Order 9039857

from Megadeth - Greatest Hits: Back to the Start
Holy Wars...The Punishment Due

Words and Music by Dave Mustaine
Intro
Fast q = 169
μ E5 μ

*Gtr. 1 (elec.)
 
      
f
           
w/ dist.
 5 6 7
5 6 7 7 6 5 5 4 3 3 5
2
0
5 6
*Doubled throughout

F#5 μ
 
                 
                 
2 3
7 4 5 6 7
5 6 7 7 6 5 5 4 3 3 5 2 5 6 7 7 6 5 5 4 3

                        
4
3 4 5 5 4 3 4 3 2 5 6 7
5 6 7 7 6 5 5 4 3 3 5
*** D5 E5 G5 E5 D5 E5 D5 E5 A5 Bb5
   

**Gtrs. 1 & 2
        
    
   
             

P.M. P.M. P.M. P.M.
 5 7 10 7 5 7 5 7 7 8
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 5 6
**Gtr. 2 (elec.) w/ dist., played mf.
***Chord symbols reflect implied harmony.
© 1990 MUSTAINE MUSIC and THEORY MUSIC

All Rights for MUSTAINE MUSIC Administered by WARNER GEO MET RIC MUSIC
All Rights Reserved Used by Permission 1
SheetMusicDirect.com Order 9039857 | 1 copy purchased by Alan Medina on Aug 07, 2023 at 7:40pm CDT
D5 E5 G5 E5 D5 E5 D5 E5 F5 B5

          

   
                 
P.M. P.M. P.M. P.M.
10
5 7 10 7 5 7 5 7 8 9
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 7

D5 E5 G5 E5 D5 E5 D5 E5 B5 G5
          
  
                 
P.M. P.M. P.M.
4
5 7 10 7 5 7 5 7 2 5
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 3
1.

D5 E5 G5 E5 B5/E Bb5/E A5
         
               
   
  
P.M. P.M. P.M. P.M.
5 7 10 7 9 8 7 0
0 0 0 0 0 0 0 0 0 7 0 0 0 0 6 0 0 5 0

B5 μ B5 G5 F#5


  
3

     
    


P.M.
4
2
4
2
4
2 5 4

0 3 2
 
2.
D5 E5 G5 E5 B5/E Bb5/E A5/E

Gtr. 1
    
                
   
   
P.M. P.M.
P.M. P.M.
5 7 10 7
0 0 0 0 0 0 0 0 0 7 0 0 0 0 6 0 0 5 0

Gtr. 2
         
              
   
   
P.M. P.M. P.M. P.M.
5 7 10 7 9 8 7
0 0 0 0 0 0 0 0 0 7 0 0 0 0 6 0 0 5 0
 
D5 E5 G5 E5 * B/E Bb/E A/E

          
   
              
P.M. P.M.
 P.M.
 P.M.
5 7 10 7 6 5 4
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 5

         
   
  
   
             
P.M. P.M. P.M. P.M.
5 7 10 7 9 8 7
0 0 0 0 0 0 0 0 0 7 0 0 0 0 6 0 0 5 0
*Chord symbls reflect combined harmony.
 

          
   
              
P.M. P.M.
 P.M.
 P.M.
5 7 10 7 9 8 7
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 8

         
             
   
   
P.M. P.M. P.M. P.M.
5 7 10 7 9 8 7
0 0 0 0 0 0 0 0 0 7 0 0 0 0 6 0 0 5 0
 

            
  
            
 
P.M. P.M. P.M. (cont. on lower staff)
9 8 8 8 7
5 7 10 7 8
0 0 0 0 0 0 0 0 0 0 0 0 0

    
     
  
   
             
P.M. P.M. P.M. P.M.
5 7 10 7 9 8 7
0 0 0 0 0 0 0 0 0 7 0 0 0 0 6 0 0 5 0
D5 E5 G5 E5 D5 E5 D5 E5 B5
Riff B
  
 
Gtr. 3 (elec.)
  
3 3

3 3
     
f

w/ dist.
 10
12
10 10
12
12
14
6
9
9
12 12
   
Riff A

Gtrs. 1 & 2
      
   
                 

P.M. P.M. P.M. P.M.
 5 7 10 7 5 7 5 7 9
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 7

D5 E5 G5 E5 D5 E5 D5 E5 B5


   

6 7
 End Riff A
         
   
                 
P.M. P.M. P.M. P.M.
5 7 10 7 5 7 5 7 9
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 7
1. 2.
Gtrs. 1 & 2: w/ Riff A
 
D5 E5 G5 E5 D5 E5 D5 E5 B5 D5 E5 G5 E5 D5 E5 D5 E5 B5 D5 E5 D5 E5 B5
 
Gtr. 3 End Riff B
             
3 3 3 3
    

 

10
12
10 10
12
9
13
8
12
6 7
 7 7
12 11 10
Half-time feel End half-time feel

1st time, Gtr. 3 tacet
F#5 G5 E5 F#5 E5 F#5 G5 E5 G5 F#5 E5 F#5 G5
 

Gtrs. 1 & 2
        
       

 

 


P.M. P.M. P.M. P.M.
 4 5 4 4 5 5 4 4 5
2 3 0 2 0 0 2 3 0 0 3 2 0 0 2 3
Half-time feel

D5 E5 G5 E5 D5 E5 D5 E5 G E5 F# G E5 F# E5 F# G
           
              
    
             
P.M. P.M. P.M. P.M. P.M. P.M.
5 7 10 7 5 7 5 7 2 1 2 1 1 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 3 0 2 3 0 2 0 0 2 3
1.
End half-time feel
 
E5 G F# E5 F# G D5 E5 G5 E5 D5 E5 D5 E5 G5 E5
         
 
              
     
             

2 1 1 2 5 7 10 7 5 7 5 7 5

0 0 3 2 0 0 2 3 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 3 0
2.
Verse
End half-time feel
   
E5 G F# E5 F# D5 D#5 E5 G/E F#/E D5 D#5 E5 A#m Bm D5 D#5
         
    

1. Broth - er will kill broth - er, spill - ing
coun - try that’s di - vid - ed
 
Riff C
  
                
          
   
      

P.M. P.M. P.M. P.M. P.M.
2 1 1 5 6
 7 4
5
3
4
5 6 7 4 5 4 5 6
0 0 3 2 0 0 2 0 0 0 0 0 0 0 0 6 7 6
  
E5 Em B/E D5 D#5 E5 F# E5 F# G A/E G A
      

   


        
   
blood a - cross the land. Kill - ing for re - li -
sure - ly will not stand. My past e - rased, no
 
      
        
         
  
    

P.M. P.M. P.M. P.M. P.M. P.M. P.M.
5 4
7 7 6 5 6 7 1 1 2 4 4 2 4
0 0 0 0 0 0 0 0 2 0 2 3 5 0 0 5 0 3 5
  
Bb/E A G A G5 E5 Bb A G A G5 E5 Bb5 A5 G5 D5 D#5
  
             

- gion, some- thing I don’t un - der - stand.
more dis - grace, no fool - ish na - ive stand. The

End Riff C
         
                                
P.M.  P.M.  P.M. 
5 5 4 2 4 2 2 2 5 4 2 4 2 2 2 8 7 5 5 6
6 0 0 6 5 3 5 3 0 0 0 0 6 5 3 5 3 0 0 0 0 6 5 3
Gtrs. 1 & 2: w/ Riff C
    
E5 G/E F#/E D5 D#5 E5 A#m Bm D5 D#5 E5 Em B/E D5 D#5
             
    
 

Fools like me who cross the sea and come to for - eign lands,
end is near, it’s crys - tal clear, part of the mas - ter plan.
  
E5 F# E5 F# G A/E G A Bb/E A G A
       
     
   
    
  
uh, ask the sheep for their be - liefs. “Do you
Don’t look now to Is - ra - el, it
1. 2.
    
  
G5 E5 Bb A G A G5E5 Bb5 A5 G5 D5 D#5 G5 E5 Bb A G A G5 E5 Bb5 A5 G5 D5 D#5
         
      
   
  
kill on God’s com - mand?” 2. A might be your home - land.
Free time
    
E5
 
     
Ho - ly wars.
           
 
Gtr. 4 (nylon-str. acous.)
    
f
11 12 11 11
12 10 12 13 13
9 10

Gtrs. 1 & 2
 
 
 
           

7 2
5 6 7 7 6 5 5 4 3 3 5 0
6

            
                     
   
      sim.
3 3 3 3 3 3 3
12 12 10 10 8 8 7 7 5 5 4 4 5 5 7 7 10 7 5 6 5
13 12 10 9 6 5 6 6 4 5
7 6

  


  
  
2
0
            

    
  
 
3 
0
4 5 4 0
7 6 5 4 5 4 X
7 7 6 5 4 3 2 2
X
0
 


  
 (Gtr. 2, cont. on upper staff)
2
0
Bridge
Moderately fast q = 128
Gtr. 4 tacet

E[b6] E5 E[b6] E5 E[b6] E7 E[b6] E5 E[b6] E5 E[b6] E7
        
                    
Up on my po - di - um as the know - it - all schol - ar. Down in my seat of judge - ment, gav - el’s bang, up - hold the law.
 
Rhy. Fig. 1A End Rhy. Fig. 1A

Gtr. 2
         
                         
P.M. P.M.  P.M. P.M.   P.M. P.M.  P.M. P.M.  
3 2 2 3 2 2 2 3 5 3 2 2 3 2 2 2 3 5
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Rhy. Fig. 1 End Rhy. Fig. 1

Gtr. 1
      
                           
   
 
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
3 2 2 3 2 2 2 3 2 2 3 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
7
Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A

E[b6] E5 E[b6] E5 E[b6] E7 E[b6] E5 E[b6] E5 E[b6] E7
                     

            

Up on my soap - box, a lead - er out to change the world. Down in my pul - pit as the ho - li - er - than - thou, could - be mes - sen - ger of
Interlude
 
E5 B5/E C5 E5 B5/E G F#11 F,7#11 E5
     

God.
 
     
Gtr. 1
   
   
          
 
       
let ring  let ring   let ring 

let ring
P.M. P.M. P.M.
0 0
0 0
0 2 4 5 5 0 2 4
2 2 3 3 3 2 2 1 1 0 0 2
0 0 0 0 0 3 2 2 1 1 0

Gtr. 2
        
 
2 2
0 0
B5/E C5 E5 B5/E G F#11 F,7#11 E5

 
      
Wage
 
     
   
    
   
 
         

let ring  
let ring  let ring  let ring 
P.M. P.M.
0 0
0 0
0 2 4 5 5 0 2 4
2 2 3 3 3 2 2 1 1 0 0 2
0 0 0 0 3 2 2 1 1 0
  



          
 
2 2 1 1 0 0 2
0 3 2 2 1 1 0
 Bridge
Half-time feel
Gtr. 2 tacet
E5 B5/E C5 E5 B5/E G F#11 F,7#11 E5
            
    
the war on or - gan - ized crime.
killed my wife and my ba - by with hopes to en - slave me.

Riff D End Riff D
    
Gtr. 1
   
          
   
 
        
 
   
   let ring 

let ring let ring let ring
P.M. P.M. P.M. P.M.
0 0
0 0
0 2 4 5 5 5 5 5 5 5 5 0 2 4
2 3 3 3 3 3 3 3 3 3 2 2 1 1 0 0 2
0 0 0 0 0 0 3 2 2 1 1 0
Gtr. 1: w/ Riff D (2 times)
      
B5/E C5 E5 B5/E G F#11 F,7#11 E5
    3 
  
         
Sneak at - tacks, rap - pel down the rocks be - hind the lines.
First mis - take, last mis - take.
                    
B5/E C5 E5 B5/E G F#11 F,7#11 E5
        
    
Some peo - ple risk to em - ploy me, some peo - ple live to de - stroy me.
Paid by the al - li - ance to slay all the gi - ants.
To Coda 
B5/E C5 E5 B5/E G F#11 F,7#11 E5
         
   

     
Oo, eith - er way, they die. They die!
The next mis - take, no more mis -
Rhy. Fill 1 End Rhy. Fill 1
    
Gtr. 1
   
         
          
 
     
   
P.M.  P.M. P.M.  P.M.
let ring
P.M.
0 0
0 0
0 2 4 5 5 5 5 5 5 5 5 0 2 4
2 3 3 3 3 3 3 3 3 3 2 2 1 1 0 0
0 0 0 0 0 0 3 2 2 1 1 3

Gtr. 2
Rhy. Fill 1A End Rhy. Fill 1A
       

5
12 3
Guitar Solo
G Bbsus2 E5 F5 F#5
                
 
          
8va

Gtr. 5 (elec.)
      
  
3
       
3
f
w/ dist.    
7 10 7 6 10 6 8 10 13 10 10 13 18 13 13
8 8 8 6 11 11 11 15 15
7 7 7 7 10
9 9 8 12
2 5 10
3
Riff E

Gtr. 1
    
      
     


P.M.  let ring
3 0 1
0 3 3
0 3 0 3 3
2 1 3 4
0 1 2
Rhy. Fig. 2

Gtr. 2
 
         

  
P.M.
3
5 1 3 4
3 3 3 3 0 1 2

G Bbsus2 E5 F5 F#5

 

8va
      
           
  

 
1/2
 1/2 1/2
1 1/2 1 1/2 1
 1 1/2
18 18 15 20 20 20 24
15 17 17 17 15
  
       

       
P.M.  let ring
3 0 1
0 3 3
3 0 3 3
2 1 3 4
3 0 1 2

 
         
    
P.M.
3
5 1 3 4
3 3 3 3 0 1 2
10

G Bbsus2 E5 F5 F#5
  
   
8va
           
 
loco

 
1 1/2 1 1/2 1/2
 
24 24 24 24 24 22 18 15
15
15 14
15 12
13
  
End Riff E
       

      


P.M.  let ring
3 0 1
0 3 3
3 0 3 3
2 1 3 4
3 0 1 2
 End Rhy. Fig. 2
        
   
P.M.  
3
5 1 3 4
3 3 3 3 0 1 2
End half-time feel

G F#11 F,7#11 E5
               
                      
8va

 

              6
5
grad. bend
1/4
18
8 8 8 8 10 10 10 10 11 11 11 11 13 8 18 15 18 18 15 15 18 15 18 15 15
X X X X X X X X X X 18 18 17 15 18 18 15 17 15
5 5 5 5 7 7 7 7 8 8 8 8 10 17
  
 
    
  
          
 let ring  let ring 
P.M.
0 0
3 0 0 0
0
3
2 2 1 1 0 0 2
3 3 2 2 1 1 0

      
            
P.M. 
5 2 1 1 0 0 2
3 3 3 3 2 2 1 1 0
11
Interlude D.S. al Coda
Gtr. 5 tacet

E5 B5/E C5 E5 B5/E G F#11 F,7 E5
     
 
They

8va
    
    
2
18
  
8va
   
       
loco
  

 
 
           

               


Harm.
let ring
P.M. P.M. P.M. P.M.
0 0
5 0 0

5
0 2 4 5 5 5 5 5 5 5 0 2 4
2 2 3 3 3 3 3 3 3 2 2 2 1 1 0 0 2
0 0 0 0 0 3 2 2 1 1 0
Pitches: B
G
D

       
           
  
2 2 2 1 1 0 0 2
0 0 3 2 2 1 1 0
 Coda
Guitar Solo
Gtrs. 1 & 2: w/ Rhy. Fills 1 & 1A Gtr. 1: w/ Riff E
Gtr. 2: w/ Rhy. Fig. 2
  
 
F,7#11 G G Bbsus2 E5 F5 F#5
  
- takes.
  
        
Gtr. 5
        
loco
  
     
1 1 1/2
 
5 5 3 3 5 5 5 5 7 5
5 5 3
5 3
6
12

G Bbsus2 E5 F5 F#5
             


     
 

3
6 8 6 8 6 6 6
5 7 7 7 10
10 15

G Bbsus2 E5 F5 F#5
             
    
   
8va
    
  

 
3
1
22 18 18
15 18 15 18 18 20 22 18 15 18 20 18
15 18 19 18 19
15 17
17
End half-time feel

G F#11 F,7#11
  
8va
        
loco

    
Gtr. 5
   
 
1
1
20 20 15
18
15 17 17 18 18 17 17
   
Gtr. 1
       
 
        
 let ring  let ring 
P.M.
0 0
3 0 0 0
0
3
2 2 1 1 0 0
3 3 2 2 1 1

Gtr. 2
     
          
P.M. 
2 2 1 1 0 0
0 3 3 3 2 2 1 1
13
Interlude
Faster q = 183
Gtr. 5 tacet
E5 G5 F5
             
  

Gtr. 1

 

 Harm.


P.M. P.M.
 2 5
0 3 3 3 3 3 3 3 3 3 3 3 3 3 3 0 3 0
Pitch: B
  

Gtr. 2
   
 
 

P.M. P.M.
 2 5
0 0 3 0
F#5 G5 E5 F#5 E5 F#5 G5 E5 G5 F#5 E5 F#5 G5 E5 G5 E5
       
 
Gtrs. 1 & 2
Play 3 times
          
  
                 

P.M.  P.M.  P.M. 
Harm.

P.M. P.M. P.M.
4 5 4 4 5 5 4 4 5
 2 2
2 3 0 2 0 0 2 3 0 0 3 2 0 0 2 3 0 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 0 3 0
Pitch: B
Guitar Solo
F# G E5 F# E5 F# G E5 G F# E5 F# G E5

8va
 
Gtr. 6 (elec.)
    
  
f fdbk. grad. bend fdbk.
w/ dist.
1 don’t pick 1 don’t 1
pick
17 17 17 17
0 0
Rhy. Fig. 3

Gtrs. 1 & 2

          
        

       
P.M. P.M.  P.M.  P.M.  P.M.
1 2 1 1 2 2 1 1 2 2
2 3 0 2 0 0 2 3 0 0 3 2 0 0 2 3 0 0 0 0 0 0 0 0
14
G5 E5 F#5 G5 E5 F#5 E5 F#5 G5 E5 G5 F#5 E5 F#5 G5
 
8va
            
  
grad. bend grad. bend grad. bend grad. bend grad. bend
1 1 1 fdbk. 1 1 fdbk. 1
don’t don’t
pick pick
17 17 17 17 17 17 17 17
0 0

           
                       
P.M.  P.M. P.M. P.M.  P.M.  P.M. 
5 4 5 4 4 5 5 4 4 5
0 0 0 0 0 0 0 0 3 0 2 3 0 2 0 0 2 3 0 0 3 2 0 0 2 3
E5 G E5
       
loco
                     

17 15 12 12 12
17 17 15 12 17 15 12 17 15 12 12
15 15 14 12 15 14 12 15 14 12 12
14 14
 End Rhy. Fig. 3

 
                
P.M. 
2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 3 0
Gtrs. 1 & 2: w/ Rhy. Fig. 3 (3 times)

F# G E5 F# E5 F# G E5 G F#5 E5 F# G E5
        
Gtr. 6
               
   
13 12 14 13 12 14 13 12
14 13 12 14 13 12 14 13 12 13 12 10 12 10 12
0 3 5
           
G5 E5 F#5 G5 E5 F#5 E5 F#5 G5 E5 G5 F#5 E5 F#5 G5
      
              
  
    
12 15 12 15 15 17 15
12 14 12 14 15 12 14 12 14
12 14 12 12 14 12 13 14 12 14
3 12 14 12 13 14
5 5 5 5 4
15
E5 G E5
            
                   

12 15 17 12 15 17 12 15 17 12 15 17 12
12 12 15 17 12 15 17 12 15 17 12 15 17 12 15 17
15 15
F# G E5 F# E5 F# G E5 G F# E5 F# G
            
8va loco
   
       

3
17 17 15 12 17 15 12
17 15 12 17 15 12
15 17 12 12
14 14 14 14
                 
E5 G5 E5
        
     

15 12 12 15 12 17 12 12 15 12 17 12 12 17 12 12 15 12 17 12 12 15 12 17 12 12
15 15 15 15 15 15
                               
F#5 G5 E5 F#5 E5 F#5 G5 E5 G5 F#5 E5 F#5 G5


17 12 12 15 12 17 12 12 15 12 17 12 12 17 12 12 15 12 17 12 12 15 12 17 12 12
15 15 15 15 15 15
                               
E5 G E5


15 12 12 17 12 12 15 12 12 17 12 12 15 12 12 17 12 12 15 12 12 17 12 12
15 15 15 15 15 15 15 15
16
                        
F# G E5 F# E5 F# G E5 G F# E5 F# G
 
 
3 3 3 3
17 15 12 12 17 15 12 12 17 15 12 12 17 15 12 12 17 15 12 12
15 15 15 15 15
E5 G5 E5
                       
        

17 15 12 17 15 12 17 15 12 17 15 12 18 16 13 18 16 13 18 16 13 18 16 13
12 12 12 12 13 13 13 13
           
F#5 G5 E5 F#5 E5 F#5 G5 E5 G5 F#5 E5 F#5 G5
           
        

19 17 14 19 17 14 19 17 14 19 17 14 20 18 15 20 18 15 20 18 15 20 18 15
14 14 14 14 15 15 15 15
E5 G5 E5
 
8va
                               

1
22
21 19 16 21 19 16 22 20 17 22 20 17 23 21 18 23 21 18 24 22 19 19
16 16 17 17 18 18 19
F#5 G5 E5 F#5 E5 F#5 G5 E5 G5 F#5 E5 F#5 G5
      
8va
     

Gtr. 6
 3 3
1 1 1 1 1 1
22 22 22 22 22 22 22

Gtrs. 1 & 2
          
       
P.M. P.M.  P.M.  P.M. 
4 5 4 4 5 5 4 4 5
2 3 0 2 0 0 2 3 0 0 3 2 0 0 2 3
17
Bridge
Gtrs. 1 & 2: w/ Riff A (5 times)
    
D5 E5 G5 E5 D5 E5 D5 E5 B5 D5 E5 G5 E5 D5 E5 D5 E5 B5
    3    
     
Fill the cracks in with ju - di - cial gran - ite. Be -

Gtr. 6
loco

    
w/ bar
grad. dive
0 0
-1
-1 1/2
Gtr. 6 tacet
      
        
3
  
cause I don’t say it, don’t mean I ain’t think - in’ it.

   
  
grad. release
0 0
-2 1/2 -1
Gtr. 3: w/ Riff B (1 1/2 times)
 
           
   
3
  
Next thing you know, they’ll take my thoughts a - way. I
           
   
3
    
    
know what I said, now I must scream of the
   
D5 E5 G5E5 D5 E5 D5 E5 B5 D5 E5 G5E5 D5 E5 D5 E5 B5
    3 
       
o - ver - dose, and the
18
 
D5 E5 G5 E5 D#m Dm D5 E5 G5 E5
      
3
       

lack of mer - cy kill - ings,

Gtr. 3

   
3 3 3 3

          
P.M.  
12 12 13 12
10 10 10 9 8 6 7
12 11 10

Gtrs. 1 & 2
  
3
 3
 
    
   
   
P.M. P.M. P.M. P.M.
13 12
5 7 10 7 9 8 5 7 10 7
0 0 0 0 0 0 0 0 0 0 0 11 10 0 0 0 0 0 0 0 0 0 0 0
    
D5 E5 D5 E5 B5 D5 E5 G5 E5 D5 E5 D5 E5 B5
 
        
mer - cy kill - ings, mer - cy

   


        
     
     
5 7 5 7 9 5 7 10 7 5 7 5 7 9
0 0 0 0 0 0 0 7 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 7
Gtr. 3 tacet
    
D5 E5 G5 E5 D5 E5 G5 E5
    
kill - ings, kill - ings,

Gtrs. 1 & 2
        
   
                     
P.M. P.M. P.M. P.M.
5 7 10 7 5 7 10 7
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
19
    
D5 E5 G5 E5 D5 E5 G5 E5 G5 E5
    
kill - ings, kill - ings.

         
   
                 
P.M. P.M. P.M. P.M. P.M.
5 7 10 7 5 7 10 7 5
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 3 0
Outro
Half-time feel End half-time feel

F#5 G5 E5 F#5 E5 F#5 G5 E5 G5 F#5 E5 G E5
   
      
       
P.M. P.M.  P.M.  P.M.  P.M.
4 5 4 4 5 5 4 2
2 3 0 2 0 0 2 3 0 0 3 2 0 0 3 0

F#5 G E5 F# E5 F# G E5 G F# E5 G5 E5
 
        
       
P.M. P.M.  P.M.  P.M.  P.M.
1 2 1 1 2 2 1 5
2 3 0 2 0 0 2 3 0 0 3 2 0 0 3 0
 
F#5 G5 E5 F#5 E5 F#5 G5 E5 G5 F#5 E5 μ E5 μ
  
3
       

     
Next thing you know, they’ll take my thoughts a - way.

             
                 
P.M. P.M.  P.M.  P.M. 
4 5 4 4 5 5 4 5 6 7 2 2 2
2 3 0 2 0 0 2 3 0 0 3 2 0 0 0 0 0 0
20

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from Megadeth - Greatest Hits: Back to the Start

Holy Wars...The Punishment Due

© 1990 MUSTAINE MUSIC and THEORY MUSIC

Half-time feel End half-time feel

Gtrs. 1 & 2: w/ Riff C

Rhy. Fig. 1 End Rhy. Fig. 1

B5/E C5 E5 B5/E G F#11 F,7#11 E5

Gtr. 1: w/ Riff D (2 times)

Rhy. Fill 1 End Rhy. Fill 1

 End Rhy. Fig. 2

End half-time feel

End half-time feel

F#5 G5 E5 F#5 E5 F#5 G5 E5 G5 F#5 E5 F#5 G5 E5 G5 E5

 End Rhy. Fig. 3

Gtrs. 1 & 2: w/ Rhy. Fig. 3 (3 times)

F#5 G5 E5 F#5 E5 F#5 G5 E5 G5 F#5 E5 F#5 G5

Gtr. 3: w/ Riff B (1 1/2 times)

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