Cello

Concerto - Movt 1
arr. viola

  
arr. David Barker Elgar

        3
Adagio  = 58

   
       2

      
IV

   
    
dim  

 


 
                  
       

     
6

 

        
    
1

             
      
2

  
Moderato   = 66

 
9

  

       
 
                        
   
3

  
18

 ten      
      
 
    
  
23

express
cresc.


              

   
  
4

          
27

   
sostenuto




  
 
    

 
           
 
     
31

 

poco allargando

    
5

 
33
        
              
2

         
6

      
39

  
   


        
dim.

        
       
43


pizz. arco

 
      


  
      
7

 
47

        
 espress 

       
     
50

  


       
     
8

     
52


   
                               
dolciss
55



      
                  
58
9

 
 
       
           
60

 poco stringendo  



              
10

         
62

 
  

      
 

              

  
64

      
         
      
              
11
66 a tempo

  
 dolce cresc.
    
    
3

           
12

             
69

        ten



            
    
ten

            
71 rit

           
largamente

     
               
   
13


73 a tempo

      
        
  espress

                 
largamente

       

    
ten

  
77

 

       


 
      
             
15

      
81

   sonore
 
 
                  
espress

    
 
87

 
      
     
16

          
    
90

       


      
           
17


   
93
molto sostenuto

 

 
                        
     
98

  

  
              
   
102
pizz.

attacca
 Cello Concerto - Movt II
arr. viola Elgar
arr. David Barker
18

    arco    
Lento


           
pizz.

     
Allegro Molto  = 138 pizz.

     
Recit.

 
 rit

  








       rit molto
     


     


 
                      
a tempo  
 pizz.

 
5 arco a tempo
rit



 

pizz.  
          
       
19

       
Lento, ad lib

    
accel


a tempo

 
8 arco



    accel  



 

 
                          
     
       
12
ten ten

  
rall

 





20

 



 
Allegro Molto

  
                                      
 
arco Orch

 
pizz.



 
13 arco piu lento





 

                                 
 

     
17 Solo

                           


     
leggierissimo


19

   

                       
            
21

        
                     
24
                                 
2
27

                
      
        
21

  
  
29

     


  


         
        


32

                      



        
35

                        


         
37

     
 
    


                 
22

       
       
a tempo largamente
ten


39


a tempo

poco allarg Tempo I

  
cantabile

                
 Tempo I

   
23 Tempo I

    
44 Tempo I

   
                       
Tempo I 


Tempo I 

   
49 Tempo I

       

                    
52


       
                         
55
24

                            


      
57
            
                    
3

         
59

 
                           
      
62

    
                                 
25

 
65

        


         
cresc.

       
          

69

          


         


 


          
26

        
72

                           
       
75

                    
27

            
poco allarg a tempo
77 larg.

 
a tempo

              Tempo I
 

                 
28 

    

82

                       
             



88

      
         
   
    
          
29


94

     
        
 
      

                    

101
30
a tempo

poco sostenuto
                  
4

            
 
105

                            
          
108

  dolce

 
                       
     

113

         
119
32

    

122

                                     

125 pizz.

 
 Cello Concerto - Movt IV

   
    
42


      
Moderato quasi rit

            
Allegro  = 120

   


 
 nobilmente

    
dim.  appasionato


             


      
43


14

      a tempo
espress

ad lib             
rit e ten


    
      
18



       
                


  
dim. dim. 

         
 44

  
19

   45
 risoluto

  
      
        
                
 
23


cresc.

                    
            

46


33

  a tempo          


   
              

cresc.
47

      
39 allarg.

        
 dolce   

               


      
48

               
  
64

3

                                    




49

          
71

 
 
          
 

2

                         
78


a tempo

       


        


              
50


85

               
            
       
89

      
           
                 
93

                                  
     
51

  
97 ten

                  
   
       
      

102

     a tempo

      

allarg.

           
      
106

 
dim.

                 
  
52

  
           
110


       
                             


   
114 animato

          
                       
allarg
118

       


                           

122

  
calando

 
    
3
53

         
  
a tempo

   
pizz.

  
126

 cresc molto
    

           
 

    
              




54


138
arco

 
  cresc.

 
55

                
     
animato

      
148

          
           
     
3 3 3 3

     
 
151

             
             
3 3 3 3 3

 
3 3 3 3 3

 
3 3 3 3
154

    
      
3 3 3

      
3

  
3 3

      
            
3 3 3 3 3 3 3 3 56


157

 
 
 


       
3 3 3 3

                 
   
57

     
164

       


     
       
3 3 3 3

         
3 3 3 3
169

    
  
3

 
3 3 3

        
3 3

      
3 3

     
3 3 3 3 3 3 3 3


172

     

    
       
               
 

 
3 3

   
175

3 3 3 3 3 3 3 3 3 3 
  
                 


4


   
58

 
179

                   
 3 


                 
  
    

189

 
 feroce
          
         
59 Tempo I

       
196

    
 
nobilmente

                                
60

 
3


205 3


   
                     
 
        
212

  
  
  
  
  

         

   
61

         
62

 
217

 
allarg.

     0     
  
 3

                               

237
63

  
    
         
               

          


  


 
 allarg.


244


   a tempo   
  

              
64

   
pizz.

                         
0

   
251

    
  65 arco 
 
                


        


                         
poco rit

 
260

        
            



                          
ten

     
270

 calando

       rall    
5

                    
66 ten

 
277 poco piu lento accel


dim. cresc.

    
molto espress

   
                       
67

      
288

 





      
dim. 


                       
68
295 piu lento

 dolce   
teneramente espress dim.

         ten
69

   
                     

molto allarg

  
ten
303 ten

    

         
conpassione

                        
molto allargando


70 ten


311 sf

     

                     rit
      
        lento
ten piu tranquillo
320 largamente

 

 72 Adagio come prima




           
dolcissimo

      
              
   
328 dim e rit


         


     

73

                 
Allegro molto

   
336

 



  
 

      
sonore

       

   
   
 
            
74


346