7.

Which of the following best describes the

relationship between passage A and passage B?
(A) Passage A and passage B both present similar
solutions to the same problem.
(B) Passage A presents a problem and passage B
presents a solution to that problem.
(C) Passage B explicitly contradicts a set of
implicit assumptions made by the author of
passage A.
(D) Passage A and passage B both describe
similar movements arising from the same
circumstances.
(E) Passage B discusses a refinement of an idea
that passage A presents as a broad outline.
8. Which of the following can be inferred from
passage A about theater in the early twentieth
century?
(A) The advent of agit-prop theatre was a wholly
new concept of political theatre intended to
provoke its audience to take action.
(B) The political ideas advocated by plays such
as the push for organized labor was the
result of people like Lee Strasburg importing
ideas from Russians like Stanislavski.
(C) Broadway was more likely to feature a
musical or lighthearted comedy in 1920
than a tragic play portraying a struggling
family.
(D) Audiences lost interest in “serious drama”
after the end of the Depression.
(E) Playwrights and actors resented the
political nature of the plays and, when
the Depression ended, forced the theater
managers to go back to the pre-Depression
types of theater