CHORD PROGRESSIONS 4 “Based on Cmajor These are chord progressions. There is no notated music. Instead, you choose the style and improvise (see glossary of musical terms) the music over the top. The chords are played within bars, and sometimes are repeated (using this sign :||). For these exercises, choose a different praise or worship style to use (this includes using the time signature that the style uses). Also, try and apply some riffs or techniques and be encouraged to add extra notes to the chord even if it doesn't say so. If you do not understand how to play these chord progressions, use the ‘Rudiments of Musical Worship’ section pages5-8 , or the “Glossary of Musical Terms,’ pg 66 to find out more. 1.C |F |G |F [1c ll 2C ICE |F |G IIc II 3.C |C/E |F Am G ;||C II 4.C |Am |F |G ‘Ic lI 5. C [Am [Dm |G [IC Il 6. C |Am [Dm |Fm/G_ ;||C {| 7C |GB [Am |F [Ic ll 8. G G/B |C |G G/B|c IC II 57 | S = om oP mm eR m= mm mm 2 Pm mm mo mm mm mm ,ee 12.C C/G 13.C 14.C 15.C 16. C | |G/B |FIA |C/IG |F | |Dm |G |F Ic ll |G |Am |Em |F | [F |G |FFmc|c Il icB By F Ie [G/B |Gm/BY |F/A | Fm/AP | |DrlF# |ClG |G Ic |Dm7_ |C/E |F FIG IC ll [c/s [CIA |cm/ab clic II iB AP ss el | IE jAm |B’a IC Il18. C |E |F |Fm/G :||C ll 19.C |G |Em|F Ic | G |Am ss |F ]C = [C qwicy. . || 20. Cmaj7 | Fmajr_ [Amz [Bo [cs 21.07. —«|F7_—s«[Cv_—s«dF?.—s«dC7 | F7 a’? [Bz s|IC_— C7 II 22.C [Arch {Dm |G Gr/B |Cnaj7 | Am D/Ft |G |GG7B|FIC —|C I 23. je OF jab BP slic il 24. C | Csus2/E |C/F |Fm |C/E | F.. C/E |Dm |Fm/G || Csus4 |c II 25. F9 |G |Am7 [Amz _ :|I F9 |G |Ame|F | Dm2 [Gsus4 |Csus4 |C ll 59 ammo OT etPe | i ; CHORD PROGRESSIONS (cont...) 10. Am 11. Am Dm é Based on Aminor * IF |G |Am |F |Dm |G |F |Dm = |Fm/G |G |F |Dm |G |Em__|F [Dm |Am_ |E7 |Am/G |Am/F |E7 Ic |D EZ Ic ID IF GIB |C [Am G/B|C |Ams|F |F :|[Am [Am :||Am :||Am :]|Am [Am :|[Am :||Am G :||Am IC |Dm |AMIEE|Am |F G :[|Am12. Am 13.Am Am 14. Am Dédim/E 15. Am 16. Am 17. Am7 18. Am G Am G 19. Am Dm 61 IF |G [C G/B ‘\|Am |D/F# |Am |D/F# |Am |D/IF# |F G AmjAm || I |F/A |G#dim7/A|Am..G|F Dm | |Am fl [cm [Em [Gm — :||Am |Am [BP |B :||Am \D7 ss |IF7_—s[B’7 |Esus4 jAm G Am. || |D/Ft |G D/Ft|Em E7 | |pD/F# |C D |G I |Gtaug [C/G |Dz/F# | |G E/G#:||Am_ [Am E7/G# Am ||| mom An mp) OR ee Ram hme mm| a a «a 20.Am |Fing7 |G |Em |F | a a Dm |Euss |E/GH |Am — |Amvo..|| a a : 21.Am [G/B |CsusC/E|F2 |Dm_ | a FmiG :IC {I a a a 22. Am |Dm7 | G | Esus4 | Fmaj7 | a a G |Ab [Bhs [Am or || 4a ga S23. |Am |C [Am |F | a G |Esus4 |E jAm__[Am.G.Am. || g a <24.Am — [Chim [Dm — |Dheim [Em | : Daim, Em.|Gsus.G|C || ‘@ * 25.Am = |D7/F# :[|Gm C7 [Gsus_ | a cB [cil a @ g 62 @