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irrotr ln srlct that th.y llkld lt r lot. Also, rcocrtcr thc .re.clcr! poll. tn ll that I sald thr rclult! rrould ba publl$.d ln t2? lell, pcople tho.rht that I eould prlnt cvcry lndlvictJal gu!3ilonar!3 I got
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thr rdltor of AII9 Fanzlnc. Ucll, lt,e becn r long ilE for l!su. t2 to con o,lt, and hopcfully lt,! !n lerov.rEnt of lsaJc ll . thla taarc har
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don't have to havc a tl0llAII to rlad NtEil.

Tllc 'volce yoi/r oglnlon. coluDn ls nothlng but Slarah asd Ey oplnlons for the tio. bclng. If yor/ rrould ltkc to Crut us up, i.rtry clon,t ycu lcncl us s@ethlng eell -

fro that and too Dany to prlnt lndlvldJaily. Sorry to anyon! uiro ,!lht be ups.t ovrr th.t. llot that n ny studcnts fro PCI parilcipatrct ln t2, rsalnly bccaus. lt els oacb &rtng thc sJmer vacatlon. &Jt- uhcrc ln ll t 9a! thr Daln edlto./ contrlbutrr/ layol)V ,rtller,/ rtc, ln 12 one of Ey old pcn pals. sarah, oct eith o! and nor. $e ls a chan good part of thl! zlnc -- dtc h.lpecl a lot ln l.yart, art. urlilrg end othcr stuff that ls harct to do by yourlclf. I thank Sarah for contrlbutlng so orch of hcr ilr to thi! publ lcation.
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Describe your mrsic in your own wordE. MATT: It's basically reggae, funk, ska, soul. ltost of the time we play with an aggressive edge, that's where the hardcore lnf luence sho,ls. GREG: l{e are all interested in a lot of different types of muslc and that manlfests itself ln the music we play. Reggae, for example, has nothing to do with the culture in which we were broudrt up but we took that culture and interpreted it our srn $ray. }IATT: I hate people Just calling us a'reggae band because there ls a lot more than that going on. Our new songs are mostly funk and soul. AMEN: i{hy do you play at punk./hardcore clubs? OREG: That's our roots. lde ldentlfy wlth that now iust as much as lre did then, the atmosphere and the fact that people are there for music's sake. l{AT[: I went to shotts before rre even had the band so a lot of what we listened to was hardcore. I remember always getting bored at shors. I would have I lked to see a band I lke us because lt would have been refreshing. The shows got real ly stale. AI{EN: What are the pros and cons of being brothers in a band together? l,lATT: l{e know eachother really well, that's a pro and a con. GREG: He kno.r our strengths and weaknesses even more than our close frlends just by virtue of the fact that we grew up in the sane house. tle know a lot of the deep dark secrets. AI!E!.I: How dld CheSrlre end up playlng wlth you? GREG: I worked wlth a friend of hers and I met he'r through hlm. I knew that Dr. Tree was looklng for a druumer and I found out that she played druns and'I hooked them up. Since then there has been a cmeradery between the bands. MATI: l{e wanted a percussionlst but she's not the only person who's done it, Chuck Tree has too. Ye want to have a permanent percussionist but we don't nol.
AHEN:

AIIEN: Tell GREG:

going to last close to two nonths and we'll be living out of our van. I'm looking foward to it, intense and new situiatlons. The naJority of the People are not going to have heard of us. lfe are grolng to have to go out there with the attltude that the music, we play means scmethlng to us and regardless of horr we're accepted we are going Lo continue to

on September 22 ln Annarbour and Carol Shutzbank has put lt al I together. BYO is booklng Callfornla for us and hopefully we'll

It's starting

us about the tour.

play Vegas.

It's

!,!AIT: People wi I I plck that up. If - ee are conf ldent of what we are dolng, people wlll appreclate lt. I{ATI: That revival shou was ldeal , peoFle cane to see us. Ye stlll feel that we have to wln over crovds, that when pepople see us lt,s a nev, crowd unless we play an all ages show in Phllly. AIIEN: Do you stl I I work at the Taco House? HATT: I've been working there slnce September but not anymore. I'll probably be going back after the tour, they said that lt would be hard to replace

play

lt.

Is the history of Scran? I'tatt started playing guitar when he was th I rteen . I{ATI: I wanted to have a band real bad. GREG: craig learned drurns they got together with dlfferent people. MATT: Greg thougrht lt would be fun and he wanted to Join the band. GREG: The fact that they were having fun...if these gruys weren,t having fun I wouldn't have done it. ln rythm there was fun MATI: iie listened to the same bands and we thougtrt a lot alike that's why it was ideal. Even thoudt it was fun playlng wlth those other people there wasn't a unified feellng ln the band. tlhen Greg jolned the band lt was more than juet muslc to me. been a whlle. AIIEN: Hor old are you? I{ATI: Greg ls twenty f ive, I,m twenty and Craig is twenty two. AllEl{: l{hat are sooc of your favorlte local and
GREG:

me. AMEN: tlhat

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BE

I can't wait untlll we get sorne that. AMEN: It is rumorcd that you are a pol ltlcal band, ls thls true? IATI: I thought lt was obvious. GREG: l{e want to convey that attltude,'that lre are'a band that is concerened wlth soclety and we want to provide conmunlcatlon that wi I I create a bridge between us and the audlence. There wlll be a dlalouge that wlll ensue and that wlll bring about change. ife talk about the'fact that things, the way they are now, where profit takeg presidence over people, brings on a lot of racign and sexigt and destruction of the envlornment. Hopeful ly people wlll hear what $re say and it's up to the to absorb it and hopefullv chanoe will ccrne.
gR EG:

klnds of Reggae, old soul, old funk. AI{E{: i{hat was your favorite show you ever played? }IATI: Tha al I ages show at revlval. GREG: That was one of nine too, the crowd was great, the response was gneat. I{ATT: In the middle of 'Stand Up. wtren I ad<ed the People, 'If you belleve that you're the future scream it qrt and say 0H YEAH.. and the 'oh yeah* lras so loud. Frcra that polnt on I was going rarts. -sho,rs records out and concievably most could be llke - --

Councl LfJ. The same bands as

Pagan Babies! EL!r, Dr. Tree, Tralned Attack Dogs, The Redskins, Billy Bragg, The Jan, Style

faraway bands?

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Janes Brown,

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6REG: Matt and I are constantly guestlonlng our oern values and what the band means. I{ATI: The only way change wlll ccrne is lf people organize and do thlngs. What we are dolng isn't golng to do shit because welre Just talking. It night inspire people to act. I hate to label nyself , but we're all socialists. The econmic system should be_ based on cooperatlon not conpetltlon, that's the problem wlth thls countiy. People shotld work together. AMEN: lfhat materlal do you have out? GREG: The Stand Up tP, Plus Records Conp'That t{as Tten, This Ig Ncru,'iven though none of us skate He're on Skate Rock vol.*4,. AT{EN: Hou has your sound changed? }IATT: lle used to play some thrash song:r, stralght ahead punk. I remember I found our flrst set I ist and lt was a mixture of thrash, ol and reggae. GREG: Nor we are delvlng more lnto funk. At{Et{: lfho did the cover of your new album? Boves, he'g a Erraduate of PCI_and the lead slnger and Iayer of Dr. Tree. AMEN: Hor^t did you Join up with BY0? HAIT: l{e played a shorr wlth Yorth Brlgade, when they were Youth Brlgade, and they I iked us. 1\.lo of my favorlte bands were Youth Brlgade and Seven Seconds so I was into that, we thought that they stood for smething, GREG: it seemed that al I the bands that were on the label guestloned the status guo. But the problem with those bands ls that they say lt with cllches, but lt's good to be a part of sqnething llke that. I baslcally like those il bands because theres not many bands that are even trylng to do anything. AllEl.l: Hog do crords react when you play out of state? I'!ATI: The farthest away we have played ls Ne$, Brunsvrickr w? played four CYSPUS beniflts, not, we have a bit of a fol lo.ring. - The f irst out of town sho.r we played was ln Al lentosn with the Freeze. People didn't know what to do, they were iust looking at us, they didn't knou ho.r to .dance. By the end of the set they were golng nuts. I I lke it when people stage dlve when they are-havlng fua, __ t type l{e played dotm ln DC at an antl contra ald ral ly. It slas a lot of fun. but people were I istenlng and pay I ng show, where there srasn't an anazing resPonse attentlon, I'm hoplng that wlll be the klnd of response we wi I I get on the tour. AMEN: Do you have any f lnal cmtents? one of our goals was to GREG: our muslc has changed intO Sfitethlng more acessable and dlverse. more people' play a lot of types of muslc ls because $re want to, and to reach nut us.on.a blll with a reggae band with a uAfi: The last tlme we played New Brunswick they 6e hell, tt was like elghtv f ive Percent black sreel ctrun. It Iooked ttk;"tt-;iJ doind i6 people and west lndlans...but they were neally lnto lt, espeslally the guyE in the other band. ldhen we played DC, the people who bought our records were not the regular peoPle who cqne to our shons, a rastalarlan and old hippylsh types. That's what we want to do' we have nothing agalnst being popular, we want to reach more PeoPle' play the muslc that we thouroudtly GREG: Hlthout sacrlftcing any of our ideals. i{e only enioy... that's first and foremost.

I{AII: Yes, we are a political band. People should be politicaly aware and active because politics affect their lives. Scrnething that frustrates me with hardcore is that evgn bands who have good thlngs to say aren't real ly pol ltical because they don't take a Etand...like Seven Seconds they don't have and political statement.

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for-n*ereo

"- ') Toll-Free Woes 'at* - ' Clogging Jerry's phones "I'-.8 F+.dr-d
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Jerry Falwell fac6 a diffcmt kiod of money pinch. Thc Lyochbur8, Va.. trleEDge list h6 long Ecd toll-fc phom nmbcB

w $*#',R'f#,;frPflx*
hclp.

toNist vicwFEking spiritul

code-800

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rxchangr h6 alrc rcrkld wcll fq fud Eising. sine ih@ who ph6c i[ fc ac moE lik?ly to makc plcdg6.

Thc

that ech phonc-in c6t! Sl, havc purposcly cloggcd his Iin6. FiBl ao AtlmEn

For many months Fslvcll

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(EXT BY JTiRRY FAL|ELL I

-i.;.eio*r !' :-." " 'i4r 1;.'*g#

hL computcr to dial Falwcll cvcry 30 sondg. Bcforc Southcm Bcll stcppcd i[ thc stuDt c6( Falwcll S750.000. Thcn it w hom@xual periodicals cgging m radcn

who objets to TV ministcn

progmcd

to act aSainst Falwell. 8n cncmy of gay libcration. latc last yat the Daily Cardi. ,a/ studcnt newspapcr 8t thc UnivcBity of Wi*msin, Madircn. mn a colm advGating "tclcphoc te|mism" and lisicd

thc 800 numbeF of svcnl

targct!,

including Falwcll.

W ,.r.;:t
t?

l--.-S

ffi

noyancc calls c6t him morc than tl million last yar. sot counting l6t donatims.

Thc TV precher 6timat6 that

u-

Falu,cll. who ir coNidcring lcgal actim, rcgards thc qlk as "unlawful ectiviti6" qe ofcbrilt" a ,that do "injury ro thc

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E(POSED d!oo, 'llrs. B tr scrc.Elng at the Glog agatn.' 13 song! by thls upcoolng NJ punk outtlt. Drccnt sound qu.llty. gcck. 'I.don,t irant' .Polltlcs' + E ny mrr. Sound! klnda llkc Punk rock, i3.00 to: Yosl Lcvln / 581 3rd St. / Tos Rlvcr NJ / 08753

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JERSEY Don. by th..dlto. of FAITH fanilnc, thlr c,!Eo ls a ccoP of soc suPcr NJ Hclpunk bands. Sotlnd Cuallti varles fr@ band to band, Fcatures: X-l{en, FCC, Soclal Dccay, Rot, Lethal Agresllon' $rock;d3las, Undrachtcvers, Doc llartcn, tlogans Hero?s, Dlrgc, Futll? EIiort...plui norc. All ioe"tt,.. i gooo c@p. I I lkr lt. .4.v9 12.00 to: Falth Tapca./ P0 box 7?3,5 / Trcnton NJ / 0E528 r.Ps. rv! 5sa ril r HCrTE! I hav? rGccntly DaGn lnforold th.t th. gr,ry uiro dld thls trP? l! sclf pronounsEs' 'out of the sc?ne'so I don't knGr It thl! taPt l! sttll av.llabl..
Songs

:l:::k ,o r-o l:ii: a '1. t:. a a

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!:.: taaa
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Thc Clash; llkQ oldcr o.lodlc

lncludc, 'Bllly ur! a

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JERSE BF}T.Co|{P VoL

3 'Notca trco the unclrrerround'

Jersay

danc?y Eod type banos,.. l{od 8un, Love Pushcrs, Bllstcrs ancl Bors. The 'bang your hcacl slde' ha3 sco. good NJ punk-Hc-oetal bands.,.Tccn, Underachl?vars, Appl?, Larsay, fha Burnt and Dor?. Over all a nlce aoclltion to your dcoos and c@Ps, t4.00 (lrorth lt so buy lt dudc) to: Jio T.sta /.118 Gregory Ave / llceharrkln NJ / 07087
COD

I urst say thts tape dlff?rs fr@ other

c6ps. It

has

a'taP your toot sld.'ulth ncllo,

IS

BOG1JS

utro

Ttls is el.rd, E.llog, veak. synth-danca artsy fartly shlt. I'n usually a Pr?tty ctlvt'sr 2My uill giv? anythlng a chance, but to b. blunt... THIS TAPE IS BoGIS. I uoulcln't buv lt. Eclng a fanzln? ?dltor, thls stu(t gets lrnt to E!. Thc only good thlng about lf lc that I tapcd INDERDoG ovlr it. t{,00 to Jarry Lehane / PO Dox 061{ / N.sark DE / l97LS - 0614
frco 'Thls Zln? $rckr'

TEIS Co!{P SUCIS

Ylt anoth.r NJ d!@ tap? -- thl! onc c6.r elth an lssue of Thls Zlne $rcks 15, tJhlch dcflnrtcly 6car't $ck! onc ald. has a ba:rly audlblG but hllarlou! lntrvles ulth F.o.D. -- In a bathroo, utrll? Dav? gets slck and blorrs s@r ln a porcelan buckrt! Sld.2 ha3 thrcc songs fro each of thes. bands, J?rscy Frrdr (a klllcr bancl not avallable on any other dcBo), B(po8!d, Orronlc Fear, Dlrg!, SuDurban Uprlr. and Dor?. I llk! thl! c.usc ahen you grt thls ln th? Dlll ydJ can kick back, put in th! tap., 9.t soc scarflng Eatrrl.l, rlad the zlnr and LoVts LlfE. t2,00 oHLYI! to: Bob Conracl / l50l Sccnlc Dc. / Y. Tr.nton NJ / 08628
IATCH

/,*..
i'/*R'

TE/

TIDS

I?lls

EULES. Usually

dctBo ls 0I sound !rls!, but lt.rtlll I never llsten to d.Dos, thls onc rulrs and I llstrn to lt a lot. Good clean pGrerful HC that knocl.s y.r socks off. hjt [l!flts, l{lnor Thrc.t and Sulcldals ln a blcndar and ycr.t only 9.t a bunch of cut up bancls Dcnbcrs, hit gct L,f.f. .nd you haer a srbstltutr for 0-tips. Tell co A}{EN scnt ya.. t3-00 to: Javlet / ?105 Teoplrton St. / Huntongton Pk. CA / 9055
HC band

out of Callfornla ls golng to go plac.s, Th?

a
a

tlE}lll GlrYS

FROH HELL

'Oral-Anrl
So-so
aaa aaa faa aaa aaa a

ltls

sound. Punk's the irorcl, PUNII. l.!! I .donr. -l_!-[!-q _lt, rcal ly rral-ly I @-' --t3.00 (?) toi !,.G.F.H. / N7 Scenlc vl.r, Dr. / DltDlr AO / 63023

oeoo

ls.,. grungy, raunchy, nolsry... thls droo !s,., PUNrll Rrally funny rt tlDr!.

a, a

V.i,i.

HEYI wr{y Dofi'f you

wKrTE ro rHBsg

WHAT fr{Ey sEuo vou

PEOTTA?
t-tAY cHAllGE
PEOPLE TOR THE ETHICAL TREATMENT OE ANIMALS PO BOX 425T6 WASHiNGTON, D.C. 200 15

9 & t,,r,uzs!)

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An Appreciation

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To understand graffiti you need ffi The images which appear on wal ls, bridges, and train cars today is a wholly developed form of corununication--of expression--and therefore an art form. But graffiil has a history. Knowledge of this history wi I I enhance the understanding of graffiti as art, and even enhance your pleasure when you see it---,,yeah, yeah,,, you wi ll sty when you see some prime example. The roots of modern graffiti go back forty years to the first FUCK YOu that appeeared on the subway wai t. This was fol lowed by the image of a big boner and bal ls, which only restated the message. This message was aimed at the American square, who at that time was known as the man in the grey flannel suit. This guy wouid be going to work, glance up, read the i.nsult, then guickly avert his eyes from the unaughty' message. He tried to train himself noi to look at graffiti, but was snagged by the graphic profile of the prick. Foi led into taking a furilve glance, he would then feel the pain of lnsult in the baslc meaning of the

time.

SV

never went away. Any way, the sguares had trained themselves not to glance at wall lnscriptions--at least they were trying. Maybe a qulck peek, but never staring. This is the setting that made modern grafflti take off. New forms of letters which configrured into shapes of words were substituted for conventional English. This was the ingenious foil, the genius of the art. Now the square would glance furtively at the .writing on the wal l, glance away and realize that he couldn't guite make out what was written, and glance back for a closer look. This was the sting. This was the big FUCX y0U. The poor square not only gets insulted, as the original rucK you message is perpetually implied in allwall graffiil, but he gets caught actually trying to get insulted.

In the mean time FUCK y0U,s and boners lrere becoming boring to the artists while the need to insult the sguares

image.

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ISSUE No.6 SOON

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S}'ASH APATHY T9

?1,:In". ?v.rythins a ptur

cover ano 2]l.3-lt, centerfolo, thicx ano q/rsldc of Ailinta. heavy, sl.S0
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and

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aociressl
|

I l/b,ll, 2l pagrs, 40 clnts. Baslcally all rlvla and a fee photos ln thls'zln., but nothlng
Jack Rablct / 249 NY t{y / 10002
PISS oFF Feb.

I
;

rie iust

:{pi:i "::; |

:::1"1-1tll^ l;;it?,,:l 1",:i:,ilr

.. *

alsa.

EldrldsE

Sl.

*14

7
0
U

GRAVE t'lISIAKE

a.

8 L/i,.ll, co.lor cove'r'

20 Pages'

A L/2 x 11, 30 colorecl pages, free srnd postag. shich ts about 55

cents. you

flnda llkc a joke fanzln! but, ll iir. hJtt of onc of the iok.s,
you're hatln' llfr.

u
n

+gflr*ffi'
lio"Iil'7
A t/2

i"""da

/ rzt 4L4

ll
irl
12
I

INTE}ISE T2

ls not, ro I thlnk lt rulca. Has a good fake lnt.rvlca ulth Rancly No!r, colunn! llk. |lr. Blgot, and stories llke. 'STRAIGHT EDGE BROTHERS E(PLOIT }'OII AND DAD!' P0 DO( 21 / Seaslde Ht3. NJ / 08751
THIS ZII.IE S'Crc 15

Lucklly AIE{

x 11. tl.?5, 35.Pages' ?"|'.iaioi"'rine out or canada' i :,ti:::"il"?""i":i" 1""'

i:Fi:il
treat!

, q3l0

Hest

"'*ioL ;l !, ""#l'11'Ui'
PHILLY ZINB $3

Pages' 50 I l/2 x 11, 5!klnoof $'l cents' lcr than ini" rl*l'ls Danasca i;"-.;;li;. ones, !'ut -stll I accnc ln thc ;"""i;;';; in roca oflast Pt riiY. contalns the i;i:;i"" nttn tt''" nor.l d'funkt ii;jii.-i.iin"o attack does and !11 5l"ill;," rornlev /19128 Rochel lr Ir". z.PrlllY PA /
uiNG CooXIES

8l/b.ll, 40 pagrs, t2.00. This zinc clocsn't $rck anynorel Tha rcason 16 cocts tuo Ducks l9 'causa it Includcs a cdp taPr elth sme kl I ler J.rsey bands. (Jerscy Frcsh, Su&rban Uprlse, The &poscd, Prlson?rs of lJar, Chronlc Fcar and a F.0.0. lnt.rviee.) Thls th l n(o, rce i eeg rtuff. I I lke ltl BoD Conrad / l50t Sccnlc Dclve / Yest Trrnton N.J. / 08528
and good

on?

l!

pack?d el

ACID

STASB

e L/2x !t,

21 Pages' iaoc.zlne' Il's ini" rl "-leiirv -- lt'3 flacld' ""i]"'tni.i"," llkr lt uas donc bY a il"-".i"i*t" r1""'' lteon evecy ;;;; ,ritnhls "clitor' Plcture ffia."puts ts a slrl ' .ii"i'o!g"-""a tirere dte can r'rr I te irt "ti-ir, r-iis tnat
aooct on

t1'00

, A VZ x lt, tr.00, 15 pages. Thl3 dud. Eirst b! frlends ulth Iayne and Aury, causc hlg zlne suck3 even eorse than thelas. It,3 obvlorrs that thls guy ls a Clndrr?l la Ircak. Adricn D. / 4 ttendy Lane / ltarlboro xJ / 07746
POR YOUR STULL

"

hts staff'

crlt! .nd a Carrl! kc"pr up hcr f lrc lrlolilon anct stylc, r.rl th special gJrst appearences by ours truly. Order ,tap.
S0

5 VABI/Z, 6 pe*s,

'I5

i1
o

yours toda),.
ForrDosa

Carrah Productions ,/ 833 l,/3 North

Hollyr.rood

CA

it

90046

$+
lilll illll

hn

UT\

N\7

T,"..IE$T::."r
dld' and evcn Il thcy had no Eoney' avcrv "*t lt' Thev had Plaved
',rith
they sat thcre
Thcy sar verb- -'

rL^.. uerl nothlng to thcrr rlas

do

ulth thetr 'lboi'S

lauhcd Thtnklng' Brucc

to sother It' to hlDselt and trled

t*e.-t:"':,::::""t: knc't' propP'd on th'lr

*' ,' ru, rour brocks r:tr eltv n", , ": ;, --hall .., ,*""" 'tr/r tent, 1 'ttt/rtent, you aad Brr stopPcd' eala n ear . ,.". ::]:' corner, rhrn ,or...';;"" *to ".o*:..-t'
eark
ano 1,rr crr:jc ""_::,u",, -,,:^: o""l Deet vou, t,"'rr toscthcr. *;.:r,ralkjns uon't

-' t*n. lllkc js ,""* o, _ -' t*r. ,rkc uas rr@rne uar n," lack ;'j:,.:^1 '* "*'n' *t toudr. It Has Iookjne prettv about ,n-t-oottott o'clock 'J;
bccausegf ,ccauseor
h i

","."*t-t*

Ero66,

tl'"

strcct

t"*no tn"
up

'

e@arra3rcd'

ln hts chalr' and leancd back his hands togcthcr claPPed th' pcoPl' eho to !aY? t ocan' .fhere'3 the llne? r16q'e or not arc Just a9'"::::: decloc rrho's crazy daY utth arr :., ,r., arl rn thc roonrc btn i:;;;':::":: thcY look at is and evrryonc Pl33 and drool lhe tuckln uhcn thc guy of{ and oI cour3c iacklng pickin thelr nose or or to thc bed Posts gotta tle hls eltc g?ts hooe he'5 sco?thins"'
and strc

Hike looked uP' 'Ihat?' . - . E?,.. crazlca" Brucc I eas thlnkln about 'Crazlcs Ean'

bcllevable.

*r,,

uck thls

* r,*., l.'cgotta @ke

nt

knor'

lt

3"n

"roared hrs rrcs 6p6

+
to

ulggied hls f lnger betueen his as Brucc uas out of earshot

.,-1" i""'t;";
conlorm

to '"tk' thGY don't have around naked' they uant' run ,hata"at than the rGSt they'ce oore 3anc

lt t:::- t::::::: sltttng off on *, thev can .av thcv sot tt oad'' t"

to anything' I think

of us"
l,like

,,",:i:::::"

.r-- hp 3ald, .You knolJ then he "1 ,,u. hin. he'! quietly tor a,hlle sat hio' he'3 thc pope' I rike n"u ;;'n'n*'
around

,,,,iId, valktn

that he'S ssen all day trlling People there'3

Jesus. You're

ridrt'

:1,:" ;:" ;;:;

to

*'" on:. t:'^:||j,.:::t'1"' sr". nr,,n''' "on"' "no'nln',.,"

7 I

porycsler

proftt oft of t.ust hla 666q.. ' Bruce Jr,ropcO up I a,d st,.r^- golag ld start'd ^_. thl.udt nrs drcgser, hls c8clsrr. 'I've got a great ,, 'I'v! oot r d-1. ld?a, hrrc, put thcgr on.. *" lh g.ve llrkr a palr of brack sracks tt,"t r,., lat had PalDt all ^-*:"'::
Jesus, pcople shoulc,

hltrt

That black sry,s not Eaklng any

hlg fly and as one old lady looked aeay robarraesrd h? cald, .Hcy baby, Dy aother gavr Ee thrsc boxcr shorts for chrlcters. It was rcally nlce o, her to cto that, you
you eould tool.

pcoplc acre concarencd

rcallzrd that h? eag actually as lnvislbl. as hls dog Artstoile ac far as thrsr
Hr unzlppccl

to look only tcr thry had passcd. .Coe on Arlstot le,, t{lke sald to the flr? hydrant and yanked at the alr, .f! ar! golng to be latc for thc Elk,s Dcrilng.. l{lkc
af

rlch rtlt! u@an took hcr chlld by th? hand and walkcd half ctrclr aroJnd hla,
scD. pcoplc stopprd

pretendld that hc had a dog and held a Eakc belleve leash. He ualked along and thcn thc crog had to tak? a lrak so hc aiooct by a flrc hycant and ua,l tld for lt to flnlsh. Hr ,.alkrd to passcrs-by about hls farDlly and hls @g and thc leak lt eas taklng. lrost pcople lgnored hltr,
a a

hlEsrlf.

'He

llps, . __ ffi filkr startrd Duttcrlng

kn6r? I llke ca

/o,, ,n**,

shrrt.

over thca and

a J

;affi",a"
,they are vcry

;lghtenecl bv tne confroniai;3i'

r
I

they're sane,. Brucr r,

'hat thc fuck?. lald nrLsatd ltlk'' standlng thr* stunn?c, by th! cudden oovcDent ln thc roa. .1J., rr gonna p I ay t o*
and on

nicr.'

and shc hurriccl asay'

confused

hairspray in t t." ror,.rr't

'cqrc on, get dressrd,.t

3Il/dged -_- charcoaI r'rrctora sqne
need sneakers,

hls leathcr iacket and put sqg about slx Inches "o " 'tood hrgh'
lke
changec,

test the people that thlnk

Has b?lng that that old lady Hike felt kinct ot gr'rllty' but h' uas enJoylng thls probably ,ct,on& grandother' Bruce cnPrror's neu cloth?e' gang, it eas kind of Ilke the thr ueuai of hts or,n' but h' sas settlns

I
\

;;;*--"4

clotheg and
'sneakers

Bruce
vou

hask gcts' It seeos attcntion that a slx tnch tall gtv? th'lr tso crnls to people are mlch Eor? ready to

Prosress

that
a

face'

h14

'Dan, ,n.n ,o,ll-llkr's lovll' ;16t1' l{lke put a p.lr of blat up old g?ncrr_c "n,""t ror Bruc?.g approvar. .Nope,

crazy' than to a norn-al-looklng Hl?rd-looktng sanc Pergon

As Brucc rounded

thc last corner onto "o"t-tttt"t

3ncakrre ^{. ru-"nd

-__ ca*y

"*.;;:1;:,:*"::"'r.'::k .sxe one of

rt..

those

':':':'.'

douDlcd up laudrlng

at thc !ld1t of hls rocuaatc a.nctrrlng ,:.:.: sldtt rocu[atc a.nclrrlng

.,w r.wrsv ,-.:.-

.yhat, ls that youc

Then he klcked

dog?

Arlstotle?. Bruce snc.red.

.:.;.:

into thr air $ier. Arlstoile tras stancllng.

Ilike Lct out a blood curdllng ycll and Bruct cllcl a l.'.'. ./ | ';';' .:.'.'.'. trl.d to look llk. a hrfloDldlprlvccl Junklr, l{lkc startcd ..:.:. :.:.'. 4.. r L/ / . elapstlck Ju[P' ssreaEeq, -ne'g gonna klll toc!' and started ':"" xtll tu?t- ang EEcrEeq . --- .:.:.: to lose lt, but lt dlctn,t r.ally Batter b.cauge no onc clge :':'. sl6PUtlsx JuEP' screaDed, 'H!'9 .!.!.', dlcln't l.'.'.'.' ;...; :.:.; :.:.:.:.: = ... gtrcet. .:.:.:.:.: kncrJ uhy he eas laushing and lt only htdrtened th. cffcct. :.:.. to run doun the '.'.'.' .:.:. Everyone got out of th. say and thcrc uas an lmedlate :;:;:;: ,-..^r.^ ....... 'v' v.r v' i'rs 's' :.:.:.:.: Evcry on! continuld to ealk by, glvlng l{tke thc anil-st.rr. ... aaat .Did you cr. that, hc Jult frcakcd out!. ;:::;:: rrs Jg-r wL; :.:.: hubbub, .:.:.:.:.: The two boys f inally caoe together. Bruca lookrcl up and . . .' 'rssEe .. q ruIrIrY ws\ 6r r,rEl rclr Bruce and lllkr ecre slnglng. funny duct a9 thry ran ];:::;: nr^s Ys'E ,,| ^^ hr- h--) cr, r,,-,^..:l:l: 'rrrsr's :.:.:.:.:, stoppcd, He put on hlg bcat slct vlclous gncrr and splt at ..... .'.-.. laaa a a a o o-tdoun thc strert, Bruce ulth a hldl Pltched yell of fcar, and';';';' H11g. .you got q fuckln ghoe on your hlacr asshole.. r,ilke :i:l:, \ a ruL^l' ''.'.'.;l'. uluq u' ygst nEdg aggngte._ nlKE :.:.:, :.:.:.: y.ll l.!.', '-'-',l.li.'.' Durst out in a fresh peal of lauhter. 'H?y asshola don,t ... illke ulth a lorm -' ' of assault. They aloost ran rlght ...__ ';;;".'.,;:,::l: '': qiliq!1:;:;:;:;:;:;l;l;l;l;l;:;l;I;l;r;r;i;r;r;r;:;:;:;:;:;:;:;:;:;:;:;r;:;r;:;r;:;:;:j:!:!:! , Ee!' :.:.:.:.:, ruckln laueh at ,.,. Bruc? started to ctrclc around rrtth Ill;i:i l"-,^:;-';,::"'-'^:-'.:.i'..:-':^'-:_',:':'.i'-'-:-:.:-.-r-o'r'o'r.,.. " .:;.-::"":: l:i:l1i tnto thr black Popr rrho uas standlns tn the Diddte of the .!.!.!.! a a a a_a-a-a
a a a .tatata' .Yrb5r.sr rvv^5v el sras a o a ,aaaaaa

'.r

:;^'

r!o]olo] ee^ c qu'rs -v rrs srr :.:.:.:.' his fists clcnched, he startcd to crack a golle so he blt ':.-.-. slclewalk gith hlr handg ln a peaceful glgtura, .. ' r-i tl.i.]r .r...... Ha Hag . o . . r a a a-a _ , o a a -' .1.i.!.utarlng a blshop'S hat Eade out of alunlnun !-, ulth a :;:;!31;, ;l1l1i1l, .-,_.._ foll ...., nis uPPrr llp. 'Shut up you fuckln icllot, I'll ocss you up i.'i'. ......o., oan.' A croJcl of peopla startld to form ancl thcy eerr .;l;..].i r hrnolna r.^rrnd hrr raau B- ^^^- L,^__^j !:3:3:li: "'.'.o r-r-o-r-r ehlsPerlns ilBons theEst'lves' r-r-o'r-, imispering anong theo3.lves, ,1.!o!. . ;:::;:;:; .t....j :i:!:i:l,n* a3 thcy ! c bv. tr.ro blocks iiiaj :!:!:$ ;.'.'I;I;.'.-.;.'r'o-r-o]rlrlolelololololrlolo-r:.-.-.......... l;!;i;i;i;iii..l.l.l.l:I:I:.:I:t:i:t:i:i:t:t:;:::.:;:;:;:.:.:.:.:.:.:.:.:.:.:.i:.:.:.::l:::i rnrE as thcv ran by, They ran for another tuo blockg - - -- - -.-t-o-, . '* "- "rEr leavlng a trall of cliscusslon and confuslon bchtnd then and:i:!:!:i Bruce startrct to hop around ltke a boxer and llkc n.,;':'a:.;:ai aaaaa :l:l:l:l.i raaa aaaa, aaa ihe teash and kept saytns, .slt Arlstoile.. ;i;!j;!;i^ _onto i.:l:-tlt: -t:T:t_d I "_":1.:_.!d collaperct asalnst a watl raudrrng.

HI.IM JoHN.l.M

TqlA({
How ^

HEPETO

iT's

You AtnERrcAlrs ucH you pEd) Aourv

RI6HT TO EEAR ARMS.

YouR Cot\,STtTUTlo

/A.l.

WHAr,nY w,FE II'EDTo 5Al Buf rccl DE^J15 HAppEd.

SuRE,HA\,JlNG Gu^/s lN Tt/E HoME I S DAN@oIJ5. T},TI5

I rL (ft
AKOJR NSCHBCR's DO6,

r usE^tY
BUT

I'D PICK IT t,P IN A sE<OND Ltr A CPMITI SET

GUN FoR l.tuNT/NG

I7

\^JOULDN'T 5TOP BAS,XING 50 ! SoLVED TltE Paogls/rl AT T}IE 5OVRCE J

YEP, MY.12 6AUGE FRIEND.. , rrH o+{ l sorxEoNE 15 tN ,ilY caf.lR

l'LL SltooT HIM IN

,vlAN Ct{ECXlr{G rl+E mETER.

OOOFrI

IT WAST}IE

WATER

AY MISTAKE, HEH] HE}I] bYE Y.ALLI

IF YoU WANT

TI{E RIG}I7 TO
DEAR ARtit5... Yodo esrrER,

BEAR. A BRA'N FIRil.

- bNty p'aBe :

hlords 0f hlarnlng. KARL/50 RONALD RD

NEWPORT, GWENT

NP9 TGF.WALES.UK
rORDS . OT fl'B.EIEE
prE.at
II'IEITtr
GIEEEDT

TEf,EEEIE IEITN,IED

feattrrC.ug HEf & 8S@ YC[r8. IA,AI) -c@ pouDd, pIu,r. l.at e1are rtaup
a

aa a aa aa a aa aa

a a

aa

aa a

aaaaa

a a a

aa

aa

If arybdy tttlDk! thay aay be abJ.e to beJ-p aeJ-! scoe cf tberc rccoralD pleaae grt iE touch,. lry heap is alrqra apprceiated!,
aaaaaa
a

aaaaal

araa aaaa aaa aataaaaa

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ui

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"eue$9:

Tn{g\ "uryifro.

HEY

DeoP uS h LrN ! we wout o Love To Hilr Frora

You lt