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Imagine a whisper and a scream on the same audio track if they were the same
difference in loudness as they are in real life it would be pretty distracting. Compressors work
by attenuating the loudest parts of your signal and boosting the result. After compression
the quieter parts of the signal are more apparent since the dynamic range has been reduced.
When you're dialing in a compressor you have to listen for the signals dynamics not
its timbre, as you adjust your settings, ask yourself: What parts of my signal are becoming
more apparently loud, what's happening to my transients and dynamic range? Is it obvious
where the gain production is occuring, am I making things worse? Most common settings on
a compressor are threshold: ratio attack and release.