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  • Syncopation

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    Almeida
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    The document is about various rhythmic patterns and techniques used in Latin American and Caribbean music. It provides musical notation examples of syncopation, polyrhythm, clave patterns, standard bell patterns and rhythms like son clave, cinquillo, tresillo, yambú, habanera, samba clave, marcha rancho, frevo and choro. The examples illustrate how rhythm and syncopation are essential elements of these musical genres.

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    The document is about various rhythmic patterns and techniques used in Latin American and Caribbean music. It provides musical notation examples of syncopation, polyrhythm, clave patterns, standard bell patterns and rhythms like son clave, cinquillo, tresillo, yambú, habanera, samba clave, marcha rancho, frevo and choro. The examples illustrate how rhythm and syncopation are essential elements of these musical genres.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    7 views2 pages

    Syncopation

    Uploaded by

    Almeida
    The document is about various rhythmic patterns and techniques used in Latin American and Caribbean music. It provides musical notation examples of syncopation, polyrhythm, clave patterns, standard bell patterns and rhythms like son clave, cinquillo, tresillo, yambú, habanera, samba clave, marcha rancho, frevo and choro. The examples illustrate how rhythm and syncopation are essential elements of these musical genres.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    Syncopation


                    
        
     = 80

                                   
       
    17

                            

    30

             
                 
             
    46 Columbia

    
                           


    Son clave

              
    55 Columbia


                                           
    Son clave Guaguancó

         
    63 Cinquillo

                                  
     
       
    75 Tresillo Yambú

       
      
        
       

         
     
    
    88 Habanera  = 90 p p p

    4 4

        
    1

     
    0 3 0
    1
    3

      
                       
    
        

    p p p i m


    98 a
    p i i 4
    2
    4 4 3
    1 1

    
    0 3 0 0
    1 0

                           
    3

    
    1

     
                 
    a p p p

     
    106
    p
                           
     = 110

     
     
    118

                             
             
           
    134 Samba clave

                          

    Marcha rancho

      
    145


                  
               
            
    159 Standard bell pattern

                            

    Frevo

           
    167 Standard bell pattern

                                    
             
    176 Standard bell pattern

                  

           
       
    188 Choro

              
       
    203

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