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Sonja Brentjes
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CHAPTER TWENTY-ONE
T H E M AT H E M AT I C A L S C I E N C E S
A N D M E D I C I N E I N S A FAV I D I R A N
•••
Sonja Brentjes
INTRODUCTION
Evaluating the mathematical sciences and medicine during the period of the Safavid
dynasty is very difficult since very little research has been done in these areas.
Since the nineteenth century, when Ferdinand Nesselmann (1811–81) published
and translated in 1842 Bahā al-Din al-‘Āmeli’s (953–1031/1547–1622) elementary
survey on arithmetic, algebra and geometrical figures, Kholāsat al-hesāb, the Safavid
period has been considered one of scientific decline and stagnation. This view has
not changed very much over the almost 180 years that have passed since. David
King’s discovery of a Mecca-centered world map on three Safavid astrolabes sold
at the art market between 1985 and 2001, and George Saliba’s detection of new
models for planetary movements in Shams al-Din al-Khafri’s (d. 957/1550) writings
modified it to some extent. King highlighted in several works the artful products of
Safavid astrolabe makers. Nonetheless, he is strongly convinced that the projection
used for constructing the world maps could not have been invented either by the
Safavid craftsmen or scholars but had to come from a scholar of the third/ninth or
fourth/tenth century, when the mathematical sciences flourished in Baghdad and
other cities of Iraq, Iran and Central Asia.1 Saliba, by contrast, celebrated Khafri’s
contributions to planetary theory as proof against the decline of intellectual vigor
at least in astronomy.2 He did not, however, evaluate the relationship between
Khafri’s work and the rise of the new dynasty. No further significant studies of the
mathematical sciences have appeared since then. A detailed survey of manuscripts,
colophons, dedications, illustrations and thus geographies, politics, and the arts of
Safavid mathematical manuscripts is found in Brentjes, 2010.
The situation with regard to medicine is somewhat different. Although there are no
editions of medical or pharmaceutical texts written by Safavid scholars and no sys-
tematic study of medicine in whatever function (discourse, practice, institutions and
people) throughout the two centuries, Andrew Newman’s articles on Mohammad
Bāqer Majlesi (d. 1110/1699) and his engagement with theoretical as well as pro-
phetic medicine have explored important contextual features of medical activities
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during the second half of the seventeenth century.3 Speziale’s analysis of the Resāla
al-zahabiyya, a medical treatise (falsely) attributed to the eighth Twelver Shi‘i Imam
‘Ali al-Rezā (770–818) and the foundational charter of the Shi‘i version of prophetic
medicine, i.e., the medicine of the imams, adds further information about this med-
ical discourse during the reign of Shāh ‘Abbās II (1642–66).4
The present text cannot compensate for these gaps in research and publication.
It will offer some general impressions about the state of these disciplines and their
practitioners in tenth/sixteenth- and eleventh/seventeenth-century Iran based pri-
marily on investigations of the manuscripts collected in Iran and the publications of
the aforementioned colleagues.
The mathematical sciences and medicine were the two scholarly domains outside
the religious disciplines, which had a professional representation at the court and
market place. The professional representative of the mathematical sciences was the
astrologer. The highest-ranking member of this profession was the head astrologer at
court, the monajjem-bāshi, responsible for preparing horoscopes of the shah and his
family and for determining auspicious days or hours for travel, war, or the enthrone-
ment of a new ruler. The profession’s lowest-ranking members were those who sold
their predictions in small shops at the market or as itinerary salesmen of goods or
hopes. While quite a few court astrologers are known by name, those who populated
the markets or streets are only known to have existed. We do not know what they
knew and what they sold. It seems reasonable to assume that they were not specialized
in astrological predictions alone but also sold talismans, incantations, magic bowls
or cloth, calendars or almanacs and perhaps even drugs. If that is a correct suppos-
ition, then these lowly astrologers relied on the occult sciences, discussed in another
chapter of this book, and may have served as healers or at least shared some of the
tasks with those who sold drugs, syrups and other medical drinks, or treated wounds
and broken bones. This chapter will, however, focus on men who wrote texts and
produced instruments, because these are the documents of their learning and profes-
sional practice that they left behind and that we can study.
The highest-ranking representative of the medical field was – as in the case of
astrology – the head physician at court, the hakim-bāshi. Here too, we know some
of these men by name. Court astrologers and court physicians were not only skilled
in their professional domains. As a rule, they would have had a good education in
the religious disciplines, in particular, the Qur’ān’ and its interpretations, Shi‘i hadith
and law but possibly also in kalām as well as in poetry, history and calligraphy. Shāh
‘Abbās’s I court physician Sharaf al-Din Hasan al-Shefā‘i (d. 1037/1628), himself
the son of a court physician, is more famous for his satirical poetry and his post-
humous portrait allegedly painted by Rezā ‘Abbāsi in 1634 and copied repeatedly,
among others by his most famous student Mo’in Musavver in 1675, than for his
medical talent and writings.5 This is primarily the result of a lack of solid inves-
tigation of his as well as other medical texts of the Safavid period. In addition,
Sharaf al-Din was also an expert in diplomatic letter writing.6 Shāh ‘Abbās’s I court
astrologer Jalāl al-Din Mohammad b. ‘Abd Allāh Yazdi (d. 1029/1619) wrote a his-
tory of the shah’s rule.7 His son and grandson also served the court in both capaci-
ties as astrologers and historians.8 This inclusion of astrologers and physicians in
the administrative bureaucracy of a Muslim dynasty, the Safavids shared with the
Ottomans and possibly also the Mughals. Whether this is a mere accident or speaks
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nephew. Historians of the Safavid period such as Eskandar Beg Monshi (d. ca. 1632)
confirm the training of sons by their fathers in medical theory as well as the pharma-
ceutical and therapeutic crafts.10 Such inner-family education also took place for the
mathematical, religious and philological disciplines. As already indicated for Jalāl
al-Din Yazdi, one of Shāh ‘Abbās’ I head astrologers, the Safavid period also saw
several multi-generational families of astrologers.
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India and the Ottoman Empire during the eleventh/seventeenth and twelfth/eight-
eenth centuries. In Iran, one of the users and commentators of Bahā’ al-Din’s book
was his student and the later court astrologer Mohammad Bāqer b. Zeyn o’l-‘Ābedin
(d. after 1047/1637).11
Although these works also included elementary geometry (plane figures and
solids), geometry at madrasas saw a (re)turn toward Euclid’s Elements and the
so-called Middle Books, ancient and medieval mathematical and astronomical texts,
which were meant to be studied following the Elements and before reading Ptolemy’s
Almagest. This (re)turn is particularly noticeable during the eleventh/seventeenth
century when numerous copies of these works were produced in Isfahan and else-
where in Iran, and even, Apollonius’ Conics was again read. Almost all copies of this
series of texts represent Nasir al-Din Tusi’s editions prepared in the second third of
the seventh/thirteenth century. The Parliamentary Library in Tehran, for instance,
owns a good number of Safavid copies (mostly eleventh/ seventeenth century) of
those texts, whereas there are decidedly fewer such copies traceable for the later
Timurid period. The more prominent works such as the Elements or Theodosius
of Bithynia’s (second century BCE) Spherics resurface in ten to thirty copies,
whereas other ancient and medieval texts of the Middle Books aroused less interest.
Occasionally, other mathematical works such as ‘Omar Khayyām’s (d. ca. 412/1022)
commentary on the parallel postulate were added to these more regular combin-
ations of ancient and medieval texts for teaching (plane and spherical) geometry,
optics and astronomy. Not all copies contain marginal or interlinear notes and, thus,
may have been copied as replacements of older, by then damaged, exemplars rather
than in class. While some readers may consider ten to thirty copies mainly produced
during one century (eleventh/seventeenth) quantitatively negligible, the presence of
only two or three of these texts from the two previous centuries in the same library
invites to pay greater attention to the presence of such copies in other collections
and the preparation of systematic statistics, which includes, as far as possible, the
geographical distribution of their production.
Without further research, it is difficult to situate the new interest in this kind of
teaching literature with any precision. Combinations of some texts of the Middle
Books and parts of Euclid’s Elements together with a selection of works by Bahā
al-Din al-‘Āmeli, mixed religious texts of various authors or philosophical works by
Ebn Sinā suggest at the very least two factors behind this process: (1) Bahā’ al-Din’s
role as a teacher of the mathematical sciences and that of his student Mohammad
Bāqer b. Zeyn al-‘Ābedin Yazdi, who copied several of these manuscripts, including
Apollonius’s Conics, and wrote a commentary on Book X, one of the most complex
and complicated books of the Elements;12 (2) the general intellectual climate that
inspired some of the madrasa teachers since the later ninth/fifteenth century to pay
increasing attention to philosophical literature, first in Shiraz and later in Isfahan.
Pourjavady and Schmidtke see here at the least two phases of a turn to philosophy
among Sunni and in the Safavid period Shi‘i scholars.13 Although these two processes
showed different features with regard to metaphysics and natural philosophy, both
of them may have carried interest in the mathematical sciences as a fellow traveler
and philosophical subdiscipline.
Other geometrical school texts copied in Safavid Iran come, such as Nisāburi’s
and Kāshi’s works, from Ilkhanid and Timurid scholars such as Shams al-Din
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Samarqandi’s (d. ca. 722/1322) Ashkāl al-ta’sis and Qazizāda Rumi’s (d. after
844/1440) commentary on it. The overall picture of teaching arithmetic, algebra
and geometry in Safavid Iran thus does not differ substantially from that offered
by material available about the Ottoman Empire. Both followed largely the prece-
dence set by Timurid courtly policies and their adherence to Ilkhanid patterns. This
feature is strongly visible in astronomical and astrological Safavid literature with
its preference for the works of Nasir al-Din Tusi, Qotb al-Din Shirāzi (d. 711/1311)
and Nezām al-Din Nisāburi on planetary models and Tusi’s short texts on the con-
struction of astrolabes and calendars. Also read were Sharaf al-Din Jaghmini’s (first
half thirteenth century) elementary introduction to planetary theory without proofs
al-Molakhkhas fi ‘elm al-hay’a and Qazizāda Rumi’s commentary on this work as
repeated copies during the Safavid period, a gloss by Gheyās al-Din Dashtaki (866–
949/1461or 2–1542) on the latter text, and commentaries on the former by Nezām
al-Din Birjandi (d. 934/1527), Shams al-Din Khafri and other authors demonstrate.
Dashtaki also participated in the debate about the modeling, criticizing aspects of
Tusi’s and Shirāzi’s works claiming to have solved all difficulties.14
Manuscripts at the Āstān-e Qods Library in Mashhad show that these works
were not only studied at the Mansuriyya Madrasa in Shiraz but continued to be
read in Isfahan during the eleventh/seventeenth century. Two of their students
and later teachers were Bahā al-Din al-‘Āmeli and Mohammad Bāqer b. Zeyn o’l-
‘Ābedin Yazdi. Bahā’ al-Din even wrote his own treatise on models for Mercury and
the Moon.15 Other readers of Bahā’ al-Din’s works left comments showing their
awareness of the debate and Safavid contributions, sometimes even announcing
their own contributions.16 Biographers occasionally mentioned the study of such
texts in classes and the production of supercommentaries.17 This engagement of the
two eleventh/seventeenth-century scholars with a planetary theory in the tradition
of Maragha and Shiraz should encourage historians of astronomy in Islamicate soci-
eties to reevaluate the overwhelmingly negative judgment of the state of the art of
the mathematical sciences in the Safavid period, including the negative evaluation of
the mathematical competence of the sheykh al-eslām Bahā al-Din al-‘Āmeli.
Commentaries on Tusi’s Tazkera fi ‘elm al-hay’a of the Safavid period are known
from Gheyās al-Din Dashtaki, Nezām al-Din Birjandi and Shams al-Din Khafri
who are scholars of the tenth/sixteenth century. Their texts continued to be copied
until the end of the Safavid period with a particular interest in the works of Khafri
and Birjandi. Commentaries on Tusi’s Bist bāb dar astorlāb by Birjandi and Tusi’s
Bist bāb dar taqvim by the court astrologer of ‘Abbās I, Mozaffar Gonābādi (d.
1031/1621) were, however, much more often copied than the explanations of
planetary movements. Practical interests in astrology and calendar making obvi-
ously dominated the astronomical and astrological practices in the Safavid realm.
Planetary theories remained primarily the subject of madrasa teachers.
As in other Islamicate societies, religious and mathematical problems could inter-
sect and invite different opinions among scholars and dynastic officials. Their core
problems were the determination of the prayer directions, the determination of the
prayer times and the determination of the new moon, in particular for the month
of fasting. While in late seventh/thirteenth-century Egypt and Syria, Mecca, Yemen,
North Africa, Anatolia and Ottoman Europe such issues were treated by a specialized
group of madrasa scholars, the movaqqetun, in Iran, no such specialization emerged.
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Madrasa teachers as well as religious court officials took care of them. Conflicts arose
over questions as to whether such events should be calculated or observed, what was
more authoritative – astronomical or mathematical solutions or the customs of the
Prophet, the imams, companions, or perhaps natural events. The point was always
to decide who had the authority to introduce changes in any given society. It also
meant to ask whether the believers had to learn sufficient geometry, arithmetic or
astronomy to verify for themselves whether a mosque was correctly aligned.
In 936/1529, Gheyās al-Din Dashtaki was appointed the head of the religious
administration (sadr). In this function, he entered into a conflict with the court’s
sheykh al-eslām ‘Ali Karaki (d. 940/1534) about the determination of the prayer
direction. Karaki had engaged in a program of altering mosques whose prayer dir-
ection he considered faulty.18 (Dashtaki objected to Karaki’s changes and insisted on
the usage of geometrical diagrams in addition to arithmetical calculations for veri-
fying the individual values of qeblas across Iran. Both combatants penned treatises
on how to determine the true prayer directions.19 For Karaki, the change of qeblas
was a matter of correcting allegedly false calculations. For Dashtaki, it seems it was
a defense of the necessity of proof, which in those times could only be delivered by
geometrical methods. Abisaab believes that Dashtaki’s goals also consisted in the
defense of the rights of the sadr.20 In 939/1532–33, a public debate between Karaki
and Dashtaki about the qebla in front of Shah Tahmāsb (r. 930–83/1524–76) ended
in a verbal brawl between the two men, which Dashtaki apparently lost. The shah
refused to accept the sadr’s arguments for technical expertise and dismissed him
from his position.21 Dashtaki returned to Shiraz and spent the remaining years of his
life there teaching at the madrasa his father had built.
The issue of the qebla remained a topic of interest to the Safavid religious elite
during the entire period of the dynasty’s reign. Many of the leading scholars in both
Safavid centuries composed mathematical, geographical or legal treatises on this
subject, some among them even more than once. Bahā al-Din al-‘Āmeli certainly was
the most eager writer among them on this topic. He apparently compiled at least
four different works on it.22
The arts offered another access for Safavid readers and collectors to astronom-
ical knowledge. Since the fourth/eleventh century, the primary illustrated astro-
nomical text was ‘Abd al-Rahmān al-Sufi’s (d. 291–376/903–86) Ketāb sovar
al-kavākeb al-sābeta. ‘Abd al-Rahmān al-Sufi was a court astrologer in the service
of the Buyid ruler ‘Azod al-Dowla (r. 338–73/949–83). His work attracted many
Safavid customers at courts and in other urban settings. Its images in the numerous
Safavid copies in Arabic and Persian show a clear dependence on different types
of Timurid manuscripts, a few of which undoubtedly followed Ilkhanid painting
styles. Its imagery migrated early on into Zakariya b. Mohammad Qazvini’s (d.
682/1283) encyclopedic work on the marvelous things of the heavens and earth
‘Ajā’eb al-makhluqāt va-gharā’eb al-mowjudāt amalgamating there with elements
from pictorial series of the planets and zodiacal signs used in astrological depictions.
Qazvini’s work also was copied and studied several times in the Safavid period
and at the court. One example is MS Paris, BnF, Smith-Lesouëf, oriental 221. It is
one of the Arabic versions of Qazvini’s work. Its pictorial ancestor was a Timurid
manuscript as, for instance, the picture of Venus demonstrates.23 The combination
of the astronomical depiction of Sagittarius and its astrological dragon tail is older
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and can already be found in manuscripts produced at the courts of Mongol dyn-
asties in Iran.24 Other migrations in purely astronomical contexts happened in the
eleventh/seventeenth century when images from al-Sufi’s book were painted in the
style of Rezā ‘Abbāsi in copies of Qotb al-Din Shirāzi’s al-Tohfa al-shāhiyya and an
anonymous text on the astrolabe.25 The third kind of migration took place in an art-
istic context. Individual constellations were produced in the format of single-album
pages, which were in vogue for many other nonscientific topics. An example of this
kind is a pen and ink tinted drawing of Cepheus estimated to have been made in the
eleventh/seventeenth century. The drawing is included in a turquoise blue grounded
frame with gilded flowers.
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by him either as the maker or as the engraver for the period of 1132/1700–20.
In the latter function, he cooperated with Khalil Mohammad, who produced the
instruments.32 Khalil Mohammad also worked with other instrument makers in
this kind of labor division. Several of ‘Abd al-A’emma’s instruments were made for
members of the Safavid family and its viziers or governors. Other recipients of the late
Safavid astrolabes were, for instance, the sheykh al-eslām of Tabriz Mirzā ‘Atā Allāh
Hoseyni.33 This may explain the instruments’ high artistic quality. These exemplars
apparently were objects of display rather than scientific work. At the same time, they
were objects of religious devotion and expressions of political power.
A Persian inscription, originally written to honor the governor of Fars, Allāh
Verdi Khān (ca. 1570s–1613), on an astrolabe produced by Mohammad Moqim
and decorated by Mohammad Mahdi in 1055/1645–46 reflects this multifaceted
meaning of a Safavid astrolabe:
This is the mirror of Alexander which is the model and sign (?) of the superior
[i.e.: celestial] bodies. It is one of the gift of those who sit in heaven, a sign of
government and empire. and this is the cup showing the world, which is the
weight and measure of the inferior (i.e.: the terrestrial) cup. It is one of the pearls
of the firm rope of political and military command. That is, the comrade and
companion of the empire, from Moon to fish (i.e.: everywhere). The friend and
associate of the greater luminary of the caliphate and monarchy, Amir al-omarā’
al-‘iyām Allāhverdi Khān, Bakma (?) ebn Jalāl al-Din Mohammad b. Kamāl
Monajjem. In the hope that the famous name of that intrepid individual, which
is like the star fard al-shojā‘ on the spider plate (i.e.: the rete), be a remembrance
to the enemies of religion and state. […]34
A less productive, but more formally trained instrument maker was Mohammad
Hoseyn (fl. ca. 1055–75/1645–65). In 1057/1647–48, he designed his first known
astrolabe. Some thirteen years later, he was one of the craftsmen who produced the
astrolabes with a Mecca-centered world map. Mohammad Hoseyn is also the rare
exception with regard to biographical data. The reason for his exceptional position
among the Safavid craftsmen is the fact that he was the son of a Safavid astrol-
oger with proven mathematical interest and talent – Mohammad Bāqer b. Zeyn
al-‘Ābedin. Mohammad Hoseyn reports that he received his education, including
the making of instruments, from his father. As a result of this education, he authored
several texts on instrument making. Mohammad Hoseyn wrote one of these texts,
dealing with the construction of an astrolabe, during his pilgrimage to Mashhad in
1072/1661–62.35
In Mashhad, astrolabes and globes were made by Hasan b. Sa‘d Qā’eni (fl.
1043/1633–34), Rezvān Bik Zarnishān (flourished ca. 1043/1633–34) and
Mohammad Zamān (fl. 1050/1640–41 to 1054/1644–45).36 (One of the three
globes produced in Mashhad was made for the province’s governor Manuchehr
Khān (d. 1046/1636)). It will be discussed below.
Astrolabes, globes and other instruments were not always produced by specialized
instrument makers. Occasionally, madrasa teachers or independent scholars also
engaged in such manual labor as the astrolabe made in 1047/1637–38 by Qotb
al-Din ‘Abd al-Hayy Lāri (fl. between 1017/1607 and 1032/1622) proves Qotb
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al-Din Lāri is known as the author of two treatises on elementary astronomy and
astrology. The more elaborate of the two, Hall va-‘aqd, was well-appreciated in
Iran, India and the Ottoman Empire. He was one of the scholarly notables of Lar
who took care of the sick Pietro della Valle (1586–1652) in about 1622 and shared
many of their scholarly, religious and political knowledge and beliefs with him.
Mohammad Zamān from Mashhad also belongs to this group of scholarly trained
makers of astronomical instruments, since he was an astrologer.37
While Safavid astrolabes are linked among each other by several features, globes,
in contrast, show greater variation. Like astrolabes, they are mostly made of brass.
However, there is also an undated and unsigned globe, judged by Savage-Smith as
being possibly Safavid, which was made from paper-mâché and plaster mounted on
a fiber core. She assumes that it was produced for teaching purposes.38
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religious discourses on medical theory and practice in Iran and India long before the
Safavid dynasty but also again during the Safavid period.43 This connection between
Greco-Islamic theoretical medicine and religiously sanctioned medical elaborations
took different forms. One of the physicians at Shāh ‘Abbās’s II court in Isfahan, for
instance, added a final chapter on the sayings of the imams to each of his two med-
ical works.44
Over the centuries, a specific concept of the wise imam, skilled in medicine,
alchemy and healing was formed replacing the figure of the prophet as a healer
cherished among Sunni believers.45 The Golden Epistle contributed to such a notion
despite the fact that it is highly unlikely that it was composed by Emām Rezā in
the early third/ninth century as its narrative of coming into being claims. Speziale
believes that its origin is to be found in the early fifth/eleventh century among Shi‘i
enthusiasts of medicine or physicians with strong Shi‘i leanings. Even with such
a date, it represents a much earlier and more profound engagement among Shi‘i
scholars with ancient and medieval medical and natural philosophical theories than
was the case with authors of texts on prophetic medicine. Speziale names physiology,
anatomy and therapy as major medical themes of The Golden Epistle.46 This the-
matic orientation resembles closely that of Majlesi’s Behār al-anvār.
The story of the healing, theoretically, educated imam did not only broaden the
framework for Shi‘i religious scholars’ engagement with scientific medicine in the
Safavid period. In Speziale’s view, it enabled the creation and maintenance of one
of the few hospitals built in the Safavid period. During Shāh Tahmāsb’s reign, the
Shrine of Emām Rezā entertained a hospital. As its patron, Tahmāsb appointed ‘Emād
al-Din Shirāzi (d. 1000/1592), a physician at the shah’s court, as its head.47 Having
received his education from his father, a physician well-trained in the medical the-
ories of Ebn Sinā and other scholars of Antiquity, the Middle Ages and the Early
Modern Period, ‘Emād al-Din Shirāzi started his professional life as a doctor of the
local ruler of Shirvan, with whom he became involved in a serious conflict resulting
in a punishment that caused ‘Emād serious health damages. From there, his way
led him via the Safavid court to Mashhad, where he contributed his medical know-
ledge and experience to the evolving ritual of spiritually sanctioned healing (Speziale
2004: 30). ‘Emād al-Din Shirāzi also wrote a number of medical and pharmaceutical
treatises such as a text about the medical usage of opium, another one about syphilis
and a third one about ‘the Chinese root’, a rhizome of one of the many East Asian
kinds of smilax, used for the former’s treatment.48
Similar institutions, often dedicated to the poor and a kind of low-level palliative
care – to use a modern concept – existed in other bigger cities of the country. Some
of them employed well-educated physicians, while others worked with herbalists
and other practitioners. Five physicians worked at the same time in one of the courts
of Tahmāsb and ‘Abbās I and those hospitals or dispensaries. Other theoretically
educated doctors held positions with Sufi sheykhs or governors.49
Medical works of the Safavid period provide some clues as to which books were
considered relevant to the knowledge of well-educated doctors and as respectable
sources for compiling different kinds of medical writings. In 924/1518, for instance,
the physician Mohammad b. Yusof Haravi (fl. 898–924/1492–1518) compiled
his medical dictionary Ketāb bahr al-javāher fi tahqiq al-mostalahāt al-tebbiyya
alphabetically arranged, providing explanations of anatomical, pathological and
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for instance, a perfect supralunar world with one perfect movement only for each
celestial body. This movement was circular and uniform. All celestial bodies had
to move around a single center. The models accepted and propagated by Ptolemy
violated these demands in several instances through their epicycles that carried the
planets, the moon and the sun and the displacements of the centers of each orb from
the center of the universe. The most obvious violation of what could be observed
was the too big apparent angular diameter of the Moon in its monthly variations,
which followed from Ptolemy’s second inequality or anomaly of the lunar motion.
The models and their devices introduced by scholars of Islamicate societies since the
thirteenth century repaired some of these theoretical and observational difficulties.
Therewith they guaranteed compliance with the accepted physics of the heavens and
created models for planetary motions that agreed almost fully with what Ptolemy’s
models achieved.54
The discovery of a continued and sophisticated discussion of these quite tech-
nical issues in sixteenth-century Shiraz by Saliba in the 1990s was a surprise since
until then it was believed that the only follower of the new models and devices
invented by the scholars in Ilkhanid Maragha had been Ebn al-Shāter (1304–75) in
Damascus. Shams al-Din Khafri’s commentary on al-Sharif al-Jorjāni’s (d. 816/1413)
commentary on al-Tazkera fi ‘elm al-hay’a explained concepts and passages that
Khafri considered obscure or difficult to understand. His discussion focused above
all on the displacement of the center of the orbs from the center of the universe and
its various consequences in the models for the Moon, Mercury, Mars, Jupiter and
Saturn.55 Khafri invented models for all these celestial bodies that only use spheres
moving in uniform circular movements around their own centers. However, he did
not solve the problem regarding the too big size of Ptolemy’s apparent lunar diam-
eter at the quadrature.56
Since Khafri proposed several alternative models for the Moon and Mercury ful-
filling the demanded conditions and agreeing at the observational points well with
Ptolemy’s models, Saliba proposed to understand this as ‘a new departure under-
taken by Khafri which identified ‘mathematics then, as a tool for the astronomer,
(as) just like a language’.57 This, however, ignores the standard geometrical practice
exercised in the Elements and familiar to every student of planetary theory as his
most basic geometrical schooling. It also masks the fact that proposing alternative
models was a well-established practice among the scholars of Maragha. Qotb al-Din
Shirāzi in particular applied one in his astronomical works, with which Khafri was
intimately familiar.
The greatest surprise, however, was the discovery of a Mecca-centered map on
one of the plates (diameter 22.5 cm) of three astrolabes with an unusual projection.
These three instruments appeared in 1989, 1995 and 2001 on the private art markets.
According to the studies of King and his colleagues, their grid is highly sophisticated.
On it, about 150 localities are marked according to their angular distances from
Mecca, which is placed in the map’s center. Two scales, one around the map’s cir-
cumference and the other fixed at the center, allow the reading off of directions and
distances. Such a device with its projection was previously unknown for maps made
in societies in western Asia, North Africa and Europe. King suggests a third/ninth- or
fourth/tenth-century origin and rejects the assumption of a European invention of
the projection since no sources could be found applying it. The geographical data
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of the Safavid instruments come from a table with 274 entries compiled under the
Timurid dynasty. Its author remains unknown but may have been linked to Ologh
Beg’s team of scholars in Samarkand in the first half of the ninth/fifteenth century.
That is why King thinks it is possible that the original map, of which those on the
Safavid instruments appear to be copies, was designed by Timurid scholars working
with methods invented in the Abbasid caliphate.58
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out at Samarkand the astronomical data of Ulugh Beg’s version of ‘Abd al-Rahmān
al-Sufi’s Star Catalogue were appropriated from Nasir al-Din Tusi’s Zij-e Ilkhāni.68
(Hence, as long as there is no comparative analysis of the star coordinates, Qā’eni’s
self-representation should be taken with a grain of salt).
Further information in the introduction concerns the copyist, the draftsman
and the painter of the Spencer manuscript. Mohammad Bāqer Hāfez is identified
with the calligrapher Mohammad Bāqer b. Mollā Mahmud Gilāni who is known
from colophons in seventeen other manuscripts copied between 1040/1630 and
1042/1632. Ostād Malek Hoseyn was a prominent painter at Manuchehr’s court.
He was also involved in illustrating the so-called Windsor Shāhnāma, one of the most
praised Safavid copies of Ferdowsi’s opus.69 In addition, further painters contributed
to the production of the Cairo manuscript without being named.
The illustrations of the Spencer copy have been interpreted differently by different
art historians. The authors of Slaves of the Shahs see in them a new style of illus-
trating the astronomical work where the painter is said to have experimented with
techniques of modeling and shading.70 They also believe that this modeling and
shading was encouraged by European or Indian pictorial sources. Yet, European
images of the star constellations do not resemble any of the Safavid exemplars
related to the paintings made in Mashhad. In Schmitz’s view, most of the images of
the Spencer manuscript are the work of Malek Hoseyn’s son Mohammad ‘Ali.71 If
the father was at all involved in the production of one of the two copies, she thinks
it was the Cairene manuscript, produced in 1044/1633–34, which contains with the
picture of Virgo perhaps a trace of his art. I have doubted this interpretation offering
several arguments to the contrary.72
For Babaie, Babayan, Baghdiantz-McCabe and Farhad, the lavishly illustrated
Spencer manuscript of Sufi’s Star Catalogue defines Manuchehr as a highly literate
patron of the arts and scientific books. Although they had no other artwork proving
this judgment, the recently resurfaced, dated and signed celestial globe confirms the
governor’s interest in the mathematical sciences in artistic format. The globe was
commissioned by the governor in 1042/1633–34 after the two manuscripts had been
finished. It was signed by the astrologer who had translated Sufi’s Star Catalogue a
few years earlier, by the painter Malek Hoseyn and the silversmith and inlay maker
Rezvān Bik Zarnishān.73 The style and execution of the figurative constellations
on the globe show – without surprise – clear connections to the paintings in the
manuscripts. According to Savage-Smith, the globe’s workmanship is of the highest
quality. Some of the constellations are executed in peculiar fashions pointing to
different models used for their representation. As in the case of the art-historical
evaluation of the paintings in the manuscripts, Savage-Smith assumes European
influence in at least one case – the depiction of Andromeda from behind.74
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Since there are contradictions in the locations of the fixed stars among previous
scholars, and because the most accurate [star maps] are in the observatories of
the Franks [western Europe], the locations of the fixed stars are shown here
according to authoritative observations made within the past ten years.76
The engraving of the astrolabe dragged on for five years since the latest dated inscrip-
tion was added in 1070/1659–60.77 (Several inscriptions address Safi Qoli Beg, an
emir of Shāh ‘Abbās II.)
Another Safavid astrolabe showing acquaintance with artistic and technical
elements of astrolabes produced in Europe is one of the instruments made by
Mohammad Moqim and decorated by Mohammad Mahdi al-Khādem. The art-
istic element is the tulip-like design of the rete with a bird inside characteristic
of astrolabes made in sixteenth-century Louvain. The magnetic compass fitted
into the throne is also thought of showing European inspiration, although some
astrolabes also carry magnetic compasses of local design, among those with the
Mecca-centered world map.78
Safavid miniatures show the acquaintance of the painters with Italian fortress
maps and books on canon casting. The European visitors also took a broad variety
of objects home, partly out of curiosity, partly because gift-giving was an important
component of the knowledge culture in early modern countries in Europe, partly
because they wished to correct false knowledge about Iran and because they wished
to share at home what they had learned during their stay in the country. Pietro
della Valle brought Persian historical manuscripts home and wrote in Latin a new
geography of Iran. Adam Olearius drew a map of the Caspian Sea and northern
Iran, claiming to have used earlier Arabic and Persian maps by Nasir al-Din Tusi
and other Muslim scholars. In truth, however, much of the content of his map was
derived from western maps to which he added Arabic or Persian toponymy and
names of provinces. Jean Chardin (1643–1713) visited astrolabe makers in their
shops in Isfahan.79 Tavernier acquired a set of longitude and latitude coordinates
derived from a famous Central Asian list of which only a few later traces are found
in Arabic and Persian sources.80 Missionaries translated Persian pharmaceutical and
other texts or wrote for the local educated people books on religious, natural philo-
sophical and cosmological topics.81
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But visitors from European countries were not the only ones who exchanged
ideas and objects with Safavid shahs, courtiers and scholars. Indian manuscripts on
astronomical and pharmaceutical texts also made their way to Iran. Given their art-
istic quality, it is most likely that they too were brought as gifts to the Safavid court.
All in all, scientific life in Safavid Iran was much livelier and multifaceted than
often depicted.
NOTES
1 King 1999.
2 Saliba 1994; 1997.
3 Newman 2003; 2009; 2012.
4 Speziale 2004.
5 Sachau and Ethé 1889: 232, n° 596.
6 Mitchell 2009: 264; MS London, British Library, Or. 13215.
7 Mitchell 2009: 264; MS London, British Library, Or. 6263.
8 Newman 2006: 197, fn 118.
9 Brentjes 2010.
10 Tādjbakhsh 2012: 32.
11 MS Tehran, Ketābkhāna-ye Majles-e Shurā’i 2341: fols 37–98.
12 Ibid.: fols 125–9.
13 Pourjavady and Schmidtke 2015.
14 Saliba 1991: 93–4.
15 Abisaab 2004: 171.
16 Saliba 1991: 95–7.
17 Saliba 1994: 36.
18 King 1999: 137.
19 Ibid.: 134; Abisaab 2004: 161; Pourjavady 2011: 28.
20 Abisaab 2004: 18.
21 Pourjavady 2011: 28; Abisaab 2004: 18.
22 King 1999: 134–6; Abisaab 2004: 161.
23 MS Paris, BnF, Smith-Lesouëf, oriental 221, fol. 13a.
24 MS Paris, BnF, Smith-Lesouëf, oriental 221, fol. 20b.
25 Brentjes 2014: 489–92.
26 Savage-Smith 1992: 47–8.
27 King 1999: 263–4.
28 Charette 2006: 236–71.
29 Gingerich et al. 1972: 191–6.
30 King 1999: 265.
31 Ibid.: 259.
32 http://www.mhs.ox.ac.uk/collections/imu-search-page/results/?query=%60Abd%20al-A'imm
a&thumbnails=on&querytype=basic
33 http://www.christies.com/lotfinder/lot/a-fine-safavid-brass-astrolabe-tabriz-iran-5885515-
details.aspx).
34 Charette 2006: 237.
35 King 1999: 256.
36 Mezghāni n.d.: 9, 20.
37 King 1999: 258.
38 Savage-Smith 1992: 47.
39 Newman 2003: 395; Speziale 2004: 9.
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