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  • Experience (L. Einaudi) - Violin

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    Riccardo Balsamo
    4 views2 pages
    This document appears to be a resume or experience profile for someone with violin experience. It consists primarily of empty boxes and lines that likely represent different positions, dates of employment, and violin-related skills/experience over several years. Key details include violin experience from 1992 to present, various orchestra and ensemble experience from 1992 to 2017, and positions involving teaching violin from 2009 to present.

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    Experience (L. Einaudi)-Violin

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    This document appears to be a resume or experience profile for someone with violin experience. It consists primarily of empty boxes and lines that likely represent different positions, dates of employment, and violin-related skills/experience over several years. Key details include violin experience from 1992 to present, various orchestra and ensemble experience from 1992 to 2017, and positions involving teaching violin from 2009 to present.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    4 views2 pages

    Experience (L. Einaudi) - Violin

    Uploaded by

    Riccardo Balsamo
    This document appears to be a resume or experience profile for someone with violin experience. It consists primarily of empty boxes and lines that likely represent different positions, dates of employment, and violin-related skills/experience over several years. Key details include violin experience from 1992 to present, various orchestra and ensemble experience from 1992 to 2017, and positions involving teaching violin from 2009 to present.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    Violin experience

                                       
     = 92

     

                  
     

                 
      
    21

         
     

                      


    31

            
                  
    36

     
                      
    39

       

     
              
    42

           

      
       
    44

     
              
    46

           

                    


       
    48

       

          
       
                
    52

      
        
                               
    70

     

                                    
        
    87

         
                
     
    93

     

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