Nocturne Op.9 No.

2

Chopin

            
Andante

    
42

     
1 31

 
2 5 2
3 14

   

                           
espress. dolce

               
       
      
2

       
Ped. simile

 
  
                               
4 4

   
4 3 3

 
3 3 3
4



  
       
               


  
       
cresc.

         
     


     3 4 
   
                    
poco rit.

      
132

 
5 2 1


2 3 3 3 3 4
7

                         


      


                    
  
simile

            
  

5
      5  4          3                       
a tempo 4

   
4

                             
a tempo

    
4 5


 
5


11 1

 
                             
cresc.

   


    



                        
poco rallent.

      
      

              4 3
                        
5 4 3 1


    
2


15 2 3 3 2 3

                       



    
3

        
           




 

               
       
                 
18

                      



     
           
            
poco rallent.

         
 

          2    
  
          
             
132


a tempo

   
21

                


            
 
       



 
    


 
    
 
 5 4 1
    
          
2 5


           
1 4

 
5


24 15

                   



      

poco rubato




 
             
3 3

 
       


   2 1 3
               
4

               
3


 
3 4
5


4 3 3


3 4
27

                 



    
dolciss. 8

     
                      
   
   1 

  
     
2

1 2 3  
          
stretto 1


      
3

             
      
3

    
3


30

 
                 


    


             
8

    
con forza

    
 

                                     



3 2 4 1

  
33

Senza tempo

   
 
( )

     
              
 a tempo

          
 
35


 

rallent. smorz.
 

         
    
       
2

( )