin to eer ‘een i at ‘welve derent netse sy be pace perfect foue ape be- fore one is repeated (cwelr- uous chords By fourths). = Be 494 = ee = hee es 4s the ounber of eho’ member increas, the linear potenti decreaser. A touch of pacallcl moreanenc, a interrupting funn ‘rn allely eiihed doninans il prevent hanson arse tin. if maddy suns ave nee ware! pase the lng ntaoab ste basen of te shrd nd tt enter Vokes my on lard an de dda: quality ofan hewn Foect iyyeheaoliion of ences trees ty pecanso} 4 CHORDS BY FOURTHS Br, £35 ‘Source Aster Ousral harooay: Alban Regs Weve (p15 Cnn) ‘Med Heian Se, eerie Paap + QWre3) ‘ih Resin Sa a hen Pat elem, Noten’? Zone (ore sit) po (ees) Kiem ig Bed ee ey” age Swen, Sait Rep (rset) " Witton Wan, Coccsve for Vie and Orcheses (1c, p12 (Oxford) Xie Weer awe Varaton’ Op Sappe5-0 nena? Applications 1. Wt oye pgs forte, ig an nes Ue chrds by poten Ele early 1 te et roo for wo rungs onions: Fee pe secures on sgn pret Sees a cane of ecu aa ny fr 4 vio atch fod pri Oconee ph “4 Consina he alloving pasa Screams prersng the generat cheats MULTLNOTE cHonDs BY FoURTHS am Bx. 436 tre 5. Compu an ecg pines For wom vice (S5A) feearag Saris Uy founine Ores seers ny be ince, Use the Fle foo, Pan (IP: "They met up tae eave, they go ow aga Co the dees: thee nie ma cous of ole 6 Canina th flowing ides fr pine Beat Be, 48 4. amonite he folowing melody for waedind quntet lowing grad ony te danas ie pose Fa aay Sas asia!m) 4-cntaans mv FocRTAS 6. rie ene eat rmone tom with prsenanty | qua cae Ap tenant of pay bee 1 Keen she following siteg-qaucer opening, Feature pensouic riche alae armor wate Es, 440 tees owe | Added-Note Chords As sootomnere chord i a hale barmonie fonaton whose tex: tasal quay hay lnen modied by dhe inpustion of tenes Bot four inte arigial chord. The tones roe alded forin ate oF ‘wore major or mune seems with any rasmber f'n aherd By irr by Fuori, These aed antes ere nelly placed» secord above or below any ember vo avoid creating Seve, win cot pound chords, ete ‘The added cone ve tones ate eacalifyig, les Tents artichcd to 4 chord of slear dates posers amd ‘olor weiifcaians, change the tsture rather then the faneton of te lie swuctare, Tralidumnl eximple of alcet-aore chee seo be found in the ealertil cant sitive and the Franc nigmented soak chord, ‘The ayymented sich 32 Uhely chord road aot r beeweme 4 rcerional pall i sficicony saeng to be wirpaed bythetoy 5 ADDED-NOTE CHORDS sltkian of coler tee, ‘Doe Wrens angmmatod sich is 2 prime Ceanple, hese a mejor socal ade shove che mull ene of fhe base Islan agentes sh churd This auached note lees rater the fuweion mo she Zatnul meaning of dhe Hein chord bh ceca fenge color (tho tapmonted scl intros gives the Telia herd ie revivotng posse? andthe ier a third Crom the tetton ges i ite fundumyenta 95907). "Trenicth ceacucyadded-ane ieluiqe ertploys foe base ug sented sith shurds to which sererds aay be aiachsd. These ‘horde conse of the inten of che amgimenel sich with: a ansjor sind (Kin): a rine an augunented octave Wb Thar thal: a dothly angaene-ecsve wich a nsf ids and an sented ei, Be So Wee ene “The formation with the minor third a cole variant of the Feaian augmented sath wth eRe ae hid. The basi augue sind chewds with che ygmmerel uctae and wih Hue doubly ang rented scare stein roxrare and are useful in passages fee [Bg indy eleventh, and thrcearh chords. The aogincoed sith ‘end wth the anne ied useful in a quate comteue al isefien gpelel crvmenicaly. Tn any chon! cootsiting Ue in- feral of the aupecited see che sees panning the feral ve OTHER ADDTD.NOTE CHORDS nr 2 teensy te pd send eon, o¢ mov iu {ome veice hed). % Tu Be 52 loin tent (st) om Sexo satay fever mars ine scons muy be ade nts scary ton oe cas at dled whan cong 6 Fenmloe“e vd es aog eneny er mune reser a piss che paber of nae aod Bess G29 Wree 200 Angmenred sit chords wich two oF more abled ater resale txt maturily to addsd-note chuces of anocher vaiey, becuse OF thie comaon secundal restute, OraeK aopen-sOrE cons Misjor and minor secs may be added nee ony wo augmented sixth Forwarions bute moce chord by title ana foarte, edd utes are nor ornamental tones sounding wich a chord out taei) 5+ ADDED-NOTE CHORDS ‘olor excenbers tat val the hid in color porewil, They 388 sles and inerece dhs hurmonie devirye East ie ers) my i ae 7 Saal ae ated Mejor and asnoe seconde ay be aed stove oe below any tnembes ofa major or miner ri tthe ewer ee ae rte Heced in une chond Ue les eer the formato, Ba 55 ‘Aang 4 note aint 2 jor third ites the clo f hs eh tue, The edo id sone es uecied by an added Ty mid wil say apa es of whee el tre apple there # fee. he ightted al wih aj secu de above o blow any Ineaber he tae tll whelowne; fie mamrsognd Chore re re nel bese hey rae powers. ‘ili to seventh an rrth Coes te eareEroguemy ot feconde bene a mjorsicond aldon samedi fl i dap econ of chord member, OTHER ADDED.NOTE CHORDS cn Ee 6 tn sen ees ead or seventh chord with an aed reac may sesenble a nbs chord. A lack atthe sone tan descenise ty eur idexety uf rhe chan 4 ax added:noce seveuth or ninth ctord even the sharply ee sonane nied umes do rut eompats withthe seventh or th for isoraattone mavemneneatterron, the added tones wre aot trong omens for resolitn. They cing t9 lasersed ne well ae fonéameats chow an nay be doutled 1 wil, Doubling ee ailded nore n curse eace i eeetve vn went seers fctaies in meeche ceupling. Overall evapling ound well wet wad in an engie tel of alder-nete hermany Be 50 Fes it om Seco stad eo wot by petit foi the ell onder for sna. formal exit, te ar Seon Lee seventh above mae fourth below the fart al ae te eee tod fr shrptccure, ae no cond above ee eves, els ths seve, above dhe foam bedow the erly and wove fe root! The lose the senna is placed in the chor the lo tte, ate Fonoaconwe J ABDED-NOTE CHORDS ELSE _paatone eonere 00 at ibe Te posible to regard the above cord chee ads wich ikl notes o ncnmplese seve age! nnd chords wih aed flotee The chow yl sound ke sdéed nore chueds Vy fours {Eibey appear in prange doranted by fourth choxds and Bee tedad-ante conde by chrd if peopendeance of chowds by cies ued "The chrvmaicsecord) schon co chords Dy perfect forts cress sharp eure weh lends wll th the cexure oF 208- Siete fourth shords without ded nets. Whether the scones Fanened to anguitted-faurth chord wetbers ase 1s} oer the chord lll aways be oF simp rstaxe bectose of che major Seventh nerd ia the He foreacon Fx, 5 wae bes “Augmented fourth ends with and wikour add okt sound wal Sue by sate became they Bech Lelong m che exegory of rp teenies 7 Bx, B10 OP ye ey dnp PEre Sire , a * @ OTHER ADDEDNOTE CHORDS. (as le any ied of sed-note chard ne general reruns ae pot ible a mud :ype having ao sharp disonance and a starp "yp hav og a Teast one sharp denuaace meee Be. 8.18 sat oop He el ‘Aéc-une cons shed y pe ofenstop harman fw she tadegy co fort depo ant nee ed oxen fn hmonk: proute t beoen und & flow can Be Shunealncd by ng ely the ila np pe “The prgrelve muon of added chin govened by tip bn lemony to oti aed nes reached. Sue fee of colnce’soumatey ud tule (umes Fora ep provee he bcs horde from ce dening tos of rod. ing ecco Be 52 ‘aa eyene 5 ADDED.NOTE CHORDS [Aided note cowie ate ofc sch ty when 2 ler sal eins hamenie rogreeion& imped Uy sh Ls Car or is prouomdy ceblisied by elurds wiktow sibel nek. This ie Putlcluly Gof hae conde ne contin ee ores spread rer ari age Nowe omy be seach to comple bas horn iF svers are fe Sev noted without Cte ee one 1 nocesare uel tJ complex ise cove wee testa pepe aim hoe Gf Lager bse formtu-oot of ald noe wel ean hig compound chord anda comple adeerore ‘acd are often sed. Unless fre haoronse pregesion i felt under the compice added-ate Sustre, 3 copaund la mone reeure vl pov. SMe eve chords ne ofenseandl in apeamince on added sue chard sid chord Dy. econds 3 srners ital 1 Iealy within the gene! content of a seticn of music tha 3 ‘irene can be 6 ‘Ocenaiily, sided noes we paced oul he agin ota cage Tas wiles spac, poate: grees freedom of humonie ‘ovensnr and arr facing of te dsonste aed be. Fa 5-13 [8 speci caegory of this typeof chard within aed ote cewside te one tof thes lve pein tea not SMieU below. A trad Gojoe, an, dite, a eusiet {Spaced ine appar vac and mor ur wan toned abowe tu elo any the muesli ei fon OTHFK ANED.NOTE CHORDS an ‘ces a ilance A wit iy of cal errs pula there are thirry-six such chords. « Be $14 Altbougl some of these sutures resemble tciioadbiede by dkhey do au fost ch ete of kore enony. Progrexion in this type of alded-note harmony is often gore arsed by us epper melotic Hine, Bich soto of a tehdy, evepe fomumees ore, may becotlfenad 1 member of £m nn Aininshed, ve ayguewed wi. Abas lug then eonsructel from neces x azeond ftom aay eine member (Ex 514). Bas ets forthe bat line are chosen o forthe kind of outer Aiee tleionsyp thar et site the dred eevee and phase pesus) 5 ADED-NOTE CHORDS Be 645 Se So “Tho ype of aden chard ie mom eet whe Ud Ia terme pegeionsconiving sol of theme ye of ed pour sureties Pinay aad seonday rerintips we not 3d ‘raya bag ce gong fact. Tel ereey & Taub by shore spacing, and Tieden of liner teveaeat & se poste ehe we lcm of Bs Source Maver! “Adsl ante bacony: Pl Ras Hsi,# Pace for Bin Op 2, p16 CNegen Dams Mice Fc Tusa cf de Goew (hal), (Boemy {ln Caen Seat fo esp [G95 ab ‘ites Gch peal iby at} Cer) Eaievaifpiss Solow, Neue Gad. pe 3P eave) AREA liceet Sore oman 50 ere See ae enn} ate Ps ‘Shar longg eae Pace as cher Ged) 20-21 Sahbee) Gerken Wen, Pha Semmes Non pe 4-5 (Anson Rate Joli, Breve Canes iC, pe dened) Beate Filpess Swe foe Nite ott Bune po (Zaha sok Mua Fie Prats No.4 (Ure Farr Merny The Chess Sey Cece 3 CC Be) semis act i Bd in Savane Skewb fe). pt (Urol Igor Sevag! Fredo Saye 7 (lao ‘Eocnts Vasc, Pino Sones fo cer OTHER ADDED-NOTE croRDS up Applications 1.Caniouet asegoeat of mas for umber orc ecing Ya our types af augment hove 2, Module iy meses of sativus kis of aug sity chord thre vera igs Sere te eranpl for two Pan, 3. Weite a hoe sai ye for woodwinds ate nerd son fen sno 9 ad -ote vr of the inet nerf gs 4. Wit ete doi for yao, igh kano tsleft hand rvndince Emondse itn moras Bs, fo 5. Harmonie folk rine with addedone sone ofthe wl Seurfor vores an. 5, Wrtean alegre evan Fr brises sl fstreatded.ntechonds tkestary vues. 1. Wie a ies fein pase for ing. Fewee pened fou corde wick nas eS 1. Wem eae of coupled eo eto for band. 7 Hawend de Colloing pw ile, preeiving the goer] chica, Bin39) 4. ADDEDNOTE CHORDS 10, Wee wn ocho resem in whieh he mone yotame erses Stare wth spall dete fran sil Tngh with x dese Cleon sdded act rote tie Marnoale he foloosing wlnly Sa string we tad in che vinic wad en, end the aie we ie the ellos ae Ui Cn sea. Bs 518 ane | Chords by Seconds TRREE-NOTH CHORDS BY sHCONDS Both nijor end mor secoeds ray be ase i die eomserueion ‘$F chord by seconde (che sug sscod cert effet. "Thore are four iterate ypex of earon nace bwrdsy sscone yjorsicjr, eajorauns, micor joe, and mivorninee. A aged in at ooder of consonance progresing we dixanancs Chey™ 6 CHORDS BY SECONDS. Fe 6 eam oe mim whe Two icveniont of cach ave posible, Fe 62 Se Chore by seconds say be arranged in sevens, 26 orl by ‘Birds may be aranged in sists acc chords by fours in fs Br 63 ‘When chords by seconds ars aie in cose poston they cramp cvsly and bocce parcusive i tbe Tow tage. Spas a carats of che cevench and ninth gives the suoce bound chords by ceconde Hrenr freedoms and svera for sexvicy of Phe pct Fe 64 In the preceding esample, spacing produces chords dar to sith, lav io a accunal conte they are chords by seconds in THRE#-NOTE CHORDS BY SECONDS ins pen postion. Tn taj, minor, or the fve other modal scales, ouly the Gs: las typeof nce chords ite Coun satealy, the sino minor i evived fern aromatie or eyemheieesle Ex 65 For slaty, che tno noe of sccudal hanwoay, wheihee out, second ot thin deal (4). Par raddnon of teenie the from concornt nets nverehe bist doubles aeguedas oi whesher fernot isthe root (8). Poesharynes of eesmre the most Bsa ote aver ee Tass 5 doubled (0) Bs. 5 A dssnant tone is» cess suns Ut ofeen als for reacluin, In fandamental pasion anti stcoad laverion of sncurd her sony’ of ny ftervalie type the alsmnane one re Feenne al the chord. Ta ehe fist ivesion It ve had ofthe ebord, except In chemiaoe-mjos Gist aversion, here the roots mate discaas, Bs 67 tomeRy 4: CSIORDS BY seCONDS Inthe fet Snettion of she major major the root hecomes the seman: cone ft lise dew he vd Bx 63 1 the diconant tone i seiner of + sharp danas cere linsjoe serene mir second), ene of the menibers tha foram the sharp Ineivil For seth of Tne, bes appro. and ive juny orby rspation. If he done nae enor a ea Ter of s dnrp dhsmaat auevil i appronchal and Ll freely. Hs 69 ‘Three note scandal harinany hs unique ance, Be, 610 MULTENOTE CHORDS IY skoNDS (2 ours and Sre-ore chords by sosonde nove contmpuntlly wich Afealy. Linear motion cin be obtained hy inekoding 4) the progiesion ihrece choels by sxerd or cone by fourths ‘The seuss finveted seconds) thet are present in chords by fours bload with the ound io chow by seconds sad Ket spe for raceme af the pons Be wt Gen eu Inthe preceding eximple chord by seconde ae weed at che pha ath without citing Se pial pation of the pars A siagl chord by secs can be cared (» eneunpass am en tire wale, dorrie, choemacc, at vila, Ie say oa say aac be ‘chaste dependiag apon the eape of harmony choc oanround it "This thisened Inrmany i best enshined wich pulychcal ‘ampouad harsuoay before hardens28) 4: CHORDS #F SECONDS Source Matoriat Seeuraal fermony a we ag Gos BD ne Be heaton E ey ela yet Aen r as Si MTA AN dy (eee nes eer cae er Seer Nene eae Gua og) gp “3 bd Seer ee OREN nes ‘When a pase is dominated by chords by ween and arrange in predomisnney asinverted Forres that moe oF the ves are fovcond span, toe chor ae collec elesters, These ave net ve hon by seeonds, in pace becuse of cbelr generally cursinene Spucig but analy betaue of tbs Tae of clot inner voice weet, When largo clare ane weed. Fanling she veiees 1 Roum solely By considering the eanngae conte Frame focrned by the outer oies. Che secon fl in ts frame ‘tile cepaing ad contacting dhe cures fen gol our erie, cuusteRS an Bx eH Trt Mon scale fermuioas or lr parts wat bs elsterl, The chr trite cle iste Cee asf Tea wien chutcred ie Gears tissome uly, A soven-mote Seale may be elrtered mod it even diferent aeays end a rroenerave sel, m Force, Bs on Saas yo wpa : Gueying, im progresion, ee inervalic wake-up and munber df chord arembem gives cloter hanreny sextur incre and Bs, 645 a0)