Professional Documents
Culture Documents
Morpho Joint Forms and Muscular Functions 9798888140628 Compress
Morpho Joint Forms and Muscular Functions 9798888140628 Compress
Michel
Anatomy for Artists
Lauricella
Editor: Joan
Project
Dixon manager:Lisa
Marketing
Brazieal coordinator:
Graphic
Mercedes design Murray
and layout:
Layout
monsieurgerard.com production:
Hespenheide
ISBN: 978-1- Design
1st Edition(3rdprinting,July
68198-540-4
2022)
Original French title: Morpho: Formes Articulaires
© 2019GroupeEyrolles,Paris
Fonctions
Translation
France copyright©2019Rocky Musculaires
All illustrations are by the
Nook, Inc.
author.
Rocky
1010
Nook, BStreet,
Inc. CASuite
San
350 Rafael,
USA
94901
www.rockynook.com
DistributedintheUKandEuropebyPublishers
Distributed
Group intheU.S.andallotherterritories UK byPublishers
Group
Library of Congress Control Number: West
2019940042
All rights reserved. No part of the material protected by this copyright
reproduced
notice or utilized in anymay form, electronic or mechanical, be
recording,
including or byany information storage andretrieval system,without
photocopying,
of
written the permission and
Many of the designations in this book used by manufacturers
publisher.
sh sellers
their products are claimed toas and
trademarks of their respective
distingui-
designations
companies. appear in this book,
Where Rocky Nook was aware of a
those
designations
trademark have been printed in caps
claim, or initialcaps. Allproduct names
theand
identified
and throughoutthisbookare usedineditorialfashion only
services for
such
the companies with no intention
benefitof infringement of the trademark.
of
tended
They toconveyendorsement
are hasbeen orotheraffiliation
notinthepreparationin-
withWhile reasonable care exercised
this noresponsibility book. ofthis
blisher
book,and author assume for errors
the containedhereinorfromor omissions, or
pu-theuse
sulting
for fromtheuseoftheinformation
damages re-
pro-
of grams thatthe may discs or
accompany it.
Thisbookisprintedonacid-free
Printed
paper. in
China
Publisher’s note: This book features an “exposed”
intentional, as it isstyle.
binding designed to help the book lay flat
This is as
you draw.
table of contents
5 foreword
7 introduction
29 drawings
31 head and neck
47 torso
57 upper limb
83 lower limb
96 resources
4
foreword
This book is about the plifiedshapes,drawnfroma
of form and function of the mechanical
relationship purely vision, to
body.
human Working similarly to natural
explain shapes. Beginningthe
tologists,
paleon- we artists can shapes
with of the joints andthethe
functions
deduce of the bony
the we
bones,will consider them as
observing
structures the sizes of the order
by levers to deduce from them
in
their
bones, joints, and the uneven vements
the that are possible,
mo-
created
shapes ontheirsurfacesby then and construct will the
peated
the traction of the our
re- écorché, way closer to
working the
attach
muscles to them. The highly
that human
loped
deve- mechanisms of the contours
Thoughwefind
silhouette.
of agreatava-
form
human continue to inspire riety of complex shapes in
generation
each of engineers
new shapes
nature, that cannot all be
In
and biomechanics and to a
artists.to reduced mechanistic vision, this
continue
biomimicry, to get closer we ap- proach will allow you to
ral
theseshapes; and knowing new logical proportions,
vels
what of adaptation natu-these imagine
mar- the
beyondones proposed in this
are, we
structures appreciate the imaginary,
book— hybrid, or
poetic
aesthetic potential they and shapes,
fantasticalbut shapes inwhich
In this
represent. book, we are going still
you maintain the
workto backwards. We will rely form and
relationships of
on sim- function.
5
Fig. 1
6
Fig. 2 Fig. 3
introduction
The most important A sphere allows
muscle
muscles groups are
and every
movementdirection, while ina
section,
described along with
in their tricts
this pulley movement along one
tion
main points and their
inser- axis.
possible Your shoulder res- joint
goal of
functions.this book is to foster arm to move in all directions
ability
your to draw fromThe your allows
to
due its spherical form.your Your
tion, supporting
imagina- it with the meanwhile,
knee, is of the pulley
a mechanicalfoundation.
study of movement
type is limitedand to a
of
Thethe entire skeleton was
study the rection.
single In the first case (the
di-
of an
focus earlier volume in this we find
sphere), at least two pairs of
(Morpho:
series Skeleton and Bone
sing Refer-
muscles positioned
encePoints );inthisbook,ouroppo- two
along principal axes. Inthe the
is on
focus the joint zones and their case
second (the pulley), there is only
responding
cor- musculature. pair of muscles along the
and
The proportions shape of the one Tocounterbalance
single this
axis.
faces
contact between two bones cal approach,
sur- notmechani- we should
their possiblemovements.
reflect make tolosesightofthesure factthat
structures
The can be seen in a
joint mostof the muscles and bones are
shapes,
variety but for the purposesof in shape of a helix, and that,
the
study,
of wewillreducealmost our they make up an effective
together,
them
all totwomajortypes: ofthe elements
weave that take turns of
(Fig.
sphere2) and the pulley human
shaping silhouette the
(Fig. 3). (Fig. 1).
7
hum hum
ulna
ulna
Fig. 4: Elbow.
Fig. 6
introduction - 9
Fig. 12
Fig. 10
Fig. 9
Fig. 11
Fig. 13
1
Fig. 4
Fig. 5 Fig. 6
introduction - 13
2 Fig. 8
3
4
Fig. 7
1
Fig. 9
Fig. 1
Fig. 2
Torso intheback,andthepectoral,
The rib cage is made up of front, in inplace.Theupper thepart
pairs
twelve of ribs. The first ten rib
of cage, which is kept rigid
the by
the
connectfront with a bony
in thereduced size of the costal
the sternum (ster);
“necktie” called the and thepresenceatthatlevel
cartilages
each
bottom have one free
two sternum
of andoftheshoulder the
called floating
extremity ribs
and (Fig. 1).
are The (shoulder
girdle blades and
bility
flexi- of the cartilages that fills this function well (Fig.
clavicles), ful-2).
the ribs
connect to the sternum give finally, the rib cage
or lessmobilitytothewhole, And
more lungs’
optimizeschanges in volume the of
that
and mobility increases as breathing,
during playingtherole
down
you from top to bottom.
moveof cuum a chamber. It va- also
on this,
Based we can conceive diaphragm
supports muscle, which
functions
several for this ovoid a dome from belowthe
forms that
The rib
structure. cage protects the downward when
organs,
vital whicharethelungs moves sisting
breathingthecontraction,
in. toBy the
re-
heart,
and but it also allows for
the the allows
rib the lungs fill with
cage air.
plantation
im- of the muscles diaphragm
The plays the role of a
the
that shoulders and arms,
move as in a syringe, while the rib cage
the
wellmuscles that keepas the piston
rigid
is tube (see next the
scapula, page).
16 | morpho - joint forms and muscular functions
1
2 1
3
1. Exhaling.
2. Inhaling.
3. Action of the diaphragm
muscle.
introduction - 17
Fig. 5
pub
Fig. 4 Fig. 7
Fig. 8
sacr
coc
Fig. 6
2 3 1
Fig. 10
Fig. 9
introduction - 19
The Limbs eachwiththesamenumber
Ifwecomparetheupperand and of the same kindsbones of joints
limbs,
lower starting at the thumb
(with and the big toe each
the
shoulder
scapular blades and one
the pelvicbeltbelt
clavicles)
(thewe having
(thepelvis),
and Itisinterestingtonotethat
phalange
there
can is possibly a shared
see presence
the legoftwo boneseach
system,
organizing which allows us to less).
lower
in and forearmtheof
the
noticeadaptive differences (a is a
means greater amount there
son with other mammals available
compari- surface for the muscles
important
also lessons, but that
carries is rate
that the hands andspacefeet, a
ope-
the scope
outside of this work). Thus, that is revealed
correlation through the
shoulder
the blade whenever
fact the number thatof
iliac wing,
corresponds the humerus
to duced
the digits to two or
is only one re-(asin
to the femur,
corresponds and the radius split hoof of bovines or the
correspond
and to the tibia and the
ulna hoof
single of horses, for
there
fibula. is one single bone in the these
So example), two bones
one is of
segment
first (upper arm and Starting
also with the
lost. two
are
thigh);two in the second
there the forearm we
bones rotation and find a system
of
rearm
segment and lower leg); and combines
(fo- that
series
there of smallisbones at the a one of the two boneswith
flexion, being
at the
wrist instep. And finally, the
and able cross the other to
and
handthe foot each have five (Fig. 1).
digits,
20 | morpho - joint forms and muscular functions
Fig. 1
introduction - 21
Shoulder blade seen
at its outside edge.
Fig. 1
Fig. 2
Fig. 3
2
2
Fig. 5
introduction - 23
Fig. 6
Fig. 7
1
Rear view. 3
2
4
Fig. 8
1 3
2
Front views.
4 5
Fig. 10
6
Fig. 11
Fig. 9 6
5+6 Fig. 12
5+6
5+6
Fig. 15
meta phalange
Fig. 1
3 6 Fig. 3
1
5
2 Outside view.
Fig. 2 6
5
Fig. 4
4
5
6 2
5
6
5
Fig. 5
Plantar view
(from below).
Fig. 7
meta phalange
Fig. 2
Fig. 3
of the
rd
Fig. 4
Fig. 5
Fig. 2
Fig. 3
Fig. 4
2
2
Fig. 2 Fig. 3
1
2 2
Fig. 2
4
There are several muscles involved in the movements of the lower jaw.
The masseter and temporal elevators are powerful chewing muscles
and are significant for the study of shapes. The same is not true for the
depressors, which cover, but do not hide, the larynx and the trachea. I will
mention just three of them here:
Fig. 1: Insertions of the mylohyoid muscle.
Fig. 2: Insertions of the digastric muscle.
Fig. 3: Insertions of the sternocleidomastoid muscle. hy
Fig. 4: The hyoid bone (hy) is a small horseshoe-shaped
bone, shown here in profile. It is located at the junction of
the neck and the bottom of the chin. It serves as a relay
point for the depressor muscles shown on this spread.
These muscles also allow for the suspension of the larynx—thy
represented here by the thyroid cartilage (thy), or Adam's
apple—and its movements during swallowing.
The hyoid bone presents a small horn shape for the
insertion of the digastric muscle (see following pages).
Fig. 4
3+4+5
3 + 4
Fig. 1
5
Figs. 1 and 2: The masseter
(1) and temporal (2) are Fig. 2
elevators. The mylohyoid
(3), digastric (4), and
sternocleidomastoid (5) are
depressors.
Fig. 3
4
3
4
Fig. 4
hy
thy
tra
4
Fig. 5
Fig. 2
Approximate position
of the spinal column
and cervical spine
on photographs and
X-rays.
level of
of drawing.
fleshy
6 8
8 7 6
Fig. 3
Fig. 4
6
8 8
Fig. 5 7
7
Fig. 2
9
8 9 8
Fig. 5
Fig. 3
Fig. 1
Fig. 4
sacr
coc
Fig. 1: Dorsal and profile views. The spinal column is composed of 7 cervical,
12 dorsal, and 5 lumbar vertebrae; the sacrum (sacr) is composed of 5 welded
verbetrae; and the tailbone, or coccyx (coc), is composed of 4 vertebrae.
Fig. 2: Cervical vertebra (see page 15).
Fig. 3: Dorsal vertebra.
Fig. 4: Lumbar vertebra.
Fig. 5: Rhythm of the dorsal spines.
Fig. 7
Fig. 8
Fig. 1
Fig. 2
Fig. 3
11
12
12
11 12
10
Fig. 2: Three quarters
front view.
Fig. 3: Profile.
50 | torso - movements
6 5
6
Fig. 5
Fig. 4
5
6
5 8
8
11
10
10
11
11
10 12
12
movements - torso | 51
6
Fig. 1 Fig. 3
Fig. 2
10
10
10
Fig. 1: Insertions of the
spinal muscles.
Fig. 2: Spinal muscles:
iliocostalis, longissimus, and spinalis.
Fig. 3: Relays of form and function with the
spinals of the neck (splenius and Fig. 4
complexus together).
Fig. 4: Cross section of the rib cage showing
the position of the spinal muscles in the gray area
formed by the angle of the ribs and the vertebral spines.
52 | torso - extension
5
Fig. 5
Fig. 7
Fig. 6
11
11
extension - torso | 53
ds
e.
c
.
5
6
Fig. 1 8 Fig. 2 Fig. 3
11
10 12
Fig. 4
10
12
Fig. 5: The musculature of the trunk. The
top of the rib cage is open so that it can
receive the scapular belt (shoulder blades and
clavicles) and the muscular attachments of
the arm.
Fig. 6: Cross section of the abdomen showing
the muscle belt. The obliques shown here
occupy only the outermost layer of Fig. lateral 11
the 6
muscles.
Fig. 2
Fig. 3 14
13
Fig. 4
14
13
Fig. 5
Fig. 1: Scapular belt seen from above. Mechanically speaking, the clavicles and
shoulder blades can be considered as the first bones of the upper limb.
Fig. 2: On the left is a more masculine, more robust shoulder blade, adapted to
a more powerful musculature; on the right is a more feminine, more delicate
shoulder blade.
Fig. 3: Range of motion of the clavicles and shoulder blades seen from above.
Figs. 4 and 5: Synergy between the deltoid (13) and the trapezius (14).
en from above.
s (14).
The deltoid and the trapezius muscles alternate with each other on either side of
the scapular belt.
Fig. 6: Insertion points of the deltoid.
Fig. 7: Insertion points of the trapezius, which starts from the shoulder blade and
clavicle to join the spinal column and the skull.
Fig. 6 Fig. 7
14
13
13
Fig. 2
14
14
Fig. 3
Fig. 1 Fig. 2
Fig. 3
15
15
Fig. 5
13
14
13 14
15
Fig. 4
15
19 +
20 16 Fig. 2
14
13 17 13
20 21
17
Fig. 4
Fig. 3: Shoulder blade, seen from its external edge.
Figs. 3, 4, and 5: Insertions and shape of the
coracobrachialis (16).
16
Fig. 5
17
Fig. 7
Fig. 9
Fig. 8
19 +
20
21 21
Fig. 2: Insertions of the 20
infraspinatus (21). Fig. 1
Fig. 3: Insertions of the teres major
(20), which connects with the
anterior surface of the humerus
starting from the back of the Fig. 2
shoulder blade.
Fig. 3
21
20
Fig. 4 Fig. 5
18
21
20 18
19
19 +
20
Fig. 9
Fig. 10
en the
raps
same
on the rib
of the
Fig. 1
22
22
Fig. 4
Fig. 2
Fig. 3
Fig. 5
Fig. 6
Fig. 7
Fig. 8
22the ulna,
Fig. 1: The triceps (22) is inserted on
which is articulated with the pulley of the humerus.
Fig. 2: The pulley allows movements only of flexion Fig. 10
and extension.
22
Fig. 3: The ulna at the level of the elbow, from the back (left) and
from the front (right).
Fig. 4: Flexion/extension.
Fig. 5: Insertions of the triceps.
Figs. 6, 7, and 8: The three bundles of the triceps, united by a shared tendon
attached to the elbow.
Fig. 9: The triceps (22) seen from the front (with the flexors pulled back, the
humerus is visible).
Fig. 10: Shoulder blade visible at its external blade. The insertion of the triceps.
22
Fig. 1 Fig. 2
24
Fig. 3
25
23
24
23 25
Fig. 1: Range of motion.
Fig. 2: Note the inverted contours at the level of Fig. 4
the elbow.
Figs. 3 and 4: The brachialis (23), the biceps (24), and the
brachioradialis (25) are all flexors.
23
Fig. 6
Fig. 7
Fig. 8: The shoulder blade,
visible at its outer blade.
Fig. 8
24
Fig. 9
Fig. 10
25
Fig. 11
Figs. 10 and 11: Insertions and shape of the
brachioradialis (25).
26 24 + 25
Fig. 5
26
Fig. 6
26
Fig. 7
Fig. 8
26
Fig. 5: All the muscles that attach to the radius play a role in the
rotational movements: the biceps (24) and the brachioradialis (25),
which are powerful flexors, and their antagonist the pronator teres.
Fig. 6: Action of the pronator teres.
Figs. 7, 8, and 9: Insertions and shape of the pronator teres (26).
Fig. 10: In pronation (the act of extending), the biceps contracts and its tendon
wraps around the radius.
Fig. 11: In supination (the act of supporting), the biceps contract and shorten.
Fig. 12: The amplitude of the rotation is estimated at 120 degrees. With the
shoulder taking part in the full movement, the hand can turn 3/4 of a full-circle
rotation, the forearm 1/2, and the upper arm 1/4.
Fig. 10
Fig. 11
Fig. 12
and shorten.
. With the
of a full-circle
Fig. 1: The extremity of the humerus. Insertion of the
extensors.
Fig. 1
27
27
Fig. 2
28
Fig. 2: Antagonistic action of the extensors (27) and the flexors (28).
Fig. 3: Insertion points of the extensors.
Fig. 3
oups.
Fig. 4
Fig. 5
Fig. 6
Fig. 7
27
28
Fig. 8
27
Fig. 9
Fig. 10
28
Fig. 2
Fig. 3
Fig. 5
Fig. 6 Fig. 4
Fig. 7
Fig. 8
25
27
28
27
25
24
28 26 22
22
28
27 +
28
27 + 27
28
27 +
28
28 Fig. 4
Fig. 3
28
27
29 28
Phalange
27
28
Fig. 5 Fig. 6 29 +
28 + 27 29
meta
29
27
Fig. 7
29
30
Fig. 2
31
30
Fig. 3
31
Fig. 4
30
31
30
Fig. 5
Fig. 4
ep Fig. 3 32
32
pub
Fig. 2
Fig. 5
ep
33
sacr
Fig. 8
Fig. 6 pub
isc
Fig. 9
32
Fig. 10
33
34
Fig. 4
Fig. 5
36
37
36
35
37
Fig. 7
Fig. 8
Fig. 9
Fig. 7: Insertions of the fascia lata (35) and the sartorius (36).
Fig. 8: Their action on the thigh.
Fig. 9: The rear bundle of the quadriceps (37).
Fig. 4 Fig. 5
Fig. 3
Fig. 2
Fig. 2: Insertion points of
the quadriceps (there are 374
bundles to be found).
37
Fig. 6
Fig. 9
Fig. 13
38)
e
39
41 +
42
39 + 39
42
41 + 39 + Fig. 1
42 42
39
Fig. 7
Fig. 6
Fig. 2
Fig. 3
Plantar view.
Fig. 8
40
Fig. 10
Fig. 11
Fig. 12
39
37
41
Fig. 4
38
42
41
Fig. 7
41 Fig. 8
Fig. 6: Relay system between the gemellus muscles and the hamstrings
39 the back of the knee.
at
Fig. 7: Insertions and shape of the flexors of the foot and toes.
Fig. 8: Action of the flexors.
39
Fig. 9: Extensors and flexors on either side of
the tibia.
Fig. 10: Internal view. 42
41
Fig. 9
Fig. 10
nd toes.
Fig. 1 Fig. 1: Metacarpal and
phalanges of the second
toe.
Fig. 2
Fig. 2: The previous
muscles work in relay with
the plantar flexor (43).
Fig. 3: Tendinous relay 43
system that echoes the
system in the hand (p. 76).
Fig. 4: Action of the plantar
and dorsal interosseous
muscles.
Fig. 5: Insertions and
shape of the interosseous
muscles (44).
42 Fig. 3
43
Fig. 4 Fig. 5
Fig. 7 46
45
45
abbreviations
4ceps: quadriceps pub: pubis
abs: rectus abdominis sacr: sacrum
coc: coccyx sp: spine
hum: humerus ster: sternum
hy: hyoid bone thy: thyroid cartilage
isc: ischium tra: trachea
meta: metacarpal
96
Don't Close
The Book
On Us!
www.rockynook.com/drawing-newsletter
e a copy
ebook.
g-newsletter
visit rockynook.com/information/newsletter
ŠŠŠŠ ŠŠŠŠŠŠŠŠŠ