Don Kulick's book "A Death in the Rainforest" provides an ethnographic account of the Gapun people of Papua New Guinea and their experience with social change and modernity. Kulick portrays the Gapun people in an unsympathetic light, ridiculing their customs and blaming modernity for crushing their culture. However, the book also shows the Gapun people's determination to adapt to modernity despite facing exploitation and deception from outsiders. It offers insights into the moral challenges a fieldworker faces in portraying a people's experiences with social and cultural change over time.
Don Kulick's book "A Death in the Rainforest" provides an ethnographic account of the Gapun people of Papua New Guinea and their experience with social change and modernity. Kulick portrays the Gapun people in an unsympathetic light, ridiculing their customs and blaming modernity for crushing their culture. However, the book also shows the Gapun people's determination to adapt to modernity despite facing exploitation and deception from outsiders. It offers insights into the moral challenges a fieldworker faces in portraying a people's experiences with social and cultural change over time.
Don Kulick's book "A Death in the Rainforest" provides an ethnographic account of the Gapun people of Papua New Guinea and their experience with social change and modernity. Kulick portrays the Gapun people in an unsympathetic light, ridiculing their customs and blaming modernity for crushing their culture. However, the book also shows the Gapun people's determination to adapt to modernity despite facing exploitation and deception from outsiders. It offers insights into the moral challenges a fieldworker faces in portraying a people's experiences with social and cultural change over time.
Set in Gapun, a remote village in lowland Papua New Guinea, A Death in the Rainforest is written to be accessible to a broad, rather than a disciplinary audience. It is simultaneously an ethnography of language and social change and a personal account of fieldwork. The Gapun speak as an isolate. Their vernacular is unrelated to other Lower Sepik languages. In pre-contact times, the Gapun people, all 200 of them, retreated to a mountain top location, which they left after colonial administrators ended warfare in the region. Apart from the detailed attention he gives to processing and cooking sago flour, author Don Kulick portrays the Gapun people in the century following their resettlement into Lower Sepik modernity in as unflattering and unsympathetic terms as afforded the subjects of any ethnography ever written. Kulick ridicules and mocks the Gapun people. Their child-rearing practices are exceptionally generous but based on a sophisticated form of lying. Their sago pudding diet, he denounces, is unhealthy. Their constant critical attitudes about one another, he blames for young people’s unwillingness to speak their vernacular in public because of the mockery they fear from elders. The book ends with a moral ambiguity. Kulick blames modernity for crushing everything people in Gapun … ever believed or accomplished” (249). Modernity “exploited, deceived, lied to, humiliated, cheated [them] … and [they were] robbed [by] … practically every outside person, entity, or organization” (250), and left them speechless in their ancestral tongue, although the people remain “proud and irascible” (252). A Death in the Rainforest is a deeply ambiguous book, to say the least, which does not accomplish what its author meant it to do. But it is an intriguing book that succeeds not to portray collective tragedy, but rather to portray a people's determination to refashion themselves as part of a modernity that wants nothing, or at least very small, to do with them. Moreover, it also offers an insightful portrayal of the moral challenges a steadfast fieldworker faced over the years. These challenges were moral challenges of which he was not apparently fully aware, much less could manage. This was to ensure it was possible to do so.