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Midrash and The Hebrew Bible
Midrash and The Hebrew Bible
Abstract
Midrash is the particular mode of interpreting the Hebrew Bible that was developed
by the rabbis of late antiquity in the Land of Israel. Midrash rendered Scripture
relevant to the needs of a specific period in time. Definitions of midrash, the scope
of midrashic activity, and its applicability to multiple interpretive strategies are widely
disputed among scholars. This essay examines inner-biblical interpretation, defini-
tions of midrash, midrash scholarship, classifications of midrash, the boundaries of
the genre midrash, midrasic exegesis, and various theological assumptions of midrash.
Introduction
Midrash is the particular mode of interpreting the Hebrew Bible that was
developed by the rabbis of late antiquity in the Land of Israel. Midrash
rendered Scripture relevant to the needs of a specific period in time.
Definitions of midrash, the scope of midrashic activity, and its applicability
to multiple interpretive strategies are widely disputed among scholars. There
were three major approaches to the Hebrew Bible in late antiquity that
are often overlapping: (1) translation; (2) commentary of the text; and (3)
midrash. One might want to add a fourth approach, the appropriation of
a text that is in the possession of one group by other groups. Midrash is
certainly a sub-genre of rabbinic literature; the difference between some
Bible commentaries and midrash is in the spatial arrangement. Commentary
is line-by-line, whereas midrash ‘weaves’ its exegesis of single biblical lemmata
into coherent statements. Rabbinic midrash as a literary genre is dependent
upon formalistic and socioeconomic features as well as upon the creators
who embody its practice; these conditions determine the limits of midrash
in its halakhic, aggadic or homiletical expressions.
This essay examines inner-biblical interpretation, definitions of midrash,
midrash scholarship, classifications of midrash, the boundaries of the genre
midrash, midrasic exegesis, and various theological assumptions of midrash.
Inner-Biblical Interpretation
Midrash is often viewed as the exploration of God’s plan for the Jewish
people as recorded in the written text of the Hebrew Bible since God’s
© 2008 The Author
Journal Compilation © 2008 Blackwell Publishing Ltd
Midrash and the Hebrew Bible 755
Amon means ‘great’, as it says, are you better than No-Ammon (Nah. 3:8)? This we
translate: Are you better than Alexandria the Great, which is situated in the
[Nile] delta? Another interpretation: Amon means ‘artisan [uman]’. The Torah
declares, I was the artisan’s tool that the Holy One, blessed be He, used [when
he practiced His craft]. It is customary, when a human king builds a palace, he
does not build it out of his own head, but he employs an architect [uman].
Even the architect does not build it from his head, but he uses plans and
blueprints in order to know how to plan the rooms and the doorways. So, too,
the Holy One, blessed be He, looked into the Torah and created the world. Thus
the Torah said, By means of the beginning did God create (Gen. 1:1). And the word
for ‘beginning’ refers only to the Torah, as it says: The Lord acquired me at the
beginning [reshit] of His course (Prov. 8:22).
Torah given to Israel is greater and contains more wisdom than the greatest
source of wisdom of the nations.
The artisan part of the above midrash demonstrates that the Torah was the
plan for the world that was to be created. This is the so-called dogma of
‘the pre-existence of the Torah’, which is another major theological expres-
sion of rabbinic Judaism. Additionally, it means that God is bound by the
plan in the Torah, and if God is bound by the plan of the Torah, so much
more will the Torah bind humans. The implication of the mashal method
(interpretation in parables) is to show God’s integrity and his plan for the
world and for humanity. The essential, theological result of the hermeneutic
strategies and the resulting reading is that bereshit (Gen. 1:1) means that the
world was created ‘with reshit’, removing the temporal aspect and replacing
it with wisdom. This is a theological proposition of the midrashic unit, which
could have been stated at the beginning of the unit, but, as is often the
case in midrash, the midrash has to be read from the bottom up to gain this
conceptual understanding of a sequential ‘order of things’. The rabbinic text
requires the reader to follow well-reasoned steps of analyses and ‘different’
readings of a polysemic term; all of which are appropriate and valid.
Midrash Scholarship
From its infancy in the nineteenth century (Ulmer 2003), the academic study
of midrash evolved into a specialized discipline within Jewish studies in
general and within rabbinics in particular. Major research into midrashic
literature was accomplished in the twentieth century; however, the discussion
of the phenomenon midrash continues to engage scholars from multiple
disciplines, demonstrating a diversity of approaches to midrash. The meth-
odological and philosophical approaches to midrash changed significantly
in Europe in the 1960s through the early 1980s. The new methodologies
utilized literary criticism, literary theory, and models of comparative liter-
ature (theories of Russian formalists) as well as the science of textlinguistics
and the procedures of generative semantics. This was probably due to the
fact that midrash was studied at the university outside the confinements of
religion. Concurrently, midrash was approached as an expression of an essential
element of Judaism (Kugel 1983). After the initial rejections of European-
based literary criticism in the USA, some scholars eventually followed this
methodological stimulus (Hartman & Budick 1986) and produced their own
critical reading of midrash as literature (Stern 1996). The literary-critical
approach went beyond the previously assumed function of midrash to fill in
gaps in the biblical text. Additionally, feminist studies began to pay attention
to midrash and mined midrash for the roles women were assigned in late
antique Judaism (Baskin 2002).
The investigation of functional literary forms and intertextuality in mid-
rash transpired in Europe (Goldberg 1999, originally published in 1981); this
resulted in a minimalist definition, namely, midrash is a literary unit in
© 2008 The Author Religion Compass 2/5 (2008): 754–768, 10.1111/j.1749-8171.2008.00101.x
Journal Compilation © 2008 Blackwell Publishing Ltd
Midrash and the Hebrew Bible 759
rabbinic text consisting of a lemma and an utterance about this lemma. For-
malistic methodologies resulted in understanding the text-linguistic mech-
anisms of midrash (Samely 1992; Ulmer 1998). The term ‘intertextuality’
means that the interpreters utilize previous texts, adding material and editing
the text, and that they draw upon a store of pre-existing or traditional ideas
(Boyarin 1990). Analyses of single literary forms such as the rabbinic parable
(Stern 1991), of a particular work (Fraade 1991), or of a particular hermeneutic
rule of midrashic interpretation and rabbinic theology followed (Fishbane
1998). Research into literary motifs relating to a significant rabbi further
showed the compositional character of midrash (Basser 2007).
Recent scholarship focused upon (i) previously researched specific periods
or schools of rabbinic literature, as well as the culturally specific reading
practices in the socio-historical context of the emergence of the rabbinic
movement (Yadin 2004); (ii) the renewed review of the utilization of mid-
rashic strategies by non-rabbinic groups (Townsend 2005); and (3) cultural
intersections and polemics (Ulmer 2006a). However, there are many remaining
disputes between scholars, in particular with regard to the use of midrash
in non-Jewish texts and to refer to any interpretive activity as midrash (see
below, Teugels and Ulmer 2007).
Thus, recent scholarship has stressed the distinctively rabbinic context and
character of midrash; it identifies midrashic forms and methods in relation
to the self-definition, social status, theology, and literary production of the
rabbis. In order to assess rabbinic theology, Jacob Neusner created and system-
atically applied ‘category-formation’ to midrash. He asserted that a ‘formation
of categories’ occurs in the theological system of the midrash compilations
(Neusner 2001; pp. xviff.). These categories include the following: a para-
digm generative of logic or rationality of coherence and proportion; an
activity; a consistency; defining some specialized vocabulary such as ‘locative,
utopian’; a hierarchical classification as well as analogical-contrastive reasoning;
and modes of thought.
Definitions of Midrash
The definition of midrash has often focused upon the particularity of rab-
binic hermeneutics. However, one may argue that many of the exegetical
strategies that are found in midrash were utilized by other social groups that
created interpretive texts. Nevertheless, midrash is also defined by a the-
ological viewpoint: ‘What makes Rabbinic Midrash unique is its theology
embodied in its hermeneutics but not its methods of exegesis’ (Neusner
2004, p. vii). Thus, the authors of midrash have to be viewed in contrast to
other exegetes, who attempted to find definite scriptural meanings, whereas
the rabbis are considered to be creative in their approaches to Scripture as
an endlessly generative source of truth, a divine text that accepts a plurality
of human interpretations. Whereas Christian interpreters adopted Hellenistic
modes of literary production such as authorship, the texts of the rabbinic
© 2008 The Author Religion Compass 2/5 (2008): 754–768, 10.1111/j.1749-8171.2008.00101.x
Journal Compilation © 2008 Blackwell Publishing Ltd
760 Rivka Kern-Ulmer
Classification of Midrash
In order to address the location of midrash within the rabbinic interpretive
tradition, the concepts of the Written and the Oral Torah as well as the so-
called ‘chain of tradition’ have to be considered. One important rabbinic
assumption is that the Oral Torah, the authoritative interpretation of the
Written Torah, was given to Moses on Sinai. This assumption would render
the Oral Torah as coexistent with the Written Torah (Neusner 1999). The
chain of tradition, which spells out the tradents of the Oral Torah from Moses
to the rabbis, established the hermeneutic link between Revelation at Sinai
and rabbinic interpretation (Neusner 1998). However, rabbinic Judaism itself
offers diverse perspectives on the subject of the chain of tradition and mid-
rash scholarship has emphasized the untenable nature of any simplified model
of explaining midrash. The Oral Torah is not secondary to Scripture; rather,
the Oral Torah is an ideological construct that has its roots in tannaitic
literature and continued in amoraic texts of the third or fourth centuries
ce, which needed to re-emphasize the authority of rabbinic interpretation
(Jaffee 2001).
In addition to the rabbinic form of interpretation as recorded in the
Mishnah (Samely 2002), a different approach to halakhah (law) emerged in
the halakhic midrashim. This raises the issue, whether the halakhic midrashic
interpretation preceded or succeeded an interpretation without references
to the Bible. The question remains open, whether the Sages at the time of
the Second Temple utilized midrashic methods as found in later midrashic
works, such as Sifra (probably second half of the third century) and Sifre
(probably after the middle of the third century), and derived halakhot (legal
statements) from Scripture. Sifra quotes from other rabbinic works, Mishnah
and Tosefta, and it establishes that laws in the Mishnah derive from Scripture.
Since the Pharisees utilized the Oral Torah to support their authority, midrash
may have been the earlier method of deriving the halakhah. On the other
© 2008 The Author Religion Compass 2/5 (2008): 754–768, 10.1111/j.1749-8171.2008.00101.x
Journal Compilation © 2008 Blackwell Publishing Ltd
Midrash and the Hebrew Bible 761
hand, if the Mishnaic method, that is, rarely citing Scripture in free-standing
mishnayot, preceded midrash, it could also support the position that halakhah
was not originally derived from Scripture. The Mishnah (Avot 1) points to
Sinai as the origin of the Mishnah’s tradition and the chain of tradition from
Sinai ends with named individuals found in the Mishnah.
It is difficult to differentiate midrashic works into the standard classifi-
cations, such as ‘halakhic’ (legal), ‘aggadic’ (narrative), exegetical, or ‘homiletic’,
because the texts are not homogenous; furthermore, it is difficult to date
midrashic texts because they grew by accretion and the material is intercon-
nected (Stemberger 1996). In addition to the above-mentioned halakhic
midrashim (e.g., Sifra), there are ‘non-halakhic’ midrashim that may include
the amoraic midrashim (e.g., Genesis Rabbah; Lamentations Rabbah; and Esther
Rabbah, ca. 400–500), as well as the ‘post-amoraic midrashim’ (e.g., Pesikta de-
Rav Kahana; Ruth Rabbah, ca. 500–640; Midrash Proverbs; Ecclesiastes Rabbah,
ca. 640–900; and Deuteronomy Rabbah; parts of Exodus Rabbah, ca. 775–900).
These texts consist of two very fluid and often overlapping categories. The
first category comprises the aggadic midrashim (e.g., Numbers Rabbah;
Deuteronomy Rabbah) that display the discernible form of Rabbinic midrash
(a scriptural lemma, a midrashic operation, and a midrashic statement) or the
rabbinic homily (Goldberg 1985). The rabbinic homily contains midrashic
macro forms that develop the lectionary verse of the synagogue reading and
have a concluding homiletic unit (e.g., Leviticus Rabbah, Pesikta Rabbati, and
Tanhuma). All of these works are referred to as the ‘classical midrashim’. The
second category comprises mainly medieval midrashim (Elbaum 1986) that
are somewhat reminiscent of the previously mentioned exegetical and homi-
letic midrashim but show few of the formal midrashic characteristics (e.g.,
Aggadat Bereshit, Midrash Konen, Petirat Moshe, Midrash Temurah, and Midrash
Tadshe).
Midrash research is further complicated by the fact that identical material
occurs in different works and that we have material in manuscript form that
has not been assigned by medieval editors to a particular midrashic work.
Midrash limits itself by its reliance upon the biblical text and the sets of
hermeneutic rules that continued to expand. This definition would exclude
any type of (post)modern midrash, although the term midrash has been applied
to a variety of interpretative activities, from the use of biblical allusion in
Moby Dick to understanding Jacques Derrida (Raphael 1999; Wright 2000)
to dancing and visual art. In this author’s view, midrash was the rabbinic
search for meaning in Scripture and midrash as a literary genre is limited
to the rabbinic corpus of midrashic works from late antiquity and the early
Middle Ages.
Short Biography
Rivka Ulmer’s research focuses on midrashic literature. Presently, she is
working on Egyptian concepts in rabbinic thought. She has published thirteen
books, for example, Discussing Cultural Influences, 2007 (ed.), Recent Develop-
ments in Midrash Research, 2006 (ed. with L. Teugels), A Synoptic Edition of
Pesiqta Rabbati Based Upon All Extant Hebrew Manuscripts And The Editio Princeps
(1997–2002), a three volume edition of a midrashic work, Turmoil, Trauma
and Triumph: The Text of Megillas Vintz, a Hebrew & Yiddish poem/song that
describes a pogrom in Frankfurt in 1614, and The Evil Eye in the Bible and
Rabbinic Literature. More than 60 scholarly articles have appeared in such
© 2008 The Author Religion Compass 2/5 (2008): 754–768, 10.1111/j.1749-8171.2008.00101.x
Journal Compilation © 2008 Blackwell Publishing Ltd
766 Rivka Kern-Ulmer
Note
* Correspondence address: Rivka Kern-Ulmer, Bucknell University, Moore Ave., Lewisburg,
PA 17837, USA. Email: rulmer@bucknell.edu.
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