].S. BACH Konzert c-Moll fiir Oboe, Violine, Streicher und Basso continuo Concerto in C minor for Oboe, Violin, Strings and Basso continuo rekonstruiert nach / reconstructed from BWV 1060 Herausgegeben von / Edited by Wilfried Fischer Urtext der Neuen Bach-Ausgabe Urtext of the New Bach Edition Partitur / Score ) Barenreiter Kassel - Basel - London - New York « Praha BA SIM7VORWORT as Kenzer fir Oboe wd in it in der volgen tm die Rekontton eins verchllanen Konze, asked ls Seb evel Cem WY 1a een ist die Cenbalohonere Bache fas asnahsos eine Orginalompostionmn, sondem Beibitngen teeter tele versllener Vind Oboe onset sind, ist der BoeMonchung act linger eat vor allem Wisin Rist dem Hauptedaior der len ch Aungabe, erdnken i ier wise Diet og das Vorwort 2 Hand XVI Ee et fch niekt an Versuchen de veroeren Uernen hunch Rekonsrution surockaugesnnen, Nebo den hansen Ausgabe, dem Konzert for Vine and Choe, heraugepeben vo Mla Seder Gn Mal) lund Mx Seifert (in col) den Vioinhonzrtn Mell (Rote Rots) und. Mell (Gustav Sed) fevete dem Konzert for drt ilies Dur (Rod Brumgainer snd vine ganze Reihe weitere Ren stratonen, 7m Tell deslben Konzert, pulinert ‘worden. Ske machen ale den Eindrockerwecken als {rout hen ie suhontce Form, dae Oia dee ‘Werks wiedergewonnen Abgeseen von dem Auge dock in dr gel un mehr oder minder pplcite Be !vtetingon le begrnte Meth Bs verano far Ven, for Cenalo ew fur Cembalo und Oboe ster, Aiglch den rcesonbedurtigen Text der allen Bch ‘Augie zugrone legen, tte sich die vorogerde Retensruktion sf ne prinipl an den handshi enon Quin der Conbalofsng rete Method Den egetichen Ans gab UlnchSigees Unies hung aber Kenpo wad Bbc in etree fon Statin Bac in ere ‘eae de Meth der wisenshafchenRehonstuk ‘Wesigate Bedingung for de annhernde Esche ung einer vere Url it de sich dis Ae groph der Beartetung eran at De alegre Parton sind dell bondrs sfsehsseh el Sle den Paes der Boetng i vielen Bizehten sich mele Kereta ce a Fae eine Bor rmiuren strate ene genaue Kenn der Art ti Wise vrs dee Bach gene Vsirkonzet fr ‘Camlo tains plot ine vertiche Me ‘hoe aur Belontrlton veneer Solkonaet st lo nur anand jena des tograph beinrten Ca Daloonzere av gewinnen, deren Uformen etenal (GV 058, Dur (BWV 105) un Dur (BWY 105, denen che Volinkonzete = Mall (BWV 108), E-Dur {BH 1082 und das 4 Brandenbugiche Kone 2 ‘gruel, Berchet man belo ds Aut {aph des Cembachonzeres Du, 0 wid deutch, ‘Sr Volpe uit unverinr in de Combo ‘nme aboratn und. die uspranglehe Contino ‘ho dese Ong fir Sehr gedacen Stine tzupsten Oise nace Redokton Schl sch ‘Bd wom lr Ensen dew ren Were vrei, Jey alle dr brig stogaph aber Comba onset, dren Voragen versal snd, ewan Asse spre der Bentatang Dsendee Btn ‘ch th lille sch ier rgnaen Learn it ember Sheree ase, Dis gt fr ie CCemtsloknzert A-Dur (BWV IS), dem ein Kenzer fur Obse dame zrande eg, wie dle Comber ncn dM (BWV 105) ued Mall (BWV 108) ce Ist ie Eewbetng jodech nur aschlich bere for eit Seer wiht Hillite. Die Chances ‘Ghee Rekontuktion sind danse vel gringer 50 ann sich ach die Wiederbenng des Koncert fa (Oe unt Vie nd des Konzerte det Vine ‘his Conbalsasungen HWY 04) und BWY 106 in ‘Nbschiten at sid Ise edoch dat Cembalohonzert BWV 1060 seiner Springlhe Get death rene, dass de Rack Ubortapuny der Cenbalosinmen aut die orginal Salcnstunente Oboe nd Visine bene grofen Probe“Teasripton ungewablich eng an di Vorage ange le und sich tn Grote nd Ganeen dara Be schrinkt, die biden Combate 2a enpiaen. De ‘ermutung i natrich nr aad eines Agr der earbitng 2a. Eelegen wate, prune seh ‘Wesrtchen au flgende Bocbactngen Awe von seiner Gentine, typische Vigne be de “astspin for ei nstenisranent unter er schsnele 21min, hal Bach in den Fall ‘enbureigiae Viinigurenunvernent in de Be ‘einng sbemommen: 0 im Dian des Comba Snel Tak und 128 Cert ale ie nV {Boch den rgen Combalsbenéctungen spare Nerwondung aordecher Pilsen oder gutver Cgenatinmen au dsr dem Cemtalopart sin ralterstiches Geprage veer eet man eer 15. mit dr ds I Comal fn Sat, THKLH nd {51 2 sch, dss desley Ache in Ce ato akkordach auf snd, i I Cenblo de ‘egen reiting ercheinenDiewe igentich Intonacuente Einatinmighet ot ium ars den als cenge Anehnung an den Obenpart des Orgs ‘a deri den Rekonsrtonen vor Max Scheer snd Maw Seite agranopsee Tea her Combe ‘ng in de alien acne baum wesentich 20 ‘esr i, ei de voroende Rshotrton ur geringfigi von hen Vorgingem sb Denner, hush sh ul eine Newgate verse wenden, da tus den fr de Pan Ketinmion Ausgabe Scheer tnd Sie nih encen st, weche afthunge Praktschen Zachen dur ules bel snd el She aleve gana wurde, ‘ber Binet informe er Ketch Bericht zum Supplementand dr No Bah Ate (VH/? = A S08 Verse Soci n Retoaone, dr ‘seht nur Bedingungen nd Moghhleen der Reon ‘tron, snr aah ie Gren mB ili Facher 2 elu Wen ig Oe i Cet von 3 ‘sh nts at, SaaS PREFACE ‘The present concerto fr aboe avin has ts ‘ond In this form Rather this dition regent hom of ot cancer whch he come down ony Inn arangenent ac the case with the cancer for two harsh (BWY 1060 1 has long bor recon by Bich scholars that ach’ heyboard concerts, mest without ecepon, sre terial compotion but argent of ‘eros or vila ad for be, sme of wi ves ‘ved an some nts ove al 1 Wit st the ‘oro the ld colle ton of Bas works tat ‘ne cine important infomatin on thi mater (ret 10 Va XVI. Same modem ronson re falar rough: the deble concerto for vin anda, ied {by Max Schneider (i D miner) and Max Set Gin Crna) the vtin concerto in D ine Raber Re) fd G minor (Gustav Scvec) andthe concert fe thee voting in D major dot Bagarte). Bat Apu fram tee, best inown examples, # hole Pay of he sane set, Te pence sed Sor la st cetng te peso having ‘hime he ens veron fe wok In onl tem Win he pn th kare by Scar an Seifert eves hey peal oun ae ts sora sarge aed on so soma penile three no wander ce qt ai fre ances or tn, ene for taper ‘oe orp dee =can pull a “pons one eae et werk nthe al pve sent whch hve os bse usiyon thet! bel hata, weve ch Inn of ein ey may have bn the pt te the murat arc fhe haps von ower gl sero Ud Seles ation ofthe matod of composition and chia of a= ‘hola reconstrvton of lost meses was discussed in “The mat important conton fr atvng at an 2p position o's teen version i ht the ato sore ate expecially informative since in therm many ‘served. The hrpichor pt in parla, contain a aleains which ae comprehen only asthe ‘oul of an arangement. The evasion of hse ers Sos requres a exact hole ofthe way which Iarschrd A relable method forthe reconstruction of ‘nonce ofthe thie keyandconcroe surviving Setograph whose original versions have also come down to r= the Rarpachord concern i G minor (@00V 1088, Dmjor BWV 1058) and Emaor EHV TUS, which are based respectively an the win com eros Amino (BHV OH) ae Enon (BH 102) {he autograph ofthe D mur Barpchord concerto or Instance ts ea ht many posses Bac ally ice of the harpsichord without aeration, and sn arpechord part ut evden finding thee pats ginal designed for Sigs, insulin Mma ‘han ence, 19 make thee beter sulted o keyboard tech dius, Ta pocet of revo pve te bo mame ‘hanes which provide ving pcre of he ew work oming into beng In the cnt ofthe other Bayou ero suviving in autograph whose modes ae nat reserve, thee aces of Backs reworking lke on 8 teat ofthese warks too can be established wih a fai Alegre of certainty, Ths applic othe harpsichord co cea in A major (GN A089), arrange oo once for oboe amore, and othe hapscord concertos minor (BH 1052) and Fasnoe (ONY 1086), both of ‘hich ae bed on vin concer ‘ver then this most important elements lacking, and {he chance of faith atten ae gues dof the tp win concert can rely only ain 1 Aaapatomace on ppd Ire ‘wt on Sin ie Pr ren Tren {9 100 ant BWV 1064 have come down few only Inthe form cope. ‘Untke te tpl won concerto, however, he fist zable fom the harpchord version (BWV 200), 20 that the esuraion ofthe Beybourd arts o thei oF Sppeare to have hep umualy ose t0 Ne model in smabing the tarscripion foe the most part confining ‘imac to supplying the harpsichord base ier Tit nj ch of course cull oly be proved with the id far autograph of the arrangement ag, based on We flowing considerations. Departing rm ‘sal pactc af ifying matic vilin figura ‘hon ether atone orn seve stages) when tansr- {ng it for Seyboar nth cave, Boch vider tok ‘iia loin wring ino the ranger without a teaton the gh and of hapa It ve ‘ont bars an 125) Andi compari eh the Cer hepchor etrangements it shine how ite ‘eek made of chordal wrt to lout the twtr, tna ef gl courerpoins which nonmally hee the aricept sincive charcter Father, Aone congas the right hand of harpihord inthe 1st movement bars 274 and SL, with hat of haps honda HE and Ri, cam be son tat the fame cghsbets ar Hed out on chonde In Mapa ‘Sng note Thor can hry be any explanation for 2 le adres othe ep o the oil? Sc he et of the od collect eo, which was ‘era Mas Seifert can in general scarcely be Bt the present ecosraction df nly igh fo #8 eu be dapesed with sine the performing eiiens {he markings that are ahead bythe sources and {howe tat hve Ben supplied bythe etre Det information wil before in the Kritichr echt te supplementary volume Veco Sl ovate Reon of the New Bao urate (0117 = 88 s13H where ot eny the cndions and te disse 4 tr et ia aeKonzert fir Oboe und Violine Z. Allegro eae 19 Sec eg. Kaa3. Allegroatin Vl, Contin (Venlo oo, Col) Ausobrngeue / Durr 2 “Ze vriegender Rng sind da Aufrangsmateal (BASS) td er Kosa S170) eich, In ation to the sae, he ctl pare WAS) seth pan ection (SA S17) a ab able apie: Sn Ba, Nt se et, em ln enn Sadat Cage un on Ba eh ep eV ed poet Vs non Rance BS regen Wed Toe tw rel ere ey er ae ee ‘Ae Rc ve / Aight cre / Fite n Geman “Gnslateege et nd pach st, “oye ca iJohann Sebastian Bach Auffiihrungsmateriale zu Konzerten und Orchesterwerken, Performance Materials to Concertos and Orchestral Works BARENREITER URTEXT Barenreiter oo www.bacrenreltercom