Vihuela

100 Años
Carlos Rivera & Maluma Carlos Rivera
bolero  Trans. Saul Maldonado
D m7 (  5)

       
G7 C E m7 Am A m7 F D m7

     

5 G7 C E m7 Am A m7 F D m7 G7

          

10 C E m7 F Fm G7

     

15 C E m7 F Fm G7 E7


     
20 Am E m7 F C E m7 Am

              

25 E m7 F D7 G C E m7

     

29 Am A m7 F D m7 G7 C E m7 Am A m7


           
34 F D m7 G7 C E m7 Am A m7 F D m7

© Musica Maldonado 2020

2 100 Años

                       
39 G7 C E m7 Am A m7

D.S. al Coda 
                  
42 F D m7 G7 E7 G7 C

47 D m7 (  5)

                
C


 AMBATO TIERRA DE FLORES
Mariachi Tabasco

        A7    

Armonía

         
                      
A7 F
 = 130

       
  2. Dm
  A A7             

                             
1. Dm


9

         
              

                               
A7 F A7 Dm

 
16

       
  
         
                       
A7 Dm A7

   
23

     
     
              
    


Dm B♭ A7

   
29

     
           
 
   
                   
B G
D A7

     
34

 
             

   
                     
Dm F

   
41

 

  
 
   2.     
 
                       
A7 1. Dm A7

     
48

     
      A7    
              
         
   
F Dm
54

     
 CHULLA QUITEÑO
Mariachi Tabasco

    
Armonía

   
                     
 
                                    
 = 130


A7 Dm A7

           

     A7       A7       
 
 
 
 
  
    
     
            
     
Dm Dm Dm A7 A7 Dm A7

 
8

   

             
                         
A

 
Dm Dm

           
15


                   
                             
22 A7

             

    1.    

 
 

                           
Dm B♭

    
29

       

                                  

36

             

 
                           

F
43

     

           
                      
    
50 A7

   
Acoustic Guitar
COMO TU SANGRE EN MI CUERPO
ARREGLO DE: JOSE CHACON
q = 140 [A] F
        
G C
                        
       

C7 F
                                 
5 G C

C7 F
                       
9 G C
           

C7 F
                                 
13 G C

[B] F  vozpadre  
              
G  C 

C7

17

                 
       
 
F      
        G
            
C 
 
21

                             

[C]
    
C7           G
      
C
      
F
 
25

                             

F     
    
C7        
G
        
C 

29

                             

 
[D] F voz hijo   
C            
G  C 
  
33

                   

 
F     
        G
            
C 
 
37

                       

   V.S.
2 Acoustic Guitar
F      
    
C7        
G
        
C 

41

                     
       

  
F     
C7    G
            
C 
   
45

                         
         
[E] F      
DÚO
49
C
      C7 

G
      
C
       
                   
       
F     
    
C7        
G
        
C 

53

                             
      
F      
    
C7    G
            
C 
 
57

                     
      
F      
    
C7    G
             
61 C

                           
3

    

C7   
MARIACHI
[F] F
       
65 G C

                               
     
C7 F
                         
69 G C
       
           
[G]
 F      G       C      
voz padre

                         
73 C7
       
  
F      
        G
            
C 
 
77

                             

     
[H] F voz hijo
    
C7            G
            
C 
 
81

                    
  
 Acoustic Guitar 3
F     
    
C7        
G
        
C 

85

                       
         

  
F      
C7    G
            
C 
   
89

                        
      

C  
[I]F DUO     
C7               
C 
   
93 G
        
 
 
 





        
 
F     
    
C7        
G
        
C 

97

                             
      
F      
    
C7    G
            
C 
 
101

                     
      
F      
    
C7    G
             
105 C

                           

    
Coda

3
F
    
C7    G
            
C 
 
109

                             
F     
    
C7    G
            
C 
 
113

                             
F      
   
C7     G
       
117

                      
F      
                
C  C7  G
  
120

                             


3

                    
C  C  C  
  
124

                       
  
Vihuela
LA MEJOR DE TODAS
M.TABASCO.
$D Monar Jorge

## 4
F©‹

& 4 ∑ VV¿ VV¿ V¿ VV¿ VV¿ V¿ VV¿ VV¿ V¿ VV¿ VV¿ V¿

#
G E‹ A G

& # VV¿ VV¿ V¿ VV¿ VV¿ V¿ VV¿ VV¿ V¿ VV¿ VV¿ V¿ VV¿ VV¿ V¿
6

a la A.
#
A D B‹ G A

& # V V ¿ V V ¿ V ¿ V V ¿ V V ¿ V ¿ V V ¿ V V ¿ V ¿ V V ¿ V V ¿ V ¿ VJ ‰ ¿J ‰ ‰ ¿J ‰ ¿J
11

#
D F©‹ G

& # VV¿ VV¿ V¿ VV¿ VV¿ V¿ VV¿ VV¿ V¿ VV¿ VV¿ V¿ VV¿ VV¿ V¿
16

#
E‹ G A D

& # VV¿ VV¿ V¿ VV¿ VV¿ V¿ VV¿ VV¿ V¿ VV¿ VV¿ V¿ VV¿ VV¿ V¿
21

##
F©‹ G E‹ G

& VV¿ VV¿ V¿ VV¿ VV¿ V¿ VV¿ VV¿ V¿ VV¿ VV¿ V¿ VV¿ VV¿ V¿
26

A.A
& # VV¿ VV¿ V¿ + +
#
A D F©‹

VV¿ VV¿ V¿ VV¿ VV¿ V¿ VV¿ VV¿ V¿

31

##
G G A

& VV¿ VV¿ V¿ VV¿ VV¿ V¿ VV¿ VV¿ V¿ VV¿ VV¿ V¿ VV¿ VV¿ V¿
36 E‹

#
D F©‹ G

& # VV¿ VV¿ V¿ VV¿ VV¿ V¿ VV¿ VV¿ V¿ VV¿ VV¿ V¿ VV¿ VV¿ V¿
41

## E‹ ¿
G A G A

& VV VV¿ V¿ VV¿ VV¿ V¿ VV¿ VV¿ V¿ VV¿ VV¿ V¿ VV¿ VV¿ V¿
46

##
D B‹ G A

& VV¿ VV¿ V¿ VV¿ VV¿ V¿ VV¿ VV¿ V¿ VV¿ VV¿ V¿

51

a la A. y a la Coda Ø
ØD.S. 3
# + &#+
#
D D D

&#V V ¿ V V ¿ V ¿
55
 LOS CAMINOS DE LA VIDA
Armonía
Mariachi Tabasco
Cristian Dior

         
                         
 Fm F7 B♭m B♭m E♭ E♭ A♭

            
                                 
9 A♭ F F7 B♭m B♭m Fm C7

  

              
  
   
           
   
16 Fm Voz Fm F7 B♭m B♭m E♭ E♭


                        
                    
24 A♭ A♭ F F7 B♭m B♭m G7 G7

                            
        
32 C7 C7 Fm F7 B♭m B♭m E♭ E♭

              
                             
40 A♭ A♭ F F7 B♭m B♭m Fm C7

                                   
                  
48 Fm Fm  C7 C7 Fm Fm

                   
                                      
54 E♭ E♭ A♭ A♭ F F F7

                            
          
60 B♭m B♭m E♭ E♭ A♭ A♭  C7

                              
             
67 C7 Fm Fm E♭ E♭
 MI RAZON DE SER
Mariachi Tabasco

 
Cristian Dior

             
            
F C7 Gm7 Dm C7 Dm7

            
                             
7 C7 Gm7 B♭ Dm C7 C7


      
          
                          
11 F C7 Gm7 Dm C7 B♭

  

 
 
 
 
  
 
 
 
 
 
 
 
 
 
 
 
            
                         
16 F D7 Gm7 C7

                                 
     
20 Dm7 C7 Gm7 B♭ Dm C7

                               

          
24 B♭maj7 C7 A7 Dm7 C7

                               


           
28 B♭maj7 C7 A7 Dm7 C7

                            

    
   
32
B♭ C7 B♭ C7 F F C7

                         
        
37 Gm7 Dm C7 Dm7 C7 Gm7 B♭

        
                 
42 Dm C7 a la  de  a  F


                    
2


          
45
B♭ B♭m Fmaj7 Fmaj7


 MI RAZON DE SER
Mariachi Tabasco

           
Cristian Dior

        
       
G D7 Am7 Em D7 Em7

                         
                            
7 D7 Am7 C Em D7 D7


          
  
        
                        
11 G D7 Am7 Em D7 C

  
                             
                 
16 G E7 Am7 D7

                                 


     

20 Em7 D7 Am7 C Em D7

                                
  
24 Cmaj7 D7 B7 Em7 D7

                                
          
28 Cmaj7 D7 B7 Em7 D7

                           
          
32 C D7 C D7 G G D7

              D7
       
                          
37 Am7 Em D7 Em7 Am7 C

G       
              
       
42 Em D7 a la  de  a 


                   
2

                    
45 C Cm Gmaj7 Gmaj7


 MI VIEJO
Alma Campiarana
Armonía Jose Piero

    
            
Am E7 Dm G7 C Am B7 E7

             
voz

               
Am Dm E7


6

  3 3

               
3 3

 
Dm C E7 Am


10

3


 
3

   
14 E7 Am B7 E7 Am

                       

18 E7 Dm G7 C

               
        
21 E7 Am G7

 
   
24 C E7 A7 Am

                       

28 Dm G7 C E7

       
                
31 Am E7 Am

   
1. 2.

                 
34 E7 Am Am E7

     

39 Am Am
 MI VIEJO
Alma Campiarana

           
Armonía Jose Piero

          
   
Dm A7 Gm C7 F Dm E7 A7

Gm           
voz

             
  
Dm A7

 
6

      A7 
3 3

     
3 3


    
10 Gm F Dm

A7        
3 3

  

14 Dm A7 E7 Dm

A7                

C7
18 Gm F

        C7       


21 A7 Dm

        A7 
 

24 F D7 Dm

      
         

C7 A7
28 Gm F

A7       
               

31 Dm Dm

 A7
                   
1. 2.


34 A7 Dm Dm

    


39 Dm Dm
Guitarra Somos Novio
Armonia

 
         
G F7 G F7 G7 G7 Am6 B7 Em7

     
 
Asusm

  
10 Em7 Dm6 E7 Am Am Am 3 Bm Cm7 G9 E7

       
     
17 Am Am7 D7 G G7 F7 G7 F7

    
   
Em7 Em7 Dm6 E7


G7 G7 Am6 B7
24

          
  

32 Am Am Am Asusm Bm Cm7 G9 E7 A7

      
3

 

A7
E7 A7 D7 G7 G7 Am6 B7 Em7
37

     
   
Asusm


45 Em7 Dm6 E7 Am Am Am 3 Bm Cm7 G9 E7

  
  
Am Am7 D7 G Dm7 G7 C7 C7 Dm6


52

 
   
   
  
59 E7 Am7 Am7 Gm6 A7 Dm Fm Em A7


   
Dm


68 Dm7 G7 C Am F G7


       
 
73 C C C
 TATA DIOS
Mariachi Tabasco Valeriano Trejo-arr.L.G. Sobrino
Guitarra


             
Am

       
 Am
    
8 G7 C F D

    

              
13 E7 Am G7 C E

    

                    
17 Am

            
1

    
21 E7

                   
24 Am

     
2

          
27 E7 Am

    
31
 TE LO PIDO PORFAVOR
Mariachi Tabasco

                               
Armonía Cristian Dior


   
Gm C C F

 
                              
   
6 F D7 Gm C F Dm




                                 
                    
10 Gm A7 Dm A F D7 Gm

        F        Gm    

                         
14 C Dm A7 Dm

                       
               
  
 
 
 
 
 
 
 
        
             
18 F D7 C Gm7 F


 
 
 
 
 
 
 
 
                                    
22 Dm D7 Gm C F

       
                                    
26 Dm D7 Gm A7 Dm

                                  
                
30 D D7 Gm C C


 
 
 
 
 
 
 
 
 
 
 
                    
                       
           
34 F F Gm C Dm

                   
          
38 A7 D7 G Em Am