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ATTENTIVE

ACTIVE

RESPECTFUL
CHAPTER 2
Content and Contextual
Analysis of Selected Primary
Sources
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OBJECTIVES

At the end of the lesson, it is expected for the


learners to:
1. Interpret properly the selected Political Cartoons:
Political Caricature of the American Era 1900 –
1941 through examining the content and context
of the documents, and

2. Analyze the context behind each selected


Political Cartoons and Caricature.

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The
Political
Cartoons
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What is Political
Cartoons?

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Political - political issue or event

Cartoons - drawing, caricature, graphic


art

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What is Political Cartoons?
Political cartoon is a cartoon that makes
a point about a political issue or event
and the caricatures that is a satirical,
exaggerated portrayal of person.

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Why Political Cartooning?
 To understand the situation of politics and
the society in American period
 To express opinions in every significant
event in our history
 To question authority and draw attention to
political issues
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Five Main
Elements in
Cartooning
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1. Symbolism - using an object to stand for
an idea
2. Labeling - used for clarity and
emphasis
3. Analogy - a comparison between two
unlike things that share
some characteristics
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4. Irony - the difference between
the way things are and
the way things should
be or expected to be
5. Exaggeration - overstating or
magnifying a problem
or a physical feature or
habit
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Alfred McCoy
Author / Creator

Alfredo Roces
Contributor / Book
Designer

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Alfred McCoy
Author / Creator

Alfredo Roces
Contributor / Book
Designer

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Alfred McCoy
Author / Creator
 Born June 8, 1945
 Professor of History at the University of Wisconsin
who specializes in S.E. Asia
 Graduated from the Kent School in 1964; earned
his B.A. from Columbia College and his Ph.D. in
Southeast Asian history from Yale University in
1977
 In 2001, was awarded the Grant Goodman Prize
for his career contributions to the study of the
Philippines by the Association for Asian Studies
 In October 2012, was awarded the Wilbur Lucius Alfredo Roces
Cross Medal by Yale University's Graduate School Contributor
Designer
/ Book

Alumni Association.

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Alfredo Roces
Contributor / Book
Designer
 Born on April 29, 1932 (Sta. Cruz, Manila)
 Married Irene Pineda on May 24, 1958 and has three
daughters
 A gifted artist-writer
 Author of "Felix Resurreccion Hidalgo and the Generation
of 1972“, the National Book Award-winning title
 Lost his job in 1972 when Manila Times closed down but
begged off jobs in Marcos’ papers
 Became editor-in-chief of the Filipino Heritage, a ten-
volume study on Philippine History and Culture until 1978
 Currently a freelance artist and writer, Alfredo or Ding, as Alfred McCoy
he is fondly called, has been living in Australia since Author / Creator
1977.

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Philippine Cartoons:
Political Caricature of
the American Era
(1900-1941)
SELECTED CARTOONS

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Isabela State University University for People, Nature,
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Manila: The Corruption of a City
If the nationalism was the ideology of the Manila press, then the city was
its reality. The editors, artists and writers all lived and worked in Manila,
and so expressed their frustrations with its discomforts and decadence in
some of the angriest cartoons of the American period (1899-1941).
Costumes and characters have changed in the half century since their
publication, but Manila’s constant urban problems - poverty, corruption
and prostitution - give these cartoons an almost timeless quality.

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Isabela State University University for People, Nature,
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The Distant Provinces

This second cartoons is situated at the Distant Provinces that the


provinces began at Manila door’s step, but for the city press they
were a world apart.

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Isabela State University University for People, Nature,
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Colonial Condition
The third example is the Colonial Condition: that for Sophisticated
Filipino nationalist, colonialism was not a simple matter of who
occupied the executive offices in Malacanang Palace. They saw
colonialism as a pervasive condition that had penetrated the whole
of their social fabric – influencing their culture, politics, economy,
and class relations.

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Isabela State University University for People, Nature,
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Uncle Sam and Little Juan
Uncle Sam underwent a striking transformation in the pages of the Philippines press. In
the early years when Filipino nationalism was at its height, Uncle Sam often appeared
crafty and predatory in his relationship with the virginal maiden. Filipinos, during the
Harisson administration, however, Uncle Sam metamorphized into a wise, kindly
looking man with a paternalistic concern for the boyish figure of Juan de la Cruz, who
had largely supplanted the maiden Filipinas as the nation’s symbol. These images are
thus a cameo of changing Filipino attitudes towards America and Americans.

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The transition from the Spanish Colonial period to
the American Occupation period demonstrated
different scenario of changes and shifts in culture,
society, and politics. The selected cartoons illustrate not only
opinion of certain media outfits about the Philippine society
during the American period but also paint a broad image of
society and politics under the United States.

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Group Members

Garcia, Ngitew, Mallari, Tamparong,


Angela Janah Rhena Francis Xhinjie

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