Professional Documents
Culture Documents
Reading July 2020 - Amb
Reading July 2020 - Amb
The Alphabet-owned search engine has agreed to pay $4.5bn (£3.6bn) for a 7.7% stake in Jio Platforms.
Reliance's billionaire owner Mukesh Ambani says the two companies will develop phones for 4G and
5G networks.
Google joins a list of new investors in Jio that includes Facebook, Intel and Qualcomm.
"Google has empowered millions of Indians to access helpful information and, like Jio, is a force for
change and innovation," Mr Ambani said in a statement to shareholders.
Google's chief executive Sundar Pichai said: "The pace and scale of digital transformation in India is
hugely inspiring for us and reinforces our view that building products for India first helps us build better
products for users everywhere."
Earlier this week Google also said the company would invest about $10bn in India over the next five to
seven years.
In April Facebook said it would invest $5.7bn for a 9.99% stake in Jio, making it the cut-price Indian
mobile internet provider's largest minority shareholder.
The investment arms of US technology giants Intel and Qualcomm have also bought smaller smaller
stakes in the company.
"Shopping spree"
Mr Ambani has been on a shopping spree, managing to hook 11 big investors in the last three months
and raising over $20bn.
Not only has it helped him remove his net debt of $21bn, he is now looking to expand in the e-commerce
space to rival giants like Amazon in India.
His online venture Jio Mart wants to tap into Facebook-owned Whatsapp's 400 million users in India to
connect customers with their nearest mom and pop stores - hugely popular in India.
This is why the $6bn Facebook investment in April becomes even more significant.
Mr Ambani also said his company had developed a fully home-grown 5G network. This is important for
two major reasons.
First, it fits the script of Prime Minister Modi's repeated push for a self-reliant India.
Second, and more importantly, it seriously damages prospects of tech giants like China's Huawei, which
was looking to participate in India's 5G trials.
In the aftermath of the recent border standoff between India and China, the government has been
reconsidering all major business engagements with China.
Jio, which is India's newest major mobile operator, grew rapidly to take the number one spot late last
year.
Since launching in September 2016 the low cost service has attracted almost 400m subscribers and aims
to increase that figure to 500m in the next three years.
In January Reliance announced that it would launch a grocery delivery service that aimed to compete
with Amazon in India.
US technology companies see India as a key market for growth, with the number of internet users there
seen rising to more than 850m in 2022, according to consultancy firm PwC.
Mr Ambani, who is the chairman and managing director of Jio's parent company Reliance Industries, is
now the world's ninth-richest person, with a net worth of $68.7bn, according to Forbes.
"I take three phones out with me every day. I use a phone for
Chinese apps, I use my iPhone for Gmail and western apps, and I
use my Google Pixel phone for work," says the 34-year-old tech
entrepreneur.
His obsession has paid off though. In 2009, he bought the first
phone to use Android, the software that now runs more than 80%
of smartphones.
"4G has enabled many things like mobile video, more immersive
gaming. I know 5G will too. But I don't exactly know how yet," he
says.
And China's tech sector is busy coming up with uses for the new
tech.
China is not the first country to roll out 5G. But it is building one of
the world's biggest 5G markets very quickly.
While Huawei and ZTE are doing well from that expansion, they
would still like to break into lucrative overseas markets like the
US.
Industry analysts are not confident that the row between China
and the US will be sorted out anytime soon.
"However, the rest of the world can't afford to get left behind, and
without access to Huawei infrastructure US mobile network
operators in particular will need to rely on alternative suppliers
who may be more expensive and less advanced with 5G."
The BBC's weekly The Boss series profiles different business leaders from around the world. This
week we speak to Richard Garriott, computer games veteran, and space tourism pioneer.
Blasting into space on a Russian Soyuz rocket, Richard Garriott says it was "the most intense eight and a
half minutes" of his life.
Launched from the Baikonur space centre in Kazakhstan, it took just that amount of time for the rocket
to hit 28,000 km/h (17,000mph) and reach orbit.
This was back in October 2008, when Richard became only the sixth person to go into space as a paying
traveller. He spent 12 days on the International Space Station. "It was a truly profound and life-changing
experience," says the 58-year-old.
The trip was the fulfilment of a lifelong ambition for Richard, who, thanks to making a fortune in the
computer games industry, could afford the price - a whopping $30m (£23m). It also allowed him to
follow in the footsteps of his father Owen, an astronaut who twice went into space with Nasa, in 1973
and 1983.
Richard had wanted to join Nasa, too, as a younger man, but his ambition was blocked because his
eyesight was not good enough. Instead he started to design computer games as a teenager.
Raised near Houston, Texas, Richard remembers his high school getting its first computer in the mid-
1970s. As he was an excellent science student, he says that the teachers let him use it as often as he
liked.
"They basically said 'well, we have this computer that we don't know what to do with - it's yours, do
what you want with it'."
Discovering that he was something of a natural at computer programming, he started to design his own
games. In 1979, aged 18, one of his games was released commercially.
Working part time in a computer store, Richard had shown his role-playing game - Akalabeth: World of
Doom - to his manager. The man was so impressed that he asked Richard to make copies that he could
sell from the shop.
It caught the eye of one of the first gaming distributors, who said he wanted to ship them nationwide.
Some 30,000 copies were sold, from which Richard was paid $150,000 in royalties "for a few weeks of
afterschool time at high school".
That amount of money was nearly three times his father's annual Nasa salary. "I sat down with the rest of
the family, who said 'well, this is a good idea, maybe you should do more of these', and I started my
career."
His parents did, however, insist that he still went to university, and so he enrolled on a degree at the
University of Texas at Austin. While at college he released the first instalment of his fantasy world, role-
playing game series Ultima. Think dungeons and dragons, medieval knights, and wizards.
With Ultima 1 selling 50,000 copies, Richard ultimately dropped out of college to focus on making
computer games full time. And together with his brother he set up a business called Origin Systems to
release the later versions of the game.
The Ultima series went on to sell millions of units, and gained a dedicated following within the growing
gaming community. Richard would connect with devotees by going to fan conventions dressed in
medieval costume, as a character from the game called Lord British.
However, on one occasion things took a dark turn when a crazed fan broke into his Texan house,
and Richard had to fire off warning shots from his Uzi machine gun to defend himself before the
police arrived.
In 1992, Richard and his brother sold Origin to gaming giant Electronic Arts for $35m. Richard stayed
with Electronic for eight years, before leaving to create a new business called Destination Games. A
number of other gaming firms then followed, with his current company - Portalarium - formed in 2008.
Considered a pioneer within the gaming community, it is widely accepted that Richard was the first
person to use the term "avatar" to apply to the on-screen representation of a person playing a computer
game.
He says he still loves working in the industry. "I am a very light-hearted person," he says.
"I'm a devout believer in work should be fun. If work is not fun, you are doing the wrong work.
"Maybe that's idealistic, and it's not fair to presume everyone in life can have that opportunity. [But] if
you can enjoy the work you're doing, it makes life better, and so that's one of the markers of success,
being able to do that."
To help get himself into space, Richard co-founded a company called Space Adventures in 1998. Unlike
the continuing efforts of Virgin Galactic and Elon Musk's Space X, Space Adventures didn't set out to
build its own spacecraft. Instead it would arrange for its customers to hitch a ride on the flights of the
Russian space agency Roscosmos. Nasa was also asked, but said "no".
The first person to get into space thanks to Space Adventures was American businessman Dennis Tito,
who in 2001 became the world's first space tourist. Richard's trip came seven years later, and although
he co-owns the company he still had to pay the full price. Space Adventures has so far put seven people
into space.
Fred Schmidt, a Texan technology consultant, says that "Richard's number one trait in his ongoing
entrepreneurial journey is how his boundless imagination plays in tandem with his insatiable curiosity".
Meanwhile, Richard Wiese, president of the Explorers Club, a professional society that promotes
scientific exploration, says that Richard "is often the smartest and most creative person in the room".
He adds: "The idea that Richard would figure a way to get himself into space when ordinary paths
proved impossible speaks volumes on how he views the possible. I often wonder if Richard gets the
proper credit for being one of the first pioneers in private space."
Looking ahead, Richard says he wants to return to space. "I dream about my past and future space
flights," he says. "Having travelled once to space only deepens your desire to spend more time there.
"I experienced what many astronauts refer to as 'the overview effect', which makes your bond and care
of the Earth greatly deepen."
While racing down the slopes of a Swedish ski resort in 2009, she
fell and broke her neck.
"I was trying to get up, but I'm like, 'Oh, I can't move my arms.'
And that's when I realised it was a bit more serious.
"The doctor said that I was one millimetre from the nerve getting
cut off," she recalls. "They were like, 'This was really, really
lucky.'"
"I quit my job, and I started to write a lot of pitches," she says.
"I'm like, 'Okay, I'm going to start an e-commerce business,
because I know a lot about consumer products and data.'"
She recalls races with her dad as a young child. "He would run like
Usain Bolt, even though he was 35 and I was five," she says.
"When I came to the finishing line he would say, 'You will not get
anything for free, you really win when you win for real.'"
Though a little tough, she credits his influence for her drive to
succeed in life. "That sparked a very competitive side of me."
Eager to explore her Iranian roots, aged 23, she spent almost a
year in Tehran, setting up a subsidiary.
Armed with simply a "to-do list", Susanne says she realised that
starting a company was "not harder or bigger than that".
After four years at Procter & Gamble, and then the accident, her
earliest business ventures included a perfume company and a
haircare brand, but soon she had her fingers in many pies.
One venture capital firm gave her 15m kronor, while further
investment came from another.
By 2012, her main business was Unity Beauty Group which went
on an "aggressive expansion". It bought beauty chain Parelle,
launched a web store and a year later merged it with online beauty
platform Eleven.
Then in 2015 Susanne sold her stake, with the aim of instead
becoming an investor in a number of companies. A year later she
launched her investment firm, Backing Minds, together with
business partner Sara Wimmercranz, a founder of Swedish online
shoe retailer Footway.
When the pair met a decade ago, also playing poker, they learned
they were among the few women securing investment in the
country.
Another firm that Susanne and her team has backed is a DNA
diagnostic testing business, Dynamic Code. "[The founder] was
told that she was too old to start a tech company," she says. "She
was 50."
The BBC's weekly The Boss series profiles different business leaders from around the world. This
week we speak to Patrick Coveney, chief executive of convenience food group Greencore.
When you are the UK's largest maker of pre-packaged sandwiches the coronavirus lockdown is a
significant problem.
With everyone except key workers being asked to stay at home from 23 March, Greencore suddenly saw
a vast drop in customer numbers.
Supplying own-brand sandwiches to all the major supermarkets, and staff canteens - overnight there was
hardly anybody in the UK's offices and other workplaces, to pop out in their lunch-break and buy a BLT
or egg mayo.
As a result, Greencore says its main "food to go" division, which usually sells 700 million sandwiches
per year, plus salads and sushi, saw sales slump by 70% over the following month and a half.
Patrick, who has led the Dublin-based and London-listed company since 2008 says it has been a "period
of unprecedented uncertainty". And in an interview with Irish broadcaster RTE, he said it made
previous worries about Brexit "seem very trivial.
In response to coronavirus, Greencore has shut three of its 16 UK facilities and furloughed 4,000 of its
11,500 employees. Patrick and his fellow board members have cut their own pay by 30%.
He says he is proud of the staff that have remained in work, making sandwiches that include the
"thousands" given for free to NHS workers across 20 UK hospitals.
"Our people have been working around the clock to ensure that we can continue to provide high quality,
fresh prepared food to both consumers and frontline workers during the pandemic."
Born in the Republic of Ireland in 1971, the 49-year-old is from a celebrated Irish family that is
sometimes referred to as "the Kennedys of County Cork". Patrick's late father Hugh was a
government minister in the 1990s. His brother Simon is the current tánaiste or deputy prime minister.
After school Patrick gained a degree in commerce from the University College Cork. He then went to
Oxford University, for a masters in management studies. He played rugby at both universities, and says
the sport helped teach him "the importance of building and working in great teams".
Oxford was followed by spending a decade at management consultants McKinsey, before he joined
Greencore in 2005, as chief financial officer.
Greencore had been set up in 1991 following the privatisation of the former state-owned Irish Sugar. It
moved into convenience foods in 2001 before completely exiting the sugar business in 2006. In 2011 it
switched its primary listing from the Irish Stock Exchange to London.
While making sandwiches is the bulk of its business, it also produces a range of chilled prepared meals -
everything from curries, to quiches and soups. The company says sales of these in first six weeks of the
lockdown were higher than last year as people did more cooking at home. However, the rise was only as
much as 5%.
Although coronavirus is a challenge for Greencore, it is not the first major problem Patrick has had to
deal with at the company. In 2008, only three months after he was promoted to chief executive, a £15m
fraud was discovered at the company's Scottish water subsidiary Campsie.
Patrick sacked three senior managers over the scandal. It was, he says, "the most challenging moment"
of his professional life, and that it made him "stronger and more determined as person and as a leader".
Retail analyst Nick Widdowson, founder of Shopper First, says that looking forward, a major issue
facing Greencore and other makers of convenience food is how to reduce or remove the plastic
packaging.
"Providing ethically fresh, authentic, locally sourced product, together with sustainable packaging, will
be key to any producer of convenience foods seeking to meet their consumers' changing expectations,"
he says.
Patrick agrees. "Two years ago I could make a balanced and consumer-friendly argument that packaging
prolongs the life of food and produce items. [But] the world has moved on, plastic is seen as a problem,
and so we need to find alternatives that are better for the environment."
While Greencore's 2020 revenues and profits will inevitably be down on 2019's £1.5bn and £56.4m
figures, the company says that sales of its pre-packaged sandwiches have now started to recover in
recent weeks as more people have returned to work.
It also said that a survey of 7,000 customers showed that many were now "bored and frustrated" with
having to making their own lunches at home.
"Greencore has an absolutely critical role to play in keeping the UK fed... and there is a powerful sense
of commitment, skill, spirit, and purpose across the Greencore workforce in performing this role," says
Patrick.
It should give hope to any young person striving to reach the top,
knowing that Carly Fiorina started her business career as a
humble secretary.
From that modest start she went on to become the first female
chief executive of a Fortune 50 company (the 50 largest firms in
the US). This happened in 1999 when, aged 44, she was appointed
to the top job at computer group Hewlett-Packard.
Fortune magazine subsequently named her the most powerful
woman in US business five years in a row, with the publication
declaring that "Carly Fiorina didn't just break the glass ceiling, she obliterated
it".
Born in 1954 in Austin, Texas, her family moved around a lot, due
to her father's job. Her dad, Joseph Sneed, was a law professor
who went on to become US deputy attorney general. Her mother
was a painter.
What is certain is that the HP board were unhappy with the profits
and share price of the combined business, and Mrs Fiorina was
asked to resign in 2005. Her severance package was reportedly
worth $21m.
"We did, in fact, restore a great company," she says. "[But] we had
a dysfunctional board. It was dysfunctional when I arrived. It was
dysfunctional when I left."
She adds: "Meaning, when you think about the process the
candidates go through, does it really help someone to be a better
leader? Does it help us to decide a better leader? I don't think so.
"It is a really crazy process that goes on for far too long. It is far
too driven by a media spectacle."
She says the experience taught her a great deal. "While I hope to
never go through cancer again, it was a very important part of my
journey, and for that I'm grateful.
"I learned and grew so much during this time - learned about love
and friendship, grew in my faith, and valued the kindness of
strangers."
The BBC's weekly The Boss series profiles different business leaders from around the world. This
week we speak to Remi Clermont, co-founder and co-owner of cycling clothing company Cafe du
Cycliste.
When Remi Clermont was a teenager, he was embarrassed that his father liked going road cycling.
By road cycling, he means riding around on the type of bike you see in the Tour de France - "drop
handlebars" that sweep downwards, and thin tyres.
Despite Remi being born and raised in the Alsace region of eastern France, and road biking being one of
the country's most popular sports, his young self just didn't like it.
"My friends and I, all the kids, were into mountain biking at the time (the early 1990s)," says the 44-
year-old. "Road biking was seen as very boring. I was almost ashamed when I told friends that my dad
was into it."
Little did teenage Remi know, he would go on to catch the Lycra and tarmac cycling bug himself in his
20s. And then, at the age of 33, launch what is today one of the fastest-growing road cycling clothing
companies - Cafe du Cycliste.
Founded in 2009, in Nice on the French Riviera, the firm says it now sells €4m (£3.6m; $4.5m) worth of
jerseys, shorts and other clothing items per year, with 50% year-on-year growth.
"My speciality was white water kayaking," he says. "Sadly the discipline is not an Olympic sport, so I
never got to go to one of them, but it was great to represent France in international competitions.
"And it was the reason I got into road biking. Because you couldn't kayak in the winter when it was too
cold, I'd cycle to keep my fitness up."
Then when he retired from the water sport at the age of 28, he kept up the cycling.
As he was not paid for his kayaking, Remi had also needed to hold down a full-time job in his 20s. After
getting a business degree from the École Supérieure de Commerce de Paris, he worked in the sporting
corporate hospitality sector. This included working at the 2006 Winter Olympics in Turin, Italy.
A year later he got a job in the marketing department of the European arm of a US IT firm.
"I wasn't a great fit for the role as I knew nothing about IT," says Remi. "But it had one massive thing
going for it - it was based in Nice, which really is cycling paradise. The hills behind Nice [which lead up
to the Alps] are just wonderful."
Remi was soon spending weekends cycling with a workmate called Andre Stewart. Then Andre quit to
buy and run a cafe in a small village to the north west of Nice, naming it Cafe du Cycliste.
Two year later, in 2009, Remi also left the IT firm to join his friend at the cafe business. His plan was to
design and launch a range of upmarket road cycling clothes that they could sell to all the riders who
stopped for a drink and a bite to eat.
Specifically, Remi wanted to produce the cycling jerseys that he says you couldn't buy in France at the
time - plain and understated ones that wouldn't look out of place in a posh menswear store.
"The only cycling jerseys you could buy at the time in France were racing ones with big logos and
sponsors, that made you look as if you were competing in the Tour de France," he says. "I wanted to
produce something completely different."
There was a catch, however, in that Remi had no knowledge of or experience in the clothing sector. But
undeterred, he says he set to work.
"I started to learn everything I could," he says. "I had some friends in Paris who were working in
clothing and fashion, so I got some tips and helpful mentoring from them.
"And I started going to all the trade shows, and asking millions of questions, and contacting plenty of
factories in Italy."
A few months later, a manufacturer in Italy agreed to make Remi's first design for a cycling jersey, and
the fashion side of Cafe du Cycliste was up and running.
Sales from the shop were stubbornly slow, however, so Remi launched a website to target online
customers, especially from overseas. With little to no money for advertising, he would send free samples
to cycling journalists in various countries.
They would then write enthusiastic reviews, and sales quickly took off, particular in the UK and Japan.
"Cyclists in the UK and Japan were really open to what we are doing," says Remi. "And that remains the
case, still only 10 to 15% of our sales are in France. Many cyclists here still want to look as if they are
taking part in a race all the time."
British cycling journalist and commentator Rebecca Charlton says that brands like Cafe du Cycliste and
the UK's Rapha, Le Col and Assos have led the way over the past decade in offering upmarket, stylish
cycling clothing. This has coincided with a big increase in the number of people taking up the sport,
leading to booming sales at the firms.
"The trends, cuts and designs of modern cycling kit are a far cry from the extremely limited options I
had as a young girl," she says.
"And the psychology isn't to be underestimated either - when you've got a new cycling outfit you feel
that bit more motivated to get out of the door, and you feel good. When it flatters, and fits perfectly, the
ride feels more comfortable, and it definitely adds morale."
Back at Cafe du Cycliste's head office in Nice, Remi says that recent sales have mirrored the industry-
wide increase as a result of coronavirus, with more people taking up cycling either to get some exercise
or avoid public transport.
His dad is also a fan of the clothing, which Remi continues to design himself, and is manufactured in a
number of European factories. However, his father initially wasn't impressed back in 2009.
"When I first started out, he wouldn't wear it, because it was too different to the race jerseys he was used
to," says Remi.
The BBC's weekly The Boss series profiles different business leaders from around the world. This
week we speak to Andrew Day, chief executive of computer games developer Keywords Studios.
Andrew Day knows from personal experience just how addictive some computer games can be.
"I have one of those horrible personalities, that if I open a game, I find, before I know where I am, that I
have spent tens of hours on it," says the 56-year-old.
"Back in 2013... I went for a little break, I was lying beside a swimming pool with nothing to do. So I
picked up my phone and started playing Candy Crush.
"That was in June. I had to give it up in my New Year's resolutions the following year, because I was
just losing so much time on the game. So yes, I have to be a little bit careful."
Andrew is chief executive of Irish company Keywords Studios. Even if you are an avid gamer, you
might not have heard of the Dublin-based firm.
However, the business has helped make many of the world's most popular games - from Fortnite, to
Clash of Clans, League of Legends, and Assassin's Creed.
"The full list of games we have worked on is slightly infinite," says Andrew.
Keywords employs 7,500 people at 59 offices around the world, from Montreal to Tokyo, and in 2019 it
had annual revenues of €326.5m ($369m; £295m).
The business remains under the radar because it doesn't release games under its own name. Instead it is
employed by the world's largest gaming companies to help them make their products.
It does everything from produce whole games, to parts of them, or handling the transfer from one
platform to another, such as making an Xbox game work on a PlayStation.
Or it will design and make all the visual aspects of a game, everything you see, such as the characters,
the buildings and weapons. "All of those are digital assets, and they get produced by artists, and we are
the largest providers of video games art in the world," says Andrew.
In addition, Keywords offers a testing service for nearly completed games, to check that they work
correctly. And it has an audio business whereby actors - famous or not so famous - provide a game's
voices and dialogue, and it adds all the music and sound effects.
Further, the company is the world's largest provider of games translation services - converting games
into 50-plus languages.
Then after a game has been released, Keywords has staff who offer customer support under a client's
name. So if you phone a gaming company demanding help to get you to the next level, you may actually
be put through to Keywords employees.
It is a big operation for Andrew to lead, and while coronavirus has temporarily clipped his wings, he
typically spends "half my time" travelling around the world.
It is a far cry from Keywords' humble beginnings in 1998, when a friend of Andrew's, Giorgio Guastalla,
set up a small firm in Dublin offering translation services to business software providers. It grew slowly
until Andrew was asked to join and lead the company in 2009, by which time it was solely operating in
the gaming sector.
"He had been asking me for a number of years, he thought I could really grow and make something of
the business," says Andrew. "At the time it was just 50 people in an office in Dublin."
Andrew was born and raised in South Africa. He and his family moved to the UK when he was 16,
settling close to London. After gaining a management degree from Bradford University, he then had a
varied career in business.
He started working for cigarette firm Rothmans, before moving into mergers and acquisitions in a
number of industries, and then finally specialising in the technology sphere.
Andrew's plan for Keywords was big expansion, helped by using his knowledge of organising takeovers
to buy firms, which would allow the business to expand the services it could offer gaming companies.
His joining the business also happily coincided with the huge growth in popularity of computer games
over the last decade.
To accelerate its growth and acquisitions, in 2013 Andrew floated Keywords on the London Stock
Exchange's AIM market, which raised some £30m.
"It has been a rare example of spotting an opportunity, having that vision, then creating a business plan
and following it religiously," says Andrew.
Technology sector analyst Patrick O'Donnell of Irish stockbrokerage Goodbody, says, "Andrew Day has
been critical for Keywords.
"Keywords has completed over 40 acquisitions under Andrew's leadership, and is now clients to 23 of
the top 25 global video gaming publishers, and all top 10 mobile game developers," he says.
At the same time, Facebook has shed its It Girl status. As it has
aged, newer social media sites have peeled away younger people
amid mounting controversies, and its image is increasingly
tarnished by how people use – and are allowed to use – the
platform.
While still the most-used social media platform with some 2 billion
users globally, a torrent of surveys has documented the flattening
of Facebook's growth curve as it loses share – especially among
crucial younger U.S. consumers – to newer and more fashionable
sites like Instagram (which is owned by Facebook) and Tik Tok.
The platform lost 15 million users between 2017 and 2019,
according to a study last year by Edison Research.
"The survey didn't specifically ask, 'Why are you using Facebook
less?' or 'Why have you stopped using Facebook?' among those
who say that they have. There's tons of other information out
there, whether it be the politically related aspects to Facebook,"
Edison President Larry Rosin told Marketplace at the time.
"There's conjecture about as Facebook has become more popular
among older people, whether that's affected younger people."
That led to attacks initiated last year from the progressive end of
the political spectrum that condemned the company for allowing
users to traffic widely in conspiracy theories and share fake news
at a dizzying speed without moderation. Hate speech has festered
on the platform, particularly in private groups that are harder to
moderate.
But none of that seemed to affect the company's bottom line with
advertisers who recognized that its reach was continuing to
extend across the globe and into older demographics.
And without that, the company that generates some 98% of its
nearly $71 billion in revenue from ads, has had little incentive to
reconsider its behavior.
Until now.
A coalition of civil rights groups including the ADL and the NAACP
is spearheading the campaign, which has been dubbed "Stop Hate
for Profit." The effort, perhaps ironically, spread across social
media with a hashtag, rapidly becoming a cause celebre.
Many companies that have pulled ads from the platform have
referenced Facebook's approach to hate speech and misleading or
fake content.
The chief marketing officer of Levi Strauss & Co. said in a blog
post about the company's decision to stop its Facebook
advertising that Facebook's failure to stem hate speech and
misinformation "fuels racism and violence and also has the
potential to threaten our democracy and the integrity of our
elections." The Clorox Co. said it was pausing Facebook spending
because it feels "compelled to take action against hate speech."
And chocolate manufacturer Hershey's said it was joining the
boycotts after conversations with Facebook earlier in June about
its handling of hate speech failed to produce results.
"Their intentions are good, but their judgment is poor," he told the
paper.
“That unfortunately has not been the case,” CEO Doug Parker and
President Robert Isom said in a memo to employees. ”And with
infection rates increasing and several states reestablishing
quarantine restrictions, demand for air travel is slowing again."
Air travel plunged 95% from early March to mid-April, then grew
slowly until leveling off in July as virus cases surged in the South
and Southwest.
Last week, United told 36,000 employees that they could lose their
jobs in October. Delta has sent notices to more than 2,000 pilots.
“It's brutal,” said Dennis Tajer, a pilot and spokesman for the union
of American's pilots. “This puts the number on how serious the
virus is for airlines and our economy.”
Several airline unions are lobbying for another $25 billion in federal
payroll aid through March. American's pilots want the government
to buy billions of dollars worth of seats per month — creating more
space between passengers — until the pandemic ends.
Delta CEO Ed Bastian said the airline hopes to carry out the “vast
majority of the head count changes we need” through voluntary
departures, “minimizing, if not eliminating, the need for involuntary
furloughs.”
Nissan has unveiled the first of its new electric vehicles as part of
a turnaround strategy for the loss-making company.
"The Ariya will be a brand builder for Nissan which has historically
been an EV leader," said Nobuhito Massimiliano Abe, a principal at
market research firm Kearney's Automotive Practice.
Nissan has announced its Barcelona factory will close at the end
of this year as part of its restructuring, but its UK factory will
remain open.
DAN MULLAN
Food and alcohol prices fell, but prices for clothing and games
rose, the ONS said.
Despite the slight increase in the rate, inflation remains below the
Bank of England's 2% target.
"Prices for computer games and consoles have risen, but food
prices, particularly vegetables, have fallen."
China's economy shrank for the first time in decades in the first quarter of the year, as the virus
forced factories and businesses to close.
The world's second biggest economy contracted 6.8% according to official data released on Friday. The
financial toll the coronavirus is having on the Chinese economy will be a huge concern to other
countries. China is an economic powerhouse as a major consumer and producer of goods and services.
Last year, China saw healthy economic growth of 6.4% in the first quarter, a period when it was locked
in a trade war with the US.
In the last two decades, China has seen average economic growth of around 9% a year, although experts
have regularly questioned the accuracy of its economic data.
Its economy had ground to a halt during the first three months of the year as it introduced large-scale
shutdowns and quarantines to prevent the virus spread in late January. As a result, economists had
expected bleak figures, but the official data comes in slightly worse than expected.
Factory output was down 1.1% for March as China slowly starts manufacturing again.
Retail sales plummeted 15.8% last month as many of shoppers stayed at home.
Unemployment hit 5.9% in March, slightly better than February's all-time high of 6.2%.
The huge decline shows the profound impact that the virus outbreak, and the government's
draconian reaction to it, had on the world's second largest economy. It wipes out the 6%
expansion in China's economy recorded in the last set of figures at the end of last year.
Beijing has signalled a significant economic stimulus is on the way as it tries to stabilise its
economy and recover. Earlier this week the official mouthpiece of the ruling Communist Party,
the People's Daily, reported it would "expand domestic demand".
But the slowdown in the rest of the global economy presents a significant problem as exports
still play a major role in China's economy. If it comes this will not be a quick recovery.
On Thursday the International Monetary Fund forecast China's economy would avoid a
recession but grow by just 1.2% this year. Job figures released recently showed the official
government unemployment figure had risen sharply, with the number working in companies
linked to export trade falling the most.
China has unveiled a range of financial support measures to cushion the impact of the
slowdown, but not on the same scale as other major economies.
"We don't expect large stimulus, given that that remains unpopular in Beijing. Instead, we think
policymakers will accept low growth this year, given the prospects for a better 2021," said
Louis Kuijs, an analyst with Oxford Economics.
Since March, China has slowly started letting factories resume production and letting
businesses reopen, but this is a gradual process to return to pre-lockdown levels.
China relies heavily on its factories and manufacturing plants for economic growth, and has
been dubbed "the world's factory".
Stock markets in the region showed mixed reaction to the Chinese economic data, with China's
benchmark Shanghai Composite index up 0.9%.
Japan's Nikkei 225 jumped 2.5% on Friday, although this was largely due to gains on Wall
Street after US President Donald Trump unveiled plans to ease lockdowns.
U.S. retail sales increased more than expected in June, but the budding
economic recovery is being threatened by a resurgence in new Covid-19
infections and high unemployment.
The Commerce Department said on Thursday retail sales rose 7.5% last
month. That was on top of the 18.2% jump in May, which was the biggest
gain since the government started tracking the series in 1992.
Economists polled by Reuters had forecast retail sales advancing 5% in
June.
Retail sales in June are expected to have gained 5.2% as the economy
reopened, but sales could have trailed off towards the end of the month
as the virus outbreak worsened.
Zandi said the pickup in retail sales in May and June has been
encouraging even if there was a likely tapering off. For June, on a
seasonally adjusted basis, he expects retail sales would total $515
billion, virtually flat with last June’s $519 billion.
“Given where we were two months ago, this feels like a miracle,” he
said. “This is a little backward looking, so I wouldn’t count on retail
sales getting back to where we were in July and August.”
He said the burst of business after states first reopened clearly showed
up in the economic data. “By the first weeks of June, everything felt
really good, including the jobs number. In the second half of June, first
half of July, things have gone flat, and have flatlined for the last five or
six weeks,” he said.
The course of the economy will depend on the course of the virus, and
how long activities will be shut down or how long Americans will simply
avoid them. There were more than 60,000 new cases reported
Wednesday.
For instance, TomTom, a leading location technology specialist saw no material
impact on its Enterprise revenue. While its location technology revenue from
Automotive decreased from €65.1 million in Q1 of 2019 to €49.8 million in
Q1 of 2020, its Enterprise revenue saw an increase from €37.8 million in
Q1 of 2019 to €41.5 million in Q1 of 2020 (10% higher). The gross margin
for the quarter was 78% compared with 72% in Q1 of 2019. The company’s gross
margin continues to improve for the company as a result higher proportions of
higher margin software and content revenue.
On the announcement of the results, Ola Rollén, President and CEO, Hexagon
AB, rightly commented, “It is without a doubt a challenging and uncertain
environment we experience and it changes daily. Fortunately, Hexagon’s strong
financial position enables us to continuously develop revolutionary solutions that
drive our customers efficiency, productivity and quality.”
Singapore
On a year-on-year basis, performance was mixed among the industries. The Recreation & Personal
Services industry reported a drop of 24.1% in revenue, due mainly to firms in the attractions
segment. Similarly, business receipts of the Transport & Storage Services industry declined by
4.7%. In particular, the air transport segment reported a decrease in revenue due to global travel
restrictions as a result of the Covid-19 outbreak. On the other hand, the Education Services and
Financial & Insurance Services industries reported an increase in revenue of 5.7% and 3.7%
respectively. Similarly, the Information & Communications Services industry recorded a growth of
2.8%, due mainly to firms engaged in computer programming & consultancy services as well as
web hosting and web portal services.
At the start of the year no one would have predicted that China would crow about such slow
growth by its lofty standards. Yet on July 16th it proudly reported that gdp grew by 3.2% in
the second quarter compared with a year ago, rebounding from its coronavirus lockdown
(see chart 1). This makes it, by far, the best-performing big economy.
Retail
Innovation
Money/Negotiation
Market Research/advertising
Investment
3rd conditonals
How Coca-Cola Is Thriving
Despite Declining Soda
Consumption
Coca-Cola has been able to grow revenue organically and
inorganically at an impressive pace. Earnings are growing even
faster than revenue.
Consumers around the world are becoming more health conscious. Recent studies
show that people are drinking less sugary drinks in favor of healthier options,
and some governments have even started taxing sugary drinks in an effort to
nudge consumer behavior.
Last year, Coca-Cola (NYSE:KO) generated 69% of its worldwide unit volume from
sparkling soft drinks. Most of this volume is from the signature Coca-Cola brand
soda. Despite the difficult market environment for soft drinks, the company has
been able to show organic revenue growth and even faster profit growth. The key
to Coca-Cola's recent success can be attributed to pricing power, margin-
enhancing restructuring efforts, and expanding into attractive new beverage
categories.
Pricing Power
Coca-Cola has a stated goal of achieving long-term organic sales growth of 4% to
6%. The table below shows that the company has been within striking distance of
this goal but is a bit shy.
Unit Volume 1% 1% 0% 2%
Price / Mix 2% 3% 3% 2%
Sales unit volume has been flat globally despite falling soft drink consumption in
the US. Coca-Cola generates more than half of its revenue outside of the United
States, where soft drink consumption is trending upward as a result of rising
disposable incomes in many developing economies. In developed economies,
Coca-Cola has been able to offset volume declines in sugary drinks with healthier
options like tea and water.
Price/mix has been the leading driver of organic growth. Coca-Cola's brand
strength is legendary, allowing the company to increase prices without losing share
in its soft drinks. Outside of soda, the company has focused on niche categories
that lend themselves to "premiumization". Tea, water, and juice are examples of
beverage categories where consumers are willing to spend more money for valued-
added attributes such as natural ingredients or fewer calories.
Revenue growth driven by price increases leads to profits growing faster than sales,
all things being equal. This operating leverage will help the company maintain an
attractive level of earnings growth in coming years.
Corporate Restructuring
In addition to driving revenue growth, Coca-Cola has cut costs and restructured to
improve margins. In 2014, the company launched a massive program to reduce
headcount by 1% and improve earnings $3 billion annually by 2019. Based on a
steady rise in gross and operating margins over the past few years, these measures
have been successful.
KO Operating Margin (TTM) data by YCharts
The company has also restructured itself by selling its bottling operations. In recent
years, Coca-Cola has sold its bottling businesses in the U.S., Europe, China, and
Africa. Bottling is a capital intensive and low-margin business. Separating bottling
from marketing has made the company leaner and more focused, giving the
business a higher-margin, asset-light operation that generates a higher return on
equity.
Coca-Cola now has its highest level of operating margins in years with additional
improvement expected in 2019. The company's focus on costs is a boon to
shareholders who will be rewarded with greater cash flow for dividends,
repurchases, and acquisitions.
Coke's largest and most recent deal was the $5 billion acquisition of Costa Coffee.
This transaction gives Coke meaningful exposure to the global coffee market for
the first time. Costa generates most of its sales through a bottled coffee drink sold
in retail stores and vending machines in the UK. Costa also sells coffee beans and
operates a chain of coffee shops consisting of nearly 4,000 stores in 31 countries.
The company can significantly expand Costa's bottled coffee drink through its
distribution network and experiment with its physical store footprint. It will be
interesting to watch what the company does with this new brand in coming years.
Coca-Cola has made many smaller acquisitions as well, entering categories such as
Kombucha and natural fruit juices. The company even hinted it was exploring CBD-
based drinks. One particularly interesting deal was Coke's minority investment in
sports drink BODYARMOR, a Kobe Bryant-backed company that more than
doubled its revenue and signed a deal to become an official sponsor of the NCAA
in 2018.
Acquisitions, both small and large, allow Coca-Cola to enter new markets and
diversify itself away from unhealthy products. As consumer tastes shift, Coca-Cola's
multi-pronged brand strategy will help keep the company relevant.
As for revenue, Coca-Cola started to feel the effects of the coronavirus crisis in the first
quarter ending March 27, and said effects on the second quarter will be "material." Though
Coca-Cola benefited from consumer stockpiling at grocery stores, it lost out as restaurants
temporarily closed their doors. Away-from-home sales account for about half of Coca-
Cola's revenue, so we shouldn't expect brilliant numbers when Coca-Cola reports earnings
for the current period.
And as an established company that's been around for 134 years, Coca-Cola is unlikely to
match younger companies when it comes to growth and expansion in the future. Coca-Cola,
which makes about 4,700 products, already sells its beverages in more than 200 countries
and territories.
Still, the company has made efforts to serve transforming tastes by creating products with a
lower sugar content or more nutritional benefits. Of the 1,000 new products introduced last
year, about 400 were either sugar-free or low in sugar. The acquisition of U.K. coffee shop
and brand Costa offers access to another solid market. The sugar-free food and beverage
market is expected to grow at a compound annual growth rate (CAGR) of more than 9%
through 2024, while the coffee market is set to grow at a nearly 6% CAGR through 2025,
according to reports by Mordor Intelligence.
Nike or Coca-Cola?
Coca-Cola is less expensive than Nike, trading at almost 20 times trailing 12-month
earnings, while Nike trades at more than 35. Coca-Cola shares are down about 17% so far
this year, while Nike has recouped much of its loss and now is down about 5.5%.
While valuation and dividend make Coca-Cola a better buy, I think Nike will rebound more
quickly when it comes to sales growth once the economy strengthens. At that point, fans
will return to the stands and make buying new gear a priority -- digitally or in store. And
that's why, in my opinion, Nike wins this game.
Adria Cimino has no position in any of the stocks mentioned. The Motley Fool owns shares of and
recommends Nike. The Motley Fool has a disclosure policy.
The 17.7% headline gain including food sales easily topped the record
6.7% from October 2001 — a month after the 9/11 terrorist attacks — and
beat the 8% estimate from economists surveyed by Dow Jones.
Retail sales alone powered 16.8% higher from a month earlier, more than
double the estimate of 8% from Dow Jones and reversing from a revised
14.7% plunge from the previous month. Clothing and accessories stores
reported the biggest percentage gain at 188% while sporting goods,
hobby, musical instruments and book stores rose 88.2%.
They say every contest eventually turns into a two-horse race. Given how the soda
wars have been whittled down to Coke and Pepsi, U.S. political parties have been
pared down to just Democrats and Republicans, and most hardware purchases
happen at either a Lowe's or a Home Depot, the adage seems to be true.
On the consumer goods retailing front, the two remaining titans are, of
course, Walmart (NYSE:WMT) and Amazon (NASDAQ:AMZN). The former had a
clear head start, but the latter has made good use of technology to become the
powerhouse it is today. Amazon's investors are certainly more enthusiastic about
its future than Walmart's shareholders seem to be, and for good reason. The e-
commerce giant has become something of a lifestyle company, quietly ingrained
into our everyday lives. That's exactly where a company wants to be.
During the next lap of this particular horse race, however, Walmart is well-
positioned to regain some lost ground.
Step 1: Triage
Think back to 2013. It was a time when unstocked Walmart shelves weren't
uncommon, and neither were customer service complaints. Employee morale at the
retailer was in the gutter. And it had no e-commerce platform worth speaking of.
Amazon took advantage of all of those weaknesses, boosting its U.S. retail revenue
from $34.8 billion in 2012 to $170.8 billion in 2019. That's nearly five-fold growth in
just seven years.
In sum, these shifts suggest that Walmart has finally become what it should have
been aiming to be all along. However, with all these initiatives already underway,
there doesn't appear to be a sales-boosting, efficiency-extracting next act in the
cards.
Case in point: Earlier this month, Recode reported the company appeared to be
moving forward with a subscription-based service that will offer same-day delivery
of online grocery orders. Discounts on gas and other goods would be among the
program's amenities, along with early access to certain products.
If that sounds a lot like Amazon Prime with a physical retail component, it should.
While Walmart hasn't said as much (technically, it hasn't even confirmed that such
a subscription program is on the way), there's little doubt that the more than 150
million Prime members Amazon says it serves across the globe ultimately represent
lost opportunities for the world's biggest brick-and-mortar retailer. More than that
though, the subscription service will fit neatly within the convenience-minded
movement now shaping the consumer landscape.
That effort started in earnest in September, when the company opened its first
standalone healthcare clinic, which offered dental services, lab work, and even the
ability to get X-rays taken in addition to the usual primary-care options. Since then,
Walmart has expanded on the idea of becoming a major healthcare player,
confirming just a few days ago it will begin offering health insurance to customers.
The move will make even greater use of its growing network of care clinics.
Again, it's all part of a broader lifestyle initiative to make the retailer a more
integral part of consumers' daily lives.
Walmart is also making strategic behind-the-scenes moves its customers won't see,
yet will still enjoy. For instance, rather than continuing to rely on third-party
transportation services that may or may not be able to provide the exact solution
the retailer needs, it's now handling more of those duties in-house. In March, it
announced it would be expanding its corps of truck drivers with an additional 500
people, Walmart is also hiring its own local drivers to ferry groceries and other
goods from nearby stores to shopper's homes, finally realizing outsourcing that
work was more complicated and less reliable than it was worth. Both hiring
initiatives bring the retailer closer to complete self-sufficiency.
Looking ahead
None of these are developments Amazon can't counter, if it hasn't already. It also
remains to be seen to what extent (or even if) Walmart will be able to capitalize on
closer relationships with its customers and its improved logistics. That's not been in
Walmart's wheelhouse, historically speaking.
As Amazon figured out long ago, simply existing as a shopping option isn't
enough. A company has to cultivate consumer habits, and delight its customers
without them even realizing how well they're being served. The brick-and-mortar
giant's stock is the better pick at this time simply because 2020 looks likely to mark
Walmart's pivot into becoming just such a lifestyle company. As omnipresent as
Amazon may be, it doesn't really have an encore like this to drive new, unexpected
growth right now.
Disney Plus (Image credit: Future)
Disney Plus or Netflix? Now that the Disney streaming service has made its way to the US,
Canada, UK, and much of Europe, the question of whether Netflix or Disney Plus is the
right choice for you has never been more pressing.
Of course, you may well have a number of TV streaming service subscriptions already, and
Disney Plus may seem like one too many for your current intake of online TV shows and
films. While Netflix carved the way, the likes of Amazon Prime, Hulu, HBO Now and
more have flooded the market, giving viewers more avenues for on-demand content than
ever.
A lot of you may wonder whether Disney Plus will be worth an additional subscription fee,
or switching over entirely from your Netflix account. That will probably come down to
your budget and the sort of titles you’re after – both services will scratch different itches,
after all – but if you just need a hand comparing Netflix vs Disney Plus, with a mind to
picking one over the other, here's everything you need to know about the pair of them.
The Witcher is one of Netflix's biggest original shows (Image credit: Netflix)
Netflix has however relied on a lot of classic TV shows which get increasingly expensive to
license – Friends, The Office, etc – and is having to lean more on its own attempts at
original programming, with billions plunged into its Netflix Original productions
like Stranger Things, The Witcher, and Master of None.
The rise of Disney Plus has also meant the removal of a lot of Disney-owned content from
the service, such as any films in the Marvel Cinematic Universe, and Netflix’s
popular Marvel TV shows (Daredevil, Luke Cage, Jessica Jones, and Iron Fist). Disney
makes serious money (an estimated $300 million) putting its films and properties on Netflix
and other services, so it must have pretty high profit forecasts for its own service to so
goodbye to those earnings.
We spoke to analyst Stephan Paternot, CEO of film finance marketplace Slated, for his take
on Disney's prospects, and we're told "Disney will probably utterly dominate across the
board", due to the strength of its various subsidiary services like ESPN.
"It’s simply breathtaking how well positioned they are with ESPN (leader in live sports),
Disney+ (a deep, and growing library of the biggest family friendly franchise brands of all
time), and Hulu (which is the closest thing to Netflix and is slowly gaining on them, in part
thanks to live and ad-supported tiers)."
Paternot also commented on Disney's ability to "cross-monetize" its various brands and
assets between film, TV, music and merchandizing giving it a competitive price advantage
over Netflix, and therefore the freedom to take bigger financial risks.
If you want to find out more about the Disney Plus pricing make sure you check out
our Disney Plus price guide.
Netflix has three total price tiers, with the Standard plan allowing HD viewing and up to
two screens being watched at the same time – while the Premium plan ups this to four
screens and UHD / 4K resolution viewing. See our guide to Netflix plans for all the pros
and cons for each one.
Disney Plus, however, only has one price tier, with access to 4K and HDR content available
to all subscribers – provided they have a 4K TV, of course. Disney is describing this as
"high-quality viewing" rather than 4K, though, and the resolution will depend on your
internet connection – as well as restrictions on streaming quality across Europe amid the
huge demand for data in these self-isolating times.
Disney's ownership of and stakes in other platforms is also coming in very useful, with a
bundle option to get subscriptions for Hulu and ESPN+ thrown in alongside your Disney
Plus account (in the US, at least).
Which Netflix plan is right for you?
Unlike Netflix's genre-based categories for comedies, action, or drama, though, Disney Plus
also has buttons for five distinct 'channels' – Disney, Pixar, Marvel, Star Wars, and
National Geographic – alongside a jumble of content from the channels beneath them. You
also get seven user profiles for Disney Plus, up from just five on Netflix.
Like Netflix, we know Disney Plus will be available on the usual round of mobile, laptop,
and smart TV apps – though a recent Disney presentation also let slip plans to come
to Nintendo Switch, which Netflix is still curiously absent from.
Disney Plus vs Netflix: content
The reduced price is largely down to the small content library Disney have so far. Disney’s
CEO Robert Iger stated that “our plan on the Disney side is to price this substantially below
where Netflix is. This is in part reflective of the fact that it will have substantially less
volume."
While Disney has access to a lot of high-profile franchises (Marvel, Star Wars, Pixar, etc),
it won't have the endless library of content we expect from Netflix (around 6,000 titles).
We hoped that we would get every Disney film ever made on the service – such as
everything from the original Snow White and Aladdin movies to the Star Wars films and
entirety of Pixar - but this only been the case for original properties from the "Vault". Other
films owned by Disney, like Home Alone and Dr Doolittle, have disappeared from the
platform since launch. New Disney films, however, should be added to the service within
the following year after a theatrical release.
Despite the thin start in terms of content, there's plenty of new stuff on its way to prevent
you from hitting that cancel button. WandaVision joins The Falcon and The Winter
Soldier in 2020 for Marvel fans, plus a Lizzie McGuire show and Phineas and Ferb film for
younger viewers. The Mandalorian season 2 will also follow up on the success of Jon
Favreau's live-action Star Wars meme generator.
There's clearly plenty of scope for Disney to leverage its existing IP beyond the big screen,
while its recent purchase of 20th Century Fox means you also watch the entire Simpsons
catalogue and more on the service.
Paternot suggested Netflix would do fine "in the short to medium run, but were likely to be
pushed into a "narrower content lane" as they lose out on Disney-branded franchises.
With titles like Orange is the New Black, Master of None, Bojack Horseman, and GLOW
on the Netflix platform, however, there are still some real must-watch titles not going
anywhere. Not to mention over 100 Emmy nominations for various shows, and recent
Oscars for last year's incredible Roma.
Netflix as a whole can feel like a matter of quantity over quality, but there are enough high-
profile shows and variety to ensure most viewers will remain catered for.
Star Wars on Disney Plus: old movies, new shows, and everything else to come
Takeaway
It's clear that Disney's streaming service has a lot going for it, with mammoth franchises
like Star Wars, Marvel, and more creating a true pop culture entertainment hub.
The monthly subscription price is already pretty attractive, and gives you a month's worth
of content for the price of buying a standalone Disney movie off iTunes or Rakuten TV. Of
course, not everything from Disney's big franchises are here already – only 16 Marvel
movies at launch, for instance, and the Sony Spider-Man movies likely never to join them –
but we do know that the service won't have a rotating slate of licensed content like Netflix.
It's likely that Netflix will keep the edge with its sheer number of titles, and therefore more
likelihood of having something for each of its users. Even with Disney's various
acquisitions, Disney Plus is likely to be more of a niche proposition, and if you're not a die-
hard Marvel fan or a parent needing some distracting Disney cartoons, it's hard to see
Disney Plus becoming part of your daily routine in the same way as Netflix.
But if you've been persuaded by Disney Plus, here's how to cancel your Netflix
subscription, once and for all.
Excited to hear about a new iPhone? The iPhone 12 and iPhone 12 Pro are both expected to
debut in a couple of months as we're currently expecting the new handsets to be announced
in September.
While September is the normal time when we hear about new iPhones, the Covid-19
pandemic may change things for the iPhone 12 release date. A delay is always possible, and
there are a variety of debates on whether we'll have to wait longer for the new handsets.
What are we expecting from the new iPhone series? Well, this time there may even be four
members of the family. There's the iPhone 12, iPhone 12 Pro, and iPhone 12 Pro Max, all
of which would be direct successors to the iPhone 11 range, but then we're also hearing talk
of an iPhone 12 Max - a big screen handset without the Pro credentials.
Plus, with talk of both 4G and 5G variants of some models, the selection of phones could
be vast by Apple's standards especially alongside this year's iPhone SE. The number of
phones we see may not be the only big change; leaks suggest this may be the biggest design
change to Apple's handset since the iPhone X.
Volume 0%
PLAY SOUND
So this could be one of the most exciting iPhone launches in years, and we have a very
good idea of what to expect, as many of the specs and details have leaked - though of
course they're not yet confirmed, and some things are still unclear. We do know it's set to
have iOS 14, and we know a lot about that new software upgrade now.
We've recorded everything you need to know about the new iPhone below - it's all split into
easy to read sections about the design, specs and more - plus we're constantly keeping it
updated with the latest new iPhone leaks and rumors.
RELEASE DATE
September is likely to be when Apple unveils all four products, and in past years it has
often been the second week of the month. It's almost always unveiled on a Tuesday, and
we'd put our money on it being revealed on either September 8 or September 15.
In previous years, you've then been able to pick up the phone for yourself 10 days later.
That'd mean it may land on September 18 or September 25, but that's looking less and less
likely.
We can't be as confident of these dates as in previous years as there is a good chance that
the Covid-19 pandemic has had a serious impact on the production of the next iPhone.
PRICE
For reference, the iPhone 11 started at $699 / £729 / AU$1,199, the iPhone 11 Pro starts at
$999 / £1,049 / AU$1,749, and the iPhone 11 Pro Max starts at $1,099 / £1,149 /
AU$1,899.
Prices for the next iPhone range probably won't be exactly the same though, as you can see
in the chart below, which contains information taken from one big leak from YouTuber Jon
Prosser. We've also included information from another leak, which suggests there will be
4G variants of the first two phones noted below.
What will the iPhone 12 look like?
The iPhone 12 design looks set to be a big change from the latest few generations
of Apple’s handset. Remember the iPhone 4 and iPhone 5? Reports suggest that the
iPhone 12 range will be in part inspired by those phones, and there's supposedly
even some elements of the iPad Pro 2020 mixed in.
Before we dig further into the design, you need to know that you'll have four
models to choose from, and that means several different sizes too. According to
the most recent information on models, the phones below will be included:
That said, the size is actually in line with the iPhone 11, so rather than making a
bigger basic iPhone, Apple has seemingly shrunk the standard model, and if this
information is right then you still only have three sizes to choose from, with the
iPhone 12 Max supposedly being the same size as the iPhone 12.
A separate leak has suggested the standard iPhone 12 looks smaller than the iPhone
7, but isn't as small as the original iPhone SE. You can see a video comparing those
three phones here. Jon Prosser - a Twitter leaker who revealed information on the
iPhone SE ahead of launch in early 2020 - shared this information, and you can
see some of the specs below.
While, some people might still end up quitting the service, "the pandemic has clearly shown that Netflix
is an indispensable part of viewers lives," said Paolo Pescatore, analyst at PP Foresight.
Sophie Lund Yates, equity analyst at Hargreaves Lansdown, said the streaming service will have to
continue to spend heavily on new shows and movies to keep its audience.
"While Netflix is still the biggest fish in the tank, if it wants to keep it that way, there is work to be
done," she said, adding that it should focus on markets outside the US where there is more growth
potential.
Netflix also announced it was promoting chief content officer Ted Sarandos to co-chief executive.
"This change makes formal what was already informal - that Ted and I share the leadership of Netflix,"
chief executive Reed Hastings told investors.
That is almost double the new sign-ups it saw in the final months
of 2019.
However, the streaming service, which is behind some multi-
million dollar productions, said shutdowns have halted "almost all"
filming around the world.
And sharp declines in the value of many currencies has meant new
subscribers outside of the US, where Netflix is based, are not
worth as much to the company as they would have been before the
crisis. And that has hurt its international revenue growth.
Tiger King
Demand for streaming has been so high that Netflix last month
said it would reduce the quality of its videos in Europe to ease
strain on internet service providers. The firm also hired an
additional 2,000 customer support staff to handle the increased
interest.
Netflix said some 85 million people had watched its original movie,
Spenser Confidential, for at least two minutes - the cut-off it uses
for viewing figures. Meanwhile, the documentary series Tiger King
reached 64 million households.
The firm expected to add another 7.5 million members in the three
months to the end of June - above analyst expectations. But it
warned investors that viewers and growth would decline as
governments lift lockdowns around the world.
Analysis
by Zoe Thomas, BBC News Technology Reporter
Its rivals face the same challenge. But big brands like
NBCUniversal and Disney are also pulling popular shows they had
leased to Netflix and showing on their own services instead.
Europe, the Middle East and Africa accounted for the largest
number of new members with almost 7 million new subscribers.
Growth in the US and Canada, which has lagged in recent
quarters, also jumped, with 2.3 million new members joining the
service, compared to just 550,000 in the final months of 2019.
The firm now has more than 182 million subscribers worldwide.
Like any currency, cryptocurrencies can be used to buy goods and services. But
unlike other currencies, cryptocurrencies are digital and use cryptography to
provide secure online transactions.
While cryptocurrencies can be used to buy things, much of the interest in these
unregulated currencies is to trade them for profit, with speculators at times driving
prices skyward.
Here are seven things to ask about cryptocurrency, and what to watch out for.
1. What is cryptocurrency?
Cryptocurrency is a form of payment that can be exchanged online for goods and
services. Many companies have issued their own currencies, often called tokens,
and these can be traded specifically for the good or service that the company
provides. Think of them as you would arcade tokens or casino chips. You’ll need to
exchange real currency for the cryptocurrency to access the good or service.
Cryptocurrencies work using a technology called blockchain. Blockchain is a
decentralized technology spread across many computers that manages and
records transactions. Part of the appeal of this technology is its security.
2. How many are out there, and what are they worth?
Cryptocurrencies appeal to their supporters for a variety of reasons. Here are some
of the most popular:
Supporters see cryptocurrencies such as bitcoin as the currency of the future and are
racing to buy them now, presumably before they become more valuable
Some supporters like the fact that cryptocurrency removes central banks from managing
the money supply, since over time these banks tend to reduce the value of money via
inflation
Other supporters like the technology behind cryptocurrencies, the blockchain, because it’s
a decentralized processing and recording system and can be more secure than traditional
payment systems
Some speculators like cryptocurrencies because they’re going up in value and have no
interest in the currencies’ long-term acceptance as a way to move money
Back to top
That’s what’s called “the greater fool” theory of investment. Contrast that to a well-
managed business, which increases its value over time by growing the profitability
and cash flow of the operation.
This price volatility creates a conundrum. If bitcoins might be worth a lot more in
the future, people are less likely to spend and circulate them today, making them
less viable as a currency. Why spend a bitcoin when it could be worth three times
the value next year?
While some cryptocurrencies, including bitcoin, are available for purchase with
U.S. dollars, others require that you pay with bitcoin or another cryptocurrency.
To buy cryptocurrencies, you’ll need a “wallet,” an online app that can hold your
currency. Generally, you create an account on an exchange, and then you can
transfer real money to buy cryptocurrencies such as bitcoin or ethereum. Here’s
more on how to invest in bitcoin.
Coinbase is one popular cryptocurrency trading exchange where you can create
both a wallet and buy and sell bitcoin and other cryptocurrencies. Also, the online
broker Robinhood offers free cryptocurrency trades (Robinhood Crypto is available
in most, but not all, U.S. states).
Back to top
There’s no question that they’re legal in the United States, though China has
essentially banned their use, and ultimately whether they’re legal depends on each
individual country. Also be sure to consider how to protect yourself from fraudsters
who see cryptocurrencies as an opportunity to bilk investors. As always, buyer
beware.
7. How do I protect myself?
If you’re looking to buy a cryptocurrency in an ICO, read the fine print in the
company’s prospectus for this information:
Who owns the company? An identifiable and well-known owner is a positive sign.
Are there other major investors who are investing in it? It’s a good sign if other well-known
investors want a piece of the currency.
Will you own a stake in the company or just currency or tokens? This distinction is
important. Owning a stake means you get to participate in its earnings (you’re an owner),
while buying tokens simply means you’re entitled to use them, like chips in a casino.
Is the currency already developed, or is the company looking to raise money to develop it?
The further along the product, the less risky it is.
But beyond those concerns, just having cryptocurrency exposes you to the risk of
theft, as hackers try to penetrate the computer networks that maintain your assets.
One high-profile exchange declared bankruptcy in 2014 after hackers stole
hundreds of millions of dollars in bitcoins. Those aren’t typical risks for investing in
stocks and funds on major U.S. exchanges.
But what, exactly, is tiring us out? BBC Worklife spoke to Gianpiero Petriglieri, an
associate professor at Insead, who explores sustainable learning and development in the
workplace, and Marissa Shuffler, an associate professor at Clemson University, who studies
workplace wellbeing and teamwork effectiveness, to hear their views.
Being on a video call requires more focus than a face-to-face chat, says Petriglieri. Video
chats mean we need to work harder to process non-verbal cues like facial expressions, the
tone and pitch of the voice, and body language; paying more attention to these consumes a
lot of energy. “Our minds are together when our bodies feel we're not. That dissonance,
which causes people to have conflicting feelings, is exhausting. You cannot relax into the
conversation naturally,” he says.
An added factor, says Shuffler, is that if we are physically on camera, we are very aware of
being watched. “When you're on a video conference, you know everybody's looking at you;
you are on stage, so there comes the social pressure and feeling like you need to perform.
Being performative is nerve-wracking and more stressful.” It’s also very hard for people
not to look at their own face if they can see it on screen, or not to be conscious of how they
behave in front of the camera.
Yet if video chats come with extra stressors, our Zoom fatigue can’t be attributed solely to
that. Our current circumstances – whether lockdown, quarantine, working from home or
otherwise – are also feeding in.
Petriglieri believes that fact we feel forced into these calls may be a contributory factor.
“The video call is our reminder of the people we have lost temporarily. It is the distress that
every time you see someone online, such as your colleagues, that reminds you we should
really be in the workplace together,” he says. “What I'm finding is, we’re all exhausted; It
doesn't matter whether they are introverts or extroverts. We are experiencing the same
disruption of the familiar context during the pandemic.”
Then there’s the fact that aspects of our lives that used to be separate – work, friends,
family – are all now happening in the same space. The self-complexity theory posits that
individuals have multiple aspects – context-dependent social roles, relationships, activities
and goals – and we find the variety healthy, says Petriglieri. When these aspects are
reduced, we become more vulnerable to negative feelings.
“Most of our social roles happen in different places, but now the context has collapsed,”
says Petriglieri. “Imagine if you go to a bar, and in the same bar you talk with your
professors, meet your parents or date someone, isn’t it weird? That's what we're doing
now… We are confined in our own space, in the context of a very anxiety-provoking crisis,
and our only space for interaction is a computer window.”
Shuffler says a lack of downtime after we’ve fulfilled work and family commitments may
be another factor in our tiredness, while some of us may be putting higher expectations on
ourselves due to worries over the economy, furloughs and job losses. “There's also that
heightened sense of ‘I need to be performing at my top level in a situation’… Some of us
are kind of over-performing to secure our jobs.”
But when I’m Zooming my friends, for example, shouldn’t that relax me?
Lots of us are doing big group chats for the first time, whether it’s cooking and eating a
virtual Easter dinner, attending a university catch-up or holding a birthday party for a
friend. If the call is meant to be fun, why might it feel tiring?
Part of it, says Shuffler, is whether you’re joining in because you want to or because you
feel you ought to – like a virtual happy hour with colleagues from work. If you see it as an
obligation, that means more time that you’re ‘on’ as opposed to getting a break. A proper
chat with friends will feel more social and there will be less ‘Zoom fatigue’ from
conversations where you’ve had a chance to be yourself.
Big group calls can feel particularly performative, Petriglieri warns. People like watching
television because you can allow your mind to wander – but a large video call “is like
you're watching television and television is watching you”. Large group chats can also feel
depersonalising, he adds, because your power as an individual is diminished. And despite
the branding, it may not feel like leisure time. “It doesn't matter whether you call it a virtual
happy hour, it's a meeting, because mostly we are used to using these tools for work.”
Both experts suggest limiting video calls to those that are necessary. Turning on the camera
should be optional and in general there should be more understanding that cameras do not
always have to be on throughout each meeting. Having your screen off to the side, instead
of straight ahead, could also help your concentration, particularly in group meetings, says
Petriglieri. It makes you feel like you’re in an adjoining room, so may be less tiring.
In some cases it’s worth considering if video chats are really the most efficient option.
When it comes to work, Shuffler suggests shared files with clear notes can be a better
option that avoids information overload. She also suggests taking time during meetings to
catch up before diving into business. “Spend some time to actually check into people's
wellbeing,” she urges. “It’s a way to reconnect us with the world, and to maintain trust and
reduce fatigue and concern.”
Building transition periods in between video meetings can also help refresh us – try
stretching, having a drink or doing a bit of exercise, our experts say. Boundaries and
transitions are important; we need to create buffers which allow us to put one identity aside
and then go to another as we move between work and private personas.
And maybe, says Petriglieri, if you want to reach out, go old-school. “Write a letter to
someone instead of meeting them on Zoom. Tell them you really care about them.”
It takes a lot to break into the news cycle nowadays. But for Quibi, the mobile-
friendly streaming platform launched in April, catastrophic failure seems to have
done the trick. Veteran executives Jeffrey Katzenberg and Meg Whitman waged an
astonishing $1.8 billion in investments on what initially seemed an okay idea:
short, digestible entertainment starring famous actors, designed to be watched on
the go.
Unfortunately for Quibi, a portmanteau of “quick bites,” nobody was hungry.
Especially with the number of onetime commuters now glued to their couches,
more people have probably read articles explaining Quibi and its unfortunate
beginnings than have actively engaged with the app itself. (Those who remember
Juicero, the widely mocked Silicon Valley start-up, will find this dynamic familiar.)
The New York Times reported in May that, a week after its launch, Quibi no longer
ranked in the top 50 most downloaded free iPhone apps. Out of the 3.5 million
people the company said downloaded the app — a third party quoted 2.9 million,
per the Times — only 1.3 million were active users.
Like clockwork, the Quibi conversation picked up again this week thanks to a
thoroughly reported piece published by Vulture: “Is anyone watching Quibi?” it
asked. Below, in an attempt to uncover why the company’s struggles are so difficult
to look away from, especially when its content is not, we explore the platform’s life
cycle, from its promising inception to a presumed reckoning.
Inception
Quibi owes its existence in part to the success of “The Da Vinci Code,” according to
Vulture, which stated that Katzenberg viewed the 105-chapter format as “validation
of the thesis that consumers want entertainment in small chunks.” As the former
Walt Disney Studios head and DreamWorks co-founder, Katzenberg had earned a
level of trust that even Dan Brown skeptics couldn’t take away.
The idea, to be fair, made sense on paper. Spanning five to 10 minutes each, Quibi
episodes would be easily watched on phones while in transit. Celebrities such as
Chrissy Teigen and Anna Kendrick, or creators such as Steven Spielberg and
Guillermo del Toro, would attract viewers with their names alone. The app would
be easily navigated, its episodes viewable in both portrait and landscape mode,
depending on preference.
Even with stay-at-home orders in place, Katzenberg remained optimistic.
“I don’t think we lost the in-between moments,” he told The Washington Post in
April. “The virus has just changed them, made them different. You’re not
commuting to work or standing in line at Starbucks. But you actually probably have
more in-between moments than you did six weeks ago.”
Launch
Quibi launched in early April with dozens of shows and immediately reached the
No. 3 slot on Apple’s App Store. The service granted new users 90 days free, after
which they could pay either $4.99 per month (with ads) or $7.99 per month
(without ads). T-Mobile offered its customers a free year of Quibi.
While critics didn’t entirely pan Quibi’s initial lineup, the shows’ lack of traction
may speak for itself. Given that the name alone has to be repeatedly justified to the
public — you’re right, “Quibi” isn’t any quicker to say than “quick bites” — the
launch largely hinged upon star power and perceived convenience. Some theorized
the platform might have been more widely watched had it piqued curiosity on
social media early on, and that the lack of screen shot capabilities was “detrimental
to its success.”
To be fair, a clip from Sam Raimi’s “50 States of Fright” did go semi-viral about a
week after Quibi’s launch, if only for its extremely bizarre story. In the episode,
Emmy winner Rachel Brosnahan plays a woman obsessed with her golden arm. She
winds up in the hospital, diagnosed with something called pulmonary gold disease,
but refuses to remove the metal arm poisoning her body: “I can’t take off my golden
arm, ever!” she says sternly. Cut to a scene where she lies in bed, her every breath
raspy.
Failure
Katzenberg changed his tune about a month after Quibi’s launch, telling the Times
that he attributed “everything that has gone wrong to the coronavirus.” In response
to iPhone users wondering why they couldn’t watch Quibi on their TV sets —
therefore rejecting the mobile-only platform premise — Katzenberg and Whitman,
the former Hewlett-Packard chief, acquiesced.
And yet, the shows still haven’t managed to catch on. Vulture noted that figures as
prominent as Jimmy Kimmel have joked about the failure: “Here I am, standing
here like a … fool with nobody watching,” he said at an online version of Disney-
ABC’s television upfront. “I feel like every show on Quibi right now.”
In a depressingly comical turn, Quibi’s social media team has joined the mockery.
Sharing an article in June about the serialized film “Most Dangerous Game,”
starring Liam Hemsworth, the platform’s official Twitter account wrote in tiny
letters, “see guys we have a good show.” On Sunday, quote-tweeting someone
asking whether anyone had signed up for Quibi, the account wrote, “Asking for a
friend.” The next day, it announced three new shows in a Twitter thread, but only
shared the basic premises — no official titles, no visuals of any sort. “Just give up
bro,” a user replied, amassing more likes than Quibi’s original tweet.
Recall the $1.8 billion and shudder.
Reckoning
Where will Quibi go from here? Investors somewhat miraculously haven’t started
to flail yet, according to Vulture, and the platform continues to push out new
content. Variety described its DIY take on “The Princess Bride,” made by celebrities
at home, as “a bright shiny chunk of diversion that amounts to a bait-and-switch —
and, just maybe, a paradigm that could point the way to the short-film app’s
future.”
Meanwhile, however, Quibi remains the car crash from which we cannot look away.