Compilado de

Síntesis de
Melodía y
Cifrado de
Tangos

EMPA AREA TANGO 1

 9 de Julio
José Padula
Gm

D7 D7 Gm
                                  
A

                        
G7 Cm D7 Gm D7 Gm (D7)
            

Gm D7 D7 Gm

                                 


    Gm D7Gm Gm D7
1. 2.

G7 Cm D7
           
para el trío

            
B

            

G
 
Am D7
   G G

D7

    
   

      
D7 G G

D7 D7
                             

         G
G G Am
 
D7 D7 G
   

             


 C                       
G G D7 G
       

                        
C C Am C
       

                          
D7 G D7 G


               
D7 G A7 D7 G D7 G
         
El Yerta Javier Cohen

EMPA AREA TANGO 2

 Absurdo
Homero Expósito
Virgilio Expósito
A
Am Am/G B7/F# F7 E7 
                  


 

  
Am G7 C
   
Dm7
          



F#m7b5 B7 Dm7/F E7

             
  

Am Am/G B7/F# F7 E7 
               

  
EØ A7 Dm G7
        

C F7 Bb E7 Am

               

  
B
Am E7 Am E7 Gm6 A7

                  

Dm7  
Dm7

G7 C
            

F
 

Bb B7 BØ E7
                

Am E7 Am E7 Gm6 A7

       
              

 
G7 C
  
Dm7
  
Dm7
      


 
F Bb E7
   
Am
     
1. 2. Am
        
El Yerta Javier Cohen

EMPA AREA TANGO 3

 Adiós Nonino
Astor Piazzolla
versión 1

 
A1

  
Fm Fm Eb Db C7 Bbm6 Fm/Ab C7/G
                      
 
  Bbm7 Ab
    
Fm7 Fm/Ab Eb/G Db/F C7/E C7/G
           
       
 

   
Fm7 G/F Gb/F F Bbm Eb7b9 Abmaj7
                     
   


Dbmaj7 G7
   G7 Eb7 Bbm7 Eb7
               
     

Ebm/Gb

Ab Eb/G F7sus4 F7
     
      
B1


Bbm Bbm7/Ab Gm7b5 Dm7b5 G7
   
          
3

        
Cm7 Bb Ab G7
             

 
Gm7b5 C7 F/A Db9/Ab G7 Bbm7 Eb7b9

   
             
Ab Eb/G Ebm/Gb F7sus4 F7

      
B2

       

 
Bbm Bbm7/Ab Gm7b5 C7
      
  

  
3
accel.
  
Fm7 Fm7/Eb Dm7b5 rall. Db79+11
   
            


Gm7b5 C7b9 Fm G/F Gb/F Fm
             
El Yerta Javier Cohen

EMPA AREA TANGO 4

 A2


2 Fm C7
        
     


 
 
   
Fm C7
        
     


 
 

      
Am E7
  





  
  


        
Am E7
  
 


  
 


Cm
   G7
  
           
   

      

Cm G7
     


   
  

B3


Ab Eb/G Ebm/Gb F7sus4 F7
     
      
Bbm Bbm7/Ab Gm7b5 Dm7b5 G7

      
  
    
3

     
Cm7 Bb Ab G7
   
            

    
Gm7b5 C7 F/A Db9/Ab G7sus4 G7

   
            
B4

   

C G/B Gm/Bb A7sus4 A7
      

       
Dm Dm7/C Bm7b5 E7
    
3


accel.
 Am7/G
rall.
Am7
 
F#m7b5
F79  
       

    
Bm7b5 E7b9 Am B/A Bb/A Am
       
El Yerta Javier Cohen

EMPA AREA TANGO 5

 Adiós Nonino
versión 2
Astor Piazzolla
A1

 
       
     
Am Am G F E7 Dm6 Am/C E7/B
       

     
 Am/C G/B  Dm7
     
Am7 F/A E7/G# C E7/B
            

   G7b9
   
Am7 B/A Bb/A A Dm Cmaj7
             
 

  

Fmaj7 B7 B7 G7 Dm7 G7
               
 
B1

   
      
C G/B Gm/Bb A7sus4 A7 Dm Dm7/C
       
3

    D             
Bm7b5 F#Ø B7 Em7 C F#Ø/C B7
        

 
BØ E7 A/C# F9/C B7sus4 B7
    
           

B2

  
      

  F#m/E 
E B/D# Bm/D C#7sus4 C#7 F#m7
        
3

   C#m/B
accel.
  G#7sus4  A79 G7
 
rall.
 
D#Ø
  G#7
C#m7
      
A#Ø
     

 
F#7
F7
  
E7 Eb7
  
D7
      
El Yerta Javier Cohen
Referencia Nuevo Quinteto

EMPA AREA TANGO 6

 A2

             
2 C#m7 G#7
            

   
               

C#m7 G#7
      

   
        
Dm7 A7
          

          
      
Dm7 A7
     

Ebm7                

Bb7
       
Ebm7   
     
Bb7
      
 
      

           
       
   
Em7 B7
  

      
     
    
Em7 B7
       
B3

   D/F#   Dm/F     Am7/G   

    
G BØ E7 Am7
     

3



F#m7b5
   
C#m7b5 F#7 Bm
  
A
  G       C#m7b5
  F#7
    

 
          
F#m7b5 B7 E/G# Em7/G F#7sus4 F#7
       

   F#/A#   F#m/A    G#7sus4   C#m7/B   

B4

 
B
  
G#7 C#m7

       
3

   D#7
accel. rall.

      
FØ
   
A#Ø G#m G#m/F# E79
          

  
                  
  
A#Ø D#7 G#m A#/G# A/G# G#m
  
  
El Yerta Javier Cohen
Referencia Nuevo Quinteto

EMPA AREA TANGO 7

 Afiches
Homero Expósito
Atilio Stampone

Cm Fm Cm Fm7 Bb7

                             

      

Eb Cm7 D7 G7 Fm7
            
     

  
Bb7 Ebmaj7 Fm7 Ab7 G7sus4 Db7 C7
        
      
     


Dbmaj7 Cm7 Cm7/Bb D7/A G7 Cm7 Dm7 G7

  
  
            
         

Cmaj7 D7 G7 Cmaj7 Dm7 G7


           
     

Cmaj7 Ebmaj7 Cm7 Fm7 Bb7 Ebmaj7 G7

                    

 
Fmaj7 B7 Em7 EØ A7

                     

Dm7 A7 Dm7 D7 G7 Cmaj7

        
             

D7 G7 C G7 C


   3

     
El Yerta Javier Cohen
Referencia Editorial Julio Korn

EMPA AREA TANGO 8

 A Homero Aníbal Troilo
Cátulo Castillo


Gm D7 Gm
              
A7 D7 Gm

          
3

 Dm7b5      Cm
   G7    F7
    Bb
 
        

  
Am7b5 D7 Gm A7 D7
       
         
    

             
Gm D7 Gm A7 Eb7 D7 Gm D7 Gm
       
 



D7 D7 Gm Cm7
         
    

      
  
F7 Bb A7 A7
  
       

       G7
Dm7
            
Cm7 D7 Gm

Am7b5

 


D7 Gm Gm/F  Eb7
   Eº7  D7
      Gm
 D7 Gm
                 
El Yerta Javier Cohen

EMPA AREA TANGO 9

 a la gran muñeca
miguel oses / jesús ventura

E7 E7 Am Am (G F7) E7
               
            


6 E7 Am Am A7 A7
   
                      

11

Dm

(Bb7 A7)
  Dm     Am
 
E7

      
 (      )

16 Am Am Am E7
                   
Am E7




22 E7 E7 Am Am Am A7
   
                           


28 Dm Bb Am E7 Am
              
          

 A     
33 A Am Em

  
E7 E7

           



39 E7 Am A E7 A7
               
      
  


Am E7 Am

44 D Dm Am E7

    
                 
Hernán Possetti

EMPA AREA TANGO 10

 A Media Luz
Carlos Lenzi
Edgardo Donato

                
A
Am (A7) Dm E7 Am (B7 E7)
         

  
     
Am (Bm7b5) E7 Am
           

Am E7 (Bm7b5) E7 Am
           
   
   

      E7
      
A7 Dm Am E7
 
       

                          
Am E7 Am E7 A
    

  
B

                  
A (Bm) E7 A
 
       

             
A (Bm7) E7 A E7 A
      
    
El Yerta Javier Cohen
Referencia Editorial A. Perrotti

EMPA AREA TANGO 11

 AMURADO
pedro maffia / pedro laurenz

(G7 G7/F Cm/Eb Cm Dm/5b G7/9b Db7 C7)

Cm Ab7/9 G7 Cm
  C7
                                     
G7 Cm

Dm7/5b G7 G7/F
Dm7/5b/Ab G7 Cm Ab7/9 G7
  
Fm7 G7/9b Cm7 Cm7/Bb
                       
          

Cm/Eb Cm Dm/5b G7/9b Db7 Gm7/5b C7/9b

Cm G7

Cm C7

               G7   
Fm7 C7

 
     

Dm7/5b G7 Cm Cm/Bb Fm/Ab G7 A7

       
Fm G7 Cm G7
       
Cm G7 Cmaj7 C#º7 Dm7

         
 
  


Dm7 G7 Cmaj7 Fm6

Cmaj7 Cm Fm G7

       
G7

                 


Cmaj7 Am7 D7 G7 A7 Dm7 G7

Cmaj7 G7 Cmaj7 C#º7 Dm7 G7
    
             


Cmaj7 Gm7 C7
Cm7 Bb7 Ab7
Cmaj7 C7 Eb
         
Fm7 Bb7 G7 G7 Cm Cm

         
  
Hernán Possetti

EMPA AREA TANGO 12

 A San Telmo
Roberto Grela
Hector Ayala
A C

               
G7

G7 C F

             

                      
B7 E F#m7 B7b9 E

         

F#m7 B7 E F#m7 B7 E
    
    
                 



G7

                      
Dm7 G7 C (E7 Am A7) D7 C

    
  

B Am (G F) E7 (F7) Am Em7b5 A7
E7
  
                                 
3

E7 Am E7 Am E7 E7
  3 
Dm
                           
           

                          
Am Em7b5 A7 Dm E7 Am C7

        
     

   
F
            
C G7 C6 A7 Dm F7 E7 E7 Am

        

      3    3          

E7 Am F7 E7 Am E7 Am

      

Final

     
 Bm7b5 Dm/Bb
 
1.F7 E7 Am7 E7 C/G Bb/F E7 Am E7 Am


       
     
El Yerta Javier Cohen
Referencia versión de Roberto Grela

EMPA AREA TANGO 13

 AVE DE PASO
enrique cadícamo / charlo
Dmaj7 B7 A7/E D/F# F Em7 B7/9b
                       
   
     
 

F#m7 B7/9b Em7 E7 A7 Eb7 D6/9 A7

  
              
 

Dmaj7 D#º7 Em7 A7 D/F# Fº7 Em7 B7/9b F#m7 B7/9b

            
         
 

Em7 Em6 E7 Bb7 A7 D A7 D Dmaj7 A7 F#m7 B7/9b

    
                   
 


Em7 A7/9b Dmaj7 C7 B7 Em7 C#m7/5b F#7 Bm7

     
                 

E7 A7 Dmaj7 A7 F#m7 B7/9b

 
                  
  

Em7 A7/9b Dmaj7 Em7 Fº7

      
              


D/F# B7 E7 A7 D A7 D
  

   


        
Hernán Possetti

EMPA AREA TANGO 14

 BARRIO DE TANGO
Ánibal Troilo / Homero Manzi
F F#º Gm7 Db7 C7

                           
    

(Bbm6) (Ab Eb/G Ebm/Gb F7

 
F Gm F Gb7 F Ab Cm/G CØ/Gb


                           

Db/F Dbm/E Ab/Eb)

Db Dbm Ab Bbm Fm G7 (Db7) C7 F

 
                      
     
      


Gm7 C7 F Gm7 C7 F Gm7 C7 F
                    
           


(Fm/Eb G7/D Db7 C7)

 
Db7 C7 Bbm Fm Fm

Db7

                                  


(F7
Fº7 Fm GØ (Db7) C7 F D7

             
 

       


Bb Bº7 F/C)

Gm7 C7 D7 Gm7 C7 F C7 F

F
           
         
Hernán Possetti
EMPA AREA TANGO 15
 Berretín
Pedro Laurenz

  F   F7 
A

    
  Bb
    
Gm7
   
C7

F

         
3

(
)


  
        
F/A Abº7
      
Gm7 C7 F 3 C7
   
5

      
 (

 )

F    Dm7
   
                 
Gm7 C7 F
   

               
F/A Abdim7 Gm7 G7 C7 F C7 F
           

  

              
Fm Gm7b5 C7
   
           

        Ab
      

Fm G7

C7
 
Fm Eb7 Db7
                
  

 C7
                           
C7 Db7 Fm Gm7b5
 


   
      


C7 Fm G7
 
C7
            
      
  

  
Fm7
              Fm
C7
 Db7 C7 Fm C7 Fm
     

     
El Yerta Javier Cohen
Referencia Editorial Julio Korn

EMPA AREA TANGO 16

 Boedo Julio De Caro
Dante Linyera


A

   G  A G            

D A D A7 D
            




    
  
D B7 Em7 A7 D
 
5

         
   

 
  
   

       
D A7 A7 D
                           

       
D B7 Em7 A7 D
                  
      

    

D D7 G G#º7 A7 D A7 D

              
     

 
B

                       
Em7 A7 D F#7 Bm7
             

   D/A
           Em7
        
G G#º7 A7 D
          
  

                      
Em7 A7 D F#7 Bm7
              

   D/A
       
    
G G#º7 Em7 A7 D A7 D
    
           

  3
C

   
A7 D F#7 3 Bm7 D7
            


G
   
A7

D Bm7
   
Em7 A7
   
D
    


Em7
  A7 D

G7 F#7
  
Bm7 D7
            
3 3


G
   
A7

D
 Bm7
   
Em7

A7
  
D
   
    

 G   A
      Gm  D  
A A D A7 D
            
    
El Yerta Javier Cohen
Referencia Editorial Ricordi

EMPA AREA TANGO 17

 CAMBALACHE
E. S. DISCÉPOLO
D A7 A7 D

                           
  

D B7/D# Em7 A7 Em7 A7 D D7 Gmaj7 C7

    
                                
 

Dmaj7 Bm7 E7 A7 D Am7 D7 Gmaj7 C7

      
                      

Dmaj7 Bm7 Em7 A7 D E7 A7 D D D7


                     

G B7/F# Em Em7 A7 D A7/5# D B7/D#

    
               
  


Em A7 D A7/5# D D#º Em7

            
     
   

A7 D D D7 G B/F# Em7
  
                     

Em7 A7 D B7 E7 A7 D A7 D

                         
Hernán Possetti

EMPA AREA TANGO 18

 Caminito
Juan De Dios Filiberto


Em B7 Em E7 Am E7 Am

                          



5 Am Am/G B7/F# F#7 C7 B7 C7 B7

      
             


Em B7 Em E7 Am

                      

 
Am7 D7 G Em7 F#Ø B7

                
INTERLUDIO

                         
E C#7 F#m7 B7 E C#7 F#m7 B7 E C#7

     
B

 
F#m7 B7 E G#m7 C#7 F#m7

           
   

       
B7 E B7 E C#7 F#m7

     
 

                
B7 E C#7 F#m7 B7 E B7 E

       
El Yerta Javier Cohen

EMPA AREA TANGO 19

 Chorra
Enrique Santos Discépolo

                   
Bm F#7 Bm F#7 Bm F#7 Bm

          

                         
5 Bm F#7 Bm F#7 Bm F#7 Bm

    

          D              
Bm
 
A7 F#7 C#Ø F#7

     

      
    
F#7 Bm A7
  
D
               
    

          
A7 D A7
          
D
         
B

  
 

                             
F#7 Bm A7 D

  


                                
A7 D

   

                          
F#7 Bm Em Bm F#7 Bm

  
El Yerta Javier Cohen
Referencia Editorial Julio Korn

EMPA AREA TANGO 20

 COMO DOS EXTRAÑOS

LAURENZ / CONTURSI

Gm7 C7
Gm7 C7 Am7 D7/9b
 
                 
    

(Am7/5b)
F D7 Gm Bbm F/A Abº7 Gm7 C7 F D7

                   
       

Gm7 C7 Am7 D7/9b Gm7 C7 Am7/5b D7

                    
  

  
Gm Bbm F/A Abº7 Gm7 C7 F Gm7 C7
 
                         



Am7 D7 Gm7 C7 F Gm7 C7

   
   
                
 

F D7 Gm7 C7 (F F7 E7 Eb7 D7)


       
F Am7 D7
   
   
         

G Gm7 C7 F D7 Gm7 C7

         
           
 



Am7 D7 Gm7 C7 F C7 F

  
          
Hernán Possetti

EMPA AREA TANGO 21

 Comme il faut Eduardo Arolas

 
A
E7 Am E7 Am

         

 

        

E7 Am E7 Am E7 Am

                      
 

 
E7 Am E7 Am

         

 

        

E7 Am E7 Am E7 Am

                       
 
B

                
F C7 G7 C7 F (C7)

         


        
F Am E7 Am Am (C7)

     
        
   

 
    
F C7 G7 C7 F (C7)

                 

   

   
F Am E7 Am E7 Am

         
            
C

     
A7 A7 A7 Dm E7 E7

              

E7 Am Am G7 G7

        
             

C C E7 E7 Am E7 Am

                     
El Yerta Javier Cohen

EMPA AREA TANGO 22

 Contraluz
Rodolfo Mederos

Am E7/B
  
Am7/C A7/C# Dm7 Eb7 Dm

       
A

               

Bm7b5 E7 Am Am/G F#dim7 F7 E7


       
5

            
    
Am E7
   
Am7 A7
  Dm7
  
G7
 C    
           

           
   
B7/D# Bm7b5/D A7/C# D7 G7
    
 

 C7 F7
     
B7
 
E7 Am
           
 
Am E7 E7 Am
   
B

            



                
Am B7 B7 E7
      

   
Am A7 Dm7 Dm/C Bm7b5 E7 Am
         
  


   
     
Am G7 G7 C
   
       

Am E7 Bm7b5 E7 Em7b5 A7
          
C

       


   A7
 
       
Em7b5 Dm Dm7b5 G7 C E7
     

Am E7 E7 Am E7 Am
              
   
El Yerta Javier Cohen

EMPA AREA TANGO 23

 Corralera
Milonga Anselmo Aieta


                
     
Cm Cm Dm7b5 G7 Cm
          

 
Cm D7 G7 Cm
          
5

             


                   
Cm Dm7b5 G7 C7 F7 Bb7 Eb7
           

 
Ab7 Db G7 C
           
      
  

Dm7 G7 C Am7
                              

  
Dm7 G7 C
                     

       
Dm7 G7 C6 A7
                
 

  
Dm7 G7 C
                 
    

Gm7 C7 F F
                    
     

C7 C7 F
          
        
   
 

C7
 
A7
  Dm
        
Bb C7
             

     
1. 2.

  
F D7 G7 C7 F G7 F
   
               
El Yerta Javier Cohen
Referencia Editorial Julio Korn

EMPA AREA TANGO 24

 Cuando tú no estás
M. Battistella y A. Le Pera C. Gardel y M. Lattes

 
Ab9
   
Eb-7
  
Db6 Dbº Eb-7 Ab7 Ab7sus4
                 
3

 
3

7

              
Db/F Eb-7 Ab9 Db6 Bb- Eb7 Ab Ab6
   
3

13

       
  
Bb-7 Eb9sus4 Ab7 Abº Ab7 Bb-7/Ab Ab9

    
Eb7
 
3

17
 
Db6 Dº 3
    
Ab7/Eb Ab7/Eb Ab9(#5)
           
3

 
3 3

23
    
Eº
      
Db6 Bb-7/F Eb-11 Ab7
        

29 Ab7 Db/F Eb-11 Ab9 Db6 Dº


Ab7/Eb

                 

3

35 Ab7/Eb Bbº 3 F-/Ab


Ab9/Eb Ab13 C7(b9)

             

3

41 Bb13(b9) Ab7sus4 Ab9

    
Gb^ Dbº Db6 Eb-11 Db

               
  3
Adrián Lacruz 3
EMPA AREA TANGO 25
 Cuando tú no estás
M. Battistella y A. Le Pera C. Gardel y M. Lattes


A6     Aº
     B-7   E7
  
3


5
     B-7
B-7 E9 A/C#
  
E7sus4 E9
     
3

9
 A6     F#-
 
B7
  
E

E6
    
3

13
    
B9sus4

E7 Eº

E7

F#-7/E
 
B7 E9

  
F#-7

  
3

   
17
     
A6 A#º

E7/B
   
3 3

        
21
 
E7/B E9(#5) A6

   
3 3

        
25
  E7
F#-7/C# B#º B-11

 

 
29
    
E7/B E7 B-11 E9

 
A/C#
  

   
33
    
E9/B
 
A6 A#º E13
   
3 3

         
37 E7/B C#-/E
 
G#7(b9) F#º


3 3

      
41 D^

Aº A6 F#13(b9)

     

45
   E9   A
  
E7sus4


B-11

3 3
Adrián Lacruz

EMPA AREA TANGO 26

 Cuesta Abajo
Carlos Gardel
A
Alfredo Lepera


Em Em B7 Em C7 B7 C7 B7
              


B7 C7 B7 F#m7b5 B7 Em B7
                          


Em Em E7 Am E7
       
                 

 
Am Am7 D7 G Em F#Ø B7 Em B7
   
        
 
B


E F#m7 G#m7 F#m7 E F#m7 G#m7 C#7
                     
  


F#m7 C#7 F#m C#7 F#m7 F#m7 C#7
                     

        
F#m7 B7 E B7 E F#m7 G#m7 F#m7
            



E Bm7 E7 A Am7 Am6 E
            
                


C#7 F#m7 B7 E B7 E
            
  

El Yerta Javier Cohen
Referencia Editorial Soubern Music Publishing

EMPA AREA TANGO 27

 Danzarín
Julián Plaza

             B7       


D7
   
A

     

5
                       
C Cm6 G/B Bbº7 Am7 D7
   G    
  

            B7  

D7      
                  

                              
C Cm6 G/B Bbº7 Am7 D7 G D7 G


  
G
 
Am7
     
D7
        
G


                                
G Am7 D7 G
       

          
Bbdim7   
 
C (Cmaj7) G/B Am7 D7 G
          
    

        
C Cm6 G/B Bbdim7 Am7 D7 G D7
          
  
    
C

     
Gm Gm6 Cm7 Cm6
        
   
   
   


  
Eb7 Am7b5 D7 Gm Eb7 D7 Gm D7
  
     


    
Gm7 Gm7 G7 Cm7 Cm6
 
   


    
       

 
( Ebm7 Ab7


)
Eb7 Am7b5 ) D7 Gm D7 Gm6
    
(

         
 
El Yerta Javier Cohen
Referencia Editorial Julio Korn

EMPA AREA TANGO 28

 DERECHO VIEJO
C7 C7 Fm Fm E. Arolas

       

                            
 

C7 C7 Fm Fm C7 C7
  
                            
    

Fm Fm C7 C7 Fm C7 Fm
       
                    
      

Fm Bbm Bbm Fm Fm
                           
       

C7 C7 Fm Fm Bbm
             
                

Bbm Fm Fm C7 Db7 C7 Fm

   
                                

Fm Bbm Eb7 Ab C7 Fm

                               
   

C7 Fm Fm Bbm Eb7 Abmaj7

                   
             

C7 Fm C7 Fm C7 Fm

             
           


Hernán Possetti

EMPA AREA TANGO 29

 De Vuelta y Media
Milonga Máximo Barbieri


Em B7/F#
     

       B7/F#     
                       
Em


Em B7/F#
        
                        

Em
                    
B7
     

    
         
Em B7
    
 

  

Em Em Dm6 C#m Cm6 E7/B Bbm Am6 Em/G B7/F#

        
 

      B7            
  
Em
  
    

      B7/F#
   
Em C7 B7 Am6 Em/G
        


 
Em Em F#7 B7 Am6 Em/G B7/F#

                           
 
           
  
Em D C B7 F#dim7
           
       

   
                       
Em B7
    

   
Em B7 Em7 A7 D/F# G G7
     
           
  

    
G
   
B7
        Bm7
C7
   
Am7

C Eb7 D7
      
      

               
Bm7 Am7 G7 F#7 F7 Em
   

El Yerta Javier Cohen EMPA AREA TANGO 30
 DIVINA
JOAQUIN MORA / J. DE LA CALLE

     F   
Dm (Gm7) C7
 
Dm Gm7 EØ

            

   

Dm

(Eb9(#11) D7/9) Gm7 A7 (F7) E7 A7

   
 


Dm Gm7 Dm
     
(Gm7) C7

F F7(#5) Bb7 D7
 
Gm7

C7
 
   

F Eb Dm (Bb7 Eb A7) Dm B7
                 
     


D D7 G F#7 Bm
  
Em7

A7
             
        

             
G Gm6 D D7 (Eb7) E7 Bm7 E7 A7 (Ab7)
          
      

    
G
A7
        
D D7 G F#7 Bm
  
    


G Gm6 D (D/F# Bb7/F) Em7 E7 A7 D A7 D

              
   
Hernán Possetti

EMPA AREA TANGO 31

 DON JUAN
Ernesto ponzio

 
A E7 E7 A
          
   
 
    



A E7 D A A E7

E7

                            

   
E7 A A7 D

       
         


   D  A7 
E7 A

                    
 

   
A7 D D

    
A7

                   

   
A7 D D A7

     
                        

   
A7 D D

         
           

 
A7 A7 D A7 D
          
         

EMPA AREA TANGO 32

 EL AMANECER
Roberto Firpo
(Cm Bb Ab7) G7 Cm G7 Cm

    
                                
 

Fm Cm G7 Cm Ab7 G7 Cm
                             
6


                    


(Fm7 Bb7 Ebmaj7 Abmaj7 Dm7/5b G7)

G7 Cm
                            
12 Fm Cm
Cm G7 Cm G7
  
               

Cm G7 G7 Cm
                 
18
   
      

Cm G7 G7 Cm
 
22
           
             

Cm C7 F7 Abm7 Bb7 Eb
                   
26


       

1.D.C. al trío 2. para trío

D7/5b/Ab D7 Ab7 G7 Cm/Eb G7/D Cm (Bb Ab7) Cm G7 Cm
   
30

   
          
 
   
(C/Bb A7
C G7 G7 C C

           

         

D7/F# Fm/Ab G7)

G7 G7 C C G7


                
   
   

G7 C Ab Ab7 G7 G7 C G7 C
  
 
 
        
       
Hernán Possetti

EMPA AREA TANGO 33

 El Abrojito Luis Bernstein
J. Fernández Blanco
A


D D Dº7 A7 Am7

                


D7 G Gm A7
       

            



D D B7 E7 E7 A7
                    


D D Dº7 A7 Am7

             


D7 G Gm A7 D
                       



D B7 E7 E7 A7 D A7 D

                 
 

   
Dm Gm6 Em7b5 A7 Dm
             
           


Dm G7 C7 F7 Bb Bb7 A7
        
   



       

   
Dm Gm6 Em7b5 A7 Dm
             
           


Dm D7 Gm A7 Dm A7 Dm A7 Dm
         
     
 

    
 
El Yerta Javier Cohen
Referencia Editorial B. Yadarola

EMPA AREA TANGO 34

 EL BULÍN DE LA CALLE AYACUCHO

C.FLORES-SERVIDIO

Fm C7 Fm7 CØ F7 Bbm

       
                     


Bbm7 Cbº Csus4/7 C7 Bbm7 Db7 C7

                     
  

Fm (C7/G Fm/Ab Ebm/Gb Bbm

        
C/G F7)

                


Bbm Cbº C7 Bbm/Db C7 Fm C7

        
Fm
            
   
 

 
Bbm7 Eb7

Abmaj7

Bbm7
   
Eb7 Ab Db7 C7
   
       
              

           
Fm Bbm7 G7/5b C7 Abmaj7

Bbm7 Eb7
 
          


Bbm7 Eb7 Ab Db7 C7
      
          
  

Fm Fm
  Fm 
GØ C7 C7

               
Hernán Possetti

EMPA AREA TANGO 35

 El Choclo
Angel Villoldo

              
A Dm Dm Dm (Bb7) A7

          

Em7b5
  
A7
      A7  Dm
5

       
          

                 
Dm Dm Am7b5 D7 Gm

           

Gm7
   C7
    F   Bb 
Em7b5 A7
    Dm A7 Dm
            
    

      
B

 
Gm7 C7 F Dm7 Gm7 G#dim7 F/A
  
                  




Em7b5 A7
      Dm7
           
   Gm7 G#º7 A7
      
3

        
Gm7 C7 F Gm7 Dm7G#º7 F

                     


Em7b5
  A7     Dm
     Gm7
  
G#º7
    
A7
  
       
3
C

                
   
D Em7 A7 D
  
       

                         
B7 Em7 E7 Em7 A7
    

 
D
    Em7
    
A7
   
D

              

  
F#m7b5 B7
     
Em7
  E7
   
A7
 
D A7 D
  
      
El Yerta Javier Cohen
Referencia Editorial A. Perrotti

EMPA AREA TANGO 36

 EL DIA QUE ME QUIERAS Carlos Gardel
Alfredo Lepera


G7 C7 C#07

       
C/E Dm7 Gm
      
F F^
     


Dm7 G7 Gm7 C7 F

                            


      
C/G A7 D7 Dm7

     
F#º Bb7 G7

       

Gm7 C7 Dm7
Db7 F (EØ) A7 (Dbm7)

              


Cm7 F7 Bb (AØ) D7 Gm (D7) Gm7

                    

C7 A7 Dm7 (A7) Dm7 G7

       
      

G7 Gm7 (Db7/9) C7 F (EØ) A7

       

     

Dm7 (Dbm7) Cm7 F7 Bb (AØ) D7 Gm D7

                

   
Gm7 A7 D7 Gm7

            

       
Bbm6 F
  
F F07 F Gm7 C7

     
Hernán Possetti

EMPA AREA TANGO 37

 EL FLETE
jerónimo gradito / vicente greco
Am F7
               
E7 E7 Am

Am
    F7 
          

                  E7    

6 E7 E7 Am E7 Am F7 E7

        
 

     E7
12 Am Am E7 Am E7 Am
  
        
      
  
17 E7 Am E7 Am E7 Am F7
                       
   

                
23 E7 Am A7 Dm Am E7 Bb7 A7
 
                  

          
Dm E7 Am
 
29 F7 E7 Am E7 Am
       
       

F7
A/C# F#7
     
33 A E7 Bm7 E7 A

       
 
   


Bm7 E7 A A F7/11+ E7

38
     
        


Bm7 E7 A G7 F#7 Bm7 F7 E7 A F7 E7

 
43
          
          

Am F7 E7 E7 Am
            
49
   
       

         
Am F7 E7 E7
 
53 Am F7 E7
       
    
Am F7 E7 E7 Am
            
57
   
       

  F7/9 
61 Am E7 E7 Am E7 Am
            
    
  
Hernán Possetti

EMPA AREA TANGO 38

 EL MARNE
EDUARDO AROLAS
A Fm C7 C7 Fm
       
Fm
       
         
        



C7 C7 Fm
       
Fm C7 C7
           
              
 
Final

 
Fm
  
Bbm
    Fm
   C7 Fm para B Fm C7 Fm

                 

B
   
Fm Ab
     
Bbm7 Eb7
        
F7 Fm
   
     

                       Bbm
   
C7 C7 Fm F7 Bbm
     


  
Fm C7
    
Fm C7 Fm
                   
  

C(Trío)
F C7 F
  
Bb
     F  

              

  G7
     
C7 F (D7) C7

          
     

     
F C7 F Bb
                 

D.C. al Fine

F

C7 F

(D7) G7
 C7

                  
   
Hernán Possetti

EMPA AREA TANGO 39

 El Motivo
Aníbal Troilo
A

              
Cm C7 Fm G7 Cm
 
        

Cm/Bb
    
      
Cm D7/A DØ/Ab G7 Cm
    
    

      G7   
  
Cm C7 Fm DØ Cm7
         
 

            
Cm Cm/Bb D7/A DØ/Ab G7 Cm
    
      
B

C
      
F
 Fm6
     
C
 
    

Cm D7 G7 C
              
    

        
      
C F Fm6 C

   

Cm D7 G7 Cm
               
    
C

Cm G7 Cm C7 Fm7 Bb7 Eb
         
      
     

G7 Cm G7 Cm

                  
     

Fm7 Bb7 Eb Bb7 Eb

   
               
     

G7 Cm G7 Cm G7 Cm
      
        
     

 
 
El Yerta Javier Cohen
Referencia Editorial Vivona

EMPA AREA TANGO 40

 EL PORTEÑITO

A.G.VILLOLDO
D A7 A7 D B7 E7

1

 
                                    


D D (Em7) A7
A7 D
 
                              

B7

E7 A7 D A7 D D Em7

                  
                 

D

Em7 A7 D B7 E7

(C7) A7
         
                

Em7 A7 D (C7) B7 Em7


(D/F# Fº)

                           

G D7 D7 G
A7 D (D7)
    
                 
       


G D7 D7 G Gº7 G
D7


                                 

D7 G E7 Am D7 G


        
                  
Hernán Possetti

EMPA AREA TANGO 41

 EL ÚLTIMO CAFÉ héctor stamponi
cátulo castillo

Dmaj7 Bm E7 C7/5b Bm Dmaj7 C#75+

 
              

F#m7 Bm7 E7 Em7 A7 Dmaj7 F

        
       


Em7 Em7 Em7 Em7 A/5+ Dmaj7 Dmaj7

             
       

F#Ø B7 Em Em7 G#Ø

    
                         

C#7 F#m7 (Fm7) Em7 Dmaj7 Fº Em7

  
                     

A7 Em F#7 Bm7 Bm7/A D7

  
      
      
     

Gmaj7 C9/5b D
                  
   

D6/F# Fº Em7 A7/9 A7/9b D A7 D

                    
 


 
Hernán Possetti

EMPA AREA TANGO 42

 Fangal
Eduardo del Piano / Virgilio Expósito
Enrique Santos Discépolo / Homero Expósito


                        
Cm7 F7 Bb Gm7 Cm7 F7 Bb

   

 
Cm7
   
F7
   
Dm7
  
Gm7
   
Cm7
   
F7
   
Bb D7
   
5

  

    D7
Gm7
   Gm7
  
C7
     
F G7
 
    

 
Cm7
   
F7
   
Bb
  
G7
   
C7 F7 Bb F7 Bb
            

Bbm7 Bbm7 Gb7 F7 Bb7

 
                  

Ebm7 Cm7b5 F7 Bbm7 Fm7b5


              

         


Bb7 Ebm7 Ebm7 Ebm7
               
           




Gb7 F7 Bbm7 Bbm7 Gb7 F7 Bb7

   
                    

Ebm7 Gb7 F7 Bbm F7 Bbm


     
         
  
 
El Yerta Javier Cohen

EMPA AREA TANGO 43

 Farol
Virgilio Expósito
Homero Expósito
A

              

Em F#7 B7 E- D7
     
  

  


G E7 A7 D7 G F#7
                       

   
F7 E7 A-7 C- G B7
              
   

       
 
E- F#7 B7 E- F#-7 B7
 
                 

B E

B7 E F#m
         
    


 
B7 E G#Ø C#7
                    

 
B- C#7 F#-7 A-6 B7
              

       

            
E- A- E- B7 E-
         
El Yerta Javier Cohen

EMPA AREA TANGO 44

 Flores Negras
Francisco De Caro

                
C#º7 C
Dm7 G7 Em7 Ebº7 Dm7
            
   

       
Bm7b5 E7 Am7 D7 Dm7 G7
   
 
5

           


    
      

C C#º7
 Dm7
    
G7 Gm7 C7 F
     

F  F#º7    
C/G A7 Dm7 G7 C
   

          
     

   
F7   Bb7  Eb7
B
Bbm7 Ab Gb7 Ab
      

      
     

   
Gm7b5 C7 Fm Cm7 G7 Cm7 F7
  
                   
 

    Bb7
Bbm7
F7
 
Eb7 Ab

Ab7 Db6
                   
 

  
Db Dº7 Ab F7 Bbm7 Eb7 Ab
   
         
  
 
  
El Yerta Javier Cohen

EMPA AREA TANGO 45

 Fruta Amarga Homero Manzi
Hugo Gutiérrez


G Am7 G Am7 G Am7 Bm7 E7
    
A 4

       
                 


Am (E7) Am E7/B Am/C E7/B Am
             
          


A7 D7 B7 (F#Ø B7)

            

  

    



  
Em (B7) Em A7
           
          


D7
  G Am Bm Am
      
               


BØ E7 A7 D7 G

                 
   


B B7 Em B7 Em

                           


Am A#º G/B Am D7 G

                           


F#7 B7 Em F#7 B7

                        

B'


F#Ø B7 Em B7 Em

                           


C C#º G/D Am D7 G

                    
  
El Yerta Javier Cohen

EMPA AREA TANGO 46

 Fuimos
Homero Manzi
José Dames
A C Fm6/C C Fm6/C C Am7 Dm7 G7


                         
Dm7 A7 Dm7 A7 Dm7 G7 C

                         

Bm7b5 E7 Am7 Dm7 G7 C


   
                       

F#m7b5 B7 Em7 A7 Dm7 A7 D7 G7

                          

C Fm6/C C Fm6/C C D7 G7 C G7 C
  
                    
B C Ab G7 C Bm7b5 E7
                      
   
Am7 E7 Am7 Dm7 G7 C
               
     

Bm7b5 E7 Am7 Ab Fm7 Bb7

                   
      

C Am7 Dm7 G7 C G7 C
                     
 
Ab G7 C Bm7b5 E7 Am7
     
             
   
Fm6 C/E Ebdim7 Dm7 G7 C G7 C
   
              

 
El Yerta Javier Cohen

EMPA AREA TANGO 47

 Gallo Ciego
Agustín Bardi
A D7 Gm D7 Gm
            
    

                    
5 (Dm7b5) G7 Cm G7 Cm

       

(Am7b5) D7 Gm (Am7b5) D7 Gm D7 Gm
                 
        
 

         
     
      
F7 F7 Bb Bb

    


F7
    
F7            
Bb
   
         

         
     
     
F7 F7 Bb Bb

     


Bb7
      Eb
          Cm7
    F7
 
Bb Bb7
           

          
Eb F7 Bb7 Eb Eb dim7

                       


Fm7 Bb7
             
Fm7 Bb7 Eb Eb
  
            

   
F7 Bb7 Eb Eb Cm
            
              


Fm7 Bb7
 
Fm7

Bb7
 Eb

Bb7 Eb
      
     
El Yerta Javier Cohen
EMPA AREA TANGO 48
 Garúa
Aníbal Troilo
A Enrique Cadícamo

(Am G7 F7) E7 Am Bm7b5 E7 Am

                         

            
Dm7 G7 C Dm7 G7 C
  
         
5

 
B7
   E7  Am F7 E7
         
       

Bm7b5 E7 Am Bm7b5 E7 Am

                        

          
B7 E7 (Dm6 Am/C E7/B) Am F7 E7 Am
           
   
B
Am

E7 Am
      Am
  
E7

Am F7 E7

                   

 
             
Dm6 E7 E7 Bm7b5 E7 Am
         
 

 Em7b5    Em7b5
         
A7 A7 Dm
       


         
Dm7 G7 C F B7 E7 Am E7 Am
    
     
El Yerta Javier Cohen

EMPA AREA TANGO 49

 Gricel Mariano Mores
José María Contursi

A Cmaj7 Em7 Fmaj7 Cmaj7

  
                 

Fm6 Cmaj7 Fm6 Cmaj7

            
       


        
B7 Em7 Dm7 G7
           

   
Cmaj7 Em7 Fmaj7 Cmaj7

     

       



     
Fm6 Cmaj7 B7 E7
       
  

  
B Cmaj7
NC Dm7 G7b9
              
 

EØ A7 Dm7 B7 E7
          
     

E7 Fmaj7 F#º7 Cmaj7 Bb7

                  

A7 Dm7 G7 C

            
 
El Yerta Javier Cohen

EMPA AREA TANGO 50

 La Cumparsita Gerardo Matos Rodríguez
A Pascual Contursi
Enrique Maroni
(Gm F Eb) D7 D7 Gm Gm

   
   
     
   
    
D7 D7 Gm G7
 
5

       
           
Cm Cm Gm Gm

                   

D7 D7 Gm D7 Gm
 
   
       

B

   
Gm Gm/F
   Em7b5
 
Eb7 D7 Gm
   Eb7
   
D7
 
   

Am7b5  D7
 
 Am7b5
     
    
D7 Gm D7
     


              
Gm Gm/F Em7b5 Eb7 D7 Gm G7 Cm
 
   

        
     
Cm Gm D7 Gm D7 Gm
   
   

    

    
C


Gm D7
 Gm

G7
     
Cm7 F7

Bb

D7
     

           
Gm D7 Gm G7 Cm7 F7 Bb Gm7
    
  
(
F7 )

 
Dm7b5 G7 Cm
  
D7
         
  
( Bbmaj7 Am7b5 )
Ebmaj7

  
Gm7 Gm6 Eb7 D7 D7 Gm ( Gm F Eb )

Gm

         
         
El Yerta Javier Cohen
EMPA AREA TANGO 51
 LA TABLADA
FRANCISCO CANARO
A A
      
1A A
           
A
  
             
 
                                 
5 A E7 E7 A A

         

                                      

10 E7 E7 A A E7

    
                 
A A7 D Dm A D
     
15 E7 A E7

          
Am Am E7 E7 Am

          
20
    
         

25 Am E7 Em7 Am Am E7
          
 
       
  

Am Am
 
31 E7 F E7 Am
       
             

Am E7 E7 Am Am
    
37

                 

E7 E7 Am Am E7 E7

    
42
        
         

Am F6 Am
 
E7

48 Am

                  

    A    
E7 A
  
E7 D#º E7
  
53
 
     

            
E7 E7 A Bm E7
58 A

                  

A 1. 2.

64 A D E7 A A E7 A

                         

Hernán Possetti

EMPA AREA TANGO 52

 LA ÚLTIMA COPA
Francisco Canaro
Juan Andrés Caruso

Bm G7 F#7 C#Ø F#7 Bm


1

        
   
      
   
  

F#Ø B7 Em Bm G7 F#7

5

  
  
      
         

Bm G7 F#7 C#Ø F#7 Bm


9

          
 
     
  


F#Ø B7 Em Bm F#7 Bm

13

        

         
   


A7 D A7 A7/G D/F#

17
 
                  

 
Em Bm Em C7 B7

21

         

       

Em Bm F#7 Bm (B7)

25
           
      
     
  

Em Bm F#7 Bm F#7 Bm

29
          
             
Hernán Possetti

EMPA AREA TANGO 53
 La Última Curda Aníbal Troilo
Cátulo Castillo

Fm F7 Bbm7 Eb7 Ab G7 C7
             
              

Fm G7 C7 Fm Gm7b5 C7

                              

Fm F7 Bbm7 Eb7 Ab
                
           

Gb Fm G7 C7 Fm C7
 
                      
 


B
Fm Fm Fm Gm7b5 C7
F7

                           


Bbm Bbm7 Gm7b5 C7 Fm


                            

    
Cm7b5
   
F7
 
Cm7b5

F7 Bbm
            
    

Bbm7 Eb7 Ab Db Gm7b5 C7 Fm F7

   
                       

Bbm7 Eb7 Ab Gm7b5 C7 Fm C7 Fm

   
                          

El Yerta Javier Cohen

EMPA AREA TANGO 54

 La Violetera
Anselmo Aieta
Francisco García Giménez

 
Am E7 E7 Am
                                


A7 Dm Am E7
 
5

                            

     
Am E7 E7 Am
                      

 
A7 Dm Am B7 E7 Am E7
 
                        


A A A E7
 
                


C#7 F#m B7 E7 E7+5

                         

A A A E7
   
        
      

C#7 F#m B7 E7 A (E7 A)

        
                 
El Yerta Javier Cohen

EMPA AREA TANGO 55

 la viruta
vicente greco
Gm Eb7
(Eb7) D7 D7 Gm
                        3
          

D7 D7 Gm (Cm7 Bbmaj7 Am7/5b Gm7 F7 Eb7)

            
         

D7 D7 Gm Gm Eb7 D7 D7

      
                              
3

Gm D7 Gm Eb7 D7
            
    
 
     
   
Gm D7 Gm Cm7 Gm D7 Gm
                           
    
D7 Gm Eb7 D7 Gm D7
            
            
       

Gm Cm7 Gm D7 Gm (Cm7 Bbmaj7)
 al @ y Ø
                
 

G
Ø G G D7 D7
     
   


 
 




 
 

 G
     
D7 Eb7 D7 G G
     
          

 D7

D7 G

G

       
             

 D7

Eb7

D7

G

           
Hernán Possetti

EMPA AREA TANGO 56

 Libertango Astor Piazzolla
Am B/A
                                 
Dm/A Am
                          
     
Am/G F#dim7
                                 

F7 E7
        
                       
A'
Am B/A
 
                               
 
Dm/A
 Am
       
                          
 
   
Am/G F#º7
                     
               

  
F7 E7
             
                     

        
B Em7b5 A7 Dm Dm6
            
Dmb6

        
Dm7b5 G7 C E7
         

C
Am B/A
      
          
     

Dm/A Am
         

         


   
D

         
Cm D/C
      
          
  

      

    
Fm/C Cm
   
       
 
       
   

El Yerta Javier Cohen

EMPA AREA TANGO 57
 Los Mareados
Juan Carlos Cobián
Enrique Cadícamo

Am    G    F 
    
E7 A7
   
   

Dm7 Am7 Am7/G B7/F# E7

            
5

          


Am
    
G
  
F
  
E7 A7
           

   
Dm7 Am7 Am7/G B7/F# F7 E7 Am E7
                      
B

A A#º7 B7 Bm7 E7 A Bm7 Cdim7
                    


A/C# Cº7 Bm7 Dm7 G7 A E7
                  
  


A F#7 B7 E7 A E7
                   


Dm7 G7 A
 
F#7
      E
B7 A E7
 
                
C


Am E7 A7 Dm
                 


Dm Am B7 E7
               
     

Am7
   
G#º7 A7 Dm
              

Dm E7 Am7 Am7/G B7/F# F7 E7 Am E7 Am

                 
         
El Yerta Javier Cohen

EMPA AREA TANGO 58

 Los Mareados
Juan Carlos Cobián
Enrique Cadícamo

A
Am7    G7
D7
 
C7
    
F7 Bb7
 
Em7

A7
       

Dm7 E7 Am7 Am7/G B7/F# Dm/F E7

            
5

          

     
       
Am7 D7 G7 C7 F7 Bb7 Em7 A7
        


   
Dm7 E7 Am7 Am7/G B7/F# F7 E7 Am E7
                      
B

A A#dim7 B7 Bm7 E7 A Bm7
Cdim7
                     


A/C# Cdim7 Bm7 Dm7 G7 A Bm E7
                  
  


A F#7 B7 Bm7 E7 A
                   

           
Dm7 G7 A F#7 B7 E A E7

         

   
C


Am7 E7/G# Gm6 D/F#
                 


Dm/F Am7 B7 E7
               
     

      
Am7 G#dim7 Gm6 D/F#
          


Dm/F E7 Am7 Am7/G B7/F# F7 E7 Am E7 Am

                 
         
El Yerta Javier Cohen

EMPA AREA TANGO 59

 MADRESELVA
Francisco Canaro
Luis César Amadori
D Dº7 Em7 A7
 
   
       
       

D D/F# Fº Em7 A7

 
                 

D Dm Bb7 A7 D7 Gm7 C7
      
                  
 

F Dmaj7 Fº Em7 A7

               
          

Dm A7 Dm D7 Gm7 C7 F D7

 
                            

Gm7 C7 Fmaj7 (Bb7) A7 (Eb7) Dm (Dm7 C7 Bb7)

             
              

A7 Dm D7 Gm7 C7 Fmaj7 D7

     
                    

Gm7 C7 Fmaj7 Bb A7 Dm A7 Dm

               
      
   
Hernán Possetti

EMPA AREA TANGO 60

 Mal de Amores
Pedro Laurenz

       Dm
  
            
Am E7 Am A7
 
     

               
Dm E7 Am Am/G B7/F# F7 E7
 
        
5

    

                      
Am E7 Am Em7b5 A7 Dm

   


                  
  
Dm7 G7 C Am Bb E7 Am E7 Am
       


A
 
F#7
  
Bm7
 E7

A
  
E7 Am
 
               


                    


Am F7 E7 E7 Am
    
     

                    

Am F7 F#7 G7 F7 E7 Bb7 A
       
 

    
A F#7 Bm7 E7 E7 Am
        
         
  

          
   
    F7
1.
      
Am F7 F#7 G7 E7 Am
   


     F7             Am
2.
 
Am
F7 F#7 G7 E7 E7
         
   
El Yerta Javier Cohen

EMPA AREA TANGO 61

 Malena Lucio Demare
Homero Manzi
A
Em E7
                             
Am Em B7
     
  

      
5 Am Em F#m7b5 B7 Bm7b5 E7
      
              

G
       
Am7 D7 F#7 C7 B7
     
           
  

                 
Am Em B7 Em
         
 

        
F#m7b5 B7 Em Em/D F#7/C# C7 B7 Em B7
            
    
B

       
E C#m7 G#m7 A
              

        
F#m7 Gdim7 E/G# F#m7 B7
             

 
E D#7 D#7 G#m7 C#7
                     


 
F#m7 B7 E B7 E

        

El Yerta Javier Cohen

EMPA AREA TANGO 62

 Malevaje
J. de Dios Filiberto /Enrique S. Discépolo

         F

Dm Dm D7 Gm7 C7 A7
   
     
     
  
A
Dm
 
C
 Bb

A7
                    

Dm A7 Em7b5 A7 Dm
                   

Gm7 C7
 D7 Gm7 F

A7 Dm D7
                      

  interludio
Gm Dm E7 A7 Dm A7
    
                  


 

Dm
 
D7
 Gm

C7
 
F
                 
  
   

 
B
     
  
F Gm7 C7 F
              
    

             
Cm7 F7 Bb Gm G#dim7 F/A
             

      
F Gm7 C7 F
                     

     
    

Cm7 F7 Bb Gm7 C7 F C7 F
      
   
El Yerta Javier Cohen

EMPA AREA TANGO 63

 MANO A MANO
GARDEL / RAZZANO / FLORES
Fm7 Bb7 Ebmaj7 Abmaj7 Dm7/5b G7 Cm C7


                
                  
 

6 Cm

Fm7 Bb7 Ebmaj7 Abmaj7 Dm7/5b G7 Cm G7

                       
    

Cm G7 Cm Db7 C7 Fm Fm7 Fm6 C7

11

                         
 

Fm7 Bb7 Ebmaj7 Abmaj7 Dm7/5b G7 Cm Cm/Bb DØ/Ab G7

16

                                       
 


Cm G7 Cm Bb7 Eb Bb7 Eb G7
21
                           
   



26 Cm G7 Cm Ab Cm
 
      
                    

30 G7 Cm Bb7 Ab7 G7 Cm G7 Cm

          
                 
Hernán Possetti

EMPA AREA TANGO 64

 María
Aníbal Troilo
Homero Manzi
A
D/F# Bb7/F A7/E D Bb7 A7 D7
                            
    
 

Gm A7 Dm E7 Bb7 A7
                            
5

  

Gm A7 Gm A7
                           
       

Gm A7 Dm E7 Bb7 A7 Dm A7 Dm7
                  
       
       

               
Bb7 A7 D7 Gm7 C7
 
 

 
F Gm A7 Dm C7
         
 
           

F Bb7 A7 D7 Gm7 A7
                 
     

Dm7 Eb A7 Dm
          
          
El yerta Javier Cohen

EMPA AREA TANGO 65

 María
Aníbal Troilo
Homero Manzi
A D/F# Bb7/F Em7 A7 Dmaj7 Bb7 A7 D7
                  
                    

Gm A7 Dm Dm7/C E7/B Bb7 A7

                            
5

  

Gm A7 Gm A7
                            
   

Em7b5 A7 Dm Dm/C E7/B Bb7 A7 Dm A7 Dm7

                     
           

               
Bb7 A7 Am7b5 D7 G7 C7
 
  

 
Fmaj7 Em7b5 A7 Em7b5 A7 Dm C7
         
            

Fmaj7 Bb7 A7 D7 Gm7 Em7b5 A7
                 
      

Dm7 Dm/C Eb/Bb A7 Dm

          
          
El Yerta Javier Cohen

EMPA AREA TANGO 66

 melodía de arrabal
batistella - le pera- gardel

Am E7 Am BØ E7 Am Ab7
  
                  
      

G7 C E7 Am Dm

   
             

Am E7 Am Dm Am
(A7)

         
            

(A Aº7)

(F7) E7 Am (E7) A6 A Amaj7 A6 A A/C# Cº7

          

        



Bm7 (F#7) Bm E7 E7 Bm E7 A
      
  
    
   


(Aº7)
A A A G7 F#7 Bm (F#7)
               
  
 

Bm E7 A (G7) F#7 B7 E7 A E7 A
 
                      
 
Hernán Possetti

EMPA AREA TANGO 67

 Milonga Triste
Sebastián Piana
Homero Manzi

Dm Bdim7 A7 Dm
      



Dm Bdim7 A7 Dm
     


Dm Dm Gm Dm

3

                   


Bb Dm A7 Dm
             
3
       


Dm F C7 F
 
3

                  

Bb Dm A7 Dm
           
3
       

Bb Dm A7 Dm
      
 

 
Bb Bdim7 Bb A7 Dm
    
 
3
          


Bb Bdim7 Dm A7 Dm
   
3
           
El Yerta Javier Cohen

EMPA AREA TANGO 68

 Muñeca Brava
Enrique Cadícamo / Luis Visca

      
Am E7 Am F7 E7 Am E7
                 

           
Am E7 Am Dm7 G7 C
        


                        
Bm7b5 E7 Am Bm7b5 E7 Am


                  
Bm7b5 E7 Am Bm7b5 E7 Am E7
          


         
A Bm7 E7 A E7
               
     

                 
A Bm7 E7 A A7
         

          
D A E7 Em7 A7
          
      

    
D
    
A
 E7
 
A E7 A
           
 
El Yerta Javier Cohen

EMPA AREA TANGO 69

 Nada
José Dames/Horacio Sanguinetti

F Dm7 Gm7 C7 F Em7b5 A7


                   

    
Dm7 C Bb Am7 Gm7 Gm7b5 C7
                  

F Dm7 Gm7 C7 F/A Em7b5 A7

        
         

    
Dm7 C Bb Am7 Gm7 C7
                  

Gm7    C7
   F      A7
Em7b5
   Dm7
   
          

Eb7    F     
Bb Gm7 C7 F
         
      

Gm7    C7
   F             
Em7b5 A7 Dm7
         

Bbm    Am7
Bb
      G#dim7
   
Gm7 C7
      
F C7 F
     
El Yerta Javier Cohen

EMPA AREA TANGO 70

 Naranjo en Flor Homero Expósito
Virgilio Expósito
A

 
F G7 Gm7 C7 F C7
           


   

 
F G7 Gm7 C7 F Eb7
          
   


   Ab
Ab Bb7 Bbm7 Eb7 C7
            
   

 
F G7 Gm7 C7 F C7
              
 
B

              
Fm C7/E Ebm6 Bb/D
           


Bbm7 Fm Fm/Eb Fm/D Db7 C7 Fm C7 Fm


                             

              
Fm7 Edim7 Ebm6 Bb/D
           
 

Bbm7 Eb7 Ab Db Gb C7 Fm C7 Fm
  
                       
     

El Yerta Javier Cohen

EMPA AREA TANGO 71

 Niebla del riachuelo
Juan Carlos Cobián
Enrique Cadícamo

             
Dm Ddim7 Em7b5 A7 Dm Bb7 Em7b5 A7
 
             

   D7   Gm   
Am7b5 Gm7     F    A7
   C7 


        

Dm Ddim7 Em7b5 A7 Dm Bb7 E7 A7
     
            

    D7
Am7b5     Gm7
    E7/B
          
Em7 A7

 

          D  Bm7
  A7  
D B7 Em7 Em7 A7
       

          D  Bm7
  A7     
D B7 Em7 Em7 A7 D7
   
   

            
G G#dim7 D/A B7
    
     

 
Em7
   A7
  
D

A7 D
  
El Yerta Javier Cohen

EMPA AREA TANGO 72

 NUNCA TUVO NOVIO AGUISTIN BARDI
E. CADÍCAMO

E (F#/A# Am) E E/G# Gº7 F#m (C#7) F#m G#7

 
                          
 

C#m F#7 B7 (F#/A# Am E/G#)


E

                      
     

Bm7 E7 A (C#7) F#m Gº7 E/G# F#m7 B7 E

  
          

F#m7 B7 E D#7 (A#Ø) D#7

        
        

G#m E/B G#Ø C#7

A A#º
         
        

F#m B7
E

F#m7 B7

                  



D#7 A#Ø D#7

 
E

                

G#m A A#º7

                 
 

E/B G#Ø C#7 F#m F#7 B7 E

                         
 
Hernán Possetti

EMPA AREA TANGO 73

 Oblivion
Astor Piazzolla


Em
     
 
 
 
 
 
 

   

  
A

      
Em
 
  


Am7 D7 G C Am7 A#º7 B7
             
 

Em   %    
%
  
%
 
  


     
Bm7b5 E7b9 Am6
     


 
%

Em/D    
B F#m7b5
    Em
B7b9
 
  

  
 
F#7 B7 Em
     

C %

            
Am7 D7 G C
   
3 3

  
F#m7b5 B7 Em7 E7
     
   
3

            
Am7 D7 G C
   
3 3

  
 
F#7 B7 Em
  %


El Yerta Javier Cohen

EMPA AREA TANGO 74

 Ojos Negros
Vicente Greco
Aº7 G#º7 B7 E7 Am Am

                

5 Dm7 G7 Gm7 A7 Dm7

             

Bm7b5 E7 Am7 B7 E7 Am Am/G F#dim7 F7

                    


E7 Am para A Am E7 Am final

            

B
 
A
    
C
 E7
      
A

E7

        

  
A
    
C
 E7
    
A E7

         

    
  
A Bm7 E7 D/A A
 

       
  

      

Am F#dim7 F7 E7 Am E7
             



D
         
         
C G7 Gm C7 F
  
 

                        
1. 2.
E7 Am E7 Am G7 Am E7 Am
   
 
El Yerta Javier Cohen

EMPA AREA TANGO 75

 Pasional Mario Soto
Jorge Caldara

              
A
Gm Gm/F# Gm/F A7/E AØ/Eb D7

       
 
  

       
Cm Cm/B Cm/Bb A7/E AØ/Eb D7
      
 


Gm

Gbº7
 
G7/F Cm/Eb
 
A7/E
     
D7
                 


     
Gm Gm/F# Gm/F A7/E AØ/Eb D7 Gm D7 Gm
   
     
   

Cm Gm D7 Gm (G7)
  
                          

Cm Gm D7 Gm D7 Gm
  
                       

interludio ( recitado)

           
Cm Gm
           
        

B
Cm Gm Cm Gm G7
  
         
        

C7 Eb7 D7 G7 C7 F7 Bb D7 (G7)

               
            


Cm Gm Cm Gm
 
         
      



Cm Gm7 D7 Gm D7 Gm
       
       
   

El Yerta Javier Cohen

EMPA AREA TANGO 76

 PAYADORA
JULIAN PLAZA
G Am G/B C G/D

1

                     
G C G G D7 D7 G G
 
              
3 3 3

    
D7 D7 G7 G7

Gm Gm
                       
                 
        
C C Cm Cm Gm Gm Eb7
     
        
 
Eb7/A Gm Gm

  
D7 D7 D7

   
 
    
 
D7 G7 G7 C C Cm
   
                                     
Cm Gm Gm EØ Eb7 D7
 
                            
G G Am Am Bm Bm Am/C
 
D7 G

           
Gm D7 F7 Bb Bb

  3         3         3   

D7 Gm
 
D7 Gm D7
                    
   
D7 Gm Gm D7 D7
                    
    
AØ D7 AØ D7
 

    
Gm

          
G7 Cm D7 Gm
   
       al y

G C G G
G Am G/B C G/D

 
(Bm7 C^ Am7 Bm7 Am G^ F#Ø Em7 G^)

       

G^

    
3 3 3

     
D7 D7 Ab7/9+

Ab7/9+ G6 G Am G/B G/D D7 G

C

         
    
  
     
Hernán Possetti

EMPA AREA TANGO 77

 !"#$%&'()#")%&"*(

! "# ! " $
#
# $# $ # $# $ # $# $ # #

!$ # $# $ # $# $
% % % !
#
"

!$ # # $$ %# $# # # ! #
" # # !
#
"

!# # # $# %#
% % % ! #
"
# # $

$$$
!$ # $# # $# ! #" $ # #
$# # $# #
$ $ $ %
& &
$$
! $ # #
! #" & # $# ! #" # $ ! "
# # # $# #

$$
! $ # # ! & #" # # ! #" # $
% # #
& ' &
$$
! $ $ # # $ # # # $
%
# #

$$
! $ $ # # $ # # $ % ! "
# # # $# #
& & &
$$
! $ # # ! &#
"
# # # $ %

$$
! $ % &#
# # # " "
# ! # # # # #( #

$$$
&
! # # # # # # # # $ % )
#

EMPA AREA TANGO 78

 QUEDÉMONOS AQUI
H.STAMPONI/H. EXPOSITO

D‹ D‹7 Dmb6 G‹6

             
           

A7 D‹

     
G‹6 G‹6 G‹ E7

                 
 

D‹7 D7 G‹ G‹ A7 D‹ D‹/C
               
           

E7/B B¨7 A7 D‹ Em7b5 A7 D‹


        

    



Em75b A7 C‹/E¨ D7 G7 C7 F A7

                          
 

D‹ Em75b A7 D‹ D7 G‹

                  

G‹ D‹ B¨7 A7 D‹

                  

 
Hernán Possetti

EMPA AREA TANGO 79

 Quejas de Bandoneón
A7
Juan de Dios Filiberto

Gm   
Dm
   
A7 Dm

          

        
  
Bb7 A7 Dm A7 Dm A7 Dm
         

B

Dm
 
A7

A7

Dm
 
         


Dm
   
A7
   
A7
 
Dm
 
   


Dm
  
A7
 
A7
 
Dm
    
        

Gm Dm A7 Dm D7


 
   
     
 


Gm Dm A7 Dm


 
   
       

A7
A
 Gm
  
Dm
    
A7 Dm

      

Final

       
Bb7 A7 Dm A7 Dm A7 Dm
            
C


Dm Gm Gm7 Gm Dm
    
            

Dm A7 A7 Dm
           



Dm Gm Gm7 Gm
              

Dm Dm A7 A7 Dm A7 Dm
          
   
 
El Yerta Javier Cohen a B para variación
EMPA AREA TANGO 80
 Recuerdo Osvaldo Pugliese
A

   
F#m  C#7/G#
   
F#m/A (E7) A
 
D

D7 C#7
            


 

E7 A
                      
   

 
C#7 F#m F#7 Bm
                 
        


C#7 F#m D7 C#7 F#m C#7 F#m
      
                


F#m F#m
  
Bm

    
(C#7)
    

 
C#7  
F#m 
         


F#m

F#7
    
Bm 
      


C#7  
F#m
  
            
 
C

            
C#7 F#m E7 A
              

        C#7
           
C#7 Cº7 D D7
        

F#m         
     
C#7
    
El Yerta Javier Cohen
para variación

EMPA AREA TANGO 81

 Romance de Barrio Aníbal Troilo
Homero Manzi
A

Dm Dm/C E7/B Bb7
    
        
     
Gm6 A7 Dm Gm


          
   


Am7b5 D7 Gm Gm7 C7
     
      
A7

Gm7 C7 F∆
           

Dm Dm/C E7/B Bb7

 
       
     
Gm6 A7 Am7b5 D7
   
   

    


Gm7 C7 A7

F∆
        
   


Dm A7 Dm Dm C7 Bb7
 
      
B A7  Dm  Gm7 C7

                              
 

F∆ A7 Dm Dm/C

                  
Gm G#º7 A7 D7 Gm A7

         
         
Dm Dm/C EØ/Bb A7 Dm D7

      
                   
 
Gm6 A7 Dm Dm/C E7/B Bb7 A7 Dm

                                  
El Yerta Javier Cohen

EMPA AREA TANGO 82

 Soledad
Carlos Gardel
Alfredo Lepera

A
Eb Ebº7 Fm7 C7 Fm7 Bb7 Eb Bb7
       
            



Eb C7 Fm7 C7 F7 Bb7 Eb Bb7

     
                       
5

Eb Ebº7 Fm7 C7 Fm7 Bb7 Bbm7 Eb7

            
                  

Ab Abm Eb C7 F7 Bb7 Eb Ab interludio

  
                             


Gm7 Fm7 Eº7 Fm7 Eb6 F7 Bb7 Eb Bb7

      
                        
B
Ebm Bb7 Ebm Eb7 Abm Bb7 Ebm7 Bb7

                            


Ebm7 Db7 Gb F7 Bb7 Eb7

      
                         

Abm7 Db7 Gb Ebm7 Abm7 Aº7 Bb7

  
                           

Ebm Bb7 Ebm Eb7 Abm Bb7 Ebm Bb7 Ebm

                        

El Yerta Javier Cohen

EMPA AREA TANGO 83

 Sur Aníbal Troilo
Homero Manzi

A A E7 Dm7 B7 E7
  
                           
    
Dm Am B7 F7 E7
 
                       
5

  

 
E7 G7 C

    
A A Dm7
                 
 

            
E7 Am B7 E7 Am (Am G F)
  
           


E7 E7 E7 Am
         

        
Am Gm6 A7 Dm7 G7

          

           
C Dm7 B7 E7
 Dm

               


Am E7 A7

                    

Dm7 Am Am7/G B7/F# F7 E7 Am E7 Am

      
                  
El Yerta Javier Cohen

EMPA AREA TANGO 84

 Sur Aníbal Troilo
Homero Manzi
A

 
Dmaj7 D#º7 Em7 A7 Gm7 G#º7 A7
 
                             
 

 
Em7b5 A7 Dm Dm/C E7/B Bb7 A7

           
               

           
  
Dmaj7 Em7 A7 Dmaj7 Gm7 C7 Fmaj7

               

            
 
A7 Dm7 E7/B Bb7 A7 Dm ( Dm7 C Bb )
   
         

  
A7 Bb7 A7 Bb7 A7 Dm7 A7
       

Dm7 C#º7 Cm6 D7 Gm7 C7

            
      

Fmaj7 Dm7 Gm7 G#º7 A7 Em7b5 A7

                    
      
    

Dm7 Em7b5 A7 Am7 D7


          
 

        

Gm7 A7 Dm7 Dm7/C E7/B Bb7 A7 Dm A7 Dm


                            
El Yerta Javier Cohen

EMPA AREA TANGO 85

 Taquito militar
Mariano Mores

          
(A-)

       
 
(E7)

     
   


                              
9 (A-) A- G7
     
     
3 3

      
G7
                     
18 C A7 D-

     

3 3

     A-     E7 
         A-   

  
27 C
          
      

                   C    A-    
      
37 G7

       
   

47 E7

A-
            E7
     
                   
 

57 A- E7 A-
                
E7

                           

      C        3   F7 E7 D.S. y 2º al
67
   
A- G7 Fine
                          
  
3 
76 (A-)
             D-
    



            
  
82
  
E7 E7 A-
    
    
Adrián Lacruz
EMPA AREA TANGO 86
 Tarde
José Canet
A


Em Am B7 Em
          



      
           


Em (E7) Am B7 Em

5

                         

 
E7 E7 Am F#7
 
                        


F#7 B7 Am Em C B7
            
              



Em Am B7 Em B7 Em

                           
B


E7 Am D7 G
  
                   


B7 Em Am D7 G
                          


F#7 B7 Am Em
                         



      

Am B7 Em F#7 B7 Em B7 Em
        
          
El Yerta Javier Cohen

EMPA AREA TANGO 87

 Te lo digo por tu bien
Valle


G Am7 Bm7 Am7 G G7 C E7
                               
      

 
5 Am E7 Am7 E7 Am7 D7 G Am7 D7
                            



G Am7 Bm7 Am7 G G7 C E7
                            

1.
  
Am7 Cm6 G/B E7 A7 D7 G D7
            
       
      


G D7 G D7 G G/F# E7 Am F7 E7
                            
  


Am7 Am7 E7 Am Am/G F#m7b5 D7
                     
  


G Am7 D7 G D7 G D7 G F7F#7
                     


G7 C E7/B Am7 Cm6
                    



G/B E7 A7 D7 G D7
          
        

2.
 
A7 D7 Dm7 G7 C Cm7
                    



G F7 E7 A7 D7 G D7 G
 
        
        
El Yerta Javier Cohen
EMPA AREA TANGO 88
 Te Vas Milonga
Abel Fleury
A

Em B7
                        

 
           
Em Am Em B7 Em Em D C
                    
 

Em   
   
B7 Am6

Em/G

B7/F#
            B7   
        

                                  
B
Em B7 Em   



                                      
B7  Em B7 Em


                  B7
              
CB7 Em Em D C
      


Em7
 
B7 Em
  A B7
       
              



Em Am6 Em B7
                          
 
Em 
                 
Em D C B7 Am6 Em/G B7/F# Em
 
         
 
El Yerta Javier Cohen

EMPA AREA TANGO 89

 Tiempos viejos
Francisco Canaro
A Manuel Romero


AØ D7 Gm C7 F (A7)
           
                


Dm Dm/C G/B Gm/Bb EØ A7 Dm
  
                        

Cm D7 Gm C7 F
                 
        


Bb A7 EØ A7 Dm
                        
B


EØ A7 Dm EØ A7 Dm
 
                       


EØ A7 Dm EØ A7 Dm
 
                       

C7 F C7 F
               

 
   
 

EØ A7 Dm EØ A7 Dm (A7 Dm)
  
        
         


El Yerta Javier Cohen

EMPA AREA TANGO 90

 TIERRA QUERIDA
Julio De Caro
E7 A E7 A E7 A7
              
Luis Diaz
A7 D
  
            
  
             
D B7 Em A7 D D7
  
                      

G A7 D
                       
Em Bb7
  
          
A7 D D7 G
        
A7
     
                  
       

Dm
      E7     Dm   
Gm A7
               
     
Gm7
      
Gm

              
Dm Dm

    

Dm
 
Dm
 
E7
 
A7

                      

Dm
      Gm        
Dm
       
Gm

           

Dm D7 Gm7
            
Dm A7

       
E7

          
Gm7 E7

Dm Dm
               
            
 
A7 Dm Dm D7 Gm7 Gm7
                  
     
Dm
 
Dm E7 A7 Dm A7 Dm
                     
     
Hernán Possetti

EMPA AREA TANGO 91

 Tinta Roja Sebastián Piana
Cátulo Castillo

                     

C6 G7 C Dm7 G7 C6

      

  
C6 G F Em Dm7 C
 
5

                       

C G F Em Dm C
                      
  

    
Gm7 C7 F Dm7b5 G7 C G7
  
              

C Cdim7 Dm7 G7 C
             
    

 
Cm Ab7 G7 Ab7 Dm7b5 G7
          
     

             
Cm Gm7b5 C7 F7 Bb7 Eb7 Ab
    
        

    
Ab7 G7 Cm Ab7 G7 Ab7 Dm7b5 G7
            
  


Cm Gm7b5
  C7
      Bb7
F7
    
Eb7
 
Ab7 G7
  
Cm G7 Cm
            
El Yerta Javier Cohen

EMPA AREA TANGO 92

 Tirate un lance
Héctor Marcó
versión de Edmundo Rivero
Transcripción Javier Cohen

  
C Cm G E7

A7 D7

G E7 A7 D7
    
                   
        
    


5 G Am D7 G G Em C E7
                           


                            

Am A7 D7 D7


G Am D7 G Dm E7 Am
                           


C Cm G E7 A7 D7 G D7 G
                          


B7 Em B7 Em
            
 
         


A7 D D#º7 Em7 A7 D
                       


B7 Em C7 F B7 Em
                        

         
 
A7 D D#dim7 Em A7 D D7
          
   
 
C Cm G E7 A7 D7 G D7 G

              
       
   


G Am D7 G G Em C E7 Am Am7 D7
                                      


A7 D7 G Am D7 G Dm E7 Am
                                      


C Cm G E7 A7 D7 G F7 E7
                       

   
Am7 F9 G/B F7 E7 A7 D7 G D7 G
               
   
 
El Yerta Javier Cohen

EMPA AREA TANGO 93

 TORMENTO

AMADORI - CHARLO
D D#º Em7 A7 D6
 
1

     
                         

D/F# Fº7 Em7 A7 D A7

  
                       


D D#º Em7 A7 F#7

   
                         

G6 G#º D/F# B7 Em7 A7 D A7 D

     
           
        

Dm Gm Dm Gm Dm A7 Dm

           
              

Dm C7 F E7 A7 Dm EØ


                  

Gm Bb7 Dm

Dm/F Dm A7 Dm A7
   
             
 

Hernán Possetti

EMPA AREA TANGO 94

 Trenzas Homero Expósito
Armando Pontier

      
Dm A7 Dm A7 Cm D7 Gm
                  

5 Gm7 C7 F EØ A7 Dm
                            

      
Dm A7 Dm A7 Cm D7 Gm
                  

EØ A7 Dm Dm/C E7/B Bb7 A7 Dm

                        
  
  

Gm6 A7 Dm7 A7 Dm
    
 
     
       

     
Gm6 A7 AØ D7 Eb7
         
  


D7 Gm Gm6 Bb7 A7
                         

Cm AØ D7 Gm D7 Gm Gm7
                         


C7 F Bbm6 Gm6 A7 Dm A7 Dm
                
  
   
    
El Yerta Javier Cohen

EMPA AREA TANGO 95

 Tres Amigos
Enrique Cadícamo
R. Luna
A

Dm A7 Dm A7 Dm
                            

D7 Gm C7 F A7
        
5

           



Dm A7 Dm A7 Dm Bb7
 
                       
3 3
  

B A7 D F#7 Bm
        
           


A7 D F#7 Bm
      
                

Bm F#7 F#7 Bm

                    

Bm F#7 F#7 Bm
      
              

A7 D F#7 Bm F#7 Bm
         
           
El Yerta Javier Cohen

EMPA AREA TANGO 96

 UNO Mariano Mores
Enrique Santos Discepolo

C E7 A7 Gm7 A7

                           
Dm Dm+5 Dm6 Dm7 G7

                          

C^ C07 C^ B¨7 A7 Dm7

                          
G7 C^ F F#07

                         

C/G A7 Dm7 Dm7 A¨7 G7

                   
3

    
G7 C C#5 C6 A7

         
      


     
Dm Dm#5 Dm6 Dm Dm#5 Dm6 G7 C^

       
     

C^ Eb07 Dm

                   
     

G7 Dm7 G7 C^

      
                  

C C C#5 C6 A7 Dm Dm#5

    
             


Dm6 F Fm C^ B¨7

             
    

A7 Dm7 D7 G7 C G7 C

             
 
   
Hernán Possetti

EMPA AREA TANGO 97

 Ventarrón
Pedro Maffia
José Staffolani

intro
Cm Fm6 Cm G7 Cm Fm Cm D7 G7
      
                          


Cm G7 Dm7b5 G7 Cm
 
  
    
            
    

C7 Fm D7 G7
        
               
 

 
Cm G7/B Dm7b5 G7 Cm

       
            
  
  

Gm7b5 C7 Fm D7 G7 Cm Fm6
      
                     


Cm G7 Cm Fm6 Cm Ab7 G7 Cm G7 Cm
   
                       

B
G7 Cm Fm7 Bb7 Eb
   
   
              

D7 G7 Fm6 Cm G7 Cm Cm Bb7 Ab7


                  
 

G7 Cm Fm7 Bb7 Eb
   
    
             

D7 G7 Fm Cm Dm7b5 G7 Cm G7 Cm

                 
 
El Yerta Javier Cohen

EMPA AREA TANGO 98

 Volver
Carlos Gardel
Alfredo Lepera

Am Am7 Dm E7 Am G7
                  
A

     

C
      Gm
    A7
    Dm7
   
G7
  
C

     

                
E7 Am Dm B7 E7 Bb7 A7
         

F7    E7
                F7 E7  G7
 
Dm7 E7 Am7 B7
     


C Dm7 Am7 Dm7 Am7 F7 E7 A E7
              
            

                 
A A#º7 Bm7 E7 A Dm6 B7 E7
      

       
 
A Em7 A7 D D#º7 A/E G7

    

                             

F#7 Bm7 Cº7 C#m7 D C#m7 Bm7 A A#º7
 

                      
Bm7 E7 A F#7 B7 E7 A E7 A
 
 
El Yerta Javier Cohen

EMPA AREA TANGO 99

 Yuyo Verde Homero Expósito
Domingo Federico

A
C E7 A7    
D-

         
    

                    
D- G7 Cmaj7 A-7 D7 D-7 Ab7 G7
    


C E7 A7    
D-

         
    

                   
D-7 G7 E-7 A-7 D-7 G7 C (G7 C)
    

B
C- D7 G7 C- C7 F- C7 F-
         
              


DØ
  G7
    C-
  C-/Bb
    D7

Ab7 G7
           

C- D7 G7 C- C7 F- C7 F-
         
              


DØ
  G7         
    C- C-/Bb D7/A G7 C- (G7 C-)
          
El Yerta Javier Cohen

EMPA AREA TANGO 100