Tenor Saxophone La dama del lago fantasma

Capitolo 5 (arrangiamento per fiati e piano) Pierluigi Cerulo

             
A

    
           
       
 = 80

    
2 3 4 5 6 7

 
 C

                           

B


 = 120

            
8 9 10 11 12 13 19

         28       29        30      

        
27

          32         33         34        


31

                                    

35 36 37 38

           40         41          
      
39

            43                         

42 44

  
 

                         

45 46

      
 
  
                      
D
47 48 49


                  52     

                     53   
      
51

Pierluigi Cerulo
       
                                
2
E

    
54 55 56 57

 
              
                                
65 66 67 68 69 70


73
    74
   
                         
71 72

  
    76    77   
                               
   
75 78

80 
        81    
                    
   
79

             83  


 
             
           

82 84

                
 

   
C1

                  
85 86 87


        89        90       91       


        
88

          93         94         95           


92

            97            98        
   
96

                                   
   
99 100 101

  

Pierluigi Cerulo
          
3

                 
      
102 103

         117         
      
       
 = 120


104 105 116

               
                     

118 119 121 122 123

                          
 
 = 80

    
A1

         
124 125 126 127 129 128 130




     132   133  135       136 

                        
        
131 134

     138   139  141        142    

      
        
      
 

137 140


  
         
                                 
    
143 144 145 146 147 148 149

   151  152  153  154  155  156  157  158  159  160  161  162  163 
 
150

 
        
164 165 166 167 168

Pierluigi Cerulo