Alto Clarinet

OBLIVION
Astor Piazolla
Robert Longfield

                 
5

          

 
        
13


7

    
 
  
21

  
      
18

      



29

         
25

      
37

      
   
32

          
              
39

                
47

          
44


 
     
55
50

     
 
©
2 OBLIVION


     
63

         
61

  


 
           
69

       
68

 
Alto Sax 1
OBLIVION
Astor Piazolla

                      
Robert Longfield
5


     


      
      
13

  
9

       
       
21



                 
 
29

  
28

 3 3

                      
 
    
37


34


3


            

     
40


                
47

   
46

  
              
55 63


 
©
 
2 OBLIVION

   

         
69
67

 
Alto Sax 2
OBLIVION
Astor Piazolla

        
Robert Longfield
5


            


  
   
13 21

     
9

 

     
              
22

       
         
29

   
28

  3 3

      
   
37

          
34

3 

          
       
40

      
   
47 55

     
46

      
63

         
61

 

©
 
2 OBLIVION

   
69

            
68

 
Baritone Sax
OBLIVION
Astor Piazolla


Robert Longfield

  
5

      
 

 
    
13 21

    
11

  


     
           
       
22

    
  
29

 
     
    
     
27



 
   
               
  
32

     
 
37

  
         
    

    

47

         
42

 

 
    
55 63

     
52

  
 

©
2 OBLIVION

             

69

 
     
  
  
64


 
    
70


Baritone (B.C.)
OBLIVION
Astor Piazolla

   
Robert Longfield

      
                 

  
   
5 13

     
       
 

       
 
      
15

 


                  
21

 
    



                       
29

    

26

              
37

    
32

 


                   
    
   
  
39

 


              
47

   
45

 

©
 2 OBLIVION

     

55


     
    
    
   
 

     
                
63

  
60

  


                  
69

     
 
66

  
 
73


Clarinet in B  1
OBLIVION
Astor Piazolla
Robert Longfield

 
      
   
   
  
       


5

             
        



13

                
11


21

                    
20

            
29

   
26

 
 3

      
3

       
   
   
37

      
33

3  3

          
     
 
39

 
3



47

          
    
46

©
 
2 OBLIVION


55

             
51

 


63

           
      
61





69

      

   
   
  
67

     

 
     
72

  

Clarinet in B  2
OBLIVION
Astor Piazolla
Robert Longfield

 
     
               


5

       
 
        

 
13

      

10

 


21

        
19

 


          
29

 
   
27 3

 3

                 
     
37

    
34 3

 3

             

40

 
3
  


47

     
46

         

©
 
2 OBLIVION


55

           

51

 



63

          
59

  
 

69

        
67

       


 

73



Clarinet in B  3
OBLIVION
Astor Piazolla
Robert Longfield

 
5

             
           


        
 
  
   
7

    

 
13 21

     
12

    
 

29

  
22

        


   
        
30


3 3 3

   

                 
37


       
36

  3 3


   
47

       
  
42

      


        
 
  
   
49

    

©
 
2 OBLIVION


55 63

     
54

    
 

69

    
64

           

 
    
71

    

Drum Set
OBLIVION
Astor Piazolla

   
Robert Longfield

                       
5

    

    
  
13

             

6

 
    
                   
       
14


          
           
21

    
              
20


26        
     
29

               
 

32      
                      
           

              
              
37

         
     
  
                
47


    
42

©
 
2 OBLIVION

   
     
55

              

48

 
    
                   
        
56


          
                  
63

                       
62


      
            
69

   
 
68

  

Horn in F
OBLIVION
Astor Piazolla
Robert Longfield

 
                             

   
5

                            



             
13

        
  
 

            
21

      
18



    
29

           
24

       

             
31

               
37

          


    
             
   
42



©
 
2 OBLIVION


47

                            



            
55

        

      
 

            
63

      
60


  
  
69

         

66

 
Mallets
OBLIVION
Astor Piazolla
Robert Longfield

 
      
   
   
  
       

 
   
5

  
      


 
   
13

  
      
 
 
  

21 29 37

     
     
 

 
   
47

  
      
         

  
55


    
      

 
 
63 69

 







      

 

    
73


©
Oboe
OBLIVION
Astor Piazolla

  
Robert Longfield

    
5 13

   
  

        
             
21 29 37

 
 

 
                    
38

3 3

  
     
47 55 63

   
45

  3

  
                     
69

 
64

  3   

   

     
70

©
Solo Flute
OBLIVION
Astor Piazolla

           

Robert Longfield

 
5

   
 
     
           
  
13
9

 
        
         
     
14

 
  21          
     
 
20

              
    
29

 
26

3 3

                

37

  
33

    
3

       
 
47

    
46

  3
 
       
       
  
55


51

 

©
                           
2 OBLIVION

   
   
56

 
  63   
      
        
 
61


    

     
      
69

  
67

  
Solo Alto Sax
OBLIVION
Astor Piazolla

           
   
Robert Longfield

 
5

   
  
    
              
13

   
10

 
  21 
              
 
16

  
       
    
    
22

           
      
  
29


3 3 3

        
          
 
37 47

   
35


  3

              
        
  
49


                 
 
 
55

 
  

©
 63   
  
2 OBLIVION

         

 
60

 
  
      
69

   
66


  

    

 
72

 
Tenor Sax
OBLIVION
Astor Piazolla

         
Robert Longfield
5


           


     
                          
13
9

      
21

    
19

 
              
29

 
27



       
37

          
33

      
         
        
39

         
  
47

       
44

 

 
                      
55

 
52

©
 2 OBLIVION

 
    
63 69

      
 

   
    
70


Timpani
OBLIVION
Astor Piazolla
Robert Longfield

    
5

                   


                     
  
6

 

                   
13

    
   
 
 
              
21

  
     
19

 
 
        
29 37

            
28

 

                           
47


46


  
    
55

          

      
52

 

            
63

         
59

 
©
 
2 OBLIVION


     
69

    
      
68

 
Trombone 1
OBLIVION
Astor Piazolla


          
Robert Longfield

  

5

 


               
  
13


 
      
     
21


19


               
 
29 37

    
27

              


 
   
   
39


        
 
 
 

 
47 55

 
44

 

           
  
56


       
       
63 69

 
 

©
 
2 OBLIVION



 

70


Trombone 2
OBLIVION
Astor Piazolla


Robert Longfield

                  
5 13

      
 

        
        
21

   
14

 

                   
 

22

          
     
29 37

    


                            
    
41


  
              
47 55

    
 

            
63


61


 
      
69

 
 

©
Trumpet in B  1
OBLIVION
Astor Piazolla


Robert Longfield

 
                
5

  

     

13 21 29

         
open



                 
37

         
36

 3 3

 
             
47

  
42

 

       
          
     
48

     
        
55 63 69


  
54

  

  

 
72

©
Trumpet in B  2
OBLIVION
Astor Piazolla

          
Robert Longfield
5

          

  
  
13 21 29

 
    
   
open

  
                   
37

   
36 3

 3

   
 
47

           
42

  
     
55 63

   
51



     

69


              
 

©
Trumpet in B  3
OBLIVION
Astor Piazolla

       
Robert Longfield


                   

   
  
5 13 21 29


       
open


    
37

                  
 
36 3 3

   
   
47

         

42

 


   
55 63 69

         
51

 

     

           

70

©
Tuba
OBLIVION
Astor Piazolla

   
Robert Longfield

          
 
       

      
  
5

        
         

    
 
13

        
         
10

   

   
          
   
15

        

  
    
21

      
      
  
20

   

       
29

          
     
25

     

            
         
30

       

   
 
37

     
   
35

                

©
2 OBLIVION

    
       
   
40

       

       
47

          
45

         

  
           
     
50

       

     
 
55

        
          

        
63

    
  
60

            


           
69

               
   
65

  
      
71



Flute
OBLIVION
Astor Piazolla

  
Robert Longfield

    
5 13

   
  

 
                    
21 29

 
 

3

 

                        
37


32


            
3 3

 


38

3 3

  
                 

47

    
45

 


             
55 63


    
51

  3

          
69

        
64

  3   

  
       
70


©
Percussion
OBLIVION
Astor Piazolla


Robert Longfield

   
     
5

           

     

13 21 29

  
  

    

31

    

37
36

     
        
41


    
        
47 55 63 69

  
  

 

     

71