Baudelaire, “The Painter of Modern Life,” 1863

波特萊爾，「現代生活的畫家」

Edouard Manet, Le Dejeuner sur l’herbe, Gustave Courbet, The Stone-

1863 Breakers, 1849
Claude Monet, Water Lilies, 1920 Kasimir Malevich, Black Circle, 1913

現代藝術打破從文藝復興以來在畫平面建構三度空間的假象，將繪畫推到純粹抽象
Gustave Courbet, The Stone-Breakers, 1849 (165 cm × 257 cm)
Realism 寫實主義
Jacques-Louis David, Oath of the Horatti, 1784 (新古典主義)
Eugène Delacroix, Death of Sardanapalus, 1826 (浪漫主義)
 Gustave Courbet, The Stone-Breakers, 1849 (165 cm × 257 cm)
Realism 寫實主義

“Painting is an essentially concrete art and can only consist in the representation
of real and existing things.”
Gustave Courbet, The Meeting or Good Day, Monsieur Courbet, 1854
Gustave Courbet, The Stone-Breakers, 1849 (165 cm × 257 cm)
Jean-Francois Millet, The Gleaners, 1857 (Barbizon school)
Nicolas Poussin, Et in Arcadia Ego, 1640 (Picturesque 如畫的風景)
Millet, Woman with a Rake, 1856-57
Gustave Courbet, The Painter‘s Studio: A Real Allegory of a Seven Year Phase in
my Artistic (and Moral) Life, 1855 (361x598 cm)
(The Pavilion of Realism 寫實主義展示區)
(左) Ordinary people
拿破崙三世
(右) People of Influence
(右) People of Influence

Charles Baudelaire

“The Flowers of
Evil” 《惡之華》
Giotto, Last Judgment on the west wall, c. 1305
 Gustave Courbet, A Burial at Ornans, 1849 (10’ x 12’)
https://www.google.com/culturalinstitute/beta/asset/a-burial-at-
ornans/jwESwQ4qvb87oQ
Frans Hals, Banquet of the Officers of the St George Civic Guard, 1616
 Velazquez, The Waterseller of Seville, 1619-20
Caravaggesque chiaroscuro 卡拉瓦喬式的明暗法
Honore Daumier, Third Class Carriage, 1863-65
Honoré Daumier, Rue Transnonain, le 15 Avril 1834
Honore Daumier, Laurent Cunin, Deputy and Peer of France. 1832.
Honore Daumier, André-Marie-Jean-Jacques Dupin (Dupin the Elder), 1832
Thomas Eakins, The Gross Clinic, 1875 (240x200 cm)
Rembrandt, The Anatomy Lesson of Dr. Nicolaes Tulp, 1632
Thomas Eakins’s
self -portrait
Dante Gabriel Rossetti,
Annunciation,1850

Pre-Raphaelite Art
(拉斐爾前派)
Fra Angelico, Annunciation, 1439-1443
John Everett Millais, Ophelia, 1852
John Everett Millais, Ophelia, detail
William Holman Hunt,
The Awakening
Conscience, 1852

現代生活的道德主題
 Alfred Tennyson 的詩:
Tears, Idle Tears

Symbolic realism 象徵寫實主義

Jan Van Eyck, Arnolfini Wedding, 1432 (82 x 60 cm)