MUSIC FOR “HAMLE I~ cone A Suite for Symphonic Band 1. Prologue: Elsinore and the Court of Claudius (ca. 5°07") 1, Hamat and Ophelia (ea, 350°) by ALFRED REED IW, Entrance of tha Players (ca. 700") IV. Epilogue: The Death of Hamiet (ea, ‘Total Periormance Time: ea, 1647" PROGRAM NOTE: The poatical and dramatic works of Wiliam Shateapesre have provebly inapeed more mssical compositions shan tose of any other writer sn history. Ceriniy thie ust 56 true of urtere i Enola fr the number of sorgm rc and Sons's Sat te musics opera Wore bat, meter mci or ple one tae Scan and ews een alo, are Boome, oto, composed during the past four centuries are Postynd each passing yeur reas adione to ts vaet ft hag n'pomned out Oy "some ets. that the, ward imagery at Shakespeare's language has no need of music a ll the fw of ihoee ines ie mon mf tallest senae ofthe word. No matter”, > ang a2 progucers stage designore and actors aro simi 55 thetsond or a create mine tind the finest ever and {eaten successes in pertonmanca In all media, o0, tog, have the Scmpoaors fet io urge to transac the loess; charactor, SUS. {ion and Thoughts in many sipier of musical excression ‘Fone car rely speak of Snakmapeares “rowtest™ Creation in a career 30 fequenty reaching the heights gf hamag utero fcc dramatico-soete crapomanstip, surely *tamiet™ would be EC Gia which ncl cfu would i at. Bath ee and {ina complet play. he crama has fved the minde and Pagina {a of mon tp the noaty 460 yours of Re exintenon aa fow ether storks or the stage have, aot in ia ginal Engi ands Tyraid tant ations: the chatacters, shuations, cormmenta, foo Ing ous, phlodoohy ar baciaround pave aad ath ah Chive ibrar) Of comment, axplanaiion, Interpreten, research Sind erfelam winovt end‘The pay, and he Posty, sand a the Hhinacie of not ony Engist but also word iteratur, and is Snitey thet wil ever a surpassed Ins Teapot MUSIC FOR “HAMLET” fs in the form of a concert suite of four movements, drawing upon tive diferent scenos trom the play for iis inspiration. The fist movament, “Prologue: Elsinore and the Goatt of Clauauss contasts musically te Tie wo scenes at lin the same manear 35 doas the open! 18 play sel the dark, gloomy scene upon the castle platiorm at midnight. whore Horatio, Marcellus and Sermardo are Keeping watch and ‘walling to see i the ghost will appear that night, aad the. con Vening of Glaudius's court in Scena 2 where, onthe surface at Teast al ig orillance and gaisly. The second movement, “Hamlet and Ophelia” draws upan their meating in Act Il, Seer here Hamtet, elgning macness, deatoys. al ef ‘hopes and binge hor tha verge of mednocgosclt her agony over fet {ove for him. The thre mowemert, "Ertranea of the. roters to the arrival in Aat Il, Scene 2 of the company af traveling players ton their vist to Elsinore and Hamlet's spirited reception of the ‘The foupin movement, “The Death of Hamlet” is an expression of the grief and tragedy following Hamlet's passing in Act V. Scene 2 land of the final tines in which, Fortinbras orders. fail ilar) Tuneral procession for one who"... had he been put on, to hava ‘raved most royal." ‘This work was commissionad by the Tri-State Festival of Music held annually in Dickinson, North Dakota, jointly supported by a ‘grand fram the North Dakota Counell on the Arts and Humanities, nd the National Endowment for the Arts, Washingten, 0.c. Tis first portormanee took pace an November 6, 1971. at the conciud- ing concert of the Festival, with the Dickinson State College Wiad Encemble under ihe direction of inecemposer, NOTE TO THE CONDUCTOR: As in other scores by this compesar, the Trumpets rether than the Comets ace the main upper voicas Inthe Brass engemble, ang the proportion of Trumpels to Covnets should be two Trumpets on each ct the Trumpet parts 10 one Gornet on aach of the Cornet parts to are Trombane on each of tha Trombone pars. Larger groups, of course, will balance in the same proportion; In the Wind Ensemble there will be one player fon each of the Brass oaris regardiezs of whal they may be. The slanormie rercussion writing inthe first and fourth: move- ments wil cal for either six or seven players in order to manage Bilof the parts with ease and surety of execution. The conductor ‘should strive to obtain a doclded contrat of fone color belweun the Snare Drum and Tenor Drum, espectaly where either (or both} ‘of these fostruments ate 10 play with the snares off. The pitch ‘ually of the Share Drum should be markedly “higher” than that ‘of the Tenor Orum, £0 inet the different enizances, pattems and colors called far by the constantly changing demands of the ‘musie are sharply etched and quickly grasped by the listening ear. “The Harp part in the second movement may be judiciously played on the Piano {in the absence of a Harp) or it may be Smitted altogethor , ‘Care should be taken with the many maltet peccussion lines (0 see that they blend into tne ever-ell tone quality wherever they ABOUT THE COMPOSER: Allred Reed is noted as a composer, conductor and clinician throughout the United States, Canada, Mexico, ‘Sovin America and Europe, With over 200 published works for Bond, wing ensemble, chorus, orchestra and various S010 and oneembla places, Dr. Raed ie presently Proleasor of Music In'both the. ‘scour instead of sounding like figures merely “tacked on for ef- fect. This ts ospecially true af the Vibraphone chords In tho frat and 1gstmovernonis, the Bell and X) the soft Gong strokes, again, in te “Although speeitie tempa indications have been given in terme cof metronome markings, the eonductor mut be sutfictenty fx: ible'in his approach and not hesitate to modily thee (aight) ‘ubiora nacessary, cepending, as aways, fhe pein hays, of the ing group. i's overall level of performing ablity, and the acous- tical conditions under wich the performance ia to tako place. In this connection, it should be stated that Ue tempi of the second parole fist movemant and the tid movement shoul oni ba ‘rege ciled in anticipation of either weak oF missing instruments, ‘and the conductor should not hesttate to vail himset! of any of these aide to strengthen oF repiaca whore necastary. This may ‘be found specially applicable in the long sustained sections of the frst and four movements, where a perfect sostenulc as regards piten, availy and dynamic 4evele te vial to a successful Beriormance rmusi¢ at Baylor University and with Vittorio Giannini at fhe duiliard Seno! of Musis. Tha Internallonal Conservatcry of Musie in Cima, Pere, honored hima with a doctorste of music in 968 He fae been conductor af the All-American Youth Honor Band on Ne South Amorican tour in 4967 and its Mexican tour in 41968 and the Masic For Pence international Concert Band on a tour of England in 1971. wermoueraTON 1 tes fences Stee fe te ET eae re a ee TREE rm, TEE, TEEEBS estes, eee | sail (gee. Hee Bd tomtom See icw F eee {Eee EB ay, ee frp ti Gee, EEE TEE ce vi. i uence ernest meaomendtars oe Nae ad ASN, cee i et eee Rta A Complete Set: $37.50 Full Score: $2.50 Condensed Score: $2.00 Extra Parts:$.36 THEODORE PRESSER COMPANY - Bryn Mawr, Pennsylvania 19010Conisione by the Tri. Sate Pita of Mice, Dickinaon. North Dakota, ety suptarted bya grant from ve orth Dakota Coen on the Arts ond Harrie, ond Be Nationed Exiounent fr te Ars, Wengen DC. MUSIC FOR “HAMLET” Conaensed Score “3 Suite for Symphonic Band, I. Prologue: Elsinore and the Court of Claudius ae (Act 1, Scenes I and I!) Slowly and ominously PoE Eke Rony (Dre we Dad r= Mii] 4 ano Tim AF Coat tt sticks) P z R & *P-CE hammers? 5 F 2 ; 0s Bib gp Term Sane Cy a og Soracset mates) (1979 by Theodore Presser Co.,ryn Mawr. Pe, AULBighle Retsevod Internationa! Copysibht Scored aascoxr0 Printed in eSCondensed Seer 4 Os (Obs Fae tind “cud C re aia) Totes ean Bees Teba tis SP B sea (wi tic F808 oth Tino ste) 4 a 4 Oi. seta no remo) is401z04 ‘esadensod Seore Frag ASemee afc So | ais-tor20condensed Sore 5 Barth? Shanmes) susecen29‘ Coden Seore en Sana) se (Ts 23a) ~ s Can Moto {d = circa Bde Bp ietrine as-s0ta0‘Condensed Seore + a If msitosonore he Sylove Bee unia.Cmetal homers) i Chimes (2 harrmers Le a tone rng togecher? a ot pin ea on aonb at eoper WW, Senco : cop wo wR TeetensnBaze.) sabe nstones CCondenees Score g 4 cqgad Por tge BB] selon = a a sssuoreCondensed Score et rng aways) Bets Xplor tf Chimes Fata wnae ride together)” Concenned Score (trou [75] Broadly (J 50) ip tH, feat WW eas. seCrm. Teste 72 sas-40020 s‘Condonned Score a SWE Weare Bets de Xslo-une rs-a01202 Condon Sere Il, Hamlet and Ophelia (Act I, Scene 1} expression {J cies 48-50) cule cor 1 ae Slowly, wit (¥iteanhone rolled eben) tae /, "” it sane. 4 4 Fn count nis-4atee‘Condeased Score a pees t Beane ACL TA Bar Saves, (Obs, Cis, Sanes,Cors (cup mutes) —— ®” UO SL T S motto exe pads Be. mols to Tee. 115-401201" Condensed Seore — 0 upper WME & Sar, 0 Ra = ss-40126Condensed Sore 1s eam, (cu ast saad ”, {ie i togethe) sss-40120* Contented Seore IIl., Entrance of the Players {Act II, Scene If) Con Moto (J=72) Poco pid meso (J 20) 7 = pace, He SF BDo ye > 3 Prec sf snares of Ff cee) , 4 @ s uss-i0120‘condansed Soore " nas-oin018 Condensed Seore sastouneondanced Seors ~ |eoro poco erase == vs atin) Tent. Basns., A+B.Cts.. TeaSe.| = 2 2 yh money joer BEET Ve. 1 Fis, Ode, Basra, Sots fe uisdonae20 sore We Sac, ees‘congasaea Score 2 IV. Epilogue: The Death of Hamlet {Act V, Scene If} Slowly, and very sustained (¢ ~circo4s) oe. 2 — P ‘ates Tess 2 z x t— PB Bess AraC, ‘Tos, Bor_Tena ign Arb a BD p Gecthey Gong ———— 4 4 ys Se Tubs eevee Get rng) Sesp.Crmby Ss uussotze» ‘condensed Sone ‘poco © poco. ae, s Mopper WH BSans5, ete > | lber.nict.Bs poco exert 2 i a aeCondensed Score (Semte) Tepe F mare. ‘poco a aco) ever. - 5 wis Oo ns-40120Py condensed Score Fig Poe Osteen poll Fens.Ca teary) s1s4010Condensed Sears 2% ca Bowne. Soe fe moti eres. 118-401026 cond ape cetiy Ss s Bb ‘Sie saps‘Condenase Seore aoan Ss (Tee) wS Ss Fe. Coup ate) Tew ym ay Hy = mp usoMUSIC FOR “HAMLET” A Suite for Symphonic Band Piccolo (dbl, 3rd Flute} 1. Prologue: Elsinore and the Court of Claudius (Act I, Scenes Land 1) Slowly and ominously (J cirea 44) {C Flute) 2 pn ST isa = —— =P aft =P ten, Change to Piccolo 8 ‘on moto (d=cirea 66) z 4 we aN” 5. 3 gS Se S| ae e pte f= f =P (0 Piece) ofS Broadly (4-69) Shite. eet —= ff 7 1973 by Theodore Presser Co., Bryn Mawr, Pa. All Rights Reserved Printed in U.S.A. 5.40199 International Copyright Secured4 riccolo (al. gra rites oe 3 tf2 Piccolo (dbl. 3rd Flute) ee, - = Ii. Hamlet and Ophelia (Act HI, Scene I) Slowly, with expression (J -cirea 48 - 3») Om.Sole (C Flute) —-— ‘Lis—401202 Piccolo (dbl. 3rd Flute} “Wy Buuauce OL Une Players (Act Il, Scene IL) Con moto (J-72) Poco pit mosso (J- s0) # ‘eee. as. (Piccolo), es ff wae ee LT Sf Co = ———._ oe wee . owe D oh oe oR Teepe wl2 Piccolo (dbl. 3rd Flute} IV. Epilogue: The Death of Hamlet {Act V, Scene II) Slowly, and very sustained (J~cirea 43) 1 e & i 10 mf crest. mf crese. pt fot Dae Iho (C Flute). 2 fMUSIC FOR “HAMLET” A Suite for Symphonic Band ge es n 2 Ist & 2nd Flutes avrrep rhehiul I. Prologue: Elsinore and the Court of Claudius (Act 1, Scenes Land I) Slowly and ominously (J- circa 44) an —gez tpeze IF ‘tafe Soli ye =P oft ——7 Con moto (4-cirea Bs) 2 2 25,-e f= Ff Sp wf cresc. molto Broadly (J- 69) ea 43] ® = outs by Theodore Presser Co. Bryn Mawr, Pa. All Rights Reserved International Copyright Secured Printed in U.S.A,vo iste znd Hlutés cae eS we EN Con moto Gs 66) al .3 Ist & und Flutes ~ at I. Hamlet and Ophelia (Act I, Scene 1) Slowly, with expression (J- ci rea 48~ 50) Ob. Solo Selo 4 B SF molto espr. — 140120ist &Znd Hiutes Ill. Entrance of the Players {Act Il, Scene I) Con moto (4-72) Poco pitt mosso (J ~80) 2) Eby ‘FeensAst & 2nd Flutes IV. Epilogue: The Death of Hamlet (Act V, Scene I) Slowly, and very sustained (J- cirea 48) 6 2 4 2 a PBoli == =p af 301iMUSIC FOR “HAMLET” A Suite for Symphonic Band cag Ist & 2nd Oboes ALF RELI) I. Prologue: Elsinore and the Court of Claudius (Act I, Scenes I and IE) irea 44) Slowly and omij FBS ee ‘Paco: \ Pee. . NESEY C= Ro Eng. Hae 2st{Soll)_———-—~ Sr Seer poe f = (36) Con moto (J-cirea 66) az mf’ cresc. Sitio ti t SS == zs mote beets fislen Broadly (J - 69) 3 fag] > ay? t ©1973 by Theodore Presser Co., Bryn Mawr, Pa, All Rights Reserved —_ International Copyright Seoured Printed in U.S.A.1 ast6-éna Uboes ae ee i a? 3 jos AR z —s i = = ALE (4266) . 3 : 7 z Broadly (J- 60) FS" rs [73] ius-40120NZ & Ast & 2nd Oboes . if. Hamlet and Ophelia (Act TH, Scene T) Slowly, with expression (J = cirea 48-50) Solo fg L 1 1 p= moite espr. Sa et gp = S molto expr. WL ~ es EE ee PS molto espr. wee 2 (ast) fie, —_ 3‘ @ Ast & 2nd Oboes iu. Entrance of the Players {Act HL, Scene I) om moto (3-12) be wit mos) (a0) az Parte! =| == Ce ee 4 t——=9 5 ial ST]w@ 1Sl & Zn UD0eS - oe IV. Epilogue: The Death of Hamlet (Act V, Scene IZ) Slowly, and very sustained (J- circa 48) 6 2 Eng. Ha. 7 zA Suite for Symphonic Band ‘Ast & 2nd Bassoons ALFRED REI I. Prologue: Elsinore and the Court of Claudius (Act I, Scenes Tand if) RR AA Ak ar ay a Slowly and ominously (= circa 44) > Broad - a roadly (J 9) —~ JSF molto sonore ¥ p82) 2 - Con moto (J- 66) (eg) , (#2) ©1973 by Theodore Presser Co., Bryn Mawr, Pa. All Rights Reserved — International Copyright Secured 1is-a0120 Printed in U.S.A.7% Ast & 2nd Bassoons — a I. Hamlet and Ophelia (Act HI, Scene 1) Slowly, with expression (J = circa 48-50) A 4 2 jas-4oi20Ast & 2nd Bassoons UL. Entrance of the Players (Act II, Scene 1) Con moto (J..72) Poco piii mosso ( J - 80) a2 Sy mp pace a paco cresc. 163 (az) & ores. » 1168-40120Ast & 2nd Bassoons LY. Epilogue: Lhe Death ot mamuet (Act V, Scene It) Slowly, and very sustzined ( J - circa 48) (22) P Fn =p 6 z 8 bs) 4 a iagh 115-40120MUSIC FOR “HAMLET Contrabassoon (optional) Stite for Symphonic Band ALFREL ney 1. Prologue: Elsinore and the Court of Claudius \s” {Act I, Scenes Tand 11) Slowly and ominously (J = cirea 44) ‘Sol, wh i$ 7S me = —_- =S sempre p (& Con moto (J=cirea 66) @8|Broadly{J- 69) Peo = SP molto sonore ae poco a poco crese. ao oon moto ( J~66) [78] Broadly (J =60) If a Sif: 1978 by Theodore Presser Co. Bryn Mawr, Pa. All Rights Reserved Intornational Copyright Secured o ot ° Printed in US. erie 115-4012Contrabassoon (optional } Il. Hamlet and Ophelia (Act Il, Scene T) Slowly, with expression ( J = cirea 48-50) 4 Bost 2 Il. Entrance of the Players (Act H, Scene II) Con moto{ J-72) Poco pitt mosso (J - 80) 7) t = af t SP marc. = 115-40120fe Wuutiavassvun | UpUUnat ) Tr Wh eres. IV. Epilogue: The Death of Hamlet (Act V, Scene If) Slowly, and very sustained (J ~cirea 48) 2 4 5] 8 P =p molto sonore (42) Wf FZ my lig] 3 dim. BP ~ dim. BP 115-40120s MUSIC FUR “HAMLE 1” @ > A Suite for Symphonic Band . b Clarinet aurnkp,neep asty/ I. Prologue: Elsinore and the Court of Claudius ee Oe" (Act I, Scenes Tand i) Siowly and ominously (J -cirea 44) oF is) 2 SF mare 2] egy \Con moto ( 4 cirea 66) a1 inf cree. molto oy te ©1973 by Theodore Presser Co.,Zryn Mawr, Pa, All Rights Reserved International Copyright Secured 4115-40120(Act TL, Scene I Slowly, with expression (J=cirea 48-50) 4 IL. Hamlet and Ophelia ~ SEF sost. bal 4 1145-40120BP Clarinet P= Sf molto espn. as = Pf molto expr. So ee a =P 4 a, Il. Entrance of the Players (Act TI, Scene II) &] Con moto(J-72) _ Poco piti mosso (J- 80) a Sf, 7 3, Bel“EF Clarmef IV. Epilogue: The Death of Hamlet {Act V, Scene 1) Slowly, and very sustained (J cirea 48) a6] 2 41 2 |8lio fo oe ee af =P ~~ poco at poco cresa>- - - Sf 30) i] ; #2 Eee eo ee eeMUSIC FOR “HAMLET” A Suite for Symphonic Band Ist Bb Clarinet I. Prologue: Elsinore and the Court of Claudiu * (Act 1, Scenes T and IT} Slowly and ominously (J ~ circa 44) aa. Ze es SS a a Obs. =~ at J) G)aiv, ——P BP non vibrato pee se roa = S mare AT ete ete tere —= >= mp -Con moto 36] (d= eirea 66) =f = ——— yp we, Pa. Reserved International Copyright Secured ‘©1079 by Theodore Presser Co, ,Bryn Mawr, Pa. All Rights Reserve pyright 1115-40120UL Ee /e ist? Claret J _ a ‘eresc. molio eS Broadly (J- 69) {66|Con moto (d- 66) 115-a012060 ASL DY Crate. Broadly(J- 60) ox, I. Hamlet and Ophelia (Act TH, Scene I) Slowly, with expression (J = cirea 48-50) atv. —— PD espr. Lp ov, is YO ist stand only 1st stand only L,4 a tn wa a pi dher pp ag ae aT, la‘ 4st Bb Clarinet 29] a Kp ge P= SF molto espr. aiv,_ 85) +3 we fe te ie aE me =P Of molto espr. ——=yf =p Ist stand onty Soli SS mp—== poco | _ all other 1st Cle, 2 I. Entrance of the Players (Act IL, Scene II) Con moto(J-72} Poco pid mosso (J=so)sour GaneAst BP Clarinet iy. Epilogue: Ihe Death of Hamlet (Act V, Scene It} Slowly, and very sustained (d=cires 48) P =F "arp oh Waal. If dim, ee ber poor a paco crs. - ~~ ~-F 1186-4012055 Soli. - Jay, tem ———| 115-40120MUSIC FOR “HAMLET” A Suite for Symphonic Band 2nd: Bh Clarinet AL I. Prologue: Elsinore and the Court of Claudiuge' (Act I, Scenes Tand TI) € Chain Soc and ominously (J ~ cirea 44) a of — Sf = =- 36} Con moto (Js cirea 6 ) @1079 by Theodore Presser Co., Bryn Mawr, Pa. All Rights Hopgrved Intornational Copyright Secured coe ° ‘Printed in U.S.A. 4115-40120> “© znd B» Clarinet < Ah court of CLavaliva > cee — P erest. molto [18|Broadly (J - 69) a — std Sowtat Spee tees . a vit. weer cS et R2/ 2nd Bb Clarinet [68)Con moto (4-66) a econ) roa2nd BP Clarinet Tl. Hamlet and Ophelia (Act HI, Scene 1) Slowiy, with expression (J » circa 48-50) div, Pipe + =P fal Hist stand only half the 2nds op sempre pp S moito espr. : == pf molto | = WT UF SA 415-401204u. Hntrance ot the Players (Act TE, Scene I) Con moto (J =72) 4 Poco pid me si Bs] aiv. sim. poco a poco cresc. 1s-40120MUSIC FOR “HAMLET” A Suite for Symphonic Band hy * > 3rd Bb Clarinet . ALF "DBE ont ee ‘eid talon %y I. Prologue: Elsinore and the Court of Claudius (Act I, Scenes f and Ti) () Slowly and ominously ( J - circa 44) 3 Be” x ARR Sep a ee Lp 36] } Con moto (J-cireasé) eo ene ‘ ©1978 by Théodore Presser Co.,Bryn Mawr,Pa, All Rights Reserved International Copyright Secured Printed in U.S.A.IV. Epilogue: The Death of Hamlet {Act V, Scene TI) Slowly, and very sustained (J -cirea 48) * f poco a poco cresc.~ - - ~~ 1115-40120wa p= poof 3 =P (55) 4118-40120 fen. a) ‘59 div. ten. =p P fe T>P sim2¢ 3rd_Bb Clarinet 115401202f 3rd Bb Clarinet , Con moto (4=66) ry fs Broadly (4-60) aia , 115-401203rd Bb Clarinet Il. Hamlet and Ophelia (Act MI, Scene J} Slowly, with expression (J - cirea 48-50) div. tui div. 10) Ist stand only OS pp mp === Ff molto espr. div —— a === Pp fille unis. 2! a 5 ed 1158-401203rd Bb Clarinet 5 Il. Entrance of the Players (Act I, Scene 11) Dom to (J- 72) Poco pitt mosso (J ~80) moto (J~ ra)__Poco pit f= If 7. sim. poco a poco crese. f 1145-40120. Srd BP Clarinet TV. Epilogue: The Death of Hamlet (Act V, Scene Tl) . Slowly, and very sustained (J - cirea 48) 3 B P==(poco) 1315-401202% std 6? Clarinet div. fe PP non vibrato unis =: ——_ IF wv 115-40120MUSIC FOR “HAMLET” & Alto Clarinet A Suite for Symphonic Band ALFRED REED (1971) I. Prologue: Elsinore and the Court of Claudius (Act I, Scenes I and TE) Slowly and ominously (J - circa 44) 2 ©1978 by Theodore Presser Co.,Bryn Mawr, Pa, All Rights Reserved International Copyright Secured inted in U.S.A. Printed in U.S, 115-4012027 Eb Alto Clarine, (88) Con moto (d= 66) I. Hamlet and Ophelia (Act TIT, Scene I} Slowly, with expression(J -cirea 48-50) 10] 1 1 2 eee mp 1115-401202) Eb Alto Clarinet a F motto espr. eS — WS Bo OS P ==" p If. Entrance of the Players (Act If, Scene II) Con moto{J=72) Poco pitt mosso (J = 80) 4 = wr? 7 1115-40190 Alto Clarinet | jo ra dim. == nf F sim. J” poco a poco cresc. TT = ae 115-40120MUSIC FOR “HAMLET” A Suite for Symphonic Band ERD Bb Bass Clarinet atenep REED cst) Q) I. Prologue: Elsinore and the Court of Claudius (Act I, Scenes I and 11) lowly and ominously (J = cirea 44) ae SS ee Ss = é —= opel yt SS Steet [ef 0 Pwr i TP nie Gh ConYoto (4= cirea 66) ss —S = we Trese. molto 4 =a 3 (43) Broadly(J=69) . 2 Sf mali sonore + F 3 3 3 ©1973 by Theodore Presser Co., Bryn Mawr, Pa. All Rights Reserved International Copyright Secured Printed in U.S.A. 115-40120Dr aos Vian wee 3] Broadly (J ~ 60) v 8 vai wan —= d ath, any IL. Hamlet and Ophelia af: (Act I, Scene I) Slowly, with expression (J = cirea 48-50) fw pS 1145-401203 BS Bass Clarinet Ul. Entrance of the Players (Act TI, Scene H} Con moto(J-72) Pit mosso (J - 80) Rahn2 B? Bass Clarinet 4¥. Bpuogue: ine Veatn of ramet {Act V, Scene II) Slowly, and very sustained (J - circa 48) 3 ji a = = = @ af cree. eo es eee B vis-ani20MUSIC FUK “HAMLET” A Suite for Symphonic Band B? Contrabass Clarinet (Act I, Scenes Tand It) Slowly and ominously (J ~ circa 44) (Soll) w— a ae the — sempre p sempre p wh Sf Ir SEF molta sonore AL 115-40120MUSIC FOR “HAMLET” q@) A Suite for Symphonic Band 2nd Eb Alto Saxophone ALERED REED (1971) I. Prologue: Elsinore and the Court of Claudius (Act I, Scenes I and I) Slowly and ominously (J = circa 44) BP p=>P—p By oe af Pf a IP = Fz mf, 3 op Con moio ( d~cirea 66) 68! Broadly (4-69) ©1978 by Theodore Presser Co., Bryn Mawr, Pa. All Rights Reserved International Copyright Secured Printed in U.S.A. 1159-40120~ 32 und EP Alto Saxophone 59] _ a BEN Con moto ( J=66) Broadly (J~60) 73) &~~ IEF sost. Il. Hamlet and Ophelia (Act IIL, Scene I} {10} Slowly, with expression (J = cirea 48-50) 44 1 4 2 =p ‘116-4012032 2nd E? Alto Saxophone 0] Eng. Hn, a 4 ap 68), Ob. ait wal Jj P=. Ff molto espr. — ool Il. Entrance of the Players (Act II, Scene II) Con moto(J-72) Poco pitt mosso (J= 80) . 1185-401205 2 4nG 4 Alto Saxophone 1185-401202nd EP Alto Saxophone IV. Epilogue: The Death of Hamlet (Act V, Scene II) 6 Slowly, and very sustained (J~circa 48) Ba ‘Eng. Hn, : 2MUSIC FOR “HAMLET” A Suite for Symphonic Band Bb Tenor Saxophone yme ALFRED REED (1971) I. Prologue: Elsinore and the Court of Claudius (Act I, Scenes Tand 11) Slowly and ominously (J-cirea 44). Bssn. 1 wr == pp a) cine Besa.2 fe] Con moto (d= cires 66) ae gt 2 = eat — Wp rad f ©1973 by Theodore Prosser Co., Bryn Mawr, Pa. All Rights Reserved — international Copyright Secured Printed in U.S.A. 115-40120SPP Lenor Saxopnone BN se =e es — Con moto (4-66) If. Hamlet and Ophelia (Act IB, Scene I) Slowly, with expression (J - cirea 48 - 50) Basa. 1, Alto Cl. i) SS P 20] Basns.,, Bar. Sax, F 1158-401203 bP lenor Daxophone FE] P Sf molto espr. P = Il. Entrance of the Players (Act II, Scene I) Con moto(J=72) Poco piii mosso (J = 80) 115-40120BP ‘Lenot Saxophone P . poco a poco cresc. 115-40120Bb Tenor Saxophone iY. Epuogue: {ne Veath of Hamlet (Act V, Scene 1) Slowly, and very sustained (J- cirea 48) 2 1 2 8 by 1168-40120 (16)JUOLL PUK PLAWVLLE 1 A Suite for Symphonic Band EP Baritone Saxophone ALFR I. Prologue: Elsinore and the Court of Claudius {Act I, Scenes Tand It) Slowly and ominously (J = ciren 44) {soli), i =P f= Sempre ditt, @ 6] Con moto (J-cirea 66) a aed BP Rest iw. EB » cress. molto z o = mf poco a poco crese. Broadly (J-69) ee Rohe. FEM BRE ©1973 by Theodore Presser Co.,Bryn Mawr, Pa. All Rights Reserved International Copyright Seeured Printed in U.S.A. 118-4022036 & Baritone Saxophone [78] Broadly (4-60) H. Hamlet and Ophelia (Act TI, Scene f) . Vowil Touwtilin Slowly, with expression (J « cirea 48-50) Bites Bsen.2, Bags Cl. Lis-401201? Haritone Saxophone [35] Fsonore =p F sonore Il. Entrance of the Players (Act I, Scene II) Con moto(J-72) Poco pit mosso(J= 80) 7 aS EY 115-4012036 Eb Baritone Saxophone HO PELCHIOT, ai Surat iy Kugel! 63 PRR ft 3 fra] a # as wo TV. Epilogue: The Death of Hamlet {Act V, Scene I) Slowly, and very sustained (J - eirea 48) Bssns. a By = ‘poco a poco cresc. Sf ir pT ir Lfmalta sonore BB gj P (59) P sempre p Alto Cl. Bssns.MLUSLL PUR DAWLLL A Suite for Symphonic Band fe English Horn (optional) ALFRED SEED a ea, I. Projogue: Elsinore and the Court of Claudius (Act 1, Scenes I and II) Slowly and ominously ( J+ cirea 44) 37S 3 3S ©1978 by Theodore Prosser Co., Bryn Mawr, Pa. All Rights Reserved International Copyright Secured cinted in U.S.A. 1115-401204 English Horn ( optional) aes . _ and BSI ie loa be eo BP p= ‘molto sost. = ‘sim, Ja) Con_moto (4-cirea 66) 3 Broadly (J-69) _ Sf ost. f= = . = = a affinf = IL ©1973 by Theodore Presser Co., Bryn Mawr, Pa. All Rights Reserved International Copyright Secured ‘Printed in U.S. 1318-40120ist & Znd Horns mn Con moto (J-66) 9 S molto mare. fasy > PO as IS I. Hamiei and Ophelia (Act IL, Scene 1) Slowly, with expression (J- circa 48-50) Alto Sax.2 10) ST} Pott 415-0120ve ast & gud Horns in F A a tod end P 9] po Ty — —— Tad : Pop a [35] ae ae RL af ——~ p Ill. Entrance of the Players {Act I, Scene TL) Con moto (J-72) . Poco pitt mosso (J-80) 22), f° 7 115-40120(a2) [18) of = f IE brassy ay a a TV. Epilogue: The Death of Hamlet (Act V, Scene TI) Slowly, and very sustained (J- cirea 48) Bolt 115-40120open . . ,@ 4 1st 7 me 115-40120MUSIC FORK “HAWLLB 1 @ A Suite for Symphonic Band 3rd & 4th Horns in F ALFRED REED (1973) J. Prologue: Elsinore and the Court of Claudius {Act I, Scenes I and Ii) Slowly and ominously (J-cirea 44) : 4 ord P oh: Soli 2 sO Pee 7 a SP Bl 5 1 3 an BB SSS BP p= molto sost. 6 [56] Con moto (4-cirea 66) Sf > molto sonore i. ] a [4s] Broadly (J-69) _ —— Shag #3 =e sim. hot

sost. = = Bs] {aaj Con moto (<- circa 66) f 2 3 SS re | Broadly(/-s9) = 3 i> SF molio sonore f= zo 3] 6 of DVS by Theodore Presser Co., Bryn Mawr, Pa, All Rights Reserved International Conysight Secured rinted in U.8.A. se anion.*e Ist KP ‘Lrumpet 68] Con moto (2-68) 7S iz8] Broadly (J -60) =, o— = eo = = =z =o => S brassy I. Hamlet and Ophelia {Act Il, Scene I) Slowly, with expression (J-cirea 48-50) Cup mute 41st BY Trumpet 2 a 1 5 Il. Entrance of the Players (Act IL, Scene IL) - Poco pitt mosso (J= 80) Con moto (J- zm) ae WE f fMUSIC FOR “HAMLET” - (3) Y A Suite for Symphonic Band - 2nd Bb Trumpet aueraf REED conf . . C } I. Prologue: Elsinore and the Court of Claudius (Act T, Scenes I and II) Ne Slowly and ominously (J - cirea 44) St. mute 3 Cors. fu IS z_open [5] St. mute of crese. = = imps sost. = RO SS OS 25 [36] Con moto (J-cirea 66) can 7 3 8] Broadly (J-69) ft = mailto sonore 3] [56] Con moto, (4-56) If = ° y S ay. F Ba x,Pa. All Rights Reserved International Copyright Secured ©1978 by Theodore Presser Co., Bryn Maw: Rights Reserves 115-40120_ 2nd Bb Trumpet U8'Broadly (J - 60) +» -=e~ Il. Hamlet and Ophelia (Act II, Scene 1) Slowly, with expression (J = circa 48-50) Cup mute mip <= =P (19) Ro] 2 St, mates 2116-401203 2nd Bb Trumpet Il. Entrance of the Players (Act IE, Scene II) Con moto (1-72) Poco pitt mosso (480) [7 ~ sf4 2nd Rb Trimnet IV. Epilogue: The Death of Hamlet (Act V, Scene If) Slowly, and very sustained (J = circa 43) 2 4 Ist ‘Tpts. (6) iG a P poco @ poco cresc. =A sempre cresc. ft 6. ‘St mute 30 open Zz vt fmen. 7? OF Tf ah dim. molto PP 2115-40120MUSIC FOR “HAMLET” A Suite for Symphonic Band 3rd BP Trumpet ALFRED REED (1971) J. Prologue: Elsinore and the Court of Claudius §.°~’ | (Act I, Scenes Land I) : Slowly and ominously J = circa 44) L Core. St. mute open 5] = nf crese. == RP p< Sy! 2 FU = ——, Ee cost. m= SS == = }Con moto (J. circa 66) ay (36) f 3. US)Broadly (J-69) cor. F fe AF molto. sonore If f= 3. ‘=? Sane = ae eee eit oe et ea eee =z oe ov iw — > = [59] e_ [66)Con moto (J-66) ©1973 by Theodore Presser Co,, Bryn Mawr, Pa. All Rights Reserved International Copyright Secured Printed in US. A. 115-40120‘rd. 8? ‘Trumpet rs fea] Broadly (1-60) It =f Il. Hamlet and Ophelia (Act II, Scene I) Slowly, with expression (J - circa 48-50) cup mate mp =——?P asa"ui. Entrance or the Players (Act Il, Scene II) Con moto (J =72) Poco pitt mosso (4-80) I ~ orise. f° * e a 1135-40120ora BY Arumper LV. “Epilogue: ine Veatn of namiet (Act V, Scene TI) Slowly, and very sustained (J = cirea 48) 2 4 Ist Trpts. 6 fie! BI === mf sempre cresc. tf PB poco a poco eresc. su mule 4 open 3 Sf mare, dim, molto 5 Cup mute ten. ‘p-Soli a 115-40120MUSIC FOR “HAMLET” = A Suite for Symphonic Band sb 2a RE Coraets % I. Prologue: Elsinore and the Court of Claudius (Act I, Scenes Tand I) Slowly and ominously {J - circa 44) , prure oh: ; fo mare. open ore 15 A (oz) =p f Gai) =P [36Con moto (J- circa 66) 6 2 (25 . f a8) Broadly (J - 69) eens # SP molto sonore (66)Con moto(J- 66) es a a2 Sf ©1973 by Theodore Prosser Co., Bryn Mawr, Pa, All Rights Reserved International Copyright Seourec Printed in U.S.A. 118-40120$2 \st & 2nd B? Cornets Ts\Broadly (4-60) 0 . uf a pS ONL 2 LPs 2s 2 NL == cay : - —* ee fi. Hamlet and Ophelia (Act I, Scene 1) Slowly, with expression ( J = cirea 48- 50) 41 Cup mute [to (20) Cup mutes Ob. a [29] SF molto espr, 115-40120$2 Ist & 2nd BP Cornets 3 + se ae Cup mutes a] P 7 . Itt. Entrance of the Players (Act Il, Scene 11) Con moto (J=72) Poco pit mosso (J - 80) — (a2) f tf‘ SZ Ast & 2nd Bb Cornets (71 (a2) tf If IV. Epilogue: The Death of Hamlet (Act V, Scene I) Hea.1 Slowly, and very sustained (J = cirea 48) 2 Se a6} mp === af Sempre cresc. (30) St f Soli nd) Fmarc, 115-40120MUSIC KOK “HAMLET” A Suite for Symphonic Band 1st Trombone ALI I. Prologue: Elsinore and the Court of Claudius (Act I, Scenes Land I} Slowly and ominously (J. cirea 44) yo If = P Ppp f Soli of ©1973 by Theodore Presser Co., Bryn Mawr, Pa, All Rights Reserved International Copyright Secured Printed in U.S.A. 115-40120,(6/Con moto (J-66) =—~, — . — brassy Sif Il. Hamlet and Ophelia (Act IL, Scene 1) Slowly, with expression (J - cirea 48-50) Cup mute 4 1 4115-40120ist Lrombone Il. Entrance of the Players (Act II, Scene I) Con moto (J -72) Poco piti mosso (J - 80) 7 tas poo f f Ff stace. 1118-40320ASL LEULAUULG IV. Epilogue: The Death of Hamlet (Act V, Scene II) Slowly, and very sustained (J= circa 48) 3 2 = be Be P ——— ad 3 = pp nf cresc. ———= fe ™p == poco =P dim. moito BP Bal Bar. Sax., Hrns.2, 4 Bs] ba PB sim, P 115-40120MUSIC FOR “HAMLET” A Suite for Symphonic Band é a znd Trombone mt REwD, (1971) I. Prologue: Elsinore and the Court of Claudius (Act I, Scenes I and 1) Slowly and ominously (J - cirea 44) a tf === P =P af = P sost. =p [36]Con moto (4- cirea 66) A F mare. ma sost. the roadly (J=69) _ Gee Sf Soli of © 193 by Theodore Presser Co., Bryn Mawr,P2. AU Rights Reserved International Copyright Secured Printed in U.S.A. 115-40120aur Lromuune ~ 2 Con moto (J=66) f brassy I I. Hamlet and Ophelia {Act I, Scene 1) Slowly, with expression (J cirea 48- 50) 1 Cup mute p= ——7 (35) p 1158-401202nd ‘Trombone 52] fal 2 4 Ill. Entrance of the Players (Act II, Scene If) ve] Con moto(J=72) Poco piti mosso (J- 80) = > = f f F stace. 3 af mare 4 erese.euu Liyuuyoue IV, Epilogue: The Death of Hamlet - (Act V, Scene It) Slowly, and very sustained (J-cirea 48) [gy 4 P ——» ‘P poco a poco cresc. == xP — mp <= poco Bar. Sax.,Hrns.2,4 p=MUSIC FUR “HAMLET” A Suite for Symphonic Band * 3rd Trombone atenfogeep ast 2 I. Prologue: Elsinore and the Court of Claudius (Act I, Scenes I and II) Slowly and ominously (J -cirea 44) a ct =P mp<. > sost. [25] = P= =p Se a 6} Con moto (J cirea 66) arc. ma sost. [g|Broadly (J = 69) > oh # nel er oa of orese ©1973 by Theodore Presser Co.,Bryn Mawr, Pa. All Rights Reserved International Copyright Secured Printed in U.S.A. 115-401203rd Trombone ! 4 aoe moto ( 88 nc . . ~ f [a\Broadly(J-60) 4 a wf =F: brass ee SF 4 Th brassy << ee I. Hamlet and Ophelia (Act I, Scene I) Slowly, with expression ( J- circa 48-50) 4 ‘Cup mute mp — rT3 3rd Trombone Ill. Entrance ot the Players (Act Il, Scene 11) Con moto( J = 72) Poco pid mosso (J = 80) z Sf f 1115-401203rd Trombone Iv. Epilogue: The Death of Hamlet (Act V, Scene IE) Slowly, and very sustained (J cires 48) 2 —<—— — PR —=—— P poco a poco cresc. (22) -— [30] sim. 1215-40120MUSIC FOR “HAMLET” A Suite for Symphonic Band s 4th Trombone AL ee REED (197) I. Prologue: Elsinore and the Court of Claudius? (Act {, Scenes I and I) Slowly and ominously ( J -cires 44) If =—=—p w= Pp SS = {36}Con moto (d= eirealés) = crese. F mare. ma sost. SI ea Broadly (J - 69) fe SF molto sonore ©1979 by Theodore Presser Co., Bryn Mawr, Pa. All Rights Reserved International Copyright Secured Printed in U.S.A. 115-401204th Trombone iu. Cutrance of the Players (Act If, Scene It) Con moto(J-=72) Poco pitt mosso (J - 80) j a. f f = 5 If . it 115-40120un 1 culTDOne 1V. Epilogue: The Death of Hamlet {Act V, Scene II) Slowly, and very sustained (J - cirea 48) 4 B = > sim. Te —— 115-40120MUSIC FOR “HAMLET” A Suite for Symphonic Band Baritone (Treble Clef} {. Prologue: Elsinore and the Court of Claudius (Act I, Scenes I and II) » Slowly and ominously (J = circa 44) unis. Sol div, —_ af ——— 4 f == > 2 poco a para crese. mote f . Sf marc. 1973 by Theodore Presser Co., Bryn Maws, Pa. All Rights Reserved International Copyright Secured © * ™ Printed in U.S.A. 1115-40120Baritone(Treble Clef) 43) Broadly (J-69) Sf —— ¢ (G8\Con moto (J- 66) (1 Bar.) =f = [78|Broadly (J -60) tat 7 tf SS i t= oft La I. Hamlet and Ophelia (Act Il, Scene 1) Slowly, with expression (J - cirea 48-50) 4 @ Bass Cl., Besn.? 1 Oo 1115-40120& Baritone(Treble Clef} 4 Il. Entrance of the Players (Act I, Scene IT) Con moto (J =72) Poco pit muosso(J = 80) Lonly 7 pr f tutti-div, et f Hrs, [13] 1115-401204 & Baritone ( Treble Ulef) aa ms, av IV. Epilogue: The Death of Hamiet {Act V, Scene TI) Slowly, and very sustained ( J~ ciren 48) 2 fe) = ei 1 Bar. a "P-Solo = > -—= s =—=— p 4115-40120Baritone(Treble Clef) Gatti) at °f- Sonare a cae (pore a poco cresa- ~ ee a {enharm) =f cresc. f= . She f= SIL A molto sonore 9) Brn. J ee)MUSIC FOR “HAMLET” Qn, - # A Suite for Symphonic Band Baritone( Bass Clef) sum gen cont} 1. Prologue: Elsinore and the Court of Claudius een on (Act I, Scenes I and 11) Slowly and ominously (J circa 44) unig, Sold div. 3 —— SS (36|Con moto ( d- cixea 66) unis. e —— > poco a pod cvese. = 4 Sf Sf marc. ©197 by Theodore Prosser Co., Bryn Mawr, Pa. All Rights Reserved International Copyright Secured Printed in U.S.A 115-40120baritone | a\Broadly (4-69) ay, 1 yo —~, 2 If>=— fF + if a (73) Broadly (J-60) . tuttl If SS aiv. = unis. 9 3 SF if Sh of = sffe U. Hamlet and Ophelia (Act I, Scene 1) Slowly, with expression (J circa 48-50) 1 1 2 Bass Cl., Besn.2 115-40120% paritone | Bass Clef) tutti div. Ill. Entrance of the Players (Act I, Scene If) Con moto (4= 72) Poco piti mosso{ J - 80) iv 1 only 7 4 = f f ‘tutti, div. = Soo, Jd dd nd ad id ott Ls Bl 1115-40120Baritone ( Kass Clet) Hens. Bia 2) .Aan Ad sy @ IV. Epilogue: The Death of Hamlet (Act V, Scene 1) Slowly, and very sustained (J-eirea 48) zie|-—pp (tutti) = p= (poco) Trb.4 sim. ~ of conare aE hitan) ) GID) ope id f ———— | Minh BDA ELS) oi ‘poco a pow crésa- - - - - -F — as Es SSS Fem a diy, ” tS? AP molto sonora Bar. Sax. TP (ist half) Pp [het hot Wet { i div. 115-40120MUSIC FOR “HAMLET” A Suite for Symphonic Band Tuba 1. Prologue: Elsinore and the Court of Claudius | —— ao (Act I, Scenes I and I) Slowly and ominously ( J - cirea 44) Soli prea FL eS oe f= Pa = =p @) 2 VS = = = sempre dim. A _ PP poco a poco eres senipre cresc. aft ©1973 by Theodore Presser Co.,Bryn Mawr, Pa, All Rights Reserved International Copyright Secured Printed in U.S.A. iis~40120tuna roadly ( J - 69) ig SI 3, DF molto somare = = ff = a] 2 Con moto {J-66) 2 z Broadly(J~60) a aa )Tuba Ol. Hamlet and Ophelia (Act II, Scene I) Slowly, with expression (J = cirea 48-50) St. Bass pizz. P 1 Tubs only a0 St, Bass: wv (35) tutti, div ‘sonore [a3] Bass Cl., Bar, Sax, —— Ls Ft op Sy [52] 1 Tuba only 2 Tubas P PP 2 Tubas onlyIl. Entrance of the Players (Act IL, Scene II) Con moto (J» 72) Poce pitt mosso (J =80) 4 4 tute 1 denly faut f 1115-40120IV. Epilogue: The Death of Hamlet {Act V, Scene II) Slowly, and very sustained (J -cirea 48) 2 tuttt 6 pw ey 1 Tuba only P r x SR sembey aS tuttl Fr = = > > poco a poco crese. 22] aiv. = _ iF — {30) = - Fe - Ze Poe aco erese, SF ares. 34] 3 —— ae Gia one! a 2 She nf = — = = = dS Sf molto senor a 1 Taba only = = ie re dim, motto ft mp po ep "P~—= poco tutti, div. e 1is-40120MUSIC FOR “HAMLET” A Suite for Symphonic Band String Bass I. Prologue: Elsinore and the Court of Claudius (Act I, Scenes I and II) Slowly and ominously (J « cirea 44) we f__S == pp pizz. arco pizg. arco eI [Con moto ( J~ cirea 66) we (poco @ poco ¢resc. wife ©1975 by Theodore Presser Co.,Bryn Mawr, Pa. Al! Rights Reserved International Copyright Secured rinted in U.S.A.String Bass [48)Broadly (J - 69} arco fe IP molta sonore 2 Con moto (d= 66) | cresc. . [78 Broadly (J 60) & + ‘ ¢ = w YP eh wf ts theotring Bass U. Hamlet and Ophelia {Act II, Scene I) Slowly, with expression (J - cirea 48-50) plzz. a P 5-40120uy Lars I. Entrance of the Players (Act Il, Scene I) Con moto {J- 72) Poco pitt mosso (J = 80) arco & 1 plzz. oN ? = ft a tal piza. 3 56 pine. erese. IfDuring Bass IV. Epilogue: The Death of Hamlet (Act V, Scene IL) Slowly, and very sustained (J = cirea 48) 2 1 pizz. 1 = finf <= If ae SIP molto sonare 1415-40120MUSIC FOR “HAMLET” Gy? A Suite for Symphonic Band {Ss oe ‘Timpafu ALERED) 1 I, Prologue: Elsinore and the Court of Claudius . (Act I, Scenes Tand 1) , Slowly and ominously (J ~ cirea 44) = 3 . 3 32S EE SS8S > 3 TBI BEA! Mp -Soio » 8 (15) (let ring) pz a woes (soft sticks) fe I 6 oo 8] Broadly (J-69) 3 4 3 ria ~ St f 9] A let ring = f 1e79 he Thendare Preaear“* 1impani {66}Con moto (J. 66) a tf @* 2 3 4 5 6 1 8 a Oe ae — poco a@ poco cresc. => 28} Broadly (4-60) rg I ‘ Soli @”—@ IF Il. Hamlet and Ophelia (Act Tl, Scene I) Slowly, with expression( J - cirea 48-50) 1 4 3Timpani A If. Entrance of the Players (Act TI, Scene i) ce

[ithe k Broadly (4-69) Bi] IP metal hammers Chimes eR ma pee [a SPF 2 hammers -lét all tones ring together Bg] Bells oniy, 2 a f @hammers) ©1973 by Theodore Presser Co, Bryn Mawr, Pa, All Rights Reserved — Jaternational Copyright Secured Printed in U.S.A,“/ vercussion 1 66} Con moto {d~ 66) Bells Xvlo. Ff {let all tones ring together) Fo Tr “ Chimes aso ocr f 73} Broadly (/~60)Vercussion 1 Tl. Hamlet and Ophelia (Act I, Scene I) Slowly, with expression ( J -cirea 43-50) 10} (soft mallets) 1.4 3 1 Vibra, yj (2 mallets) 5], (¢ hammers) AF (oon axpeg.) ea Tl. Entrance of the Players (Act TI, Scene I) Con moto{ J-72) Poco pit mosso(J=80) 7 < 4. Bells =k tf ® c 4 Bells), f 36 a 3] 1 115-40120oy Percussion 1 8 _ (Bells) (56) (metal mallets) If If IV. Epilogue: The Death of Hamlet (Act V, Scene IT) Slowly, and very sustained (J- circa 48) = (4 mallets) faxpeg.) Vibra. ore - -S af | PE, GIES So i ht «hy oe 4 5 __ Snares oft | 3 pate ote, a >} ge phin ‘ Lovdtg deta —ie ip 5 fi 4p (poco) + P(boeo) eta tops T= Fuh, > (let ring) mp ©1013 by Theodore Presser Co. ,Bryn Mawr, Pa. All Rights Reserved Intexnatlonal Copyright Secured Printed in U.S.A, 1115-401207— Percussion I is] . 5 Gon moto ceo fear = pron (1-8) yet LF ' rR T —= at tree iF ee er ay d 115-40120Percussion IIMUSIC FOR “HAMLET” gercussion qe A Suite for Symphonic Band Le pe ALFRED isk ‘ase; Pair of Cymbals I. Prologue: Elsinore and the Court of Claudius Nea” Gong, Triangle (Act I, Scenes I and II) Slowly and ominously (J = circa 44) Susp. Cymb. 4 eT p> wi ln 3 Pair of Cymbats| 4 ae = = Gong o # >A eo] SF (et ring) I é ™ byw Ei) anne > ee Loto 5 Cit thee f pte Po 77 pet th 5 5] Com moto (d-cicea 66) ‘ fe et ( | mp enbe = 5 8 i St mp {3]Broadly (J -69) ~y get | fale ot pre parr f a) a 59) 4 Z— yd. , ~ a4 4 = ~ iy ovese. UP RFT f —UrRpre= [ oe 4 pth e ©1919 by Theodore Presser Co.,.Bryn Mawr, Pa, AMI Rights Reserved International Copyright Seoured rinted in 115-40120Percussion IL [68] Con moto (= 68) {sh Broadty (1-60) [ne ee Te Spa 1, Sy —t 2 a f prt oe ie “ te ee Il. Hamlet and Ophelia {Act I, Scene I) — Slowly, with expression (4 - cirea 48-50) fio) 4 43.4 4 4 1 4 ‘Trianglo| 20) Triangle 2 4 £4 t 2 bP ep “2 3 i29| Gp gt vr hapa HE [35] Ci phe kt Lag aoe af a If 2 tt P <<, a, 1 & — Il. Entrance of the Players (Act I, Scene IL) Con moto(J-72) Poco pitt mosso (J =80) [7 ° = 7 2 4. —~ in eed a — fT f ri ‘Triangle [+4 5 on . 115-40120 sovercussion Mt 13) iB iF aa Triangie _— TF 2 2 PTT tt te Bl og Bay ae lag] 8 At w Ta TTT tt tt ° Ea 63 pt — 8. ip + s lp fal = 1 choke i pret ae - & $7 a fe 3 4 eee . A PPE EE pe ge An UME © TV. Epilogue: The Death of Hamlet (Act V, Scene TI} Slowly, and very sustained (J « circa 48)[6 tc sing) usp. Cyml z ag (ein Cymb vi. os pn atcym) a P con ott ip. tio La (Gong) ) 8 Gor = f oy } | me a > $Percussion HI 1185-40120 116] Pa fot ores, | om (Pr. of Cymbs A — ze a | . | — | 4 p cresc. molto cresc. i205 ye pik dw 4 ” a . PS 4 . SK, (az) fg gg molto cresc. D be (a2 ; 3 T= ——— Arriangle bong 3 a = Tek { pre i {metal beater) ” rr] ™? ® a eh ph = | —2— 3 so |e aa l 6 B ad Bo (66) ty A Z 1 a, A z t ——— < f 7 BP 1 ' t, a [ _. > 4: | ge % bs te ° toMUSIC FOR “HAMLET” A Suite for Symphonic Band Rs, Harp ALFRED REED (191), I. Prologue: Elsinore and the Court of Claudius i (Act 1,.Scenes I and 1) Tacet IL. Hamlet and Ophelia (Act II, Scene 1} Slowly, with expression (J ~cirea 48-50) 0 ft Ff (fast arveg.) et all tones ring) ©1979 by Theodore Presser Co., Bryn Mawr, Pa, All Rights Reseryed International Copyright Secured 115-0120[85] mito sonore : . 500 seceeey loco G3] (et ring together) Il. Entrance of the Players (Act Tl, Scene It) Tacet TV. Epilogue: The Death of Hamlet. (Act V, Scene 1) Tacet 1415-40120