GUITAR ENSEMBLE WORKBOOK SIGHT READING 1 BY DON STERLING AND WILLIAM LEAVITTTHE RUDIMENTS OF muSIC LINES (THE STAPF) SPACES = TREBLE CLEFF } g = a SS a ket he He +H st fh Ly, ' THE STAPF IS DIVIDED INTO MEASURES BY VERTICAL LINES CALLED BARS SSS eS MEASURE BAR MEASURE BAR MEASURE BAR MEASURE DOUBLE BARS MARK THE END OF A SECTION OR STRAIN OF MUSIC ee — = ==NOTES AND COMPARATIVE RESTS (SILENCE) NOTES E ros WHOLE (NOTE) HALF FOUR COUNTS 2 COUNTS RESTS THE TIME SIGNATURE TOP NUMBER INDICATES THE NUMBER OF BEATS PER MEASURE i BOTIOM NUMBER INDICATES THE TYPE OF NOTE RECEIVING GNE BEAT ee 4 BEATS PER MEASURE A QUARTER NOTE RECEIVES ONE BEAT 3 BEATS PER MEASURE ae A QUARTER NOTE RECEIVES ONE BEAT 2 BEATS PER MEASURE = A QUARTER NOTE RECELVES ONE BEATL.cOUNT (ALL EVEN BEATS) WHOLE NOTE Bf ge _ VEVE VR YF PROM NOW ON BEAT YOUR FOOT AND COUNT WHEN YOU PLAY =f == SS] 236 725¢ t 3 L 5. CwiteLe REST) SS] es SSS = ——————— ES] * ALL MATERIAL SHOULD BE PLAYED - SLOW = MEDIUM - FAST **GUITARISTS: 2nd position will accomodate all material through page 42.7 COMMON TIME, — =e 3 =| Sa SS Ses eee eee000 = LEGO Steen oor teat Seuecary = r Gunetee Norte 1 00) non Bees : ! ,2s @ tn 3 ¢ 2346 23 4 roots Yh yt yt yt (ALL NUMBEES DewN) a _ a eS | ‘z a. BURT REET * aes sao cb 5 “ st | SSS SS ee SS Sea43 re si3I¢ tne, d_ Dane HME NOE = 3 Bears 5 1H bor 1s cou @ dae rH Yuu OF Ti woe Befete ot eS =| == ————— =H 4 2 3 6. aa nr= Zz A =e 1 10SSS 3, Gwaroe Seaue 4, CHISOR SCALE 5, DNATIR Seake a | /KEY Signa (REV oF E mate F Madi Seale) 12Aes ATE SA auld Link concerns Tht NOTES worth RE Same Art! Tie Giést Abr is FAHD Ad HELD FOC THE Dudemenl OF Bory AbmEs, THE Sécob Atte oS wor stuck Sur HELA.iE — Es a= =e == = = = = | ee [= 2 SF = = $F‘HE Refer sien! Ie ' Gi WH Hele GRE TE = j _ . = =A THiS VANS 0 KGPKAT cin! Foo THe SeanNing — 3. a 4, SSS 2S | & ea sian) - ered tHe Precewe mensuite 8. Z ATS - GIT HE PheEDINE Leute 4% ge. ~ a ee eee wee a | / S54 SerTHe EIGHTH NOTE ) () Ye eet JI J = oe oer x ew ot. ser Bont Pm A MUMbER oe au LEI al L foots dow = uP aa a ae 4 fe fg jo =e —_ ia \7 Va 4 fg. _4 é c =—— ——————J f z ——— rs - vt Ww) W yt 4 M) Ww) Cay SVENLY * DOUNUP b UP OUP ‘oeuy) | po¢ ge 3g + gull i+ g+ Gre y pe E == r= || if Ir je lt \7 vy oY jk se =i 3 4 = - ——- -. f r——F- ytutyver W ptut eryer count Peau fest Tne / SHAT ae Hind h ----- = ten 8 6 3 e246 t2a¢ cs ; 4 RS = —y a wt - 4 toa g4 4 12 44 1 Fe oé 12 a9¢=A eae fea SS 1 he ec ok : fe SS oss mpm es g --554 mrs AAAL Nis we 8 Poated Use TAL NAS ED OE. ha) Dee Se pee re 6. Ptteettter J 24 4 A AA SS SSS 8g = SlINTONATION STUPIES i E # — = ——t = Ee = = — + = =22,8Fine 157 Aud Zaid ENDAIESA £ a —_ Be z se t + Le € +—— = — === A z i AL = Se Trege ¢ Rae pa gS + z =e A Fe —— te aqposs A > a - feaes © eri? 3> ‘ire rheeANTici PATIO! f sa A A wis ot He === Se 3.4 tu 12346 4— Tine | 3 4+ a= ANTEDLLUVIAN BLUES A - A - a = = ANTICIPATORY BLUES ‘ AA Qe=== + 2 ae | 2ewae A AA —- ‘4 == Se pee aes ragae ALA A A ALA A eS SS Sey Seeienen ie + 4¢. 2 Se ——— —— 12 34 +7 124¢ Et Ee ——— =a Fa 3¢ 2 94% ve 39 ¢€% 7 couteLa dt adLege IEUKT— Vy end 4 aa34 2 4 =} tr 234+ t+23 4DEL branes PAREUIMENITO TKey of A MazonKEUENMTEN epee = f+24+5 4+ G4 2 Fede torsagg # GEWEGUNG a_ 4 if 7 ¥ ii SS A 4OFS 40 APT. aud ul? FeoM de c2DAExeeto DAL SEND 10S) - Go Bac 1 tHe SGN CP) anid Pun 0 ANE coud), q Se > Rill > dill wy! sll Mt Se > {1 Nib» ene We LLUTether Pickle nerés WeMATOR SCALES IN THE IND Positicn! A UASHR SOMME (Fin 1496 4) = = Sey SS = | D HAIR SCALE (THRE 3) == a= GHidok SCALE CTYPE 2% C ritdoR Seaue (1¥PE 1 ——— Fa == —— SS =r = = MATOR SCALES in THE StH POSITION! Cusile 1 DING ( « LEAN oie, THe. FreceD IG 4) FINGERINGS . LEALN THE FoLwine SCALES IN PPS. ILI xz F Hasek SCALE (THRE 3) > Hasok Seat (8998 2) =: S ; - eb oigek Scaue (THE 4) Se ———i INGAAS Covonerton) Position V SAAS Cote SuouiL? h ll i tr oF eta7 L Position Y 7a |, Position ke =A -A =i itueseroPos: ¥ suggested for pages 49 thra-59 he= Si¢ie—= ss 355 dloF aS fs pet57 =e tee igsDouble Lxfosuire