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| Pe Qo Ard Action! tole wel ovata of Lrghoh | Cake nap aap Concattbaa Even Gondlan Ant ser, ih Hae ae eee qqgeccace ocdionce anol exe |dffexac from tte pot, Lroonerad. we | belyy you ae nat lnk Miquine al. Gar) st 2 Airlogy Got = what what ty helado Kagivegy= Ciencias! Hey axe , | Faclio® | Hat dolgenines on arta? A leony and deatinel ported of histery Ap line a lp. a pea Pecanse Prem they veactlews youare able te clurly See if you an ee det yowr ia corredly “hh abiaye foue » porpare ” (Both prpeclios ) A feat shaald have © pearpose, otherwte nohedy ed read Tt, elace reediag Td oont aire them any thing Even it « teat deen hues» purpose. jast by you reali ny TT anh enjoy irs) TP males §T bere ner cartertilaty perpng COL eA | ainTtion te “Tle onde pore. Cloke coulic replnin ates Ney Coupl * Gnetinn Rid, Conagh Aodlen. vigurston ove papas GUESS NSE LLL _ 4 FBSA clretmaltrer aweol Samaitivesy. Ue Ceti ape AEA Jib ple igh aatpais Doh 38) -NBU p92) 15 2. 7. De Look. (The taaber mile give ux on port & alps. “Ge at Lent toa taurter Joon slate Lar. (Real manifesi & Lanen a Me nlipse italy onal nt QUILL al loans ti CT pwale a foucmaeves) ° Reh « carncttx pre Want B mafpe CSTEBL) Arasheciatan porcritir. about te Saractey C85 min) ee Colt pencils -nandena, on. - meLlans, Aeabpres to te moot mpertint part (2G canara! BR A it Crees f Sau ahere te paple by youmadl oo Shit 4 oferte Aeacker, is 1 corponritle . fon af oom Le lilly wm tin paple man ra Lint A shox pom ~ Bereol an Tachfdr. mish “Etack wel pb sede th re peck on from th brck Afi. sebeiing He score yous ane going, 6 make dt cnthmpororg, rerpt Sroolranine “A. : an eee . Pada ine te Aagune Cound, > sheen Cocke, Son Cawot date fe robe ect Prt Tin (Whalen pant, Taclide a gamer seston Clits ow He grammer honk ) Und ~ I “An ebiact feom Tel fhs yight (Undocstonel Mideld Engfist:’ ~Aawt we on anabysin Wid, (Qeoter » Srplasis J AHPHPSSHSHHHHRHHAARAAHHHHHEHEHHEAAARAATLHO KELL HE HERE OH FUSE EPEEEEEEEEEEALPEEE EDIE ERE RHEE ED A IS ID ddd ddd SII SE EBnects ef até ACTSS Crbet of Author (chosing Shapheare. © Prat, Hotes » Plaganitte ) 7 Ketineliceh 26200 pn vabitlerag Wi Engin . ~ Beet ib cmt te Eagtsh Counmotte Aoguoge wm Le wreol en : Re ow ef Howes henge, (Weren wore nat afvech Aa woth 4 Healing JHhax wmialy verhecl Ly young rem arol Gay, ct acti in fonail : Ste then Candlint (Theme (Halife | Syn Als) Tener 2 Unurlene of geroke. 3. bing of ondeKgn FUSE te sie Chhiwy te vreprentnxe Fond Aodhies Syntes 1). Cbs, 2 Darknw of Mabinliin prrcrom Ba Pte Cesta, Fest 1 Mabosbin. ) PPPPRARRAREROERERRILIGIL IVIL IAA AAAAANAANAANAANNOOH FUSE SITTITIT ae a cer ay Se bahian Badia, OMY w atndodd to Cenate ay \ for at OBI. a ViclocsGesartos © Begins, Shed Nes Teimds ta, degare) Done way "SUS CharaelammAmalyaks Viola :hevevcarageens,caviny loyal clevercdine ely ; X:Peincigleck vy Paine :Arigent indectiveopy | COne ; ies henslf as a Slip wrecked Inely whe di Trees eemeeeeeebbadddddT shickt. mon, chet working. for Oreley Forme = ove triangle, aie. Cheraderistes: Charming, Resourceful witty here sgelf-cenres(,sbolow. selemhent livia. merry, kod Coste 9 pR anh 3 The bak of Slot patna te Cessrtzat Me enol | SelacTian =I!" batter, sly, Bad “Ste A snebrbertrs . marries. Sebastian. Meteo Stilt oneget ncn sities talthurctic popertrbeble: pllynetic] Ctvalerisies pert | Song , inpalire Qeactersties 3 ree 5 Dake of pric, olor Olivia, bat eras sp long Viole « roector Olivlas rele jacldtat te wine who Ives + Party CPithes. Malvolte .) at, Lay, Tn thy, hind | Chr frat Drop revelier, revenge, FBSA sities Feste + cleaver fufehigndl, fanny, profetional, will CracAndrewm Sir Thy chey , celfish » arenes Sir. Toby's tench gully manipulated, whe tes Sef canterecl « elt Lalvol's % cout Ollora. Moria > env er, daring shewd ating. Chooate istics Domb, cobeles, persuactarte | Sie Andrees xl. Meshal Cething— Time omel ple ¥ Ee het States, never, peer sama rat Cetin, +€Ming In olrama, setting fs stally ertamblithec, boy Ytage ofiruetions ancl dialogue * Setting cam lee imported for -edaliahig pal Fe gently emt Ly clewiption. nty-pyiteal thea jreunek bot alsin. shoack Si ori eriutiondl sUbsthnetty» Ty tare, the meet contributes te The clef and Hene of the namie. A mportanee of cetting te ktmy text * Setting groans the plow teat tn the ceelihy 9 plece 5 Tags the thene oF-your — stery thengh pererfal = tte plans a FUSE de Without setting), characters ore simply there, «th no he reason Te cares. KVjitlat © phee there % ne story penton te set ang % Setting helps with the pit, clebmtde ait clorarbs the characte orel gies mataphoric —|inles te them Like athe tore in bends everything beth Concerts Elizabethan Tag wsect Milde balarn \longerye Language. |= von Cathing Moc tata suay thet mebes it geod far. rikeher people Wemen are coen cs seconel lew Sacha Noms Status There was 4 One que /hing weve on top Jobs Close te hone Jobs bor emen: Dates, People woul ing a song to the other peran Gendey Wewen ae seen as boi Stconol ano te bok euly prety ° soca! “Wieagle Ste_Watbs s2tting provides = landscape “thal Into, «ehtert nel meaning. i Modem Era Medern “ They. sed lecte moclern lrvyinaig< + utetoer , Beeeaenl 8 ving 7 Mace egacilly for al/ Types. of people. - | Wemen 2 men try te be equal. tal bry Rveryone is seen os equal. A let ef job sprikenities fiw beth men cn wamen, Over jaternet, ane! me tly trom the lvoles. Waren ean be bade rele Ouel Pree. FUSE tivistie wel fA Might hat cloes not %e war domacme AURIS ft LB Oosite tn chnaclir uke inllinly macs me! thei, Act 1, Scene 162 v LULL DULL aaa FUSE hPlae of A rast abuwious Unt BA ts sidbnaincol 1d Bey eh bo 4a Gotan (A buodler oleod ar: jhe she werredel Fah." E' Dn huotler, dod dia Dol Docs Luciiber ool 4 , : LL, since Gack or, ayy Tht fed o ig eel Fe canteby onal. te. only, oe FSi tbig Li ty Rainy: tome Angolan Be teey cox tenBhiny act). % DP: St depute, Lira or x Lay. Bl" Couneat we whet Zs ving mh Ge rp aol" Ft Zecames 9 ren, hur the eondiand bITa way people will Po aithiod Lede wtet wh: Poppin PRPC RPREPREREREIVIVAGTTTAEAAAAQARRRAadaeee eee FUSE i STS CCECCLE CLE LS SESE TLTIALLLLA ay Séenes NRV-A tengleel eb o/ “kt martin of his Morals Is that there ts geing pollen be compar IEG a web, wlch iy very semplen . ~ Alittection: the etter “wtis repeated 3 Hees = Me dene thet Abs story ts mainly fecuseel onthe love tlange that aeeures betecon the chvecters. My first impresions ave thet he sa clavate thet ts full of him self. and noone Mikes him, fHe ects wll tasiily becanit be. rece oheth,, and erefore he vas pitied ensily by the lelawier of Malolio. fe haat a eine EP LTy seen ty the. feeling. ed. leve te hlleen, aime Orstan... halirg Weal sib) ncaa aban, . Er" er they shell yer below thy happy . years Es Heit unaware Mat cesar te ew Woman ,yer po ste ts Full;, in hve. : LThs a Iinkod Te the theme of Hisguise, Stee she is Arsenite ints aman. 2. Who eer T woo, myselt Youle be his wife.” “Ip shel becowe thee celle act my sees:)! "She wil Mend it better in thy youth " : 3. Pi Chara cters in the play beltere Mat Eesario the audience bows that he Seeman. is co men, hut BS Opie, Lip is met mere smeety ancl rublous Et The inten stone between the charecfer is. rather settle, but a bt ef love for onch. orher ts eapresseet C: The. cohten porsy audienco weubl thnk that Tt wes vernal Berm nen te the men, bet beck theR iT was consiclevecl on excepte ble ALP: The sleewest fxainple of clremahe treny tn thir pley *2 Het ASME We brow the tue felertity 0f Geartes but some ther cheracters cont [mw- Eu iegt oll ols cecomciletive eastaeenreaty pet” Et Me. dents. Matt NC wet, ats. ince, Bhar cedlcailia: fs tae bk wre net over of rt. LY thas ths & clramatic teeny, if males The Slory more dramatic aul fonny. § Piles itis most ccettedily cc Aamy ail Slee be ere thatyeyienn romartleclly lary ang you Whe, bat hack then ct was consicler Cl ie yee preate i Ei "Disins, bp je tet move avith and rabious.! MAAR Rammnwe ee ne Et We cansee thet Orctne tant. Guare te be a women, abaiest Shen ide wes Ubi abit) be amet Lith thous the clifeerent le teeen the les ot genckey me tock then «nel tnow. 6. Wewen were hot allow ect te..aeT, hence . the characters “ould be even mere hilekious, this macte it meve Klartons sine Some.chareeter sve rileltaite.wive:! Klee sentetihny thy Were het cuppesedl To hook hike. Ey, Vieln might bok move convinertny tn ber Cocerto plisguse. Act 1, Scene 3 v — Pi Tt w shun hen Mena bsults Sir Anchen *Sth hey E: Horry, new | fot go of your hawks Faw barren.” (E She iesulty fs that he ts © Joke? thes is eather revel anel gleam echt. Lt Ts barmect the cherscter 0 Sicr Anclrew, but if alse olled t kx chesecter devebpred -P i Auchienee thet welere be! the jokes joie fathers 1 woulf jt be combi 2, FUSE VISTITTIIETTE EEECECECC CREST ESTE ATTA BE It, oly sie” Es The cloable menntny vf chy, here $t meena eld. is Pes phe the dan bron. 8” lang we ye well enough veulel net get theretience.. —P! They Halk or prose, Since ret AS i they vere pst Aeviny * quick chet. FAMA phesithy TE tame Mhietas sh imp thn peralaetele a Et Thy are just chit cheting, mt teally trying te eprees muck fhofiens oF feelings . Us Therefore, they tale Ah prose, since they oe net very prete. — Pee learn. “thet he wants to mbrry her [eee her. Four miece wil not be seen.” Bt He alec, tied fe parswaid Ole macy him, bet she redeses te even speek hm, to he te giting ape bet Gin Teh Pest sucede him th stay. Like len the purpose of the chamcler Sir Anchen, mol ve alte ficrmaschauth cami oof whi cbhwckltcte satel ds Sabet din YS each maui pu lated. ae Act 4. Scene 7 ~Menwwhile in He play Sebustian sh “—p alsecblor. the shipwreck, tt is cll. becawe Antonios a. long torn anomy of tee Pabe of Dilyrta, le encls - Falling 'n fave with Sebostinn. He hebs him arcancl Lyris vithout tying % be. caght. Sthestinn sel tat mle sister hdl sure Fhe chipureek. When Fest arriving te Tllyrca he sais at eh, Hagel ath. tametah teense Antonie fated ME: lig lig porerhel etek. We con clark seo At Antinin bin lve fron the Wings be says (TF you wilh net iduccler me Se myn owed ha a > be pear torent” Tyiy clearly ex a sag eels hes Ber hin, onal KK be nuit! £ sped mae Tine wh Ses FUSE iS Act 2 Sceve.2, - Shaker peare anal ee, INR She olls quizes nhasee f-simsoraikan.gcossithet Job as 0 messenger Re Onina Bi Gar: wel, disguire os. hapily shall become The form of my the cou get Intent” Ei the pte. prtivlen she charges. her diccuise te loot Whe A man, Le Tits aban jaar teal sa.c0it Shekespeartin tine Ct eos hen! Br memento g@t ajebu,se he ban % cliscate henelt Pat ten Tonge tithe jek. 2.P: She suggeile that women can be quite comvnatiic, ated come tlle dibiendt in. wnbtehy rad cccddacts, EG, for Econ. sing and speak. bbe tin many tPF of masts” Et Sle says tat she te able te th obent a variety of subjects bo The netle 2. chabnge % get a job tom Onino Li DF shower that. Shakoep eore belveves. that Momecr ei ace seart bet ard itty, he be fives thet women are not Treatecl correctly « 3.P: Shes “knowledgeable” for Z can stne anol speak to Aim ta many Sorts of music” ! She knows... btcmned. anclerstinds.~det.of. subjects. U1 Thbioads clas ly Shoven..cinceothoriteo eke would net be this secure about her cellon, sluce. she (t eishihg a lot. She ‘oudl the be considered oy. "Risk~faber’ einer she is willing te Th everythlng 1 errr FUSE ima Feste Og ti the Sainy cit Sale JIPPIIT cbrouse.te that be alenys. dacl. te be ah be: ence tal .nst.te tasult the bess Be mark, ener tet could det hin Hor ds toukle, ~ Because. tese Prople ually han gel cat sefteother rich a iy Fenny cual. Tt they told the clown % med semerne vhe., the ho. hinges might sted te alts ihe each ether, 1 P Whey we Mot meet her, she brother. Meol . Bt alte wok geal E ‘She ts shurtivg —to..Fedl happier owe we? clarbns vecover trom the...ostt. .#..ha% Lbrcther. Li Thi shes wd. thet. the. Bel -allewact her to feel beter aul look ot. the. bak. thi From ancther angle + allow ns te pee. 74 vet all. hat bool, P! He aittises her tat she isa foo! EM The more fool, madoana to mourn fom your hither. sow Mateiy hai Bt nl tnatelncthen_meoel s bepeuse) her Addy. Uae EL Ede paves that Avia 5 eles she is tounins, about her bret sileasits hs heaven. . be ae ss ar hemover ever Mockiny. Pron the key down. 3. Pi Hoty a “Rish= Tabor Mano “Kone Et Beshren me, the bright, eda cable" tn aclmirable Seltng” Bi He cays tet the Aight ts very clamb ancl a jerk Lithis Showes that .Peste 's rather comfort le Sigures. SPs Mola. beports beck ts Cries obsat ufek Citing Ae Ce exile stig Poms trace ATH giegs avery geho te the seat where Jove is Throne” e E Here Viok ties” & tel Orcinn tnt she lpves fim Throng! Ming Ain Aints about her "lower" LU This” Howes that Giolx bues thin but oloesnt bro how te sty rf shee che 4 Lisguireel as oman. 6. P2One theme's “Low 8 couse of suffering” Et "Gay thet seme hely ng perhap, there Bhat tor your hve « Qret spany cFhear os you here for Oliva" E'Here she ts pret weach telling Kin thet she loves hin. Li This slowee . taf She lover bin. anol thet (sin parr: alree the feos be chesn} ve her as much. Shoetny the theny “Love wt a cause of suffering” 2 P! It clocent surprise me,since bnck hen aomedy as a Sty that hal m happy orig E* Cue on, let me clle nowt E! Rather hark were pwhich could being chon the meotowhlle ahs pressing The meaning of bve A compares love toleath se uses Metiplerer a bt. t shoas that he changes bis aint a lot CiapiRiee a: Bites. pebesBS Se_avBipcwipally Seyiesg tat ho changes hss sala fF This + seen bafer in te Slory when Orttng changer cul falls In hove th Vide & Ps Ee et Ly Ae) Th FUSE TERT SI TTT Act 2, Scene 5 & Act 3, Seome 123 re Po We bron thet Woh it th love urth Eesewle jancl is tying te ted tect te him, Bia: perhaps there is, Anth tor your love a great im poteay th heat ae you kave for Olivia.” Es Here hile ty tellin tim tet there 's serene whe hover him the sre nomen tol he tthe Olien, (Shey talking oboe? horse) C! This. ba. cose of dramoctit Irony stnew the audhen fone x Mere than th, characters. ln the slo vy nfo. Pt Nedvele-cis: Miriatudwenes Jme wtlchsat weeawawens Ei“ Hoving been three moth, marriol te he, sitting thony Stete-" Ete fs tet aver thot the chanes of these this Inppes are thse te zeto. CtHe ta fibrous climeter because. He thinks of hinselt: 4) comeosse better. BP. By letting the auclience brew thet this & oll puta tick, bot Malvels eloosn4 ww He E! "0, peace! Mou hes oloc pl, t price v £: Onl Mabialte ceosnt Wivk any Wag stipition, bet ether cheiacters ancl tle turclronce bee te all tebe. L This ig clreamatin wompe tt iy usecl te make the play sere fn anjryable . 4.P: She ig intel erst eipiadl eiaiars, ain Sige tamil Mahelio” Ft Here wt tay fe that he se of wonls tect Warla cheeite wakes Mlihto loltere vt ls him thet eke ts telbing abecct: LY Rerthersmore supporting thet Marta js short anal uty “ith sors. bi ee tess aginatinnn Cees FUSE i 1 They ewe beth very siart ancl i Hy. g iB have sat sir. To Se tHs aye!” : of them frist the setteyrees copenes are “Te » Facte fe Sarpritecl by the ability «& Coren to. : are both very tert and witty stece Thay cnr conversection eithout feeling as one ig Mmoelerag the ie Ge say, tet Festers not just o pein cloun he vs very smut, ane cleaver. ES Gaal te abit p recall tonntonn bial ot wit” EB: Sho behere thet the job of Ferte abo vegurves g'eoh In feligerce anil. Hod Feste bas 77. Li Thi can tel us thet one af he smartest choructers ty Shabspears phys 0 the owe orim This cone Presto. D Fist we learn thet being chuy alee requires a great anount of lateligence. “This fellow % aise tron gh % pe The fool/Axd to ole sothaT well camyy a bined of . Next we see how love au change tre Cmoikions of « havatler, Composing livia tn the begefiay evel cred. Act, Scene 4 - MelvolteV Tn cue of te clips wee boking sb his actions Fron hu poted @t ter, but tm the other w+ are be leolsley ci} 1 from te oer chrmcters pint ol lew 2. From the mpressions Hed Mulvolle ofes ‘nthe vileo ore rather sealistle. «bile te The ther ones thn exprentore mainly come Fon the pith ancl elame of bie reaclens after reaching the letler. In the te seo him pik a Blewcy, this furthe- wre showes tht he © ape Ging Joe since thwers usu lly represent Love th Metis ene! ether care lcs Pye AP PUVUVSENN VET IV TEESE EEE x Subject D-PTLe seconol cne,sinee ta the Serip? we owe (ooking atthe story From the porspectin of the other choracTers, EO, pece (Contem pletion males a mre terre, cock 9% hee, '™ E We cre bebhiy at thy erent. theougt He eyes of othe characters, Li Back ton tere was a bigger Inpertince em the Tove ort_het the. empresisn&.. 4. Ps Dermacks sDrorepalls. liveal sinc fet ae ave cedenes "Ete on him, Jaze bel! s a a eee eee ee ee Bp ress fergifies» spa. Prcweece.; BD: this enter. the scene more Panny, encl 77 mates the auclience feel mere utigreted Mm the ploy . EP! He thinks of him sell 68 © very importistt ancl selualel character, but others think of him at ar anoying Character. EET tay Indy Te heen Shoulel ths be 2"! E:He thks a3 4 heb batter then oll of the other Sevenit In the. hsnseo84 Olvbx., Lithwwer ether cheactere oizagree thas paleo» prank an hia. 6.P: Mahols beleres fe is above oer sarvorcts but othus think he js very aneylny ovet ill of hinse Hf Es "Tl nctjog. Tt werd please you +. teke leave ofher” Ete thiks be © word poe tei) ton a fors, tis iswhen Sin. Taby amo! Mahrolts cress Sweoele. Li Mehello iL fallcl himself, yt other characters ooftslike pis behaviors . 2P: He hows Hatt Meholty te a emthar easty tricked person Es "My masters, are you mol? Or bet 2 wat” AST abewsathesl Shaksperr ches tye Malla te erttiqne Pe itaas FUSE &.P 2 Ln italy shaijnst thiabs ends. sth , bet otrahartere sugect othewice, FM ky appear yen arth thea richenluy boldness before my laely?” E! Other charactors Cowinee Oliva Mahelfo to macl. LE This lencls Ollety orloning to. pat Nahelto In. peisen: 9B les, Tt ames ° p 7 wfesy ries Ei Why how novermy barcock |" E ‘Here thay ore just pooig vif, him, this anothn case or efmmatic. lroney. Lt People will fired this bilorecus ancl «ill feel r€ *t Ans gemething ty ole ~The then, Sire toy bnew more Men Malolis tn the story (oliamut'e jones ) le, P: For sare they clo - E:Ge cff,20 discard your let ma enjoy my privet.” E:He dtelut co any titus wing, fo he choasvt endere Tent whe T Is Anpperinn right how Li Auchionce kxow tis all pled, ancl foe! soupy fer Malwa lio, since they know be clled net do anything ereny fo was Just trichect. Act > - Scene YG - Act tsSeene | Z I Viol. realizee that ber tein brother miele still be rhte adfer Antonio tries te Step a ola) that ccuces beteon Cessin ancl Sie. Andrew. this Han leacls te Vila Stay of te Cinol hey Tein bother. Afr she heres, me —me soo Mat Sebastian , Violas hwthir, evels ay ib tideen fe — Copario by Oui, te sho asks ling to merny , anced be toys yes. 2-Pibe con see thal She ee te cbenge alot thls nehelles her language uel acfine. ANAANKAANAAAAANDS FUSE 2 aM Ey ri corres ee eee RE EEEEEEEL E Neth) except pons Tse eve for ny perc” + Here we see that she is tying fe complner Olin teat she cbern9 lve Cocaris, hut Orsian, Li Showin ue thaf she S tying te resche the ellen. that. Paeunlove. terra le....icauxeols 3. Plye expect Them Fo be week ancl vot frathol at succl Pyh tes. while sti) being beautiful ancl foug " Ba SE kareiqetbnen hath. any quarrel ® me, EB: Ths Shows the. fact Mt shi H's tepray te overt fe Fhe Parrett ph eho SOD att i omy ote Seventeen corlany cere nel expectedl te be geod at these serfs ef Hubys Ps exper thet the ton fogrow 0M be rer chee by ThE appearence of Sehustiiin. ES“ Thou, buree 4? not me Bt Here. side Meme Ube ater. pepe really bole. e that Sebacticn Cerone. Li Aker they "elke the tue whenti by of Cecay ie, vit net matter tat mach shyue te cheractes thet haver Somethius te A with Casas jo nig ht Bia Sebastian quite sim (ee. ae 1 AWS well thad omh vey, 7 Acti 4, Stone. ¢ Act & Scene ( For most of He chavacters the play cnels Laypily. shee hed of tow get tanuitll ovens Gy Mabel, tr He once , Ae 0 still taped ts te b Lkcl wem, Ancther chereter tt deem eno! Bat well for Apfon'y, he ty til bmprisoved by Crrinw » Other charectes thelecklay Oven, Mola, Sebastian, Orsina, Si Thy, Cond Morin, mel o poss FUSE Ghavacten 6 are heppy becouse other tet ere ina crowvacters they merry a floc tect Arostrcetly other, Some Naclefe! each Tate, Another chamady Pnticlictdnd pote the pease Fo Sil Andrew, simuc be? oltalnf » Manage Bed. sesh howey on tiyrg * 2. Tm the haggis of the ply theve are tae fo hee Oley bet spent we her. chsettevs the Lae’ an problen: Ciel, ond Sebastian), this then lence te the Stovy . There aieclersTaud best “ot “fhe hot cleesnlt fr ale a charmcher Hud Jevet a person she esr} Jove him. At the enol, the chermetors that ave Takhy the sime prt ck the story chugs. Dogging Viela eh Sebastian omehwe prblens tet get rerclveu thieys <—> the, thoy. Onin jx Aeely ta love atl Olin, gnc dowel wugertonh Hey she doesn ike him beck Viola clisquice s heselt yto ——- poorer yours man she charged her steles End Molvalic &£ Antonte eth howe preblens able, the story Het cowl leacle + mere deeb pment tted ods Melvoliv eres ap not andlerstoud dy why Oban eded the nay she Ard ofter ke Foloved the Insvations pret be belies cme fom bin Later, Feste charges tate adtty Ike ms pope fo chawiy e We cfatas to ted Melslo \phees py a FUSE ren Fm ative Prese -tdio jon ao Tsp Mealy exe his contarit well ancl connects it! te the vest of the story C6) B: Evidence wns a little leking . but overal| clone wel C4) D: The conficlene while presenting. wus there and the Poke wus goed as well. (6) Exthan, - A: The explaining wes not done’ clearly , however hud a ht of great points. CH) Cc: Examples were lacing , oli provide Chrough pret ten the. quotes - (4) D! Had grammar ond spelling mietakes amd mun bbled 8 Mttle while talking. . The icteos of bis mre capretseol tn ex olecenol ay, buf choulel have move sridonee te support them. CD Ct The clefatls are a Iittle laching, an ehewlel- rovile more ehanples . ( &) D* Talks proacly onel tall of emotten, tly mokes the oudieme “art te pay a tention. AlThe ana lyer ts a lettle leche pamd should we move perspectives (4) Ce There ave shght grammar mbfaker, bat sheaf Rease nme on different perspectives. (5) Dt Ths 4 bite shyly anol ut of energy C4) aeyyyyss VOUUTVISUE ETE CECE EEEE FUSE Ethan Cre As He Fates his Sleae cheat unelestinel ) CF) C the cet ome a Unt the lacking eunel oe Acut some Qrimiar mistakes, C4} P The a [ttle softy y bet everall geet C&D, in ballet potts, maling of y Pcene 0. Ae At Aelaysis gees really in cle pth onl HH ts wed erplatnedt One Woy Phat \TPais easy tb. vhlerstand C6) C: The “text fe str yctireed gece, but 0 belree That bss teat mere ballet qronts , it would be clearer: 6S.) Dt Talks “a lettle slowly but sthepwiie vey clear ant smooth . (6) Ss a dettle the Mow ane Pt) alee ‘cohect et) dther ex pelts. (4) Ct The. tent le minimal yb yh HT tnikes Sit lafeae any casy to unclergtaat- At The anaes iy D! thks slowly and stawbles oa Bit, making the adios dleconcantrate: ao brz C4) A* The analyas lvesn® connect h theme onthe mam Idex CH) CF The font ts obit To aimples making thi lek httiy dnprofetional - (te) Di Fade Ber Ue y however 31 te Serosth ancl doesn Tunkty abt. (©) At Organize the information wally but ty generulit Sx bethe ocking « (3) FUSE PESESLSEEEEDTEEEECTEDEE EEE EEE CODE ETE PPP Ci The teat het ghamatile) evel sepeling eiTeleec, mohity Th seem un profetional. (4) D: Realy shy om the o stage peaking te performance « thle lee. enyrya ble. (33 A: Exh lata fe Soe That meee 31. stem important ans fun. C5) Cot The Tent toe trtife tgehitge dowertss.i be clted moll a lof while pracntig . CW Di: Tels wey comuincttiyly » ened tres a WE of anal. giurey to averted the akwercms. C6) ph. Al The enables wos tn olepth ancl vith a bt ot Aphadt a, and conecting. C5) C! Te prvihed a lot of pointe of vues enel enplatvedt 7} well. (5) Di while preseviteay, be fee tas a Ihttle edo rent statics a bt. Ca) GresNue=Then At The amalyats eas very shellwe nol dlole/f give mack Connection. . C3) Ct Diet met prowtle and quotes for prof onl Incked Asterent perepectiow. Cd Di: Read of the slides aud diols make eye contact wT people» C4) Domes, At The Suctuve of hey pressnttten b well ergan treet buf a bit lacking om the content. C4) Ct The fet & well ongenned but TTS 4. httte hreking Barth te confent C#)- FUSE Di Shy while presenting making the | pomt leee com sity f the aablicnee . A: Aalsis fy ergsnitact very well aud clearly | however Shoal bawe more connections, C5) { Ch The Glamcer mnel spelling ard correct, nel the tos} b> met overwelmeng, CE) DO: Tahs a. Fife. wsottty, bet vameclhly- deetn4 step tre muck befeewn senTences.. CW) i The analysis doesn genrety tm depth, cole ty te find more conn ectigns. CAD C* Grammer: ancl epeliims tm telalhes are Foun sta Ais presehfation. (4) ‘ Dit Staal fas. ade t Bnd hyo bes bug pemses tin befecen sedénces abl Lunky) & sentinee .” 9 Gioap ATT Sane att Auto, ‘The analyeis t& very shalow und mikes close te none conned tte ms GTI The anesthe cher BD Cut Theieletls lee Lolmibedin mnt se hegre the presentation ts confusing. CBD D! Speake Unsherly shel ether m Jt.) 6395 wis Tees Se AS Analysis wes very well organised nicl the oveler of preseiting here olaty wade a lot oFsence. (6) CiThe tet «es clear, a tle over velming. (5) D: Taked clearh ancl tren inbedaeed other specter, hen biwereof tome post OP su others were tiblemy. C6) oon ~ 7 ie FUSE PPFPPrrrn Pry aa ett SEECEECECEELT ELTA AL The auelyags > whent on Aept, — bact «emetines Connected ho rernolonn thing, CPD Ct the text pramsticaly comect but rt Mas » lredle tonly, C5) DO! Stovted of Ach a fun athidlues C4) yan wes A: Awalyais tac a Ute shallow \miel eltol not Connect te) much. C#) C! The tent bens a IttHe added whik presenTivy anyuay. C4) Dt Tabing Ot Maiaaab Et Nano Peceruusbecke y bit. C3) dasha. : Ava Geek amonnt oP onelyeirs- ancl goer On olepth Onl ‘connects te otha thing. CE) C* Text ts ofear well. C5) DE bbe Thhbg these bee on yebe ened feaging 09 sTage , mobes it seen an frofetional. Co) Groupanb=—hetmn4Seeventr=end3 Wnrting net ait of rh antomenties 4 ahel gramnction & Covrect. Explained Ay Askelyet was ebnel velland o lof of quetes wel te prove her elena, Cb.) Ci She provtotad wees Lp of examples » but what > TH teu Th fren thore perspreties, 62 D. Talked ell but rfuwbleel here ant there ss emsetiary te theo lynn a Inti. CED At Did 2 great mount of Ugg ing and a lot of quotes tr prove ber pert» OS) CPi viele nie alot Seam ples aad Pov C6) ASME Di Talks uth a let of Uody. lenguage te prevent ahwcrolnes on the stage, OD As Dil sume goed wmmhes pbut % ohing a brY of quotes, CH) C* The tert was henge the eerfume fT the moclern era. “UWos clear and — lout. — Prld4 appear a lot. hii Costume MS Sremt. Props: Beer cans = Showing fds cherexter better. — Kreme. bis tuft. His posteme. seemed not “molernized eneugh. — Piel net o ppear as much. A Ute lack ies, “Body langaage- Flea | pastures. They hock the script on the fleey. — Geeock rolures ~ Mo semmel: effact or visual effect, = Hada a © fot oF — hau Jestaves ~ Had moye tenes hilt precesil/ng. okt Then Didi? hare the veght att! tule: ~ Aalleed sinoithiy. amor PPPPRRPPEREAPEEUIIILIIELLILAII IANA SAS FUSE Charlie THe wes the enly one urth props - Ghee vas vats ~ Some gramnaflee | pre bles fa (tues. Stem blecl obit. Bevery Dring wes clear. 7 Seemed! natura) > Coulel see Had the Seript wes open: > Geek settiny F ~ Kept vending -# the skit Tend g ectures. Pas Props > Wrae bottle - Costume 85 = pre preete " ae a bet, ~ Py a precnee, 7 Dil hare beely danguaye T Change out tit, ~ Seemed conticlen?. Ethan Kept reoding yf the seriph “Didet act much - Pylun. ~ Prawatsed 5 [ok Seem — paty ch ‘Gege eCCCO HT FUSE 7 They xagageel wit the stage = Ches seal sett ays ~Pleate of prep s Cpa eet) Cains nas cn godets ~ Aalled a fo? © & bnareus TChanged the clo Thies > Shoal inet nat otaret there. Ss ~Cestame colelecl te He chigeter < /ah a Seemecl te net hece that muck ler. slements, F Acted vel! More Pepa) exprecsions, aa Went a bit ShorT. —Woterniesel a tet oF aA eT ef semen movement. as pods. ae > Bypreprate Slettny. ifpovent tones uhes molrerning olay ent chigy gg Here F et ~ Knew ber SEE, Used her clothing te express her character, E -Did nol stumble Cmeetay > Simple cloth E “Ch they say Remintne, shoring her charg cleus ASME PEE Ceres errr SAE EEECP SP rrrrre ~ Talked epooth|, ond [new her [ynee Yount ~Many charceters Dramatic acting. ~ Texcheol soerhve Tepie Cractled Te alee TT Were fun. ~ Gel costume, ~ Hoot clr tterentcales a a ee bit mave. FUSE DUTTTTTT TET tet EEE FUTUTITIT I Smale S kit _ Act 2 Scene 2 (Charlie Austin Ko Yue - Then 2 Things het thy change B = The elsthings of the characters ore changed info buisness cloths. ~ Setting takes place in the current time. Criticism & ~ They ave reading of the script tet Is placect om he floor. > The scene takes at the same spot and there only actions are each Justares ancl change beteeen siting anol ctaneling. Details ® 4 Costume : The costumes are changed info bussnes cloths. 6 Props + Nothing that was usect inthe play. Cony a surtose) y Fromancictin Not the cleerest CAustin, Charlie ancl clear. CYue-Ther) SVolume ! bowl, bt there fare a little hare! te understanel . |e Red y Languoge The only actions cones Grom hondljustures bs eye-coritact : Constantly Staring th- between the coumora “nd floor. © Focial Aapresin: Havel To see ue to them

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