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ORAL COMMUNICATION  Decoding- interpreting the encoded

message of the speaker by the


Communication receiver.
 Understanding- the idea’s point
- is a process of sharing and
 Feedback- the response
conveying messages or information from
one person to another within and across Models of Communication
channels, contexts, media and cultures.
(McCornack, 2014) *Noise- anything that hinders the
communication.
-came from the Latin word
“communicare”, which means sharing. 1. LINEAR- one-way (public speaking,
monologue, mass communication)
Types of Communication:

1. Oral
SENDER RECEIVER
2. Written MESSAGE

3. Gestural

5 Elements of Communication:
2. INTERACTIVE- two-way(interview,
1. Sender/ Speaker – the source of formal debates, forum, classes,
information or message. digital conversations)
2. Message- the information, ideas, or
thoughts conveyed by the speaker
in words or in actions. SENDER MESSAGE
RECEIVER
3. Receiver- the recipient of the
message, or someone who decodes RECEIVER SENDER
the message. FEEDBACK

4. Channel- the medium or the means,


such as personal or non-personal, 3. TRANSACTIONAL- casual
verbal or non-verbal, in which the conversations
encoded message is conveyed.
5. Feedback- the reactions, responses,
or information provided by the SENDER RECEIVER
receiver.
MESSAGE

*Context- the environment where RECEIVER FEEDBACK SENDER


communication takes place.
Functions of Communication:
Process of Communication
1. Control- to control behavior
 Stimulus- triggering factor
2. Social Interaction- allows individuals
 Ideation- producing different
to interact with others.
ideas/message
3. Motivation- motivates or encourages
 Encoding- converting the message
people to live better.
into words, actions or other forms
that the speaker understands. 4. Emotional Expression- facilitates
people’s expression of their feelings
 Transmission- deciding on how the
and emotions.
speaker shows the message
5. Information Dissemination- to convey
 Reception- the receiving
information.
Barriers to Communication 3. Open-mindedness
4. Sensitivity
*Barrier- the factors that affect the flow of 5. Adaptability
communication. 6. Ability to engage in divergent
1. Speaker-Generated Noise thinking(or thinking creatively) and
systems-level thinking(or thinking how
-lack of confidence each one in a system or organization
-wrong pronunciation influences each other )
-inadequate volume of voice 7. Politeness
-insufficient information
-unpreparedness Note that in addition to culture, other
-incorrect grammar elements such as gender, age, status, and
religion must also be taken into
2. Listener- Generated Noise consideration when communicating with
others.
-poor listening habits
-unreceptiveness to new ideas Tips on Talking to Someone without
-low interest level Showing Bias:
-unwillingness to concentrate 1. Avoid stereotypes, generalizations
about a certain group.
3. Environmental Noise 2. Challenge gender norms; avoid
using “he” and “man”, you may use
4. Listener- Generated Noise plural pronouns; the use of “his/her”
is also acceptable.
-both ends
3. Do not talk down on younger people
-difference in age, religion,
and the elderly.
experience, education and culture
4. Be sensitive to the religious practices
-lack of trust
of others.
-intimidation
5. Be polite at all time; do not belittle
people you perceive to be on a
Intercultural Communication
lower social class than you.
-happens when individuals interact,
negotiate, and create meanings while Speaker’s Purpose
bringing in their varied cultural a. To Inform – to share knowledge and
backgrounds (Ting-Toomey, 1999). facts.
b. To Persuade – ask audience to have
-influenced by different ethnicities, a change of heart or to do
religions, and sexual orientations. something, in sales
c. To Entertain
-simply put, intercultural
communication is the sending and Verbal Cue
receiving of messages across languages -is a prompt that is conveyed in
and cultures. spoken language from one person to
another or a group of people.
Characteristics of Competent Intercultural
Communicators (World Bank, 2010)
1. Flexibility and the ability to tolerate
high levels of uncertainty.
2. Reflectiveness and mindfulness
Types:  Spells out important words
 Lists on board, or reads a list, allows
1. Emphasis- cues which are given time to take notes
to focus attention on important  Speaks more slowly
information.  Speaks more loudly
 You need to know  Stresses certain words
 You need to note  Uses different voice tone
 You need to understand  Asks questions not meant to be
 You need to remember answered by students
 You need to underline
 You need to think about Non-Verbal Cues
 This is important -nonverbal communication between
 This is key people is communication through sending
 This is basic and receiving wordless clues
 Listen carefully -we also communicate by these
 Let me emphasize cues which refer to the process of sending
 Let me repeat information through ways that do not
 Let me explain require the use of language. For example,
 Let me make clear we might communicate support by giving
 Why is it? someone a high-five or by hugging them.
-the expression of messages through
2. Organizational- cues which are facial expressions, gestures, and body
given to help the listener language, is essential to successful
understand the order, sequence, relationships in the workplace.
or relationship of the information
in the lecture. Types:
 The topic is
 Today we shall discuss 1. Paralanguage (rate, pitch,
 To introduce volume, quality, intensity/ tone,
 First of all tempo)
 Second, third, etc. 2. Facial Expressions
 Then, 3. Kinesics (body movements and
 Next, posture)
 As a result, 4. Gestures
 Main headings to be discussed are 5. Eye messages
 Will make several points 6. Touch
 In the following order 7. Voice
 In conclusion 8. Proxemics (space and distance)
 To summarize
 To review Functions:
 To recap
 To go back over  Accenting – calling attention to a
key part of a message, when you
3. Mannerism- cues used by a put an accent on it, you create
specific teacher, sometimes like a emphasis, making the item stand out
habit, and indicate something to by amplifying it.
be noted is coming up.
 Repeats the words or phrases for
emphasis
Example: stamping, increasing  Repeating- is like complementing or
volume, moving forward, slowing accenting, but with a delay
down between the verbal and nonverbal
communication. This acts as an
 Moderating – opposite of accenting emphasis, as in another form of
as it seeks to reduce attention, or repetition.
removing emphasis.
Example: saying no then shaking
Example: reducing volume, head afterwards. Or , asking for help
speeding up, being incoherent then, after a short delay during
which they do not respond, rising
 Complementing- similar to eyebrows and saying “Hmm?”
accenting, but covers a wider range
of the message. Speech is paralleled
by nonverbal communication that
aligns with what is being said. Mastery of Non-Verbal Communication is
Important for Several Reasons, which are:
Example: when talking about sad
things, lowering the head and using 1. It enhances and emphasizes the
a sad tone. Or , when seeking to message of your speech, thus
excite, being animated in body and making it more meaningful, truthful,
voice. and relevant.
2. It can communicate feelings,
 Contradicting- sending a nonverbal attitudes, and perceptions without
message that disagrees with what is you saying a word.
being said. Delivers confusion. May 3. It can sustain the attention of
also happen subconsciously when listeners and keep them engaged in
lying. the speech.
4. It gives the audience a preview to
Example: saying no while gently the type of speaker you are.
nodding. Or , saying “I didn’t do it” 5. It makes you appear more dynamic
while rubbing the nose and pulling at and animated in your delivery.
the collar. 6. It serves as a channel to release
tension and nervousness.
 Regulating- sending signals when 7. It helps make your speech more
speaking. A typical use is around dramatic.
starting and ending the speech. It 8. It can build a connection with
can also be used to regulate the listeners.
speech of others, indicating that you 9. It makes you a credible speaker.
want them to stop or you want to 10. It helps you vary your speaking style
say something. and avoid a monotonous delivery.

7 STRATEGIES TO BECOME A BETTER PUBLIC


Example: breaking or making eye SPEAKER
contact, or giving a final and firm
nod, when you have finished 1. Think out your ideas
speaking. Or , raising eyebrows when 2. Be prepared
you are about to start speaking. 3. Start confidently
4. Make eye contact
5. Slow down  Be willing to poke fun of
6. Stay steady yourself
7. Be human  Work on your nonverbal
language
TOP 9 CHARACTERISTICS OF EFFECTIVE
PUBLIC SPEAKERS 7. Repetition
-help ensure your audience
1. Confidence takes the main points away
-“There are only two types of from your presentation.
speakers in the world” (Mark Twain)
 The nervous 8. Don’t just Practice, Practice,
 The liars Practice
-Two main antidotes for -practice your presentation in
anxiety a right way
 Excitement
 Authenticity 9. Conclusion
2. Passion -the best way to give an
-exude a level of sincerity in inspiring presentation is by
your emotion. having a message that you
believe in that the audience
3. Be yourself can connect to.
-practice, not memorization
-speak in a natural voice
8 MASTER STRATEGIES FOR PUBLIC SPEAKING
4. Voice Modulation
-avoid using a tone that seems 1. PRACTICE – a one-minute speech
too well rehearsed. meant 1 hour of preparation
(Churchill)
5. Keep it Short and Sweet 2. HAVE A HOOK- within the first two
-adults can only sustain minutes, the speaker delivers his / her
attention for around 20 Big Idea.
minutes and that their short- 3. SHUT UP- using the power of silence
term response to the stimulus 4. KEEP IT REAL
that attracts attention is only 8 5. KEEP THEM WISHING ON A STAR
seconds (Dukette and 6. SPEAK WITH YOUR BODY- touching,
Cornish,2009) eye contact, facial expressions
-if speech is longer than 20 7. GET MOVING- make movements
minutes, break it up into that emphasize your words; take
smaller chunks of information advantage of the space.
(max of 20 minutes per chunk) 8. GET ON THE STAGE

6. Connect with your Audience


-best ways to connect with
SPEECH CONTEXT
audience:
 Tell stories 1. Intrapersonal- communication that
 Be aware of your target centers on one person as the sender
audience and the receiver of the message; just
 Know the energy in the like talking to yourself.
room
 Shakespeare’s Hamlet; “To be  Employers and employees
or not to be”  Doctor and patient
 Judge and lawyer
2. Interpersonal- communication
between and among people and 4. CASUAL- used by peers and friends
establishes personal relationship using slang and jargons.
between and among them; just like  Carps----R.U.G (are you
talking to someone. going?)
- Dyad communication (between  Pics----Images
two people)  Mom’s Jeans----high and
- Small group (at least three but wasted
not more than twelve people  Scoobs----No
involved; where leadership arises)  Gumps-----thanks
 Pots------ Ok
3. Public Speaking- communication  Salt----- as in
that requires you to deliver or send  Sharks------ patingin
the message before or in front of a
group (hundreds to thousands of 5. INTIMATE- private, occurs between or
people) among close family members or
individuals; non-public and does not
4. Mass Communication – follow any linguistic form.
communication that takes place
through television, radio,
newspapers, magazines, books,
billboards, internet and other types
of media.

SPEECH STYLES

1. FROZEN- frozen in time and remains


unchanged.
 Lord’s Prayer
 Preamble to the Constitution
 Allegiance to Country/ Flag
-Static (steady, does not change)
-Archaic (old)
-Ritualistic (ceremonies)

2. FORMAL- one-way, straightforward,


impersonal
 Sermon of the priest
 Speeches
 Pronouncement of judges
PREPARED BY: MARIELLE U. SANDOVAL

3. CONSULTATIVE- two-way,
professional discourse
 Student and teacher

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