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Marc Chagall: Jewish-Russian Painter, Printmaker
Marc Chagall: Jewish-Russian Painter, Printmaker
Marc Chagall
Biography of Jewish-Russian Painter, Printmaker.
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• Biography
• Youth
• St Petersburg
• Paris
• World War I: Trapped in Russia
• Commissar of Art (Vitebsk)
• Solo Exhibitions in Europe
• World War II: Trapped in Russia
• Death of Bella Chagall
• Settles in France: Marries Valentina Brodsky
• Stained Glass
• Final Period
• Collections
NOTE: For analysis of works by Jewish folk artists like Marc Chagall,
please see: Analysis of Modern Paintings (1800-2000).
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Symbolist painter. Chagall's matriculation from school, accepted him as a pupil. For the sake of
Isaac Levitan (1860-1900)
Landscape painter. Chagall's art education, Pen also encouraged him to move to the Russian
Abram Arkhipov (1862-1930) capital St Petersburg, which Chagall somehow managed in 1907, together with
Genre painter, critical realism.
Valentin Serov (1865-1911) his friend Victor Mekler.
Russia's greatest Impressionist.
Paris
As it was, neither the Impressionists, nor the Cubists fired his imagination with
their scientific ideas of composition and colour. Instead, Chagall developed his
own idiom from a combination of Expressionism, Symbolism and Surrealism,
employing imagery from the daily life of the shtetl to convey a moral and
philosophical message. Examples of Chagall's early Paris paintings include: To
My Betrothed (1911), Interior II (1911), The Soldier Drinks (1911-12), The
Cattle Dealer (1912) and The Fiddler (1912-1913), most of which received
mixed reviews. For more about Chagall's links with early expressionism, see:
History of Expressionist Painting (c.1880-1930).
During the period 1910-1914, Chagall exhibited several times in the Spring and
Autumn Salon of the French Academy and in the Salon des Independants, and
in 1914 Herwarth Walden - the owner of the famous periodical and picture-
gallery Der Sturm (The Storm) and a central figure within the expressionist
movement - staged Chagall's first solo exhibition in Berlin which was both well-
received and financially successful. (For the best examples of German
Expressionism, and much more, see: Expressionist Paintings.)
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After his successful show at the Sturm Gallery, Chagall visited Russia, only to
find himself trapped there on the outbreak of World War I, in August 1914. At
first he remained in Vitebsk where, in 1915, he finally married his sweetheart
Bella with whom he had a daughter Ida in 1916, the same year they moved to
St Petersburg. He continued painting, completing a number of unusually
realistic pictures like Praying Jew (Rabbi of Vitebsk, 1914) and Self-Portrait
(1914), along with genre-works and paintings of rural life, such as The
Smolensk Newspaper (1914), Window in the Country (1915), The Birthday
(1915), Bella with White Collar (1917) and Cemetery Gates (1917). While in St
Petersburg, he dabbled with the Primitivism and Rayonism of Michael Larionov
and Natalia Goncharova in works such as The Feast of the Tabernacles
(Sukkot; 1916). A little later he also experimented with Suprematism in
pictures like Peasant Life (1917) and Composition with Circles and Goats
(1920). At this time he also developed a fascination for Renaissance art, which
he drew on in his unconventional way, when painting Promenade (1917) and
Double Portrait with Wine-Glass (1917-1918).
After settling up with Herwarth Walden in Berlin, where he also completed his
illustrated autobiography My Life (published 9 years later), Chagall moved to
Paris, taking up an offer from Ambroise Vollard, the art dealer to illustrate
Nikolai Gogol's book Dead Souls. There now followed a period of peace and
prosperity for the Chagalls. As a result, the dark, foreboding compositions and
colours that had characterized his previous works began to be replaced with a
brighter idiom, as exemplified by The Watering Trough (1925), Peasant Life
(1925), Bella in Mourillon (1926), Equestrienne (1927) and Fruits and Flowers
(1929) and Lovers in the Lilacs (1931). In addition, as an established member
of the Ecole de Paris, he enjoyed several solo exhibitions in Paris, including a
major retrospective (1924). Three years later he had his first solo exhibition in
New York. In the 1930s he visited British Palestine, as well as Holland (where
he studied many works by Rembrandt), Switzerland, Poland and Spain (where
he saw paintings by El Greco).
This period of calm was duly shattered by the rise of Nazism in Germany,
where Chagall's paintings was labelled Degenerate Art (Entartete Kunst), to
which his artistic response was Solitude (1933), depicting the deep depression
experienced by Jews amid the gathering storm.
Another significant work of the pre-war period was In The Revolution (1937)
which features the chaos and carnage of Bolshevism. Then in 1938, he
produced a masterpiece - the White Crucifixion, an eloquent and evocative
depiction of the commonality of Christianity and Judaism, which combined a
crucified Christ with images of Jewish persecution - and a last angst-ridden
canvas The Three Candles (1938-40).
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World War II
Less than a year after the outbreak of war, Germany invaded and occupied
France. Chagall fled, together with his family and paintings, to the south of
France, and although he was arrested by the Vichy authorities, pressure from
the United States secured his release and in June 1941 he sailed for America.
He remained here for five years, mostly in New York, painting works that
reflected his deep unease with anti-semitic events in Europe. Examples include,
The Obsession (1943), Listening to the Cock (1944) and The Wedding (1944).
He also completed another masterpiece, The Juggler (1943; private Collection).
Chagall then suffered his greatest personal tragedy: in 1944, Bella Chagall
died, from a virus infection. Distraught at the loss of his beloved partner and
muse, Chagall stopped painting for nearly a year. As it was, in 1946, the
painter met Virginia Haggard McNeill, and their relationship revived him.
Stained Glass
Final Period
During the 1950s Chagall visited numerous countries, including the Holy Land,
England, Denmark, Italy, Greece, Switzerland, Germany, the United States,
among others. Now regarded as one of the great modern artists, in 1959, he
was made an Honorary Member of the American Academy of Arts, and received
an honorary Doctorate from the University of Glasgow. Finally, in 1973, at the
invitation of the Soviet authorities, Chagall visited his native country for the
first time since he left in 1922. In his honour, the Soviet Ministry of Culture and
the Tretyakov Gallery Moscow hosted a major exhibition of his works - an event
which (given the Jewish persecutions of the day) remains inexplicable to many.
Chagall's final works are simple but highly expressive, an approach exemplified
by paintings like The Fall of Icarus (1975), The Grand Parade (1979-80), and
Couple on a Red Background (1983). In 1977, in recognition of his services to
French art, he was awarded the Grand Cross of the Legion of Honour by the
French government. Chagall passed away in Provence in 1985. Although his
wife Valentina arranged his burial in a Catholic cemetery, his daughter Ida
Chagall ensured that the Jewish funeral prayer, the Kaddish, was recited at the
end of the ceremony.
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Collections
Works by Marc Chagall hang in many of the best art museums throughout the
world, including the Guggenheim Museum New York. His Interior of a
Synagogue in Safed (1931) is in the Jewish Art Museum, Jerusalem.
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