Knossos Game – Zatrikion

ancientgames.org/knossos-game-zatrikion/

Eli November 12, 2017

The Knossos Game, also known as Zatrikion, dates to about 1600 BCE, and was
discovered in 1901 by Sir Arthur Evans during his archaeological excavations of the
Knossos Palace on Crete. There is only one copy of this game in the world, since other
copies have never been found anywhere else. The original game was made with inlays of
ivory, rock crystal, and glass paste, decorated with kyanos blue and gold and silver sheet
metal, on a wooden base. Four ivory gaming pieces were found nearby. The game most
probably belonged to a member of the Minoan royal family who resided at the Knossos
Palace. The original game is kept at the Heraklion Archaeological Museum on Crete.

Knossos Game, Heraklion Archaeological Museum, Crete, Greece. Photo: Garrett

Ziegler, April 21, 2016.

The rules of the game are unknown and due to the strange appearance of the board most
classical game reconstructionists have not even attempted to reconstruct the rules.
However, two rather successful recent attempts have been made to reconstruct the rules
of the Knossos Game, ironically, both made by science fiction writers. The first set of rules
was proposed in the book written in Greek, and published in 2007, by Eleni Dragona
(Ελένη Δραγώνα) and Christos Z. Konstas (Χρήστος Ζ. Κώνστας), called in English, “The
Ancient Greek Book of the Dead” (Η αρχαιοελληνική Βίβλος των νεκρών). Dragona is an
archaeologist, but Konstas is a science fiction writer. The second set of rules was

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developed by a Russian game re-constructor, who also happens to be a science fiction
writer, Dmitriy Skiryuk (Дмитрий Скирюк) and originally published on his blog, in Russian,
in 2011.

E. Gilliéron & Son, Painted plaster

reproduction of the Knossos gaming
board, 1916-1920. The Metropolitan
Museum of Art, New York, Rogers Fund,
1917 (17.231).

Before jumping into the details of the

rules of the game play, both Dragona and
Konstas, and Skiryuk explained what the
features on the board actually represent.
Their explanations differed and therefore
resulted with a different interpretation of
which features on the board are actually
playing cells, and are not just decorative,
and in what sequence do the pieces
move on the board. Both interpretations
result in a different playing sequence with
some features either defined or not
defined as a playing cell.

Dragona and Konstas explained that the

section of the board with 10 same circles
(bottom of the board) represents The
Land of the Living, where as the section
with 8 circles of two different types (top of
the board) represents The Land of the
Dead – Haydes. The brick-like pattern in the middle of the board represents the river
Styx, which had to be crossed in order to pass from The Land of the Living into Haydes.
The purpose of the game was to pass from The Land of the Living into Haydes and then
return back to life, sort of as a life cycle simulator.

Skiryuk interpreted the game as a reflection on Crete’s central life style – seafaring and
trading. He explained that the board must be oriented vertically with the 10 round cells at
the bottom and the 8 round cells at the top. The 10 round cells at the bottom were a
representation of the map of Crete. The 8 round cells at the top represented islands of
other countries around the Mediterranean Sea. The lines in the center represented the
Aegean Sea which had to be crossed to get to other islands. Finally, the playing pieces
represented the Minoan ships which traveled from Crete to various islands to trade.

Knossos Game Board with Pink and Blue Cells

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Skiryuk compared the shape of the
pattern of the playing cells on the board
to the shape of the board of the Royal
Game of Ur, and outlined the same 20
squares on the Knossos board. This led
him to the conclusion that the game play
between the two games should be very
similar.

According to Skiryuk the game board is

divided into two blocks, the large one (10
cells) and the small one (8 cells). On the
large block all cells are the same size
and have the label of the 4-pointed star.
On the small block, 4 larger cells are
labeled with rosettes in different colors
and materials. The side rosettes are both
black, symbolizing danger. The lower one
is light blue, symbolizing water, where as
the upper one is made from terracotta,
symbolizing dry land. Skiryuk explained,
that the remaining two cells were the
Aegean sea area in the middle, which
would hold many pieces simultaneously,
since many ships could swim on the sea
at once, and the blue area in the center
of the large block was a bay of water which was located in the north-west corner of Crete,
and is called Kolpos Kissamou – The Bay of Kissamos, and was a safe cell, just like a
bay would be a safe heaven for ships. This tallied the number of playing cells to 20, which
made it the same as The Royal Game of Ur – The Game of 20 Squares. Skiryuk
concluded the each player probably had 7 playing pieces, just like in The Royal Game of
Ur, even though Evans found only 4 playing pieces together with the game.

Neither Dragona’s and Konstas’ rules, nor Skiryuk’s rules, are complete in order to play
the game without any questions. I have decided to merge them, and add some of my own
rules to make the game complete.

Knossos Game Rules:

1. Number of players is 2.
2. The game includes the board of 20 cells, 5 white pieces, 5 black pieces, and 3
tetrahedral dice with two of the peaks of the pyramid marked in a different color than
the other two peaks.

Knossos Game Board with Grid and Cell Numbers

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3. All three dice are thrown at the same
time. The score is determined as
follows:
1. If one dice has the colored
corner up and the other two dice
have it down then the score is 1.
2. If two dice have the colored
corner up and the third dice has
it down then the score is 2.
3. If all three dice have the colored
corner up then the score is 3.
4. If none of the three dice have
the colored corner up then the
score is 4, which is the
maximum obtainable score.
4. Additional throws of the dice by a
player in a single turn are not allowed.
5. To determine which player starts the
game, both players roll the three dice
until one of them scores 1. Whoever
scores 1 first moves first.
6. All pieces start off the board.

Knossos Game Board with Grid, Cell Numbers and Path

7. Whichever players scores 1 first starts the game on cell 18 or 20, on their own side.
It does not matter who gets to have white or black pieces.

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8. As the game continues all pieces of the first player continue to move on the board
according to the path shown with yellow arrows, where as the opponent’s pieces
move on the same path, but in the opposite direction, as shown with green arrows.

Knossos Game Board with Grid, Cell Numbers and Path of Yellow Arrows

Knossos Game Board with Grid, Cell Numbers and Path of Green Arrows

9. Movement is only allowed in the direction of the arrows. Moving backwards is not
allowed.

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10. All cells on the large block, cells 18, 16, 12, 13, 14, 11, 10, 15, 17, and 20 are not
safe cells. Only one piece can occupy any of these cells at a time. If the opponent
lands one of their pieces on an occupied cell in the large block it will knock off the
player’s piece off the board and that piece goes to the beginning of the game.
11. Pieces can knock off each while moving in either direction on the path. For example,
if the player’s piece just started the path and the opponents piece is already
returning back to cell 19, the bay, either one of them can knock the other piece off if
they land on an occupied non-safe cell.
12. Cells 12, 16, 18 and 15, 17, 20 are located next to the wall and give the player a
second turn if they land on them, while going in either direction.
13. After cells 10 or 11, all pieces move onto cell 9, the sea, regardless of the value of
their dice score. Cell 9 is shared by all pieces, and there is no limit to how many
pieces of the player or the opponent can sit on it simultaneously. Cell 9 is a safe
cell. Pieces do not get knocked off from it for any reason. Since the sea is a very
large cell, players should keep their pieces on their respective sides of the direction
of motion, in order to not confuse which piece is moving forward and which piece is
moving backwards. The sea cell is large enough to hold all of the 10 pieces in the
game. Although only 7 pieces can be held on a given side simultaneously, it is
highly unlikely that all 10 pieces will be stationed in the sea and moving in the same
direction all the same time. I believe, that for this reason, the designers of the
playing board did not feel that the sea needs to be made bigger.
14. In order to move from cell 9, the sea, on to the small block the player must score
with the dice either a 1 or 4. If they score 2 or 3, they must stay in the sea or move
other pieces that are not in the sea.
15. From cell 9 the pieces continue their path on to the small block as shown with
arrows. After completing the small block the piece return to the sea and then onto
the large block, and complete the game by landing into cell 19, and then off the
board.
16. Cells 3, 6, 7, and 8 are large and can hold 2 pieces at a time, whether the player’s
or the opponent’s. A 3rd piece is not allowed to land on these cells and the move is
forbidden.
17. Cells 1, 2, 4, and 5, with a small blue circle, are safe cells and can only hold one
piece at a time. If an opponent’s piece lands onto any of these cells while they are
occupied, the move is forbidden, and the player must move a different piece or skip
a turn.
18. Cell 8, labeled with a rosette with a light blue 4-pointed star, is a safe cell.
Opponent’s pieces cannot knock off the player’s pieces in this cell if the move is
allowed. This cell is also a mandatory cell. All pieces must stop on this cell after
exiting the sea (cell 9) and prior to entering the sea (cell 9), regardless of the score
of the dice. The light blue color (light blue ceramic glaze on the original) signifies
that this cell has a special function, which requires all pieces to stop on it. The light
blue color symbolizes a bay docking station after and prior to entering the sea.

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 19. Cell 3, labeled with a rosette with a pink 4-pointed star, is a safe cell. Opponent’s
pieces cannot knock off the player’s pieces in this cell if the move is allowed. This
cell marks exactly the center of the game. The pink color (red terracotta on the
original) signifies that this cell does not have a special function, like the light blue
cell 8, and it is a safe cell, as opposed to the white stars which are not safe.
20. Cells 6 and 7, labeled with rosettes with a black 4-pointed star, are potential traps.
When a player lands on either of those cells they must throw the dice again. If they
score a 2, the piece returns back to cell 9, the sea during the first crossing. If they
score a 3, the piece stays in its place. If they score a 1 or 4, the piece moves off the
cell and goes to the corresponding cell forward.
21. After a piece completes its path on the small block, it must enter cell 9, the sea,
again on its way back. In order to return to the large block the player must score
with the dice either a 1 or 4. If they score 2 or 3, they must stay in the sea or move
other pieces that are not in the sea.
22. Cell 19 is a safe cell and can hold up to a total of 4 pieces, which belong to either
the player, the opponent, or both. Pieces on it cannot be knocked off.
23. From cell 19 each piece can move off the board with any score of the dice.
24. Pieces can move off the board from other cells, 12, 16, and 18 or 15, 17, and 20 but
only with an exact score of the dice. From cells 12 and 15, on the score of 4; from
cells 16 and 17 on the score of 3; and from cells 18 and 20, on the score of 2.
25. The player who moves their pieces off the board first, wins.

On Strategy:

1. Main stratagem in the game is avoiding landing on cells where opponent’s pieces
coming from the opposite direction can knock the player’s pieces off the board. For
example, cells 13 and 14 should be avoided at all cost, because there is a really
high chance that the opponent’s oncoming pieces will knock off the player pieces
that are already sitting there. For the same reason, white cells on the sides give
each player a second turn so that they have a higher chance of avoiding those cells.
2. On the return path the side white cells second turn improves the chances of each
player to actually reach the end as opposed to getting knocked off almost at the end
of the path.
3. The throwing sticks or the conical dice have uneven probability for different scores,
as compared to a six sided cubic dice, which makes them more frustrating and
exciting at the same time. This list is 4 throwing sticks.
1. The most frequent dice score on throwing sticks is 2 (probability is 6/16).
2. The next most frequent dice scores are 1 and 3 (probability is 4/16).
3. The least frequent dice score is 4 and 5 (probability is 1/16).
4. For this reason, playing the game with a six sided cubical dice instead of the
throwing sticks or three conical dice significantly ruins the experience of the
game, since it equalizes all probabilities of the scores and avoiding specific
cells stratagems stop being applicable.

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 4. The first black cell on the path can be entered only with the dice score of 1, since
the previous cell is mandatory. Since the dice score of 1 has a middle probability of
occurring, this gives each player only a probability of 4/16 (25%) to land on this
trap. However, the second black cell can be landed from any of the previous cells
with any score of the dice, and therefore the probability of landing on it is much
higher.
5. The Knossos Game is more driven by chance than by strategy, which makes the
players think not as hard, and the game a lighter play.

References:

1. Ελένη Δραγώνα, Χρήστος Ζ. Κώνστας. “Η αρχαιοελληνική Βίβλος των νεκρών”.

Αρχέτυπο, 2007.
2. Hillbom, Niklas. “The Knossos game board.” Opuscula Atheniensia 29 (2004): 39-
71.
3. Brumbaugh, Robert S. “The Knossos Game Board.” American Journal of
Archaeology 79, no. 2 (1975): 135-137.
4. Hillbom, Niklas. Minoan Games and Game Boards: An Archaeological Investigation
of Game-related Material from Bronze Age Crete. VDM Verlag Dr. Müller. 2011.

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