Professional Documents
Culture Documents
Las in English 10 q1
Las in English 10 q1
Department of Education
CARAGA REGION
SCHOOLS DIVISION OF AGUSAN DEL SUR
TRENTO NATIONAL HIGH SCHOOL
Trento, Agusan del Sur
Content Standard
The learner demonstrates understanding of how world literature and other text types serve
as ways of expressing and resolving personal conflicts, also how to use strategies in using information
from news reports, speeches, informative talks, determining the effect of textual aids on
understanding texts, appraising the unity of the plot, setting, and characterization in a material
viewed, and evaluating texts using given criteria.
Performance Standard
The learner composes a brief evaluation report about a given the short story using a given
criteria.
I. Learning Competency: Use information from news reports, speeches, informative talks, panel
discussions, etc. in everyday conversations and exchanges (EN10LC-Ia-11.1)
II. Instructions:
In charting the course of your journey in this activity sheet, you are expected to use
information from news reports, speeches, informative talks, panel discussions, etc. in everyday
conversations and exchanges. Below are activities with regard to this topic.
III. Activities:
Read the directions of every activity and answer what is asked. Write your answers in the
answer sheets provided.
Task 1. What Is It
A. Directions: Read the news report below, and answer the comprehension questions that follow.
Metro Manila (CNN Philippines, July 20) — Another 1,521 people in the country have caught the
coronavirus disease, the Department of Health reported on Monday.
Majority of the new cases came from the National Capital Region, which logged 1,237 infections or
around 80%. Meanwhile, 51 came from Cavite, 51 from Laguna, 34 from Rizal, and 22 from Davao
del Sur, the DOH said.
For recoveries, the department confirmed an additional 607, for a total of 23,072 patients who got
well.
It also listed four more deaths, raising the death toll to 1,835. Two of these were from Central
Visayas, one from NCR, and the other from Davao region.
The ages of those who died range from 58 to 68 years old, the DOH added. It urged the elderly —
who are at higher risk of more serious complications of COVID-19 — to exercise more caution amid
the pandemic.
The country currently has 43,991 active cases of the disease. Of this number, 90.6% are mild,
8.5% are asymptomatic, 0.4% are severe, and 0.5% are critical.
Dr. Darwin Bandoy of the University of the Philippines COVID-19 Pandemic Response Team also
linked the increase in cases to community transmission and improved testing capacity.
He said they are projecting cases to reach 76,000 by August 1. (CNN Philippines Staff, 2020)
Comprehension Questions:
2. How much is the tally of infections based on the latest case report?
3. How much active cases of the disease the country currently has?
B. Directions: Read the article below. Answer the comprehension questions that follow. Write your
answer in your activity notebook.
Excessive use of gadgets such as mobile phones, tablets, and computer desktops can cause
physical and mental damage to children.
According to a study, a child will likely to become overweight and develop seizure and vision
problems when they spend too much time using gadgets. In Central Visayas, one of the regions in
the Philippines, a National Nutrition Council (NNC) Region 7 study reported that 3% of children are
considered as obese and overweight.
A health article also states that the thinking and emotional development during the first five years
of a child is crucial. Allowing them to spend more than two hours a day can impact irreversible
damage such as slow cognitive development and attention deficit.
“Parents and caregivers have the greatest responsibility to discipline children and control their
exposure to gadgets,” said Dr. Parolita Mission, head of the NNC Region 7. (Health & Nutrition |
Bad effects of excessive gadget use in children, 2020)
2. What happens when children are allowed to spend more than two hours a day of gadgets use?
4. As a parent, how can you protect your children from excessive gadgets use?
Task 2. Advise Me
Directions: Imagine yourself as a mother or a father. Give a piece of advice to your children
regarding the use of gadgets. Write it in a form of a letter from a parent to your child.
Directions: Watch from your favorite TV show for any news report, panel discussion, news
magazine, or other informative shows, and write a two-paragraph reaction about the topic
presented.
Guide Questions:
I. Learning Competency: Determine the effect of textual aids like advance organizers, titles, non-
linear illustrations, etc. on the understanding of a text (EN10RC-Ia-2.15.2)
II. Instructions:
In charting the course of your journey in this activity sheet, you are expected to determine
the effect of textual aids like advance organizers, titles, non-linear illustrations, etc. on the
understanding of a text. Below are activities with regard to this topic.
III. Activities:
Read the directions of every activity and answer what is asked. Write your answers in the
answer sheets provided.
Directions: Study the bar graph below and answer the following questions.
0
SEPT OCT NOV DEC JAN FEB MAR
1. What does the scale on the left beginning with 0 and ending with 7 represent?
A. Number of students selling candy
B. Number of cases of candy sold
C. Number of candy in each case
D. Number of days each month that candy was sold
2. Which two MONTHS had approximately the same amount of candy sold?
A. September & February C. November & March
B. October & March D. September & December
4. What was the total amount of candy sold during the school year shown in the graph?
A. 27.5 Cases B. 43 Cases C. 35.5 Cases D. 23 Cases
5. Which month showed a 100% increase in sales over the month of November?
A. March B. January C. December D. April
DIRECTIONS: The picture above estimates the number of students in four different classes at Trento
National High School. Use the picture/graph to answer the following questions.
= 10 STUDENTS = 5 STUDENTS
Teachers
Mr. Fabay
Miss Alagar
Miss Galito
Mr. Chucas
2. How many more students are in Mr. Fabay’s class than in Ms. Alagar’s class?
A. 25 B. 5 C. 10 D. 15
3. What is the total number of students in Ms. Alagar’s and Ms. Galito’s classes?
A. 55 B. 45 C. 65 D. 60
4. What is the total of all students in all four classes at Trento National High School?
A. 120 Students B. 14 Students C. 130 Students D. 140 Students
Directions: Word web is one of the useful graphic organizers that help students to better
understand a key vocabulary term. Describe how this kind of graphic organizer help you as a
student?
Directions: In one paragraph, write your understanding on how textual aids like advance
organizers, illustrations, graph etc. help you better understand a data or a text.
I. Learning Competency: Appraise the unit of plot, setting, and characterization in a material viewed
to achieve the writer’s purpose EN10VC-IVc-29
II. Instructions:
In charting the course of your journey in this activity sheet, you are expected to Appraise the
unit of plot, setting, and characterization in a material viewed to achieve the writer’s purpose. Below
are activities with regard to this topic.
Remarkable short story writers are true masters at combining the five key elements that go into
every great story: character, setting, conflict, plot and theme.
➢ Exposition – The beginning of the story where the characters and the setting is revealed.
➢ Rising Action – The event that gets the action of the story going; the conflict is revealed.
➢ Climax – This is where the events in the story become complicated and the conflict in the
story deepens.
➢ Falling Action – The events and complications begin to resolve themselves.
➢ Resolution (Denouement) – This is the final outcome or untangling of events in the story.
Flashback: An incident taking place in the memory of a character. It presents an event taking place
prior to the story. This introduces past events after the conflict of the story has already begun.
Summarizing Passage: Rapidly skimming over events that occur during hours, days, or months that
compresses time in a short passage.
Suspense: A feeling of anxious uncertainty instilled in the readers about the outcome of a series of
events. This can be pleasurable or painful.
Pathos: a situation or incident that evokes sadness or pity from the readers.
IV. Activities:
Read the directions of every activity and answer what is asked. Write your answers in the
answer sheets provided.
Directions: Read the myth titled “Orpheus” by Alice Low and determine the essential elements of
the story to answer the activities that follow.
Myths are stories about gods, goddesses, and heroes passed from one generation to
another. Many Greek myths have a great deal of influence on our culture. For ages,
writers, artists, and musicians have used mythological characters as their
inspiration.
There were nine goddesses called Muses. Born of Zeus and a Titan named Mnemosyne, each
muse presided over a different art or science. Calliope, one of these sisters, was the inspiration of
poets and musicians. She was the mother of Orpheus (a mortal because his father was one) and gave
to her son a remarkable talent for music.
Orpheus played his lyre so sweetly that he charmed all things on earth. Men and women
forgot their cares when they gathered around him to listen. Wild beasts lay down as if they were
tame, entranced by his soothing notes. Even rocks and trees followed him, and the rivers changed
their directions to hear him play.
Orpheus loved a young woman named Eurydice, and when they were married, they looked
forward to many years of happiness together. But soon after, Eurydice stepped on a poisonous snake
and died.
He climbed into a cave and through a dark passage that led to the underworld. When he
reached the river Styx, he plucked his lyre and Charon, the ferryman, was so charmed that he rowed
him across. Then he struck his lyre again, and Cerberus, the fierce three-headed dog who guarded
the gates, heard the sweet music and lay still to let him pass.
Orpheus continued to play his lyre tenderly as he made his way through the gloomy
underworld. The ghosts cried when they heard his sad music. Sisyphus, who had been condemned
to roll a rock uphill forever, stopped his fruitless work to listen. Tantalus, who had been sentenced
to stand in a pool of receding water, stopped trying to quench his thirst. And even the wheel to which
Ixion was tied as punishment stopped turning for one moment.
At last Orpheus came to the palace of Hades and Persephone, king and queen of the
underworld. Before they could order him to leave, he began his gentle song, pleading for Eurydice.
When stern Hades heard Orpheus’s song, he began to weep. Cold Persephone was so moved
that, for the first time in all her months in the underworld, her heart melted.
“Oh please, my husband,” she said to Hades, “let Eurydice been reunited with Orpheus.”
And Hades replied, “I, too, feel the sadness of Orpheus. I cannot refuse him.
They summoned Eurydice, and the two lovers clasped each other and turned to leave.
“Wait!” said Hades to Orpheus. “Eurydice is yours to take back to earth on one condition.”
She must follow you, and you must not look back at her until you are on earth again.”
Orpheus and Eurydice left the underworld and made their way through the dark passage
that led to the upper world. At last, they reached the cave through which Orpheus had descended.
“I can see daylight ahead,” called Orpheus to Eurydice. “We are almost there.” But Eurydice
had not heard him, and so she did not answer.
Orpheus turned to make sure that she was still following him. He caught one last glimpse of
her with her arms stretched out to him. And then she disappeared, swallowed up by darkness.
“Farewell,” he heard her cry as she was carried back to the underworld.
Orpheus tried to follow her, but this time the gods would not allow it. And so, he wandered
the earth alone. He sang his sad songs to the rocks and the trees and longed for the time when he,
too, would die and be reunited with his beloved Eurydice in the underworld.
Directions: Study the graphic organizer below and create one on your answer sheet. Supply each
part of the organizer with the brief but concise plot of the story “Orpheus”. (5 points each element)
Directions: Read the story “Orpheus” once again. Determine the tone, mood, technique and
purpose of the author in writing the text. (5 points each)
Directions: Copy the open statement and complete it with what you learn throughout this lesson;
your realization, and your commitment.
I. Learning Competency: Compare and contrast the contents of the material viewed with outside
sources of information in terms of accessibility and effectiveness
EN10VC-IVa-15
II. Instructions:
In charting the course of your journey in this activity sheet, you are expected to compare and
contrast the contents of the material viewed with outside sources of information in terms of
accessibility and effectiveness. Below are activities with regard to this topic.
III. Activities:
Read the directions of every activity and answer what is asked. Write your answers in the
answer sheets provided.
Compare, in relation to reading, refers to the process of identifying the similarities and differences
between two things. On the other hand, Contrast refers to identifying only the differences between
two things. It is important to accurately differentiate between the two concepts to ensure you are
able to answer questions and prompts accurately in the following topics of different sources.
Source 1:
The outbreak of coronavirus disease (COVID-19) has been declared a Public Health
Emergency of International Concern (PHEIC) and the virus has now spread to many countries and
territories. While a lot is still unknown about the virus that causes COVID-19, we do know that it is
transmitted through direct contact with respiratory droplets of an infected person (generated through
coughing and sneezing). Individuals can also be infected from touching surfaces contaminated with
the virus and touching their face (e.g., eyes, nose, mouth). While COVID-19 continues to spread it is
important that communities take action to prevent further transmission, reduce the impacts of the
outbreak and support control measures.
The protection of children and educational facilities is particularly important. Precautions are
necessary to prevent the potential spread of COVID-19 in school settings; however, care must also
be taken to avoid stigmatizing students and staff who may have been exposed to the virus. It is
important to remember that COVID-19 does not differentiate between borders, ethnicities, disability
status, age or gender. Education settings should continue to be welcoming, respectful, inclusive, and
supportive environments to all. Measures taken by schools can prevent the entry and spread of
COVID-19 by students and staff who may have been exposed to the virus, while minimizing
disruption and protecting students and staff from discrimination.
What we are learning from COVID-19, similar to what we have seen in previous pandemics,
is that preparedness is crucial. While different scenarios exist, several of them assume that the
COVID-19 spread will happen in waves, which means the process of addressing it should be cyclical.
Countries not yet impacted should begin “preparing,” starting with a response plan. This would
facilitate “coping” once the crisis hits and minimizing the negative impacts. The plan can include
introducing protocols for screenings in schools, rolling out hygiene practice campaigns, imposing
school closures, offering distance learning, using closed schools for emergency purposes, etc.
As the emergency phase dissipates, communities could move into a “recovery” mode, with
governments implementing policies and measures to regain lost time. The approaches may include
adjustments to the academic calendar, prioritizing students in grades preparing for high-stakes
examinations, and continuing with distance learning in parallel to schools. Countries that have
shown greater resilience in repeated crises, such as those in East Asia, are the ones that were able
to benefit from lessons learned and to respond quickly to new crises, such as this one. They have
been able to use the momentum to re-prepare, investing and reinforcing systems going forward. The
World Bank is working with countries across the globe in each of the three stages of preparing,
coping and recovery. Educational administrators and policy makers can use this crisis as an
opportunity to introduce new learning modes that can reach everyone, to prepare for emergencies,
and to make the system more resilient.
Directions: Complete the table by answering the questions in column one and write the attributes
of each content according to its source.
Source 1 Source 2
What kind of resource is it? (Book, magazine,
etc.) If it’s a website, what kind of website is
it?
How many paragraphs and words are written
about the topic?
Is there information that indicates whether the
author of the information has any expertise in
this area?
List the basic information that this site
provides facts and statistics. Use bullet points.
Directions: Write a two-paragraph evaluation paper about the texts above. Use the following
guide questions to express ideas you need to focus on.
II. Instructions:
In charting the course of your journey in this activity sheet, you are expected to employ
analytical listening in problem solving
III. Activities:
Read the directions of every activity and answer what is asked. Write your answers in the
answer sheets provided.
Directions: You are going to act out the dialogue with a partner (You may ask help
from any of the household members.). Then give answers to questions that follow.
Directions: Listen to the song “Heal the World” by Michael Jackson. In the absence of any audio
materials for this activity, you may ask somebody to sing it for you. Identify and analyze some lines
which suggest problems/issues and give possible solutions to each.
I. Learning Competency: Evaluate and make judgments about a range of texts using a set of criteria
e.g., compare arguments on the same topic, critiquing a short story
II. Instructions:
In charting the course of your journey in this activity sheet, you are expected to evaluate and
make judgments about a range of texts using a set of criteria.
III. Activities:
Read the directions of every activity and answer what is asked. Write your answers in the
answer sheets provided.
1. Originality. On a scale of 1 to 10, how original was this story? A 1 means that the story is cliché
while a 10 means that it has at least a couple of ideas that I haven’t encountered before.
2. Setting. On a scale of 1 to 10, how well was the setting developed? A 1 indicates that the setting
was poorly developed. This means that is almost completely disappeared from the story, or that I felt
confused as to where and when the tale took place in one or more scenes. Of course, the author
should involve all of the senses in describing his or her setting. A 10 means that not only is the
setting well-developed, but it informs every aspect of the story—from character development to tone
and narrative style. In a story that rates a 10, the setting itself is a powerful draw for the story, and
the author succeeded in transporting me into the tale.
3. Characterization. On a scale of 1 to 10, how well-drawn are the characters in the story? Good
characters should convince us that they grew up in the world or setting that we’ve placed them in.
They should have complex motives and be imbued with conflicting attitudes about life, ethics,
politics, and so on. The characters should have friends, enemies, acquaintances, secrets, desires and
fears. The character should have a physical body, with a physical history. The character should have
a family, of course, and some type of history, along with a place in society. In short, with a poorly
drawn character, we know virtually nothing about him by the end of the story. With a well-drawn
character, we feel as if we know him intimately by the end of the story.
4. Conflict and Plot. On a scale of1 to 10, how interesting are the conflicts? Since the characters,
along with their motives and abilities really lead to a plot, then one must also consider the twists
and turns of the plot. How inventive are they? How exciting? How engrossing?
5. Emotional/intellectual payoff. On a scale of 1 to 10, how well did this story arouse powerful
emotions? If it did arouse powerful emotions, were they the proper emotions for the intended
audience (as gauged by the age and gender of the protagonists)? Remember that the author shouldn’t
be hitting the same emotional beats over and over again. Instead, the author should be creating an
emotional symphony, where counter-beats help raise the emotional payoff.
7. Treatment. On a scale of 1 to 10, how masterfully was the tale written on a line-by-line basis? A
poor story, a tale that earns a 1, might be difficult to read simply because of something like “pronoun
reference problems,” or it may be marred by typos and grammatical problems. A tale worthy of a 10
will be written not only in language that is beautiful and evocative, but it will also move with effortless
pacing. Too often, authors who write beautifully work too hard to impress the reader and end up
cluttering the tale will too many metaphors or overwrought pacing. In doing so, they struggle to draw
attention to themselves rather than tell a story.
Directions: Read the short story titled “How Odin Lost His Eye” by Catherine F. Sellew.
Once the world was still very young. Odin sat on his throne in the most beautiful palace in
Asgard. His throne was so high that he could see over all three parts of the world from where he sat.
On his head he wore a helmet shaped like an eagle. On his shoulder perched two black ravens called
Memory and Thought. And at his feet crouched two snarling wolves.
The great king gazed thoughtfully down on the earth below him. He had made the green land
that stretched out before his eyes. With the help of the other gods he had made men and women who
lived on that earth. And he felt truly like the All- father he was called.
The fair elves had promised they would help his children of the earth. The elves were tiny
people who lived between heaven and earth. They were so small that they fit about doing their work
unseen. Odin knew that they were the artists who painted the flowers and made the beds for the
streams. They took care of all the bees and butterflies. And it was the elves that brought the gentle
rain and sun shine to the earth.
Even the ugly dwarfs, who lived in the heart of the mountains, agreed to help. They forged
iron and metals, made tools and weapons. They dug gold and silver, and beautiful jewels out of the
earth. Sometimes they even cut the grain and ground the four for the farmers on the earth.
All seem to be going well. Odin found it hard to think of evil times. But he knew that the frost
giants were only waiting for the chance to bring trouble to his children. They were the ones who
brought cold and ice to the world and shook the earth in anger. They hated Odin and all the works
of the gods. And from high on his throne Odin looked down beyond the earth deep into the gloomy
land of his enemies. He saw dark figures of huge men moving about. They looked like evil shadows.
He, the king of gods, needs to have more wisdom. It was not enough just to see his enemies. He
ought to know more about them.
So, Odin wrapped his tall figure in a blue cloak. Down from his throne, he climbed. Down the
broad rainbow bridge, he strode and across the green earth till he came to one of the roots of the
great evergreen tree. There, close by the tree, was a well full of clear water. Its surface was so still it
was like a mirror. In it one could see pictures of things that had happened and things that were going
to happen.
“Aged Mimir,” Odin said to the old man, “You who hold the knowledge of the past and the
future in your magic waters, let me have but one sip. Then, I can know enough to protect the men
and women of the earth from the hate of the giants.”
Mimir looked kindly at Odin, but he did not smile. Although he spoke softly, his voice was so
deep it reminded Odin of the distant roar of the ocean.
“The price of one drink from this well is not cheap,” Mimir said. “And once you have drunk
and gazed into the mirror of life, you may wish you had not. For sorrow and death as well as joy are
pictured there so you should think again before you ask to drink.”
But once the king of the gods had made up his mind, nothing could change it. He was not
afraid to look upon sorrow and death.
“You are great and good, Odin,” answered Mimir. “You have worked hard to make the world.
Only those who know hard work may drink from my well. However, that is not enough. What have
you given up that is very dear to you? What have you sacrificed? The price of a drink must be a great
sacrifice. Are you still willing to pay the price?”
What could the king of the gods sacrifice? What was most dear to him? Odin thought of his
handsome son, Balder, whom he loved most in the world. To give up his son would be like giving up
life and all that was wonderful around him. Odin stood silent before Mimir. Indeed, that would be a
high price!
“No, I am not asking for your dear son. The fates say his life must be short, but he has time yet to
live and bring happiness to the gods and the world. I ask for one of your eyes.”
Odin put his hands up to his bright blue eyes. Those two eyes had gazed across the world
from his high throne in the shining city of the gods. His eyes had taught him what was good and
beautiful. What was evil and ugly? But those eyes had also seen his children, the men and women
of the earth, struggling against the hate of the giants. One eye was a small sacrifice to win knowledge
of how to help them. And without another thought, Odin plucked out one of his blue eyes and handed
it to Mimir. Then, Mimir smiled and gave Odin a horn full of the waters of his well.
“Drink deeply, brave king, so you may see all that you wish in the mirror of life.”
Odin lifted the horn to his lips and drank. Then, he knelt by the edge of the well and watched
the pictures passing across its still and silent surface. When he stood up again, he sighed, for it was
as Mimir had said. He had seen sorrow and death as well as joy. It was only the glorious promise at
the end that gave him courage to go on.
So, Odin, the great king of the gods, became one-eyed. If you can find Mimir’s well, you will see Odin’s
blue eye resting at the bottom. It is there to remind men and women of the great sacrifice he made
for them.
Directions: Answer the following questions in one (1) to two (2) sentences only. (5 points each)
Directions: Evaluate the story “How Odin Lost His Eye” based on the scale given to each criterion
discussed: 1 as the least and 10 as the highest. Get the average scale of the overall result and
share your insights on the by answering the questions below.
1. What are your insight about the story based on the total scale?
2. What is the author's aim?
3. To what extent has this aim been achieved?
IV. Closure
Task 5. My Treasure
Directions: Reflect on how you performed in this quarter’s lessons, and make a plan on how to
improve your skills. Use the following sentence starters:
1. The new concepts / skills I learned from this quarter are ______________________________________
_________________________________________________________________________________________________
5. I expect to be a _______________________________________________________________________________
_________________________________________________________________________________________________
Directions: Read the following sentences and identify what is asked. Encircle the letter of the
correct answer.
3. The age where the story happens that forms the backdrop of the unfolding of the events in a
narrative.
a. Characters b. Setting c. Plot d. Theme
5. Characters are fictitious persons who portrayed in the story. Hence, how do they appear
convincing?
a. If they are developing c. If they resemble real people
b. If they are stereotyped d. If they represent individuality
6. This is derived from the Latin word littera, which means letter. Its derivative means anything
that is written or printed.
a. Inscription b. Literature c. Mythology d. Epistolary
7. Use information gained from illustrations (e.g., maps, photographs) and the words in a text to
demonstrate understanding of the text (e.g., where, when, why, and how key events occur). How do
the illustrations in this quiz help you understand the story?
a. They show what the text is explaining. c. They confuse the reader.
b. They don't help at all. d. They are fun to look at.
8. What is the purpose of a diagram?
a. To list facts b. To show the parts of something on an illustration
c. To show a picture d. None
9. Why do informational texts have illustrations?
a. to add author’s favorite drawings and photos b. to help the reader visualize
c. to make the pages look interesting d. NONE
10. Just as important as camouflage, mimicry is another important means of survival. This is
when an animal, insect, or plant tries to look like something else to scare off predators. How does
this illustration support the text?
a. The moth is trying to look like an owl. b. The owl will eat the moth.
c. The moth will eat the owl. d. The animals are brightly colored.
A. Directions: Read the following sentences and identify what is asked. Write your answer on the
blank provided.
_______________________1. It is the central idea of a work of literature.
_______________________2. The events and complications begin to resolve themselves.
_______________________3. This refers to the attitude of the writer towards his subject.
_______________________4. It is a manner in which information is passed from one generation to the
next in the absence of writing and recording medium.
_______________________5. The event that gets the action of the story going where the conflict is
revealed.
_______________________6. It is the feeling that is created in a reader by a literary work.
_______________________7. A rapid skimming over events that occur during hours, days, or months
that compresses time in a short passage.
_______________________8. It presents an event or incident taking place prior to the story.
_______________________9. A traditional story about heroes or supernatural beings, often attempting
to explain the origins of natural phenomena or aspects of human behavior
______________________10. It is a myth from Ancient Greece that teaches how human desires,
intuitions, and motives lead to dealing with personal challenges.
______________________11. These are details appealing to sight, sound, taste, touch, smell.
______________________12. It is hinting future events in the story to the readers.
B. Directions: Complete the column below by writing the character who spoke the given lines, title
of the story where the lines were spoken, and the author of each of the literary accounts.
C. Directions: Complete the column below by writing a brief meaning of the given literary symbols
from the different literary accounts. (2 points each)
2. Mimir’s Well
3. Orpheus Lyre
4. Eurydice
5. Underworld