AUDIOPERCEPTIVA I

GARCÍA MURILLO

MUSIC
FOR
SIGHT SINGING

Ninth Edition
NANC Y ROGERS
College of Music
Florida State University

ROBERT W. OTTMAN
Emeritus
College of Music
University of North Texas

Ejercicios en tonalidad mayor para la clase

de Audioperceptiva I
Selección de los capítulos 2, 3, 4, y 6
2.1

2.2

2.3

2.4

2.5

2.6

2.7

2.8

2
 2.9

2.10

2.11

2.12

2.13

2.14

3
2.15

Melodies occasionally begin on pitches outside of the tonic triad, as in

the next two examples. Be sure to identify the key first, then sing a scale from
the tonic pitch up or down to the melody’s first note. Alternatively, given
that the first note necessarily falls within one scale step of 1̂, 3̂ or 5̂, it is also
convenient to sing the nearest member of the tonic triad and then move
stepwise to the first note of the melody. The latter strategy is depicted here.

2.16

2.17

Section 2. Bass clef.

2.18

2.19

2.20

4
2.21

2.22

2.23

2.24

2.25

2.26

5
2.27

2.28

2.29

2.30

2.31

Section 4. Duets.
Suggested methods of performance:
1. Two people: Each sing a line.
2. One person: Sing one line while playing the other on the piano.

2.44

6
2.45

2.46

2.47

2.48

7
2.49

8
 Section 1. Major keys, treble clef, leaps of a third, fourth, fifth, and
octave within the tonic triad. The quarter note as the beat unit.

3.2

3.3

3.4

3.5

3.6

9
 3.7

3.8

3.9

3.10

3.11

10
3.12

3.13

3.14

3.15

11
3.16

3.17

3.18

3.19

3.20

3.21

2
Review the text preceding melody number 2.16.
3
This melody is from a collection in which Brahms set folk songs as vocal solos with
piano accompaniment. Others will be found on later pages of this text.

12
3.22

Section 2. Bass clef.

3.23

3.24

3.25

3.26

13
3.27

3.28

3.29

3.30

3.31

14
3.32

3.33

3.34

Section 3. Leaps of a sixth within the tonic triad.

3.35

15
3.36

3.37

3.38

3.39

3.40

16
3.41

3.42

3.43

17
 Section 5. Duets.

The asterisk (*) indicates the original folk song to which a second line
has been added.

3.50

3.51

18
3.52

3.53

3.54

19
20
 Section 2. Sight singing: Major keys, treble clef; the dotted quarter
note as the beat unit.

4.24

4.25

4.26

4.27

4.28

21
4.29

4.30

4.31

4.32

22
4.33

4.34

23
 Section 3. Sight singing: Bass clef.

4.38

4.39

4.40

4.41

24
4.42

4.43

4.44

4.45

25
4.46

Section 6. Duets.

4.82

26
4.83

4.84

4.85

27
 Section 1. Leaps of a third within the V triad; major keys;
simple meters.

6.1

6.2

6.3

6.4

28
6.5

6.9

6.10

6.11

6.12

29
 Section 3. Leaps of a fourth and fifth within the V triad; major
and minor keys; simple meters.

6.21

6.22

6.23

6.24

30
6.25

6.26

6.27

6.28

31
6.30

6.31

6.32

32