Quatre Mazurkas

Op. 6 No. 1
À mlle la Comtesse Pauline Plater Frédéric François Chopin

  3 2
                        
( = 132) 4
5 3


1 2 3 5 3

    
         
3

  



cresc.

 
     

 3 3
                     
     
4
2 3 1 3 1 3 1 2

         
      
3

      
dim.

 5 4
legato 5 4 54
  5

 
  3      
                     

8


1 3 3

         
            
3

  

cresc.


1 rubato


3

4 5
     

         

       
            
5
1 5 5
12

 
3 3 3
1 2


                  
   
 riten  3

2 2 1
5 3
    
2

  2             
    1    4      
17
3

         1       
   
 
 3 2 1       
 



 

 

 
   3 1  4                5    
5 5

    
   

   3       
21 Tempo I 1

           1             5     
    3 2 1  
   
rallent.


 

 5  5

   
                
         3      
     

26


3

      
3

   
    
        
 
dim.


cresc.

 
legato

 3             
                       
31 3


1 2

     cresc.  
             
 

      
3 3

  

          

 

 
 

     
 

            
36


3


     

 
  
 
 

     
 
  3



 4  5  5  3  
       
         
       


2 2 1

       
  
5 3


 



41

 
    23  1  23 
     
 
    1   


  1
 scherz. 1 1 1 
4 5 4 1

    4
1 1
4 
5
  
      
                    
3

                          

  
45

    
 
  
  23      
      
      


   
1


     
       
                          
 

 
 

             





 
50


        
       
 
           
 

 



1 1

       
      
  1 1 1
4 5 4
  

              
                     

55


a tempo 3

       
      
    
    
3

    
1
riten.

   
      

     3                     
   
60

     
3

             
     
3


  legato

 
  3      
                     
64 3

          
     
  

3

 

          

      
            
68
3

   
     

  
  
  
     
 
3


 riten 