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  • Clarinet in Eb

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    Derik Masters
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    This document contains a musical composition for clarinet in Eb written by Aaron Brock in 2022. It includes various musical notation symbols and terms written in an unfamiliar language or code. The composition changes time signatures and key signatures throughout and explores different melodic and rhythmic elements over its duration. It concludes with the title "Ad Astra per Aspera" which is a Latin phrase meaning "Through hardships to the stars".

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    This document contains a musical composition for clarinet in Eb written by Aaron Brock in 2022. It includes various musical notation symbols and terms written in an unfamiliar language or code. The composition changes time signatures and key signatures throughout and explores different melodic and rhythmic elements over its duration. It concludes with the title "Ad Astra per Aspera" which is a Latin phrase meaning "Through hardships to the stars".

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    4 views3 pages

    Clarinet in Eb

    Uploaded by

    Derik Masters
    This document contains a musical composition for clarinet in Eb written by Aaron Brock in 2022. It includes various musical notation symbols and terms written in an unfamiliar language or code. The composition changes time signatures and key signatures throughout and explores different melodic and rhythmic elements over its duration. It concludes with the title "Ad Astra per Aspera" which is a Latin phrase meaning "Through hardships to the stars".

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 3

    Clarinet in Eb Ad Astra per Aspera

    Aaron Brock
    (2022)

      
    
               
           

     
         
               
    11


     
     
         
            
    17

       

    
                               
    28

     

           
    32

                      
     

    A  accel.
              
                   
    35


       
     
     

      
    44


      
    B 
                                      
    55

      

    ©2022 Aaron Brock
    Ad Astra per Aspera 2


    
                       
    59


         
     
               
    63 3


      3 3 3

     
       
             
    67

       
    3

           
          
    loco

         
    70

           
    3

      

        
                
    78

       
      

                           
    90

    

    
                      
    93

         

                               
    96

        

          
              
    100

              
                
    3 Ad Astra per Aspera


      
           
    105 3


    3

         
      

        
     
             
    115 3
    3

       

    3 3
    3 3

        
        
    3

           
    120 3 3

          
     
    3 3
    3 3

    
                       D
           
        
    123



    3 3 3 3 3 3

     
    129

            
    3

     

    3

          


            
    134

    
     
     

    
                   
    146

           

    
     
    E
    3
           
                

     3  3


      3   
    molto rall.

       
         
    164

     
    3 3

       
       

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