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It remains a persistent question within Platonic scholarship just how many forms of
dialectic can draw support from the dialogues and what is the ultimate form of this scientific
method?
In the early dialogues, Socrates regularly relies on three distinct dialectical activities.
Eristic and elenchic are the two forms by which Socrates plies his interlocutors into logical
difficulties. The only substantial difference in the approaches seems to be in the outlooks of the
trapped prey. Those who cannot accept their own ignorance remain competitors and are
summarily defeated. ‘Friendly’ conversants are more amenable to their own limitations and
Related to this positive reaction towards the recognition of ignorance is a third kind of
movement, that towards an ontological awakening. When the elenchic is utilized in its most
extreme form, a complete a poria is attained in which all paths towards resolution seem equally
blocked. In such dialectal ‘straights’ a safe passage between destructive shoals is managed
through the transcendental recognition of some greater ‘power’ which can uniquely unify the
diverse manifold. This ‘summoner’(Republic) is the Socratic method of locating the Good, the
one among the many. And the ascending to the grasp of higher ontological unities, equally leads
But this Socratic dialectic of transformation becomes seemingly insufficient in the latter
dialogues.
The Failure of the Two Dialectics
In the Sophist, the Eleatic Stranger searches for the nature of the family of sophists. In an
effort to locate and define the nature of their art, the Stranger utilizes the long anticipated method
of diairesis, or systematic division, to hunt down this elusive prey. He begins by demonstrating
a diairesis for capturing the nature of an angler, or fisherman. In this first exemplification of the
method, division works efficiently to progressively isolate each succeeding function of the
angler, until a complete definition is afforded by the listing of the ordered categories.
When, however, the Stranger attempts to apply the same method to capture the sophist,
chaos ensues. Six different definitions emerge, each with a distinct and unique pattern of
functions and properties. While all these sophists share many of the specific activities by which
they proceed, the priority of functions varies within each of the searches. In complete
resignation, the Stranger abandons the search for the sophist within the realm of acquisition and
We should understand exactly why the Stranger ventures into the realm of production to
look for the sophist. The arts of acquisition are exemplified by the art of angling. It is the model
of knowledge as something already fully "clothed" and "caught" or discovered rather than as a
doctrine taught or constructed. The problem with such a model of knowledge, as we witnessed
in the wayward divisions, is that unless we already know the essential activity or function of the
being we are seeking, its various identifying characteristics will have no organizing priority. The
valuation. One cannot produce unless one has a end or purpose towards which one is working.
The model of good craftsman demands that works of production be guided by some idea of the
Good. But if we are to use diaeresis in pursuing knowledge of the Good, we will be stuck in the
equally circular hermeneutic of needing to know the Good to find the Good. Again we appear
mired in self-reference.
I suggest that the Stranger's subtle call to recollect what had been said before, is referring
us to a substantial clue. When the sixth division led to the sophist of noble lineage, Socrates, an
interesting distinction was made between two sorts of divisions. While the philosopher’s art,
diairesis, is supposedly concerned solely with distinguishing like from like, the art of the noble
sophist is that of distinguishing better from worse. But Socrates himself never extends this
method of divining the better from the worse beyond seeking the true forms that guide discovery
in the processes of acquisition. It seems that Socrates cannot be the true philosopher, who like
the true sophist, must ultimately dwell in the realm of the productive arts.
There is a problem here that I believe we are not meant to let pass. It is exactly the
philosopher's art of distinguishing like from like which has led us into confusion. If we are to
have knowledge of the sophist, we must be able to distinguish the true from the false - the better
from the worse. It turns out that this very condition, the valuation of our judgments, is that
necessary and sufficient criteria which determines the possibility of knowledge. It is the art of
the sophist of noble lineage that must finally be utilized to find both the philosopher and the
sophist. Diaireses cannot distinguish between essential kinds just because it cannot distinguish
between better and worse. It is only in the realm of production, with the creating of the
hypotheses of the Good under which functionality may be incorporated, that any essences at all
can be determined.
Plato is making a key distinction here between two dialectical options, the Socratic and
the Eleatic. The first can determine the difference between better and worse, and has its realm in
the eidetic world of the forms. The second can merely distinguish between like and unlike and is
The Socratic dialectic, elenchic, is a Transcendental Dialectic that locates the unity which
is common among distinct ideas or forms. As a summoner, it calls forth intelligence to resolve
the oppositions by which reason confronts sensation (Republic523b). But it seems inherently
limited in any attempt to completely grasp phenomena of the changing world. That is perhaps
The Eleatic dialectic, diairesis, works down from the genus towards the species and
phenomena with regards to their qualities, but it has ground by which to distinguish the better
from the worse. The lesson of the first parts of both the Sophist and the Statesman is that we
cannot define phenomena rightly or wrongly, until we have knowledge of how their being is
better or worse with regards to some end or telos in an activity of production or utility
(Statesman).
Neither of these two incomplete methods can truly be the "gift of the gods". The Socratic
elenchic is able to establish sufficient reason for the unity of an idea. But the order and
The Eleatic diairesis is equally impotent. It can locate and organize an unending set of
establishing which set is actually “true”. Like old Socrates' bones and ligaments, no one set of
these necessary conditions can be denoted the cause of a phenomenon, so diaireses is always
vulnerable to the logic of Protagorean relativism: The Stranger in the Statesman cannot
distinguish the nature of the human herd beyond that of a featherless biped.
I hold that Plato is going beyond a merely competitive evaluation of the two methods in
this dialogue, and is instead suggesting a radically new method, an hybrid between the two
legacies of his philosophical pedigree – a Platonic Dialectic. This “gift of the gods” utilizes the
indeterminacies.
The promise of such a tool is immense with respect to the largely unfulfilled claims of the
latter dialogues. What is at stake is whether there can be a philosophical logic, a true dialectic
Most philosophers, including Hegel, have believed that dialectic can never be so
determinate. But Plato’s claim that his dialectic can “cut at the joints” demands that we examine
more closely the details of this new method. The bond by which Plato will “force” the other two
Some might object that the suggestion of such an hybrid dialectic is a non-sequitor as a
category fallacy, since the two dialectics deal with absolutely different realms - forms and
phenomena. I would suggest that mathematics, and the human soul are both also such liminal
hybrids, and this double nature is what makes the goal of Plato's project so essential to the unity
of his metaphysics. I contend that it is precisely with a mathematical model, in the dialogue the
Philebus, that Plato teaches us how to proceed. That method, of finding the better and worse
the Eleatic diaireses, is the true "gift of the gods", and it is a derivative of the analytical art of
porism.