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    Marier01

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    HYMNS PSALMS SPIRITUAL CANTICLES A Parish Music Manual HYMNS PSALMS AND SPIRITUAL CANTICLES Compiled, Edited and Arranged by Theodore Marier Assisted by the staff of the Boston Archdiocesan Choir Schoo! at St. Paul Church, Cambridge, MA. Organ-Choir Edition ) B ss PUBLISHING CO. Excerpts from the English translation of responses, alleluia and gospel verses from the Lectionary for Mass © 1969, International Committee on English in the Liturgy, Inc. (CEL): excerpts from the English translation of the Order of Mass from The Roman Missal © 1973. ICEL; excerpts from the English translation of Morning Prayer. Evening Prayer, and Night Prayer, from The Liturgy of the Hours © 1974, ICEL; texts of hymn numbers 155, 213. 274, $39, and accompaniments of numbers 118, 340. 341, 342. and $39, from Re- source Collection of Hymns and Service Music for the Liturgy, © 1981, ICEL. All rights reserved. Used with permission. Selected Scripture texts used in this work are taken from the NEW AMERICAN BIBLE and the LECTIONARY FOR MASS, copyright © 1970 by the Confraternity of Christian Doc- Urine, Washington, D.C. and are used by license of said copyright owner. No part of the NEW AMERICAN BIBLE AND THE LECTIONARY FOR MASS may be reproduced in any form without permission in writing. All rights reserved Cover design by Paul Fowler The copyrighted contents of this book may not be reproduced in whole or in part without the written permission of the author-editor, Contents and Collection Pew Ldition © copyright 1972, and Organ-Choir Edition © copyright 1974, by Theodore Marier. Belmont, MA. Revised and Enlarged Organ-Choir Edition © copyright 1983, by BACS Publishing Co., Belmont, MA. FOREWORD Liturgically, the great work of the Church in the final quarter of the twentieth century is to bring into practice the changes suggested by the Second Vatican Council. In the Constitution on the Sacred Liturgy,, the Council called for congregational singing as participation in worship and as something to be encouraged. Subsequent documents from the Sacred Congregation of Rites and from the National Conference of Catholic Bishops have made this call more explicit. This book represents a carefully researched and experimentally tested response to this call of the Council. Theodore Marier, its compiler, is rightly recognized for his leadership and creativity in reli gious music, In this volume, he has brought together all that is needed for a complete program of congregational singing. He offers a musical format for the Order of Mass in which the congregation can easily participate. He provides liturgically appropriate musical settings for a wide range of services as well as an excellent selection of hymns. This book offers much to Catholic worship. It fills the great need for a structured program which can assist in the development of congregations that feel comfortable with sung participation in the Liturgy. The experience of the materials in this book has greatly enriched the worship at St. Paul's Church. in Cambridge, Massachusetts. This community has become more and more aware of how much it is strengthened and enriched in its prayer by the ability of the entire congregation to express its faith and devotion in song. Hopefully, the wide distribution of Hymns, Psalms and Spiritual Canticles will provide similar experiences to great numbers of worshipers. May it open to us something of what St. Paul meant when he exhorted the Colossians to “Let the word of Christ dwell in you abundantly; in all wisdom teach and admonish one another by hymns, psalms and spiritual canticles. singing in your hearts to God by his grace.” Rev, John P. Boles, Pastor St. Paul Church Cambridge, Massachusetts Feast of the Epiphany, 1983 PREFACE This parish manual has been developed and tested through two decades of continuous daily use at the Church of St. Paul, Cambridge, Mass. The music is designed primarily for singing by cantor. cele brant and congregation with and without choir. When a choir is present. the manual provides numer ous optional choral settings as musical enrichments of the liturgical prayers. For example. as options. the choir can sing descants to the gospel and other acclamations; four-part (SATB) settings for psalm verses: through-composed compositions for choir and congregation of the responsorial psalms, of major feasts; and parts of the Mass ordinary, some in simple and others in more elaborate settings for choir, congregation and organ The grale of difficulty of the music ranges from the very simple to the more complex. For example, there are one-note recitations of the Glory to God and We Believe, and simple chant-like antiphons and refrains. There are also technically more demanding compositions in contemporary polyphonic style by Anton Heiller, Jean Langlais and Russell Woollen. At whatever level of difficulty, the musie includes a part for the people. For the “core” programs of the Mass. Responsorial Psalms, Morning and Evening Prayer (Service of Light), Compline (Night Prayer) and other services of communal worship, the musical style is con- sistently homogeneous, Experience has shown that stylistic uniformity builds familiarity and thus eases the day-to-day rendition of new musical settings of liturgical texts. There is, moreover. music provided tor every liturgical event indicated in both the Lectionary and the Sacramentary ORDER OF MASS Simple chant-like melodies with organ accompaniments are provided for all the s dialogues, starting with “In the name of the Father...” at the beginnin ended ...”" The complete setting of the Order of Mass in Latin follows the same style, starting with “In nomine Patri..." to the final “Ite, missa est... Deo gratias”. For the sake of variety. and offering opportunities for expanding the people's repertory of music that is sung during Mass. the manual contains numerous alternate settings of the Mass texts that include unison melodies. poly- phonic compositions for choir-organ-congregation, and Gregorian Chants. ung priest-people of Mass, to “The Mass is HYMNS From the rich store of classical and contemporary Christian hymnody, the manual offers 370 hymns, providing suitable texts and tunes for all occasions of worship. The harmonizations of many of the traditional chorales are by J.S. Bach, and the hymn tunes of later composers are given either in their traditional arrangements or in carefully prepared settings. Contemporary poets, imbued with a sense of the Church's mainstream theology, have provided texts that are rich in imagery and rhythmic vitality. Along side of such classical texts as O God, Our Help in Ages Past by Isaac Watts, Godhead Here in Hiding by Gerard Manley Hopkins, and At the Name of Jesus by Caroline Noél, the hymn sec tion of the manual offers numerous contemporary texts such as O God, from Whom Mankind Derives its Name by Frederick Kaan, O Lord. You Are My God by John Dunn, Think of the Son of God. an ancient Gaclic poem translated by Douglas Hyde, and O God of Light by James Quinn, 8.1 The first lines of hymns as titles are presented in alphabetical sequence to facilitate locating a par- ticular hymn, At the same time, the hymns have been arranged to avoid page turns wherever possible Many of the hymn texts are metrical paraphrases of psalms. These were carefully researched and selec ted to offer practical alternatives to the prose psalm settings. Experience has shown that some congre- gations are more comfortable singing tunes and texts that have a regular recurring pulse than they are when singing tunes and texts in free rhythm. In choosing these metrical settings, care was taken to include all the “common” psalms for the seasons and feasts shown in the Lectionary. PSALMS The psalms are presented in numerical order. The translations have been drawn from a variety of sources such as the New American Bible, the Revised Standard Version of the Bible, The Psalms by Mary Perkins Ryan, The Grail, Psalms for Modern Man, and the Latin Vulgate. With the permission of the copyright owners, some transpositions of the phrases were made in selected psalms in order to accommodate the musical cadences. In some psalms, also with permission, a non-restrictive language was adopted except where texts are under copyright limitations. The numberings of the psalms and verses are given according to the printed texts of the source books. A psalm with its proper or appro- priate antiphon is given for every occasion listed in the Lectionary. MISCELLANEOUS LITURGIES ‘There is a musical setting in the manual for every rite given in the Sacramentary. For ease of ren- dering by parish groups, both Morning and Evening Prayer are offered in the form of “core” programs. Night Prayer, with psalm options, is presented as in the Breviary. The complete texts of all four Passions of Our Lord are given full musical settings, suitable for singing by congregation and three cantors. READINGS For private reading or for group recitation, there are some 40 selections from the Old and New Testaments, from the recently discovered Odes of Solomon, with their inspiring Christological orien- tation, together with several quotations from the Imitation of Christ by Gerard Groote. Accompanied by soft organ music, these readings serve as excellent Communion meditations, especially when selected to accent the theme of a particular celebration. INDICES Fourteen indices expose the content and function of the manual so that the user can readily prepare programs for any worship occasion. A glance at the General Index at the front of the book will reveal the overall layout of the manual. The remaining indices are located at the back of the book. There the musician-liturgist will find listings on easy-to-read charts of the proper responsorial psalms and anti- phons for all Sundays of the ABC Years, Solemnities, Feasts, Propers of the Saints, etc., with sugges- ted hymns that reflect the theme of each liturgy. Other lists include titles of hymns, tunes, meters, composers, arrangers, authors, music, and text sources. APPRECIATION ‘A word of thanks is hereby expressed to those who contributed support and practical assistance over the past ten years to the organization and preparation of this manual. This list is a long one and many will thus remain anonymous because they participated anonymously in the singing of the congregation with whom the music included in this book was first tried, “as silver is tried by fire!” Without them experimentation with new materials could not have been made nor a synthesis such as this one achieved. We thank them for their patience and support But there were individuals whose names ought to be mentioned, persons who brought inspiration and encouragement over a score of years without whom, like the anonymous members of the congre- gation, neither beginnings could have been made nor the termination of the project realized. First, there was Edith Alice Marier, whose unabating loving support as wife and choir-mother, great and continuing daily impetus to the project until her untimely death in June, 1977; Rev. Joseph | Collins, Pastor-Emeritus of St. Paul's, whose joy of song and enthusiasm for the sung liturgy provided a spiritual and practical matrix from which the Choir School was formed and thus, too, this manual. With competence and firm dedication to the task, there were others to whom a debt of gratitude is here warmly expressed. John Dunn, for example, whose keen eye for liturgical and musical detail helped to keep the work on course over the entire period of preparation. His assiduous investigation of classical and contemporary hymnody gave the hymin section of the book considerable variety and scope as well as providing suitable or proper selections for all Sundays, Solemnities and Feasts given in the Lectionary, In addition to the numerous original texts and psalm paraphrases he contributed. he is primarily responsible for the alteration of many of the hymn texts in order to make their language more sympuathetic to current theological thinking and more comfortable to sing. He, moreover contri- buted encyclopedic charts of psalms and hymns as they relate to the themes given in the Lectionary. vil ‘Our thanks for his hard work, insights and concern. To David Goodine, Sr., and David Goodine. Jr., for their unyielding supervision of production logistics and proof-reading, with strong assists from Elizabeth Stouffer and Martin Stankard, Over the last decade various details of preparation also fell into the competent and willing hands of Rev, Joseph Fratic, Joseph Policelli, Edward and Charlene Haugh, Mary Geiger. Rita Waldron, and Louis Faiola. To them we extend our gratitude for their dedication to this project and their cooperation’in its realization Theodore Marier Easter, 1983 COPYRIGHT SOURCES AND ACKNOWLEDGEMENTS ‘The publishers and individuals who permitted the inclusion of their copyrighted music and texts are listed below. To them we express our thanks, A serious attempt was made to track down every copyrighted text, tune and arrangement Our apology for any oversight that may have occurred in the process of selection and research. Unless otherwise indicated below, all the musical settings of the Mass texts, the psalms and their antiphons, and service music, included in this music manual were composed or arranged by the author/editor and are the copyrighted property of the publisher. Included also are his original texts, tunes, harmonizations, and choral atra cated on the pages of the Hymns section of the book. ints a5 i Grateful acknowledgement is hereby expressed for permission to include herein suitable original copy! and music drawn from existing available sources. Included are the following: ORDER OF MASS The International Committee on English in the Liturgy (ICEL), Washington, D.C,, for translations from the Roman Missal, including texts for the Entrance Rite, the Liturgy of the Word, the Liturgy of the Eucharist, the Communion and Dismissal Rites, Gospel Acclamations, and Blessings, copyrighted in 1970, 1973, 1975, and 1976. The International Consultation on English Texts (ICET), Washington, D.C., for translations of Gloria, Credo, Preface Dialogue, Sanctus, and Agnus. Used with permission. ‘Summy-Birchard Music, a Division of the Birch Tree Group, Ltd,, Princeton, N.J. for Numbers 43, 44,45, 47.83 und 84: Editions Schola Cantorum, Paris, for Number 48. HYMNS Geotfrey Chapman, a Division of Cassell, Ltd, London, for texts of Nos, 146, 149, 154, 160, 226, 240, 296, 335 355, and 596, The Church Hymnal Corporation, New York, for texts of Nos, 156, 244, 322, and for tunes and harmonications of Nos, 166, 188, and 243, Concordia Publishing Co., St. Louis, Missouri, for No. 338A; J. Curwen and Sons, c/o G. Schirmer, N.Y., for texts of Nos, 103 and 272, and for harmonization of No. 272 John Dunn, Arlington, Massachusetts, for texts of Nos. 109, 110, 113(vs. 4), 138, 140(¥s. 4), 162, 163(vs. 4). 168, 173(s, 4), 178, 179, 200(vs. 1), 225, 233(vs. 4), 245, 252, 253. 265, 277, 281 (vs. 3), 282(vs. 3). 292, 296(vs. 5), 311s, 5), 313, 316(s. 3), 327, 329, 337, 346(alt.), 353, and 354(vs, 4), Faber Music, Ltd., London, for texts of Nos. 133, 222, 309, 334 Fides/Claretian, Notre Dame, Indiana, for texts of Nos, 262, 263 and 264; Galaxy Music Corp., New York, agents for Galliard, Ltd, for text of No. 238; John Webster Grant, Canada, for text of No. 354: Co., Inc., a subsidiary of Belwin-Mills Publishing Corp., for tunes and harmonizations of Nos. 168. 19°. Frederick Harris & Co., Ltd., Canada, for text of No. 339; Martin B. Hellriegel, St. Louis. Mo., for texts of Nos. 163(ss. 1-3) and 336, Hinshaw Music Ine., North Carolina, for musical setting of No. 206: Hope Publishing Co., Illinois, for texts of Nos. 127, 130, 159, 166, 190, 289, 310, and 311; Hymn Society of America, Ohio, for texts of Nos. 214, 215, 239, and 362: International Committee on English in the Liturgy (ICEL), Inc., Washington, D.C., for texts of Nos. 195, 213. 274 539, and accompaniments of Nos, 118, 340, 341, 342, and 539; International Consultation on English Texts (ICET) Washington, D.C., for text of No. 361; A.R, Mowbray & Co., Ltd., Canada, for text of No. 188; Oxford University Press, London., for texts of Nos 153(vss. 4&5), 253, 319, 359, and for tunes and/or harmonizations of Nos. 116, 133, 157, 178, 179, 218, 249, 277, 286, 289, 313, and 359. Michael Perry, England, for text of No. 291; ‘The Pilgrim Press, New York, for texts of Nos. 234 and 243; Proprietors of Hymns Ancient and Modern, England, for texts of Nos, 217, 321, 333, and for tunes and/or harmoniza. tions of Nos. 109, 146, 149, 159, and 207; Jeffrey W. Rowthorn, Connecticut, for text of No, 397; St, Joseph’s Abbey, Spencer, Mass. for text of No, 233(0ss. 1-3): St. Mary's Abbey, West Malling, England, for text of No, 348; Search Press, Ltd., London, for text of No. 173(¥ss. 1-3); J. E, Seddon, England, for text of No. 186: Society of Sacred Mission, England, for text of No. 343; Summy-Birchard, a Division of Birch Tree Group, Ltd., Princeton, N.J. for English adaptations of Latin texts of Nos. 171, 172, 219, 220; for texts of Nos. 129, 193, 331, 347; for harmonizations of Nos. 121A, 131, 139, 141, 160, 161, 163, 164, 170, 189, 193, 195, 198, 204, 223, 226, 255, 280, 306, 326, 331, 339, 351, 596: and for musical settings of Nos. 135,285, 330, and 347; Gordon Truitt, Maryland, for text of No, 293; Norman Warren, England, for tune of No, 291; Yale University Press, Connecticut, for text of No. 153(vss, 1-3); H.F, Yardley, Canada, and FJ. Whitely, Canada, for text of No. 278; 1976 Board of Governors for the 41st Eucharistic Congress, Phila., Pa., for text and tune of No, 360 PSALTER ‘The Confraternity of Christian Doctrine, Washington, D.C.,.for selected verses from psalms as given in the New Ameri- can Bible and the Lectionary for Mass, copyright © 1970. Used by permission. All rights reserved. Included are selec- tions from Psalms 1, 4, 15, 16, 18, 19, 22, 24, 25, 27, 30, 31, 33, 34, 45, 47, 50, 51, 54, 62, 63, 67, 68, 71, 72, 86, 90, 91, 92, 93, 95, 96, 97, 98, 103, 104, 107, 112, 113, 117, 118, 121, 122, 123, 126, 128, 130, 131, 136, 137, 138, 139, 145, 146, 147, and verses from Exodus 15, and Daniel 3; The Intemational Committee on English in the Liturgy (ICEL), Washington, D.C, for selected texts of antiphons and responses from the Lectionary for Mass, copyright © 1970. Used with permission. ‘The National Council of the Churches of Christ, New York, for selected verses from the psalms as found in the Revised Standard Version of the Bible, including Psalms 13, 24, 40, 42.43, 78, 80,96, 110, 124, 132, and verses from Isaiah 12 copyrighted 1946, 1952, © 1971, 1973 Fides-Claretian, Notre Dame, Indiana, for selected verses from The Psalms, including Psalms 23(22). 29(28), 66(65). 80(79), 84(83), 100(99), L16(115), and 119(118): Psalms 32 and 65, are adapted from Psalms for Modern Man in today’s English version, Copyright © American Bible Society, 1970. Used with permission GIA Publications, Chicago. Ill, for No. 377: Paul Manz, Minnesota, for No, 429; Typis Polyglottis Vaticanis, Italy, for tunes of Nos. 374, 385, 386, 403, 414, 430, 434, 461, 469, and 475, adapted fiom Graduale Simplex; J. Gerald Phillips, Leominster, Massachusetts, for antiphon at No. 444; Joseph Policelli, Boston, Massachusetts, for Antiphon A at No. 388. MISCELLANEOUS LITURGIES AND SCRIPTURE READINGS, ‘The International Committee on English in the Liturgy (ICEL), Washington, D.C. for translations from the Roman Missal, antiphons, prayers, introductory rites, litanies, acclamations, Psalm 95, and “Saints of God" from the Burial Rite, copyrighted 1970, 1973, 1975, and 1976, Used with permission International Consultation on English Texts (ICET), for translations of Benedictus and Simeon’s Canticle. Used with permission. The Grail, England, for verses from Psalms 4, 63, 134, and 149; The Confraternity of Christian Doctrine, Washington, D.C., for selected verses from Daniel 3, Psalms 22, 31, 91. Luke 2, readings from Scripture, and the four Passions, as given in the New American Bible and the Lectionary for Mass, copyright © 1970, All rights reserved, Used with permission, : Psalms 23 and 141, are adapted from Psalms for Modern Man. in today’s English version. Copyright © American Bible Society, 1970. Used with permission ‘The National Council of the Churches of Christ, New York, for verses from Luke 1, as given in the Revised Standard Version of the Bible, copyrighted 1946, 1952,© 1971, 1973: William Alfred, Cambridge, Mass. for his translation of Vexilla Regis, namely, The Brave Flags of Our Joseph Policelli, Boston, Mass., for the melody of the antiphon at No. $27; America Press, N.Y., for selected lines from The Following of Christ; The Trappist Abbey of Our Lady of Gethsemani, Kentucky, for permission to use selected Odes of Solomon, in their translation of these poems from the original Greek, xi GENERAL INDEX FOREWORD ...........- a BB Peeeeeeeee v PREFACE 20.000 e eee eee . o vit COPYRIGHT SOURCES AND ACKNOWLEDGEMENTS Ix ORDER OF MASS - ENGLISH cee : : 1-49 Entrance Rite : 1-9 Liturgy of the Word : 10-15 Liturgy of the Eucharist 16-29 Communion Rite .. 2... aoe 30-33 Concluding Rite : 34-394 Supplementary Polyphonic Settings . . - 40-49 CANTUS IN ORDINE MISSAE Peeee cece : 50-84 Ritus Initiales 50-56 Ad Liturgiam Verbi.. .. cone 57-63 Liturgia Eucharistica : cen 64-68 Ritus Communionis wees 69-72 Ad Ritus Conclusionis . .. - 7-78 Supplementary Mass Chants 76-82 Supplementary Polyphonic Settings . se. 83-84 GOSPEL ACCLAMATIONS : a veces woes 85-98 ‘Sundays and Weekdays of Advent . 85 Sundays and Weekdays of Christmastide -. 86 Sundays and Weekdays of Lent and Holy Week 87-90 Lenten Feasts and Solemnities .. .. - 90A Eastertide Sundays and Solemnities 9% ‘Sundays of the Year and Solemnities of the Year : 92-93 Proper of the Saints: Solemnities and Feasts... 94 Season of the Year: Weekdays, Common, Votive and Ritual Masses coven 9S General Use: Choir only 95A -95B Alleluia - Gregorian Chant Mode 2. 96 Alleluia - Gregorian Chant Mode 4... . . 97 Alleluia - Gregorian Chant Mode 8 . . a 98 HYMNS - Alphabetical by title . : . 99-362 ‘Complete listing 612 RESPONSORIAL PSALMS AND ANTIPHONS . cet eee e 363-477A Complete Listing .. 0.0.0... 0... s+. 603 xii MISCELLANEOUS LITURGIES ..... 0.00.00 02 000 0c0e seen Pee eeeEeee 478-554 Morning Prayer - A Core Program............ 478 Evening Prayer (Service of Light) A Core Program . 490 Night Prayer (Compline) ween 499 Presentation of the Lord (Febroay a: ; su Ash Wednesday 2... 315 Passion Sunday 516 Passion According to St. Matthew 520 Passion According to St. Mark 521 Passion According to St. Luke 522 Holy Thursday . . .. 523 Holy Thursday - Mass of Chris” 524 Good Friday .. .. 526 Passion According to St. John. 52 Easter Vigil... .. ; 533 Rite of Baptism vette eee 536 Rite of Confirmation 537 Rite of Christian Burial. . 538 Rite of Ordinations of Deacons and Priests 550 Sacrament of Reconciliation ........ 352 Ritual for Admitting Choristers into the Choir 553 SCRIPTURE READINGS AND MEDITATIONS .... . cet eeeee esses 855-594 SUPPLEMENTARY HYMNS AND CHANTS . 595-598 INDICES 2.0.2... 6.00.00 epee voce ccc ees 599-612 Responsorial Psalms and Antiphons for - ABC Yearly Liturgical Cycles: All Sundays and Solemnities with Selected Appropriate Hymns... 599 - Proper of Saints: All Solemnities, Feasts and Memorials ......... 600 - Weekday Liturgical Cycles... .. 601 - Common, Ritual Masses, Masses for Various Occasions, Votive Masses 602 Numerical List of Psalms, Antiphons and Psalm Hymns 603 Alphabetical List of Hymn Tunes... 604 Metrical Index of Hymn Tunes Gregorian Chants . .. Psalm Tones by Modes and Endings . eee Readings from Scripture and Other Sources... .. 607 Authors, Translators and Text Sources . . Composers, Arrangers and Music Sources. Topical Index of Seasonal Hymns and Uses . Alphabetical List of Antiphons, Responses, Responsories, Refrains, Canticles, and Invitatories ..... . + 611 Alphabetical List of First Lines of Hymns and Common Titles... .........20+2. 612 xi THE ORDER OF MASS Entrance Rite ENTRANCE SONG Selections appropriate to the feast or the theme of the celebration will be found listed in the Index. The Sign of the Cross 1 At the conclusion of the Entrance Song, all remain standing and make the sign of the cross as the Celebrant sings the following: + + — SSS Greeting 2 Facing the people with arms extended, the Celebrant sings the following: b = = t = 8 SSS v ‘Cel, The grace and peace of God,our Fa-ther, and the Lord Je-sus Christ. be with you. See also Sacramentary for additional texts Ss sa . t—P t Small notes in organ score And al - so with you. 0 be played on manuals when mn pedal part is omitted. dy. vrea fT Here follows a brief exposition of the theme of the day's Mass given by the priest or another suisable minister. “N.B. The small figure 8 beneath the G Clef indicates a pitch one octave lower than shown on staff. 3 Penitential Rite With “Lord, Have Mercy” Cel. My brothers and sisters, to prepare ourselves to celebrate the sacred mys-ter-ies, let us call to mind our sins. — ?o- == — Ped. Cantor or Choir (s = 5 FS Es =< 4 a PP aie P You were sent to heal the con - trite: *You are mighty ________ God and Prince of peace: |) 4.4 . "You raise the dead to life in the spir - it sacle UL *Lord, Jesus, you raise us to. a_—snew. life “Ped. All, Lord, have mer - oy : “Altemate invocations See Sacramentary for +Ped ‘odditionat texts Cantor or Choir <4 he * , re — 7 7 You came to —________ call sin. -_ ners * Lord Jesus, you are Son of Godand Son of Ma - ry: > Christ.have mer - cy, * You bring pardon and peace to the sin - ner: *Lord Jesus, you for - give us our__sins: a 7 ah — a = ?: Christ, have mer - +Ped Cantor or Choir EH fe = ae = as SSS 5 r POF You plead for us at the right hand_of the Fa. ~ ther *Lord Jesus, you are Word made flesh and splendor of the Fa - ther: > bord,-have mer - cy *You bring light to those in dark - ness Lord Jesus,with your body and blood you feed__ us: — — ! SS - = -Ped. t All Lord,have mer - cy. Cel. May al-might- y God have mer-cy onus, P. 7 my Fal a —— + Ped. for - give us our sins, and bring us to ev - er - last - ing life. — —_|—__——__J ——__ | ———, 4 Penitential Rite With “I Confess” Cel, My brothers and sisters, to rf—T—P_ P Pr prepare ourselves to celebrate vp the sacred________mys-ter- ies, let us call to mind our sins. — Tq a RL -Ped. ft —_ is, e Tk Cel, and People I confess to almighty God, and to you, my brothers and _ sisters, = es Re oe 3 that I have sinned through my fault in my thoughts and in my words, in what 1 if — s—— B 8 s have done, and in what I have failed to do: and 1 ask blessed Mary, ever Virgin, BE == 22s in aS oe LL LL all the angels and saints, and you,my brothers and sisters, to pray for me ===] => ee = = =r 1 —f F to the Lord, our God. Cel. May al-might-y God have mer-cy on us, for- give—_us P ——~ PO z —f rT oursins,and bringustoeverlasting life Al A - men. aj | Lord, Have Mercy 5 Cel., Cantor or Choir alternating with All — cel, Cantor Pr r or Choir Lord, have mer - 5 All Lord, have mer y. fj Pye) + Ped. Cel, Cantor r P or Choir Christ, have mer - cy. All Christ,have mer - cy. pd: fj ~Ped, + Ped. 1 | Cel., Cantor’ or Choir Lord, have mer - cy. All Lord, a have mer - cy. pd Sj— J. J — -Ped. + Ped. 6 Rite of Blessing and Sprinkling Holy Water This Rite of Blessing and Sprinkling with Holy Water may replace the Penitential Rite at the beginning of Sunday Masses in churches and chapels. The Celebrant makes the sign of the cross and greets the people as in No. 1, Page 1. A vessel containing the water to be blessed is placed before him. Facing the people, he invites them to pray, chanting the following: -—_ 488 8 ee ee ee Dear friends, this wa-ter will be used to re-mind us of our bap-tism. Let us —SS SS ¥ ¥ vy YY YY YY ad ask God to bless it, and to keep us faith-ful to the Spir-it he has giv-en us. After a brief silence, he joins his hands and continues with either A or B below. Outside the Easter Season oe ta ee God our Fa-ther, your gift of wa- ter brings life and fresh-ness to the earth; ft it wash-es a - way our sins and brings us e - ter - nal life , jh ; SS 2 ae ee Soe Soe We ask you now to bless+ this wa - ter, and to give us your pro- tec-tion on this day which you have made_ your own SS SS eS ¢ - new the liv. - ing spring of your life. with - in us = $5 + rs and pro-tect us in spirit and bod - that we may be free from sin and come in - to your pres-ence to re -ceive your gift of sal - va - tion We ask this through Christ __ our Lord, 6 During the Easter Season SS SH = B 2S SS = SS SS Lord God al-might-y, hear the pray-ers of your peo - ple: we cel - © -brate our cre - a - tion and re - demp - tion. 2 m+ = 4 —*k Fe S555 S55 2 SSeS Hear our pray ers and bless+ this wa - ter which gives fruit -ful-ness to_ the fields, SS SS SS SSS os re ee and re- fresh-ment and cleans-ing_ to man. You chose wa-ter_ to show your good-ness a —— ty ee ee ee oe when you led your peo - ple to free -dom through the Red_ Sea and sat - is - fied their thirst in the des -ert with wa- ter from_ the rock. Se SS Sa a ¢ ese Wa - ter was the sym-bol used by the proph -ets to fore-tell your new cov - ¢ - nant_with man, You made the wa - ter of bap-tism ho - ly by Christ's SSS SS aa ee st oe ee sm in the Jor- dan: by it you give us new birth and re-new us in ho - li-ness. Shs = ee ee May this wa-ter re-mind us of our bap - tism, and let us share the joy bap: of all who have been bap-tized at East - er. We ask. this through Christ.our Lord. 7 When salt is mixed with the water, the Celebrant blesses the salt, chanting as above. fe S$ S$ SS SS pa SS Al-might-y God, we ask you to bless_+ this salt as once you blessed the salt é at-tered 0 - ver the wa-ter by the proph-et E - lish - a. Wher -ev -er this eR BS SS > Sai ee ee salt and water are sprink-led, drive a-way the pow-er of ¢ - vil, and pro-tect us al-ways by the pres-ence of your Ho-ly Spir - it. Grantthis through Christ.our Lord Then he pours the salt into the water in silence. Taking the sprinkler, the Celebrant sprinkles himself and his ministers, then the rest of the clergy and the people. He may move through the church for the sprinkling of the people. During this action, one of the following may be sung: Outside the Easter Season: No. 476 WITH JOY YOU WILL DRAW WATER and ISAIAH 12 No. 307 SPRINGS OF WATER, BLESS THE LORD and I SAW WATER No. 245 O HOLY SPIRIT, ENTER IN During the Easter Season: No. 308 ALLELUIA and | SAW WATER No. 312 THE CHURCH'S ONE FOUNDATION (Verses 1 and 2) When he returns to his place and the song is finished, the Celebrant faces the peuple with joined hands, and sings the following with which the Rite of Sprinkling ends. eh Se ee 5 ¥ hh May al - might-y God cleanse us of our sins, and through the eu-char-ist we SS a a a cel - e-brate make uswor-thy to sit at his ta-ble in his heay-en-ly king - dom. —~__ men. — 2 + Ped, When prescribed, the GLORY TO GOD follows immediately During Advent and Lent when the GLORY TO GOD is omitted, the closing prayer of the RITE OF SPRINKLING (above) is also omitted. Instead, the OPENING PRAYER of the Mass (see at No. 9) is chanted and the Mass continues as usual. 8 Glory to God 7 (On one tone) Cel., Cantor or Choir All T.M. Glory to God in the highest, / and peace to his people on earth. / Lord God, heavenly King, / a S- —_ 7 to : —_— = _——we on = 2 =x ee + Ped. — ° = —— of the world: /have mercy on us;/ you are seated at the right hand of the Father:/ receive ey 2 be ee pe SS 8 8 = = our prayer. / For youalone are the Holy One, youalone are the Lord, / you alone are the he a og: oe a2 & “o- = , Awith the Holy Spirit,/in the glory of God the Father. Amen. oe ee 2 2 =x = aa Ta. Ss i 3 —— ar Lord Jesus Christ, only Son of the Father,/ Lord God, Lamb of God /you take away the sin x = = Po. =r 8 Glory to God Celebrant, Cantor Organ m or Choir Glo -ry to God in the high - est, a == ty pe oe rr ord, ___ God, _ jo r a r All and peace to his. peo - ple on earth. ae t. Ss = + Ped. I fh re — + == a ie SS SaaS heav-en - ly King, al-mighty God_and Fa - ther, we wor - ship you, z 1g. ao d——)_— : Se —= = -— — a | T —_ we give— you thanks,_ we praise you for your glo - ry. ——4 Lord Je - sus Christ, |— -Ped. + Ped. Eevee SSP on-ly Son of the Fa - As | - aE: - = > Lotd_God, Lamb_of oot, Mo take a-way the =f —d — f ; rt Ff sin of the world: have mercy on us; Pee -Ped. + Ped. you are seat- ed at the right. hat aos Je < | > sus Christ, God_the Fa + ther. -Ped. with the Ho - 4 Pr eS = a3 Pay tne = = the Fa - ther: re- ceive our prayer. For_ you a-loneare the Ho - ly One, Sy, a4 ig d: — : # — Ie —_ T t ez tt T \ hk m= 7S SSS = = PP r rT you a- lone are the Lord, you a -lone are the Most_ High, . a4 2 4 it = z = x + Ped. in the glo-ry of 9 Opening Prayer Chanting Formula and Amen ‘Suggested Musical Form for OPENING PRAYER son oe Celebrant Let us pray. _All powerful and ever living God, direct your (a) ° (2) -- + r Fee ie — love that is with - in__ us, that our efforts in the name of your Son (3) | DOXOLOGY may bring mankind to unity and peace. We ask this through our Lord a a os eS Jesus Christ, your Son, who lives and reigns with you and the Holy é é eS ee ? Spir - it, one God, for ev-er and ev - er. All, A- men, vPea. ot (2) Mediant pause in a sentence. (2) Flex. Used only when a long phrase requires a pause for the sake of punctuation, (3) Formula for sentence ending, 12 Liturgy of the Word FIRST READING Old Testament At the conclusion - Reader: This is the word of the Lord All: Thanks be to God. RESPONSORIAL PSALM For appropriate psalm or psalm hymn, see Index. SECOND READING New Testament Epistle. At the conclusion - Reader: This is the word of the Lord. All ‘Thanks be to God. GOSPEL ACCLAMATION See Nos. 85 fo 98 inclusive. THIRD READING Gospel /f sung, responses and formula for chanting are given below. Gospel Responses 10 ? ~ sowith you. 7 Cel. or Deacon The Lord. be with_ you. All And al —— P + Ped. ? C.or D. A reading from the holy gos - pel according to N. All Glo-ry to you,-Lord. LJ. + Ped. 13 11 Gospel Chant and Conclusion Suggested formula for chanting Elements of chanting formula include: Reciting Tone; Flex, to give variety to a long verbal clause; Mediant Cadence; Reciting Tone and Final Cadence; Episema, that is, a short line o- ver anote f for expressive emphasis over selected syllables. == and the Half Bar SE to suggest a Phrase punctuations occur at the Quarter Bar slight slackening of the verbal rhythm; and at the Double Bar == where a slight pause at the end of a sentence is indicated. Text pointed for chanting as given below is that of Easter Sunday. Reciting Tone Flex Mediant Cadence — ty 2 Sj E was still dark, arly in the morning on the first day of the week, while it Final Cadence Mary Magdalen came to the tomb. She saw that the stone had been moved away, == SSS Ss so she ran off to Simon Peter and the other disciple (the one Je- sus loved), Short quotation of two sentences in one segment of the formula ty —- res = job and told them, “The Lord has been taken from the tomb! — We don’t know where =a they have put him!” At that, Peter and the other disciple started out on their Quarter Bar way toward the tomb. They were running side by side, but then the other Half Bar disciple out-ran Pe - ter and reached the tomb first. He did not enter but bent 14 Double Bar down to peer in, and saw the wrappings lying on the ground. Presently, Simon Peter came a-long be - hindhim and en- tered the tomb. He observed the ' é € tH wrappings on the ground and saw the piece of cloth which had covered the Episema a i =e head not ly - ing with the wrap-pings, but rolled up in a place by itself. Then Two sentences connected within the formula the disciple who had arrived first at the tombwent in. He saw and_ be- lieved. sh 0 et $ a a (Remember, as yet they did not understand the Scrip-ture that Jesus had to rise Conclusion from the dead.) This is the gos-pel of the Lord.__ r All Praise to you, Lord Je - sus Christ. — 15 12 Profession of Faith - I Choral setting will be found in Appendix On one tone throughout ‘elebrant or Cantor We be-lieve in one God,/All the Father, the Almighty, / maker of heaven =— Organ x n -Ped. and earth,/ of all that is seen and unseen. / We believe in one Lord, Jesus — oe s = $$ re = = =e A B= Christ, / the only Son of God, / eternally begotten of the Father, / God from a bo oo = = = = =s —He 3 = ——— God, Light from Light, / true God from true God,/ begotten, not__made, 7 one in ~o —— x =: os = a o. a Being with the Father./ Through himall things were made./ For us men a eee OOS — eS == + Ped. 16 All bow up to“. . man. = ——____ &. o_ and for our salvation/ he came down from heaven:/ by the power of the Holy Spirit/ a = x oa = = L > = Sas oo ~- © —__* a, “he was born of the Virgin Mary, and became man.7 For our sake he was es 2 ong 4 an = ©. Ee ° A -Ped. crucified under Pontius Pilate;/ he suffered, died, and was buried / | a On the third day he rose again/ in fulfillment of the Scriptures;/ SSS bn. se = e he ascended into heaven/ and is seated at the right hand of the — Father./ — ae = ————— eon a a Eee uy 38 = a8 He will come again in glory/ to judge the living and the dead/ and his king - bg #8 g. ©. S. 6 2 = | dom will have no end./ We believe in the Holy Spirit,/ the Lord, the giver of ‘ane ai) x 8 BS pS — life, /who proceeds from the Father and the Son./ With the Father and the Son SSS bo OR cay wv. We believe in one holy, catholic and apostolic Church./ We acknowledge one > | is worshipped and glorified./ He has spoken through the Prophets/ = = ~ 18 +f i | =a es 5 ~_ ; baptism for the forgiveness_of~ sins./ We look for the resurrection of the dead,/ Io SS = and the life of the world to come. A bg. id ~~ oo Profession of Faith - II 13 Cantor or Celebrant All " —_ a We be- lieve in one God, the Fa -ther,the Al- might-y, aeete 4= ——_ + Ped, hh [7 — = = of heav - en and earth, of all that is seen_ and _ = = = 7 Por un - seen. A z We be-lieve in one_Lord, Je - sus-Christ, the on - ly— Son_of - God, ¢-ter-mal-ly be-got-ten of the Fa - ther, God_ from_ God, — oo dy gy sy a 2 ae 7 e fe £ +Ped. | I I = ———F > at SS $5 ? is Kr te a Ji 4 | = — Light_ from_Light, true God_from true God, — be- got - ten, not made, d——~4. —1—4 2 @ ez SF -Ped. ey Foes hits SS eS p= SSeS = | one in Be- ing with the Fa - ther. Throughhim all things were_ made. \ id \ tet = —_ =j = oo mo For us men_and for our sal-va - tion he came down_ from_heav - en: + —_ + Ped. All bow up to“. . .man.” ann : b tty SS S= by the pow'rofthe Ho-ly Spir - it he was born of the Vir-gin Ma - ty, ) oy | = ++ ==> ‘a id For our sake_ he was cru -ci-fied un-der Pon-tius Pi - d Joey E Sa} I i Ped. +Ped. | | in re 5 died,__ and was_ bur - ied. On the third__ "PF ma SB FR hh hte rT a FF Pa day___ he ___ rose a - gain in ful-fill-ment of the Scrip-tures; od a soi Po pr = + Pea, | eT t oe So | —+ = he as-cend-ed in-to heav- en and is seat-ed at the righthand of the oj yg eas 2 op sd ld === + —+ eS ty; ahh py oP ? rf i — and the I and his king - dom will have_ no_ end. le be - lieve ~ — | ; = ie i= — f + Seq = 5 Fa - ther. He will come_a-gain in glo - ry _to judge the liv-ing Ss GF pe in the Ho -ly Spir - it, the Lord,the giv who pro - ceeds _ Seas SS SS TI i a = : from the Fa-ther and the Son. With the Fa -therand the Son he is a s -Ped. ——__ ~ shipped and glo - ri- fied. He has spo-ken through the _Proph-ets. + Ped. ? eh We ac-knowl-edge one bap - tism___ —— - Ped. SS 2 We be-lieve in one, ho - ly, ca~tho-lic and ap - os - tol - ic Church. a a for the for-give - ness_ of__ sins. —~ 5 We look_ for the res - ur-rec - tion of the ? rit t— dead, and the life of the tj) — = yy world to_ come. 98 men, a ror pee men._ 14 Prayer of the Faithful ‘Two Settings A Byzantine B Psalm Tone 8G Celebrant invites the people to join in the petitions. Then the Celebrant, or some other suitable minister, chants the petitions. Models for the formulae are given below. A. Byzantine Formula CC. That every member of the Body of Christ may work for the welfare of the Church and the good of all men, Each petition tr P concludes: C. Let us pray to the Lord. All Lord, hear our —_prayer.* St j— The concluding oration is r chanted by the Celebrant. Cel. Fa - ther,...Christ our Lord. All. =A - men. Sy * See next page for choir harmonizations of response. B Gregorian Tone 8G f +5 te “ef oo pe as C. That the holy Church of God be a most visible sign of the grace of the Resur-rec - tion, (Text given asa model) Concluding oration same as above, 24 Choir Responses to the Prayer of the Faithful 15 To be sung with the responses of the congregation. TM, C......Let us pray to the Lord. Choir (Organ) f° Lord, hear our prayer + Ped. 22 -Let us pray to the Lord. Choir Lord, hear_ our—_ prayer. (Organ) (Organ) -Let us pray to the Lord. Choir Lord, hear our. prayer. C ......Let us pray to the Lord, Choir Lord,_hear our (Oren) \\ad prayer. d +Ped. 25 Liturgy of the Eucharist OFFERTORY SONG See Index. INVITATION TO PRAYER Celebrant: Pray brethren. .... All: May the Lord accept the sacrifice at your hands for the praise and glory of his name, for our good, and the good of all his Church. 16 Prayer over the Gifts through Christ our Lord. + Ped. 17 Eucharistic Prayer - Preface Responses I For Preface in Major Mode ? Cel, The Lord be with you. All And al - so with you. St — Cel. Lift up your hearts. All We lift them up to the Lord. Cel. Let us Lf <<. a —f | give thanks to the Lord our God. Ail It is right to give him thanks and praise, ——— |. ——~_ | —~}. + Ped. 26 Eucharistic Prayer - Preface Responses II 18 For Preface in Minor Mode = Cel, The Lord— be with you. All £ And al - so with you. Organ_p +Ped. Cel. Lift up— your hearts. All We lift themup to the Lord.—Cel. Let us + Ped. : give thanks to the Lord.our God, All’ It is right to give him thanks and praise. Eucharistic Prayer - Preface Responses III 19 Organ plays for “All” only r r a Cel. The Lord be with you. Ce, = _________ Lift up your hearts. we And al - so with you. All We lift them up to ‘the Lord. = r It is right to give him thanks and praise. Cel Lecus give thanks to the LordourGod.— All fi 27 20 Chanting Formula for Preface I Major Mode Reciting Tone Flex = s = et Fa - ther, all powerful and ever - liv - ing God, we do well always and Mediant Cadence Final Cadence ts fh ths a ee ev ‘ry -where to give you thanks_ through Je - sus Christ our Lord. — = bh : ot SS We — praise_ you with greater joy thanev - er on this East - er day, when Christ became ourpas-chal sac - ri - fice. He isthe true Lamb who ——aes $—h—h + 2 oe ee ee tS took away the sins of the world. By dy - ing he de - stroyed_our death; — by rising he re - stored_ our life. __ And so, with all the choirs hoot eth he $y te ty te ¢ a? a ee ee ee ee =) of angels in heav - en, we pro - claimyour glo - ry and join. in _ their un - end - ing hymn of _ praise: 28 Holy, Holy, Holy - I 21 Major Mode -M x La es ee SSS = eas as : = rf RPP — All Ho - ly, ho - ly, ho = ly Lord, God of pow’r__ and might, val | w= ge a 4 2. 2 7——- e vreal I I oe — SS heav'n _ PI and earth are full__ of your glo - ry. Ho -san - na, 2 a Ps -Ped. | ho-san = na in the high - est. Bless - ed is he who comes_in the ad a 4 d + Ped. Ped. + Ped. Soprano descant Ho -san - na, ho - san : na, name of the Lord. 4 Ho-san -na, ho-san. - na in the high- est. 24M a a 29 22 Chanting Formula for Preface II Minor Mode Cel, ways and everywhere to give you thanks, through Je - sus Christ_our Lord. +5 sy 5 oe = ¥ ‘Through his cross and resurrection he freed us from sin and death and @)---+--- ty—t.- +—h—h—te = et a at 5: called us to the glory that has made us a cho -sen race, a roy~al priest hood, a ho-ly na-tion, a peo-ple set_ a- part. Ev - ery-where we pro-claim +5 i }—bh—h}— z ——— 2 v your might -y works, for you have called us out of dark-ness in - to your own won -der - ful light. And so with all the choirs of an-gels in heav - en we pro - claim your glo - ry and join in their unending hymn_ of praise. (1) For short sentence clauses. (2) Formula for short sentence endings. (3) Formula for longer sentence endings. 30 Holy, Holy, Holy II 23 Minor Mode TM. = — n + 5 3S 5 eh ; = wae —— ost f ? — —— - Ho - ly, ho - ly Lord, God of pow’r and might, — |—~ jy heav'n. and earth. are full of your glo - se age gy ———— ad in__ the high > est. Bless -ed is he who comes_in the name_ —_— =Ped, Soprano descant 31 24 Holy, Holy, Holy II TM, —— SS All -ly, ho-ly, ho -ly Lord, God of pow’r and — might, aid fe — heav'n and earth are full of your —_ glo aod a be be i Le = Bless - ed is a @ * Added partis for Choir only. 32 Eucharistic Prayer II 25 Celebrant TM. SS fot — 1. Lord, you are—_____ ho = ty indeed, 2. Let your Spirit come upon these gifts and make them ho - oly, 3. Before he was given up to death, / a death he freely ac - cept - ed; 4 He broke the bread, 1. the fountain of — all ho - li - ness. 2. so that they may become for us the body and blood of our Lord, Je - sus Christ. 3. he took bread and gave you thanks. 4. gave it to his dis - ci - ples, and said: = ; - 2S 2S SS es - oe “Take this, all of you, and eat__ it: this is my bod-y which will be giv - 5. When supper was__end - ed, he took _ the cup. 6. Again he gave you thanks.and praise, gave the cup to his dis - ci - ples and said: PSR SS Pet ‘Take this, all of you, and drinkfrom it: this is the cup of my blood, ee Sede we we ge ee the blood of the new and ev-er - last - ing cov - e - nant. It will be shed for you and for all so. that sins may be for - giv - en Do this in mem - o- ty of me.” 33 26 Memorial Acclamations T.M. f Cel, ‘Let us pro- claim__ the mys-ter-y of _ faith, a r * > en, — Christ___ will comeza - gain. _ ? 4 Christ has died, Christ.is__ ris All 5. ing v de -stroyed.our death, ris - ing you re - stored_our life, | Pa o —_ rs = SF fF F TF + sus, ——— + ———= = = SE # oe tr Pep eat this bread and— drink_____ this cup, _ we pro - .—,_—~ All When — : = Sa — a a | = 2. = = a= — Re Pea. 34 | "Fr your death, Lord_ Je - sus, un-til__ you come_in glo - ty. D SS = —— + ==" s SSS your cross__ and res - our = rec - tion — pad fd 2 + Ped. ~ rf you have set__ us free. You are the Sav - ior of the world. Celebrant continues —— — £ gg ts} oe tt “7. In memory of his death and resur - rec - tion, 8. We thank you for counting us worthy to stand in your. pres - ence 9. May all of us who share in the body and blood__of Christ 7. we offer you, Father, / this life - giving bread, / this sav - ing cup. 8. and serve you. 9. be brought together in unity by the Holy Spit - “it. 35 f— + —F pt oe 10. Lord, re -mem-ber your Church throughout the world; 11, _______ Remember our brothers and sisters who have gone to their rest in the hope of rising a - gain, 12.____ Have mercy on us all;/ make us worthy to share eternal life with Mary, the virgin Mother of ______ God, 13,____ We praise you in union with them, +: eee 10. make us grow in love together with N., our Pope, N., our Bishop and all the cer - gy. 11. bring them and all the departed into the light of _________ your pres - ence. 12. with the apostles, and with all the saints who have done your will throughout_the a - ges. 13. and give you glory through your_____ Son, Je - sus Christ. 27 Eucharistic Prayer - Conclusion I Major Mode 2. ee tr Sees = a a Cel, Through him,_with.him, in __him, in the u - ni-ty of the Ho-ly bth Sy 6a ge Se Spir - it, all glo-ry and hon-or is yours, al - might-y Fa - ther,— for-ev-er and ev - er. All A - men. Lf + Ped. 36 Eucharistic Prayer - Conclusion IL 28 Minor Mode es Se < ee $e ee ¢ ? Pray? Cel, Through him,with him, in him, © in the u-ni-ty of the Ho - ly Spir - it, SSS SS === GSS = all glo-ry and hon-or is yours, al-might-y Fa - ther, for ever and ev - er. Sop. - Alto descant |— + Ped. Eucharistic Prayer - Conclusion III 29 ty Ss ea ‘Cel, Through him, with him, in_him, in the u-ni-ty of the Ho-ly Spir-it, SSS SS SSS Se See hon - or is yours, al-might-y Fa - ther, for-ev-er and ev - er. Se all glo-ry and 37 vu communion hite Our Father I TM, = +<—=- $ =! SSS ; Cel. Let us pray with confidence to the Fa - ther in the wordsour Sav-ior gave_ us: = $s t 5 = rrr TEP Our Fa -ther, who art in heav -en, — hal-lowed be thy name; thy king-dom come; _— —_—— -—~ J.— 4: —_ 2 = 2 2 = = 72? —f PP P thy will be done on earth as it is in heav-en. Give us this day our daily bread; —~—> and_ for-give us our tres-pass-es _as_we for- give_ those who tres-pass a-gainst us; sa — ? WT PSO and lead us not in-to temp-ta-fioh, but de-liv-er usfrome - vil. 7 38 Cel, Deliver us, Lord from every ¢ - and grant us peace in our day. — 225544 Sa ACCLAMATION. _ — All For the king-dom, the pow’r andthe glo - ry areyours,nowand forev -_ er. fi — F as we wait in joy - ful hope for the com-ing of our Sav - ior, Je - sus Christ. Ped. +Ped. RITE OF PEACE, Celebrant: Lord Jesus Christ, you said to your apostles: I leave you peace, my peace I give you. Look not on our sins, but on the faith of your Church, and grant us the peace and unity of your kingdom where you live for ever and ever. All Amen. —T PF F f: Cel. The peace of the Lord_ be with youal - ways. All And al - so with you.— te tf — (Spoken): Let us offer each other the sign of peace. 39 31 Our Father - II Sacramentary ( Cel. Let us pray with confidence to the Fa - ther in the words our Savior gave us. —e beep ht r ee a = ; ; P , f———? —?— All = Fa - ther who art in heav- en, hal-lowed be thy name; thy king-dom come; eS a ee eee a sf aon Lp roar f¢ pee thy will be done onearthas it is in heav-en. Give us this day our daily bread; é ——- . i Pr and for-give us our tres-pass-es as_ we for-give those who tres-pass a -gainst us; > — ca Me and lead us not in - to temp-ta - tion, but de-liv-er us frome - vil. a 40 EMBOLISM — = Ped. — — = Cel. Deliver us, Lord, from every evil, and grant us peace in our day./ In your mercy Keep us free from sin and protect us from all anxiety / as we wait in —— = | S: ie 3 8 P P ° | joyful hope for the coming of our Savior, Je - sus Christ. ACCLAMATION a —— All For the king-dom,the power and the glo-ry are yours, now and for- ev - er. f | +Ped. RITE OF PEACE - see P. 39 41 SIGN OF PEACE Celebrant or Deacon (spoken): Let us offer each other the sign of peace. 32 Lamb of God I Major Mode T.M. = Cantor Lamb_of__ God, All you take a-way the sins_ of the world: pe od if -Ped. + Ped. ave mer-cy on us. Ze Lambof_God, All you take__ a-way the sins__ - f,—J,——~ =. P -Ped. + Ped. rf r of the world: have mer- cy on us. C. Lamb_of_ God, All you take — P 2 fi— + Ped. r 7? sins_ of the world grant_ us peace. d en 42 Lamb of God II 33 Minor Mode T.M. fs ci PS SS 5= 74 oT F f Cantor Lamb__ of God,All you take a - way the sins— of the world: ete as ¢ re ot = = Ped. +Pea. ——- ? have mer - cy on us. Cc pmb of God, All you take a - way the sins_ Pe a tf jJ— of the world: have mer - cy on us. C. Lamb of God, All’ you take ——J. P. Sf Ped. +Ped TS == a -way the sins__ of the world: grant. us peace. r oe COMMUNION SONG See Index THANKSGIVING AFTER COMMUNION Cel. Let us pray... PRAYER AFTER COMMUNION a 43 Concluding Rite 34 Blessing at the End of Mass I | Cel. The Lord be with you. All And al - so with you. Cel. May al-might-y - * + Ped | God bless you, the Fa-ther, and the Son, and the Ho-ly Spir-it. Al A-men. tf 35 Blessing at the End of Mass_ II Cel. The Lord be with you. All And al - so with you PobSsohehears ch pA Ah SRS ost pe Hid dt oe Cel. May al- might-y God bless you, the Fa-ther, and the Son, and the Ho-ly Spir - it. 44 Blessing at the End of Mass III (Solemn) 36 Cel. or Deacon Bow your heads and pray for God’s bless ing. The following is a model formula for chanting the blessings. Additional blessings appropriate for celebrations during the Proper of the Seasons or as Prayers over the People, are given in the Sacramentary. Advent 1, You believe that the Son of God once came to us; you look to him to____come__ a - gain 2. May God make you steadfast in faith, joyful in hope, and un’ - tir ing in love. 3. You rejoice that our Redeemer came to live with. us____as_ man. 2 i se as Advent 1, May his coming bring you the light of rr his holiness and free you with his bless All A=men. 2. all the days of _________ your. A- men 3. When he comes again in glory, may he reward you with end _- less life. A+ men. Last blessing SS = = SS jee Se SS eee Cel, May al-might-y God bless you, the Fa-ther, and the Son, and the Ho - ly ror Spit - it. All A - men, + Ped, 45 37 Dismissal Rite with Bishop be The P Bishop Lord al - so. with you. Organ with — you. All And f —————_ + Ped. = Tes $ Bishop Blessed be the name of the Lord.__ All Now and for ev - er. Our help is in the name of the Lord. Who made heaven and__earth. May almighty. . . . Same as on preceding page, No. 34. AS 7 t + Ped, 38 Dismissal at the End of Mass Either of the following may be used pf Cel. Go— in peace to love_and serve_the Lord. All Thankgbe to God. + Ped, = ? 3 Cel. The Mass is end -ed, go in peace. Ail_“‘Thanks.be to God. __ + Ped. 46 Dismissal During Eastertide 39 a — t - —_ =e ae 4 Cel. or Deacon The Mass is ended, go in peace, al - le -lu - ia, tt All Thanksbe to God, al -le-lu - ia, al - fy iy é +Pea. OF Tempore Paschali 39A Basapeso et ss ay — pS = fet s Y Sac. vel 5 Diac. I - te mis-sa est, al-le-lu - ia, al - le - lo- ia aa e tr Omnes De-o gra-ti-as, al-le-lu = ia, al Lim iJ z a7 Missa Brevis ‘Theodore Marier For Congregation, SATB Choir and Organ 40 Lord, Have Mercy Cel, or Canti el. oF Cantor All (See note below) Lord,— have mer - cy. Lord,_ have mer - cy. i + Ped. Choir — Lord,— have mer - cy, have mer nf —= Lord,_ have mer - cy, __ have mer nf —— — Lord, have mer - cy, —. nf —= Lord, have mer aad mp ——— + Ped. NOTE: When sung with the Penitential Rite at No. 3, the measures shown with the fermata on the tone G may be used for the supplications. 48 Cel, or Cantor All a Christ, have mer : Christ,_ have mer - cy. fil oF oF Christ, _ have mer - ey, mf Christ, _ have mer - cy, have_ mer - cy ——— = Cel. gr Cantor All Lord, havemer - cy. Lord,_ havemer - cy. 49 Lord, have mer rit, =———. have_mer met - cy,_ Lord, have have mer - have mer 50 Holy, Holy, Holy 41 ~ = Celebrant or Cantor Ho - ly, All bo - ly, x ¥ SS a gf 0 tr— Organ J | ———+t = . T and 2 ad Choir only heav - en and earth of _ your St. —— f Heav'n and earth are full___ of _ your : 51 =o Choir only P 52 comes, Congregation comesin the name of the T. comes in the name of the Lord. a i high - est. B. comes in thename of the Lord, 53 42 Lamb of God t Sh i = = ; fy = ee ——s 4 a=} Cantor or Schola. Lamb. of _ God, All’ you take a-way the Choir only St. —= take a-way the take — a- _S ‘ [SS S you take a- — 54 mp tempo rt. a of the world, world, of the world, _ Tit. a mp a tempo —. 55 é => ==] eS of__ God, All’ you take a - way the sins of peace. , fe + f 5 3 sins of the world, grant, us peace. a ——— SSS aaa a a. a a —_ ee af a" 56 English Mass Anton Heiller For Congregation, SATB Choir and Organ Lord, Have Mercy 43 Lively but majestic ( 4= ca. 92) Lord, have A Mixed Choir f T Lord, have Sf B Lord, have Congregation Organ f ee 2 2 1965 ty Sumy Bichard Muse dvson of Bich Te Goup Lid ‘Used with permission, ° 87 6 Lf pe. have mer-cy. Lord, have mer-cy. ord, have mer-cy. Lord, have mer-cy. Christ, f. Christ, 58 60 Glory to God in the Highest 44 Celebrant or Cantor Oo Glo-ry to God in the high Lively, moving ( J= ca. 104) OV s on earth peace to A fon earth peace to T fon earth peace to B on earth peace to Cong. Organ 61 pt We praise— you. We bless—_you. eS + ship you. (Not too fast) ( J= ea. 98) my We give youthanks for your great__glo my We give you thanks for your great glo hheay=en -ly — King,_ God the Fa-ther al —— Christ, Christ, + be = got ~ ten ~ be - got - ten = be - got - ten (only with 4") mf 23 P You, who take a -way the P.— You,— who take a-way the (with 16) p——— 64 2 Poms sins of the world, — You,_ who take a - Pom? You,— who take a - way the sins of the world, way the sins of the world, re -ceive—_our__prayer._ bo a pocorit, ------ += sit at the right hand of the Fa - ther, — Who sit at the right-hand of the Fa - ther,____ mp have_ mer-cy on us. eee a 38 Lively again (= ca. 104) St For you + lone. are For you For you wR 66 You 2 - lone.are Lord. Christ, are most © Je-sus Christ, are most high, O Je-sus Christ, are most Youa = one, Christ, are most —s piu f (legato) itf (legato) 51 iv. With the Ho-ly Spit - it, ai. ain pith the Holy Spirit With the Holy Spirit, prin the Ho -ly ith the Ho -ly 68 Holy, Holy, Holy 45 Majestically moving()=ca.138) Ho S (legato) Foe Lord God (sempre legato) f # Ho-san - na in S (sempre legato) 16 Lf S tegato) (lesagp) f a 46 Holy, Holy, Holy ‘Theodore Marier Maestoso All Soprano 12 pow'r God of pow'r and of—pow'r and ho -ly Lord God. of ho -ly Lord God of are full earth are full ? Ped 74 a tempo oO 15 11 mp slower — who op slower who LP slower who mns__slower p in slower p. 78 ‘Tempo! 47 Holy, Holy, Holy Hermann Schroeder For Congregation, SATB Choir and Organ (d= 63-66) Organ * Suggested starting place. From Mass to Honor St. Cecilia by Hermann Schroeder, © 1966 by ‘Summy-Birchard Music division of Birch Tree Group Ltd, ‘Used with permission, 80 * Passage between brackets may be omitted, 81 are filled with your glo with your 83 * Passage between brackets may be omitted. 84 Ba ed he who comes —= = Bless - ed is ed is ed is — in the name he who _comes_in the name. he who__comes_in the name he who comes in the name san ~ 8 1 pe ¢ opoue®D) Pt ORGUE G# ORGUE ec, ef ————== ¢,_ —~ f. cl = Sis x high = est, igh_= est. Ho filo Ho Ho - G# ORGUE in ex - tel in the high 2 in ex - cel in the high 90 Lento J= 60 G ORGUE R. Ge, Vx cbleste Pos. Bourd. & Ee SSE P Ped. Bourd. 8 — = ou Fl. douce 8 = S = = eo 7 a P T° espressivo SOPRANI PR ——. ee Be = T Bless : ed is he, Pt ORGUE, (P Gre Vx celeste FL 8 ov Tirasse R. G4 oRGUE. P* ORGUE Pos. 8 no > mi comes in the no mi comes in the Be-ne -di- ctus qui ve- nit in nomi- ne bless - ed is he, hewho comes_ in the. name SE Be-fe- di ctus gui ve-nit ‘in nomi- ne bless - ed ishe, hewho comes_ in the. name = 76 Pt ORGUE Fonds et Anches 2 i ex > cel highest, in_the ex - cl - high-est, in the Ho - san - cd - Ho_= san: Hahestin the

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