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  • Master-The-Bebop-Scale - Theory-Patterns-And-Licks (Glissé (E) S) 4

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    Bruno Dimino
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    The document discusses learning two-octave scale patterns on the guitar fretboard to use when soloing. It provides four different two-octave bebop scale shapes and recommends practicing them over backing tracks, starting slowly with a metronome. Once the shapes are learned, the document suggests soloing over each chord in a blues progression using the related two-octave scale shape to cover more fretboard area during solos.

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    master-the-bebop-scale-–-theory-patterns-and-licks (glissé(e)s) 4

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    The document discusses learning two-octave scale patterns on the guitar fretboard to use when soloing. It provides four different two-octave bebop scale shapes and recommends practicing them over backing tracks, starting slowly with a metronome. Once the shapes are learned, the document suggests soloing over each chord in a blues progression using the related two-octave scale shape to cover more fretboard area during solos.

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    © All Rights Reserved
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    17 views1 page

    Master-The-Bebop-Scale - Theory-Patterns-And-Licks (Glissé (E) S) 4

    Uploaded by

    Bruno Dimino
    The document discusses learning two-octave scale patterns on the guitar fretboard to use when soloing. It provides four different two-octave bebop scale shapes and recommends practicing them over backing tracks, starting slowly with a metronome. Once the shapes are learned, the document suggests soloing over each chord in a blues progression using the related two-octave scale shape to cover more fretboard area during solos.

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    © All Rights Reserved
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    Dominant Bebop Scale – 2 Octave

    When you have more space to move around the fretboard, you want to have a two-octave scale
    shapes under your fingers.

    Here are four different two-octave patterns that you can learn and solo with in your studies.

    Don’t forget, start with a metronome, then jam with over the C7 backing track with these shapes.

    C7 Jam Track C7 Backing Track

    Once you’ve learned a few of these longer shapes, put on a slow I-IV-V blues backing track and solo
    over each chord with its related two-octave scale shape.

    You won’t always have time to use these larger scale shapes, but when you do, they’re a great way to
    cover more area on the fretboard in your guitar solos.

    Master the Bebop Scale – Theory, Patterns, and Licks Page 10/53

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